Douglas Burrage Snelling (1916-85) was one of Britain's significant emigre architects and designers. Born in Kent and educated in New Zealand, he became one of Australia's leading mid-century architects, of luxury residences and commercial buildings, and a trend-setting designer of furniture, interiors and landscapes. This is the first comprehensive study of Snelling's pan-Pacific life, works and trans-disciplinary significance. It provides a critical examination of this controversial modernist, revealing him to be a colourful and talented protagonist who led antipodean interpretations of American, especially Wrightian and southern Californian, architecture, design and lifestyle innovations.

Hundreds of contemporary kitchens demonstrating a modern aesthetic are shown in over 250 gorgeous color photographs. Sleek space-age designs, minimalist masterpieces, and traditional kitchens with a modern flair all are included. This striking collection will inspire readers to consider innovative ideas in light fixtures, cabinetry features, flooring, backsplashes, and countertops. Actual projects from top designers and cabinetry manufacturers will keep homeowners, architects, and designers turning the pages enthusiastically.

Explore the varied and incredibly chic residences crafted by internationally acclaimed decorator Tino Zervudachi in his first monograph, Tino Zervudachi: A Portfolio, written by Natasha Fraser-Cavassoni. Named one of Architectural Digest s 100 top decorators of 2011, Tino applies his unfaltering and flawless design to projects as diverse and all-encompassing as a Parisian chateau, a Swiss chalet, a zen refuge in Tokyo, a Mediterranean villa, and even a 45-meter long yacht, with a result that is never short of breath-taking. Tino s respect for the individual personality and cultural environment of each space he decorates, and his fearless ability to splash a room with a bold color, or to accent it with a striking piece of contemporary art, makes his work unparalleled. With a foreword by the internationally esteemed interior decorator and Tino s mentor, David Mlinaric, a preface by Lindy, Marchioness of Dufferin and Ava, and dazzling images of Tino s high-profile interiors, Tino Zervudachi: A Portfolio presents an immaculate and inspiring collection of understated glamour that will leave you longing for more."

The dream book of kitchens covers kitchens of every style and color. Visit hundreds of designer kitchens with professional photographers John and Cassidy Olson. More than 300 inspired images of real-life kitchens provide you with the tools you need to begin transforming your kitchen into your dream. Each chapter highlights a particular design scheme and gives you many ideas on how to conceive of your own dream kitchen. Color schemes, design layout, and accessories are just some of the areas covered by this comprehensive picture book. Additionally, an entire chapter is devoted to pantries, one of the hottest kitchen inclusions for today's new and remodeled home projects.

Simplicity, tradition and a deep respect for all things natural--these are the essential elements of Korean design underpinning the nation's fast-growing creative scene. Influences from China, Japan and the West have filtered into Korea, but the peninsula has always maintained its own identity. Spatial, spiritual and material qualities are reflected in the simple beauty of its architecture, while classic objects with a Korean aesthetic are used with panache in interior decor. This is the first book to document Korea's architecture and design scene. Authors Marcia Iwatate and Kim Unsoo present 24 exceptional homes, studios and heritage projects. Ranging from vernacular to cutting-edge contemporary, these showcase the nation's constant drive to invent and create.

Lighting, now in its sixth edition, is the standard text on the principles and practice of lighting interiors and exteriors. The book introduces all the main principles of light and colour, along with the design of general lighting schemes. It complies with the CIBSE lighting code and guides, covers the main calculations that a lighting designer needs to do and includes worked examples. The book starts with the theory of light and how it is perceived by the eye. It looks at the units used and the subjective effect of colour. The characteristics of various types of lamp are described along with luminaires (the equipment that contains the lamps). The effects of daylight on light levels indoors are described before going on to look at the design of general lighting schemes. The book concludes with chapters looking at lighting for specific applications including roadway lighting, floodlighting, and the interior of specific building types.

The nineteenth century - the Era of the Interior - witnessed the steady displacement of art from the ceilings, walls, and floors of aristocratic and religious interiors to the everyday spaces of bourgeois households, subject to their own enhanced ornamentation. Following the 1863 Salon des refuses, the French State began to channel mediocre painters into the decorative arts. England, too, launched an extensive reform of the decorative arts, resulting in more and more artists engaged in the production and design of complete interiors. America soon followed. Present art historical scholarship - still indebted to a modernist discourse that sees cultural progress to be synonymous with the removal of ornament from both utilitarian objects and architectural spaces - has not yet acknowledged the importance of the decorative arts in the myriad interior spaces of the 1800s. Nor has mainstream art history reckoned with the importance of the interior in nineteenth-century life and thought. Aimed at an interdisciplinary audience, including art and design historians, historians of the modern interior, interior designers, visual culture theorists, and scholars of nineteenth-century material culture, this collection of essays studies the modern interior in new ways. The volume addresses the double nature of the modern interior as both space and image, blurring the boundaries between arts and crafts, decoration and high art, two-dimensional and three-dimensional design, trompe-l'oeil effects and spatial practices. In so doing, it redefines the modern interior and its objects as essential components of modern art.

As with the best-selling 'Architects Pocket Book' this title includes everyday information which the architect/designer normally has to find from a wide variety of sources and which is not always easily to hand. Focusing on kitchen design, this book is of use to the student as well as the experienced practitioner. It outlines all the information needed to design a workable kitchen, including ergonomics, services such as water and waste, appliances, and material choices for the floor, walls and ceiling. There is no similar compendium currently available.

Home should be a retreat, a place for our minds to slow down and unwind, a place that feels safe and free of the stresses and insecurities of the outside world. Many people fear pattern and strong colour, thinking it can take this sense of calmness away. But pattern, when chosen carefully, can ground a space and create an atmosphere that improves one's sense of self or wellbeing. In this book Abigail showcases her own patterns and interviews artisanal designers in New York, Scandinavia, Germany and the UK. Both hers and their inspirations are showcased, with the final chapter of the book demonstrating how to use them in a practical way at home.

Winner of the Choice Outstanding Academic Titles of 2010 award. Ensuring that buildings are healthy and comfortable for their occupants is a primary concern of all architects and building engineers. This highly practical handbook will help make that process more efficient and effective. It begins with a guide to how the human body and senses react to different indoor environmental conditions, together with basic information on the parameters of the indoor environment and problems that can occur. It then moves on to give a background to the development of the study and control of the indoor environment, examining the main considerations (including thermal, lighting, indoor air and sound-related aspects) for a healthy and comfortable indoor environment and discussing the drivers for change in the field. The final section presents a new approach towards health and comfort in the indoor environment, where meeting the wishes and demands of the occupants with a holistic strategy becomes the over-riding priority. The book is filled with useful facts, figures and analysis, and practical methods that designers who are keen to assess and improve the user experience of their buildings will find invaluable.

This unique guide provides a systematic overview of the idea of architectural space. Bryan Lawson provides an ideal introduction to the topic, breaking down the complex and abstract terms used by many design theoreticians when writing about architectural space. Instead, our everyday knowledge is reintroduced to the language of design. Design values of 'space' are challenged and informed to stimulate a new theoretical and practical approach to design. This book views architectural and urban spaces as psychological, social and partly cultural phenomena. They accommodate, separate, structure, facilitate, heighten and even celebrate human spatial behaviour.

Ideas, ideas, ideas... they filled the rooms highlighted in 1950s advertising by Armstrong, the leading maker of flooring and ceiling products. Here you will find over 350 photographs of room interiors that appeared in popular magazines from the '50s, inspiring the looks we now associate with that decade. Each one offers new decorating ideas that set the standard for the 1950s with furniture, floor coverings, accessories, and home improvements. Examples include a boys' bedroom that can reflect changing interests as the boys grow into their teens, a living room whose interior can be converted from summer to winter decor in just an hour, and a den with a "secret life" as a guest room. These were refreshingly new ideas in the 1950s and are still practical today. If you want a crash course in imaginative interior design of the 1950s, this is the book you must have.

Without light, interior architecture cannot be fully designed and experienced. It is one of the key tools for an interior designer, but can be a dauntingly technical subject for students. Part One, Theory, looks at the physics and technology behind lighting. Part Two, Process and Practice, looks more specifically at the use of lighting in interior design and outlines the key design issues and principles. The book goes on to show the ways of representing lighting schemes using CAD and 3D models and how to implement and test these designs. Finally, the book explains how to deal with contractors, clients and other professionals. This book takes a detailed, practical look at lighting in interior design, giving students all the key information and skills they need to be able to tackle lighting successfully in their designs.

The name of Robert Adam is today equated, as it was by his contemporaries, with taste, style and elegance. Since his death, the term 'Adamesque' has been used to describe not only ceilings, doorways and fireplaces but objects as various as the City Hall in Charleston and a chamber-pot. A university drop-out, Adam still made his own scholarly contribution to the understanding of classical architecture and was a talented painter as well. As visionary in the decoration of interiors as he was ingenious in the design of exteriors, Adam was more often responsible for the renovation, alteration or completion of existing buildings than for the creation of entirely new ones. Best known perhaps for his work on great private palaces such as Syon and Kenwood, Osterley and Kedleston, Saltram and Culzean, Adam was also responsible for churches and tombs, monuments and market-halls and for such public commissions as the Admiralty Screen in Whitehall and Britain's first purpose-built public archive, The Register House in Edinburgh.

Despite the growing demand for design strategies to reduce our petroleum use, no one has yet brought together the lessons of the world's leading post-petroleum designers into a single resource. Post-Petroleum Design brings them together for the first time. Readers will be introduced to the most current, innovative, plastic-and petroleum-free products and projects in industrial design, architecture, transportation, electronics, apparel and more. Post-Petroleum Design explores firsthand the client and consumer motivations behind the demand, and shares the case studies, principles, best practices, risks and opportunities of the world's leading post-petroleum design experts who are already meeting that demand. It introduces 40 inspiring individuals from across the globe; people like Eben Bayer, the American innovator whose company, Ecovative, is growing houses from mushrooms; Mohammed Bah Abba, whose Zeer Pot is helping families keep produce fresh in the sweltering Nigerian summer without electricity; and the engineers at Mercedes-Benz Advanced Design Studios whose Biome car evolves from genetically engineered DNA. Post-Petroleum Design gives design professionals the information they need to research, evaluate, and select materials, technologies and design strategies that meet the growing demand for sustainable design, plastic-free materials and process energy conservation. Designer profiles, studies, statistics and many colour illustrations all highlight the work-some of the best design work to be found anywhere, and showcased here for the first time.

By reading this book, you will develop the skills to perceive a space and its contents "in light," and be able to devise a layout of luminaires that will provide that lit appearance.

Written by renowned lighting expert Christopher (Kit) Cuttle, the book:

• explains the difference between vision and perception, which is the distinction between providing lighting to make things visible, and providing it to influence the appearance of everything that is visible;
• demonstrates how lighting patterns generated by three-dimensional objects interacting with directional lighting are strongly influential upon how the visual perception process enables us to recognize object attributes, such as lightness, colourfulness, texture and gloss;
• reveals how a designer who understands the role of these lighting patterns in the perceptual process may employ them either to reveal, or to subdue, or to enhance the appearance of selected object attributes by creating appropriate spatial distributions of light;
• carefully explains calculational techniques and provides easy-to-use spreadsheets, so that layouts of lamps and luminaires are derived that can be relied upon to achieve the required illumination distributions.

Practical lighting design involves devising three-dimensional light fields that create luminous hierarchies related to the visual significance of each element within a scene. By providing you with everything you need to develop a design concept - from the understanding of how lighting influences human perceptions of surroundings, through to engineering efficient and effective lighting solutions Kit Cuttle instills in his readers a new-found confidence in lighting design. "

If John Fowler was - in the words of the late Duchess of Devonshire - the Prince of Decorators, and Nancy Lancaster undoubted doyenne of English country house style, Imogen Taylor was their crown princess. She joined Colefax and Fowler in 1949 and was for many years John Fowler's trusted assistant. John - and Nancy - had total faith in Imogen's 'perfect taste', and when John retired in 1971 he passed on to her all his clients - who ranged from HM The Queen, through duchesses and film stars, to ladies of the night. From this time until she retired in 1999 she was, along with Tom Parr, the firm's principal decorator. Over the years she extended the clientele she had inherited from John and developed her own subtle, comfortable and charming version of English country house style. In this unique combination of social history and style bible, Imogen Taylor brings a sharp eye and ready wit not only to decorating style but also to the social history of the latter part of the twentieth century. Here you will learn about how fabric walling was done, how the famous 'twelve different whites' were applied, how to oil gild, how the passementerie was made for Buckingham Palace and Windsor, about Bessarabian carpets and trompe l'oeil painting and Nancy Lancaster's broderie anglaise lamp shades, 'like a child's skirt or a ball dress'. You will also find the Duchess of Windsor dismissing the Duke ('David, you're not needed go and buy some brushes or something'), Dolly Rothschild's iron bed ('like a school or hospital bedstead'), Harry Hyams' reluctance to sign cheques ('It's like spilling my own blood!'), John Fowler in a tantrum yelling at the Duchess of Cornwall (she was a girl assistant at the time, not a client), Imogen being summoned to Howletts because 'a young Siberian tiger, who had been in bed with Aspinall and his wife, had ripped down the silk hangings on the inside of their canopy bed.'

Cities are not only places that house buildings; they are also spaces where cultural and social relations are built and developed. These properties must be taken into consideration when constructing and renovating new housing. Different methodologies can be used in order to create new flexible solutions for mass housing units' interior spaces with the aim of improving their adaptability by using a user-centered approach. Re-Coding Homes Through Flexible Interiors: Emerging Research and Opportunities is an optimal resource that investigates how interior design models can transform existing spaces into more flexible and functional housing units while also increasing the functional value and spatial quality of living spaces in social housing. The book specifically discusses how genetic algorithms, a generative design approach, are used to solve nonlinear design problems. It also provides results that can be referenced based on actual domain data, which can be used as references to other architectural and interior design approaches. Featuring research on topics such as housing design and mass housing, this book is ideally designed for architects, engineers, interior designers, furniture designers, construction companies, architecture firms, practitioners, academicians, students, and researchers.

From the parking lot to the exam room, doctors can improve the physical surroundings for their patients, yet often they do not. Given the numerous and varied duties doctors must perform, it may fall to the design profession to implement changes, many based on research, to improve healthcare experiences. From location and layout to furnishings and positive distractions, this book provides evidence-based information about the physical environment to help doctors and those who design medical workspaces improve the experience of health care. Along with its research base, a special aspect of this book is the integration of relevant historical material about the office practice of physicians at the beginning of the twentieth century. Many of their design solutions are viable today. In addition to improving the physical design of healthcare facilities, author Ann Sloan Devlin is the granddaughter, daughter, and niece of physicians, as well as the granddaughter and daughter of nurses. She worked in a hospital during college, and has visited a good many practitioners' offices in medical office buildings and ambulatory care settings. This book addresses an overlooked location of care: the doctor's office suite.

This book helps you discover the latest trends and innovations in interior design for small spaces. Filled with superb full-colour photography, detailed architectural plans, and insightful project descriptions, this volume showcases some the most innovative and exciting trends in interior design for small spaces - the featured projects range in size from 16m2 to 40m2. From concealed storage to the clever use of light and colour, these projects will be an invaluable source of inspiration for interior designers working with limited space.

Here's a wonderful opportunity to lean back in your own private study and visit more than 200 private offices, dens, and libraries. If you are looking for design inspiration, this book is packed with ideas for floor layouts, paneling and shelving systems, storage systems, and color schemes. Whether you need to impress clients in your home or business park, there are ideas here for you. Work by leading architects and designers, as well as practical turn-key setups from manufacturers are represented, along with contact information to help you with your design and furnish your perfect office, library, or den.

Materials and Components of Interior Architecture, Eighth Edition, offers a unique look at interior design,fully covering the exciting breadth of nonstructural materials available to interior designers. With an eye on the environment, it instills a firm understanding of the products, properties, and uses of all materials-from floors, walls, and ceilings to installation and recycling. Going beyond paint and carpet, it explores over 27 different floorings and devotes separate chapters to kitchens and baths. Filled with the latest information from manufacturers, suppliers, and associations, it provides readers with the knowledge to creatively engage the "nuts and bolts" of interior design-both in terms of structure and style.

While traditional drafting books focus on architectural and engineering readers, the thoroughly updated and revised Architectural Drafting for Interior Design, Third Edition, incorporates material and examples that are meaningful to today's interior designers. Beginning interior designers will learn how to communicate their ideas graphically with a resource that is designed specifically for them. This book addresses their needs by focusing on topics independent of CAD, such as how to draw a floor plan, how to use it to create an interior elevation, and how to understand the relationship between 2D and 3D drawings. Written with NCIDQ, CIDA and NKBA requirements in mind, this book will provide readers with a strong, standards-based foundation in interior design. New to this Edition: - Enhanced and new worksheets - New design and drafting information, including updated visuals and symbols - Emerging technologies such as photogrammetry and 3D printing STUDIO Features: - Study smarter with self-quizzes featuring scored results and personalized study tips - Review concepts with flashcards of essential vocabulary - Download floor plan templates and worksheets to practice your drafting skills Instructor Resources: - The Instructor's Guide provides suggestions for planning the course and using the text in the classroom, supplemental assignments, grading rubrics, and a CIDA Professional Standards Matrix mapped to the chapters in the book - The Test Bank includes sample test questions for each chapter - PowerPoint (R) presentations include images from the book and provide a framework for lecture and discussion

Our surroundings are the key to our comfort and happiness, and we're endlessly inspired by interiors that show us how to put a personal stamp on the spaces we inhabit. This gorgeous book is a showcase of the most exceptional and innovative wall decorations. It goes beyond the wall as a blank canvas and shows what can be achieved with creative details such as trims, cornices and moldings. Author Laura May Todd inspires with examples from actual interiors and illustrates how you can get started yourself.