Nostalgic yet modernly apropos, Porch Living provides the venue of venues to grasp the goodness of both the home and garden. From the contemporary yet classically rooted outdoor fabrics and furnishings that make porches chic and cherished, to the hanging baskets and planters chock-full of seasonal delights, today's porches offer comfort and elegance, and, most importantly, an addition to the home and garden. Whether jettisoned boldly into parterres aplenty or delightfully diminutive, a grand outdoor salon or sleeping nook, the porch represents how we live and how to gloriously live hinged to and romantically suspended in the home and garden.

James T. Farmer III is the author of A Time to Plant. His company, James Farmer Designs, specializes in landscape and interior design. James is a proponent of garden living and entertaining, and weaving the bounties of the garden into daily life. He has appeared on the Today show and is a regular contributor to Southern Living. Find him at www.JamesFarmer.com. He lives in Kathleen, Georgia.

The happy space nestled betwixt nature and nest

In many different parts of the world modern furniture elements have served as material expressions of power in the post-war era. They were often meant to express an international and in some respects apolitical modern language, but when placed in a sensitive setting or a meaningful architectural context, they were highly capable of negotiating or manipulating ideological messages. The agency of modern furniture was often less overt than that of political slogans or statements, but as the chapters in this book reveal, it had the potential of becoming a persuasive and malleable ally in very diverse politically charged arenas, including embassies, governmental ministries, showrooms, exhibitions, design schools, libraries, museums and even prisons. This collection of chapters examines the consolidating as well as the disrupting force of modern furniture in the global context between 1945 and the mid-1970s. The volume shows that key to understanding this phenomenon is the study of the national as well as transnational systems through which it was launched, promoted and received. While some chapters squarely focus on individual furniture elements as vehicles communicating political and social meaning, others consider the role of furniture within potent sites that demand careful negotiation, whether between governments, cultures, or buyer and seller. In doing so, the book explicitly engages different scholarly fields: design history, history of interior architecture, architectural history, cultural history, diplomatic and political history, postcolonial studies, tourism studies, material culture studies, furniture history, and heritage and preservation studies. Taken together, the narratives and case studies compiled in this volume offer a better understanding of the political agency of post-war modern furniture in its original historical context. At the same time, they will enrich current debates on reuse, relocation or reproduction of some of these elements.

The words "en passant" express Jean-Loup Daraux's approach to interior design. He creates simple yet elegant spaces that generate the impression everything was designed and rendered in passing or, as he says, "as if by magic." "And Dreams of Home" is a vivid photographic tour of the noted French interior designer's country home located in the south of France.

The Production Sites of Architecture examines the intimate link between material sites and meaning. It explores questions such as: how do spatial configurations produce meaning? What are alternative modes of knowledge production? How do these change our understanding of architectural knowledge? Featuring essays from an international range of scholars, the book accepts that everything about the production of architecture has social significance. It focuses on two areas: firstly, relationships of spatial configuration, form, order and classification; secondly, the interaction of architecture and these notions with other areas of knowledge, such as literature, inscriptions, interpretations, and theories of classification, ordering and invention. Moving beyond perspectives which divide architecture into either an aesthetic or practical art, the authors show how buildings are informed by intersections between site and content, space and idea, thought and materiality, architecture and imagination. Presenting illustrated case studies of works by architects and artists including Amale Andraos, Dan Wood, OMA, Koen Deprez and John Soane, The Production Sites of Architecture makes a major contribution to our understanding of architectural theory.

Organic Design in Twentieth-Century Nordic Architecture presents a communicable and useful definition of organic architecture that reaches beyond constraints. The book focuses on the works and writings of architects in Nordic countries, such as Sigurd Lewerentz, Jorn Utzon, Sverre Fehn and the Aaltos (Aino, Elissa and Alvar), among others. It is structured around the ideas of organic design principles that influenced them and allowed their work to evolve from one building to another. Erik Champion argues organic architecture can be viewed as a concerted attempt to thematically unify the built environment through the allegorical expression of ongoing interaction between designer, architectural brief and building-as-process. With over 140 black and white images, this book is an intriguing read for architecture students and professionals alike.

Creating Sensory Spaces celebrates spaces enlivened with sensual richness and provides you with the knowledge and tools necessary to create them. Drawing on numerous built case studies in ten countries and illustrated with over 85 full color images, the book presents a new framework for the design of sensory spaces including light, color, temperature, smell, sound, and touch. Bridging across disciplines of architecture, engineering, phenomenology and perceptual psychology, this book informs the design of buildings and neighborhoods that reclaim the role of the body and all the senses in creating memorable experiences of place and belonging.

***WINNER OF A NAUTILUS 2017 SILVER MEDAL BOOK AWARD*** Adaptive Sensory Environments: An Introduction presents a cutting-edge methodology for adaptive sensory design by fostering an inter-disciplinary approach in which aspects of neuroscience, biophilia, captology, nanotechnology, kinetics, and sensemaking all play critical roles in helping adaptive architecture "tune" to occupants. Furthermore, the book illustrates how adaptive sensory environments transform and uplift quality of life in entirely new ways, by strategically unlocking the potential that technological innovations bring. By teaching scholars, researchers, practitioners, specialists, and consultants how to design architecture that guides what emerging interactive technology can do, it allows them to see deeper into an architectural design, to extend beyond interaction and, ultimately, to build environments that adapt by changing and growing with their occupants' immediate needs and long-term goals.

***WINNER OF A NAUTILUS 2017 SILVER MEDAL BOOK AWARD*** Adaptive Sensory Environments: An Introduction presents a cutting-edge methodology for adaptive sensory design by fostering an inter-disciplinary approach in which aspects of neuroscience, biophilia, captology, nanotechnology, kinetics, and sensemaking all play critical roles in helping adaptive architecture "tune" to occupants. Furthermore, the book illustrates how adaptive sensory environments transform and uplift quality of life in entirely new ways, by strategically unlocking the potential that technological innovations bring. By teaching scholars, researchers, practitioners, specialists, and consultants how to design architecture that guides what emerging interactive technology can do, it allows them to see deeper into an architectural design, to extend beyond interaction and, ultimately, to build environments that adapt by changing and growing with their occupants' immediate needs and long-term goals.

This reprint of an 1882 publication features 52 plates of original designs by the author and other prominent American architects. The images include elevations and details of fireplaces, staircases, windows, parlours, libraries, and other interiors of residences, offices, and stores.

The theme of this book is that light is an inseparable part of architectural design, and is intended to provide students of architecture and interior design with a graphic guideline to the fundamental role lighting plays in this process. While simple light sources may be enough to satisfy practical needs, the design process must expand beyond basic illumination. The challenge for architects and designers is the creation of luminous environments offering visual interest and a sense of well-being, while also meeting basic seeing needs. Technological advances provide opportunities for the lighting designer's creative introduction of light, and the visual and psychological perceptions of the illuminated architectural environment. Fundamentals of Architectural Lighting offers a complete comprehensive guide to the basics of lighting design, equipping students and practitioners with the tools and ideas they need to master a variety of lighting techniques. The book is extensively illustrated with over 250 illustrations to demonstrate basic principles and procedures. It is an excellent resource for anyone interested in the fundamentals of integrated lighting for architectural interior spaces.

Bringing together 12 original essays, Shaping the American Interior maps out, for the first time, the development and definition of the field of interiors in the United States in the period from 1870 until 1960. Its interdisciplinary approach encompasses a broad range of people, contexts, and practices, revealing the design of the interior as a collaborative modern enterprise comprising art, design, manufacture, commerce, and identity construction. Rooted in the expansion of mass production and consumption in the last years of the nineteenth century, new and diverse structures came to define the field and provide formal and informal contexts for design work. Intertwined with, but distinct from, architecture and merchandising, interiors encompassed a diffuse range of individuals, institutions, and organizations engaged in the definition of identity, the development of expertise, and the promotion of consumption. This volume investigates the fluid pre-history of the American profession of interior design, charting attempts to commoditize taste, shape modern conceptions of gender and professionalism, define expertise and authority through principles and standards, marry art with industry and commerce, and shape mass culture in the United States.

AutoCAD 2015 for Interior Design and Space Planning helps students understand the commands and features of AutoCAD 2015 and demonstrates how to use the program to complete interior design and space planning projects. Covering both two- and three-dimensional drawings, the text provides abundant exercises that walk students step-by-step through the use of AutoCAD prompts and commands. Using numerous illustrations, the text captures the essence of this powerful program and the importance it plays in the interior design, architecture and space planning professions. Features include: * Covers new AutoCAD 2015 interface * Progresses from basic commands to complex drawing exercises. * Provides over 100 exercises and projects. * Highlights seven projects appropriate for interior design, space planning and architecture students. * Includes coverage of the AutoCAD DesignCenter * Covers solid modeling in two chapters

The Handbook of Interior Design explores ways of thinking that inform the discipline of interior design. It challenges readers to consider the connections within theory, research, and practice and the critical underpinnings that have shaped interior design. * Offers a theory of interior design by moving beyond a descriptive approach to the discipline to a 'why and how' study of interiors * Provides a full overview of the most current Interior Design research and scholarly thought from around the world * Explores examples of research designs and methodological approaches that are applicable to interior design upper division and graduate education courses * Brings together an international team of contributors, including well established scholars alongside emerging voices in the field reflecting mature and emergent ideas, research, and philosophies in the field * Exemplifies where interior design sits in its maturation as a discipline and profession through inclusion of diverse authors, topics, and ideas

Despite policy directives, standards and guidelines, indoor environmental quality is still poor in many cases. The Healthy Indoor Environment, winner of the 2016 IDEC Book Award, aims to help architects, building engineers and anyone concerned with the wellbeing of building occupants to better understand the effects of spending time in buildings on health and comfort. In three clear parts dedicated to mechanisms, assessment and analysis, the book looks at different indoor stressors and their effects on wellbeing in a variety of scenarios with a range of tools and methods. The book supports a more holistic way of evaluating indoor environments and argues that a clear understanding of how the human body and mind receive, perceive and respond to indoor conditions is needed. At the national, European and worldwide level, it is acknowledged that a healthy and comfortable indoor environment is important both for the quality of life, now and in the future, and for the creation of truly sustainable buildings. Moreover, current methods of risk assessment are no longer adequate: a different view on indoor environment is required. Highly illustrated and full of practical examples, the book makes recommendations for future procedures for investigating indoor environmental quality based on an interdisciplinary understanding of the mechanisms of responses to stressors. It forms the basis for the development of an integrated approach towards assessment of indoor environmental quality.

History of Interior Design is a comprehensive survey covering the design history of architecture, interiors, furniture, and accessories in civilizations all over the world, from ancient times to the present century. With a primary focus on Western civilizations, it also explores Eastern design history. Each chapter begins with background information about the social and cultural context and technical innovations of the period and place and shows their impact on interior design motifs. Throughout the text, influences of the styles and design solution of one culture on others are highlighted, demonstrating how interior design has evolved as a continuing exchange of ideas. Major architects and designers of each period and their signature styles are also discussed and are featured in a biographical appendix. Vocabulary terms called out in the text are defined in a comprehensive glossary. This is a book that all interior design students can benefit from as they use an understanding of the past to create a sense of the present and inspiration for future directions in their own design aesthetic. Features -- Boxes featuring design motifs of each period -- Notations of influences of design ideas of cultures on one another -- Consistent organization of chapters to facilitate understanding of the context in which period styles evolve -- More than 700 unique full-color photographs by the author from her worldwide travels -- Instructor's Guide provides suggestions for planning the course and using the text in the classroom -- PowerPoint(r) Presentation provides outlines and ideas for lectures; compatible with PC and Mac platforms

Discover a practical guide to residential space planning, in this room-by-room guide with up-to-date info on accessibility, ergonomics, and building systems In the newly revised Fourth Edition of Residential Interior Design: A Guide to Planning Spaces, an accomplished team of design professionals delivers the gold standard in practical, human-centered residential interior design. Authors Maureen Mitton and Courtney Nystuen explore every critical component of interior architecture from the perspective of ergonomics and daily use. The text functions as a guide for interior design students and early-career professionals seeking a handbook for the design of livable, functional, and beautiful spaces. It includes hundreds of drawings and photographs that illustrate key concepts in interior design, as well as room-by-room coverage of applicable building codes and sustainability standards. The authors also cover all-new applications of smart building technology and updated residential building codes and accessibility standards. The book also includes: A thorough introduction to the design of interior residential spaces, including discussions of accessibility, universal design, visibility, sustainability, ergonomics, and organizational flow In-depth examinations of kitchens, bathrooms, and the fundamentals of residential building construction and structure Comprehensive explorations of entrances and circulation spaces, including foyer and entry areas, vertical movement, and electrical and mechanical considerations Practical discussions of bedrooms, leisure spaces, utility, and workspaces An overview of human behavior and culture related to housing Updates made to reflect changes in the 2021 International Residential Code (IRC) The latest edition of Residential Interior Design: A Guide to Planning Spaces is ideal for instructors and students in interior design programs that include interior design, residential design, or residential interior architecture courses. This edition provides updated content related to CIDA standards in human centered design, regulations and guidelines, global context, construction, environmental systems, and human wellbeing. It's also an indispensable resource for anyone preparing for the NCIDQ, the interior design qualification exam.

This fully revised, new edition of Innovations in Hospice Architecture responds to the need for an up-to-date, theoretically based reference book summarizing key historical and recent developments with respect to this rapidly evolving building type. This Second Edition presents: an overview of the historical origins of the contemporary hospice the diverse variations on the basic premise of hospice care a review of the scant architectural literature published on this subject to date a broad series of case studies of exemplary hospices around the world planning and design concepts for palliative care environments. Case study projects are from Japan, Canada, Europe, Africa, Australia, Indonesia, China, the United States and South America. Thirty-six case studies are individually presented and comparatively analysed, and prognostications for the future of hospice architecture are examined. Each case includes floor plans, technical drawings and beautiful, full colour illustrations. Through an in-depth discussion of the inner profundities of hospice architecture, the book presents this type as a humane, genuine expression of the spiritual, physical and psychosocial dimensions of the contemporary death and dying movement. Written with a broad audience in mind, the book provides both technical and conceptual information, blending narrative, images and diagrammation so that the audience may understand and articulate the complexities of this specialized building type in professional practice contexts.

Architecture and Health recognizes the built environment and health as inextricable encouraging a new mind-set for the profession. Over 40 international award-winning projects are included to explore innovative design principles linked to health outcomes. The book is organized into three interdependent health domains-individual, community, and global-in which each case study proposes context-specific architectural responses. Case studies include children's hospitals, rehabilitation facilities, elderly housing, mental health facilities, cancer support centers, clinics, healthy communities, healthcare campuses, wellness centers, healing gardens, commercial offices, infrastructure for developing countries, sustainable design, and more. Representing the United States, Africa, Asia, Europe, and Australia, each author brings a new perspective to health and its related architectural response. This book brings a timely focus to a subject matter commonly constricted by normative building practices and transforms the dialogue into one of creativity and innovation. With over 200 color images, this book is an essential read for architects, designers, and students to explore and analyze designed environments that promote health and well-being.

Artist and designer Luke Edward Hall, based in London, has taken the design world by storm with his playful, nostalgic, charming, and sophisticated interiors, fabrics, ceramics, furniture, stationery, prints, drawings, and paintings. With a strong belief that his artwork, decor, and interior design convey "happiness and optimism," whimsical and romantic themes and a bright coluor palette are purposeful hallmarks of the wunderkind's aesthetic. Before the age of 30, Luke has already collaborated with some of the world's most prestigious creative brands and garnered acclaim from The New York Times, Vogue, and many of the most influential arts, design, and fashion publications. teNeues is proud to debut the exciting, beautiful, and exuberant first monograph of the brilliant Luke Edward Hall. After graduating from the esteemed Central Saint Martins, Luke Edward Hall began his career in interior design before establishing his own studio in 2015, and has since worked across a broad range of art and design commissions and interior design projects. He has expanded his portfolio to design collections of housewares, table linens, ceramics, stationery, embroidered slippers, clothing, and jewellery, and more. Burberry, Liberty London, Svenskt Tenn, Rowing Blazers, Christie's, and the Royal Academy of London are among his notable clientele. Luke has exhibited his artwork in London and Stockholm and contributed art pieces and his writings to such lauded culture magazines as Cabana, House & Garden, and Pleasure Garden. He is currently a regular columnist for the House & Home section of the Financial Times. www.lukeedwardhall.com

UnDoing Buildings: Adaptive Reuse and Cultural Memory discusses one of the greatest challenges for twenty-first-century society: what is to be done with the huge stock of existing buildings that have outlived the function for which they were built? Their worth is well recognised and the importance of retaining them has been long debated, but if they are to be saved, what is to be done with these redundant buildings? This book argues that remodelling is a healthy and environmentally friendly approach. Issues of heritage, conservation, sustainability and smartness are at the forefront of many discussions about architecture today and adaptive reuse offers the opportunity to reinforce the particular character of an area using up-to-date digital and construction techniques for a contemporary population. Issues of collective memory and identity combined with ideas of tradition, history and culture mean that it is possible to retain a sense of continuity with the past as a way of creating the future. UnDoing Buildings: Adaptive Reuse and Cultural Memory has an international perspective and will be of interest to upper level students and professionals working on the fields of Interior Design, Interior Architecture, Architecture, Conservation, Urban Design and Development.

Walter Benjamin observed in his writings on the interior that 'to live means to leave traces.' This interior design theory reader focuses on just how such traces might manifest themselves. In order to explore interior design's links to other disciplines, the selected texts reflect a wide range of interests extending beyond the traditional confines of design and architecture. It is conceived as a matrix, which intersects social, political, psychological, philosophical, technological and gender discourse, with practice issues, such as materials, lighting, colour, furnishing, and the body. The anthology presents a complex and sometimes conflicting terrain, while also creating a distinct body of knowledge particular to the interior. Locating theory on the interior through these multifarious sources, it encourages future discourse in an area often marginalised but now emerging in its own right.

Within the reader individual excerpts are referenced to their place in the matrix and sequenced alphabetically. This organising strategy resists both a chronological and themed structure in order to provoke associations and inferences between excerpts. In this way the book offers the possibility of examining the interior from multiple vantage points: a disciplinary focus, the spatial and physical attributes of interiors, historical sequence, and topical issue based. Excerpts from Thomas Hope, Catherine E. Beecher and Harriet Beecher Stowe, Edith Wharton and Charles Eastlake provide contemporary nineteenth century accounts as the profession emerges, whereas Barbara Penner, Penny Sparke, Charles Rice, Georges Teyssot and Rebecca Houze offer re-interpretations of this period. The complexities of thetwentieth-century interior are revealed by Robyn Longhurst, Kevin Melchionne, George Wagner, John Macgregor Wise, Joel Sanders and many others.

Decorative plasterwork was created by skilled craftsmen, and for over four hundred years it has been an essential part of the interior decoration of the British country house. In this detailed and comprehensive study, Geoffrey Beard has created a book that will delight the eye and inform the interested reader. For those who have sometimes been puzzled by the complexities of plaster decoration it will be a most useful work of reference on a fascinating art form, about which no book has been published for nearly fifty years. After discussing the part that patrons played in commissioning and financing these beautiful decorations, a useful chapter is devoted to materials and methods of work and here the author describes the ingredients of good plaster; he has studied the work of present-day English plasterers and Swiss stucco-restorers in order to establish precisely how the materials of plaster and stucco were composed and used.

Ethics is one of the most important and least understood aspects of design practice. In his latest book, Thomas Fisher shows how ethics are inherent to the making of architecture - and how architecture offers an unusual and useful way of looking at ethics. The Architecture of Ethics helps students in architecture and other design disciplines to understand the major approaches to ethics and to apply them to the daily challenges they face in their work. The book covers each of the four dominant approaches to ethics: virtue ethics, social contract ethics, duty ethics, and utilitarian ethics. Each chapter examines the dilemmas designers face from the perspective of one of these categories. Written in an accessible, jargon-free style, the text also features 100 illustrations to help integrate these concepts into the design process and to support visual understanding. Ethics is now a required part of accredited architecture programs, making this book essential reading for all students in architecture and design.