Come along on a neon-lit journey through the boulevards and back streets of this sprawling California metropolis, past and present. Over 350 dynamic color photographs, vintage post cards, and rare images in this beautiful new book light the way for an eye-popping panorama of blazing neon lights. This vivid signage evolved along with the city, divulging a rich (and sometimes corrupt) history of America's premier palace of glitz and glamour. Stop at glorious entertainment palaces and night clubs, famous restaurants, apartment buildings, commercial establishments, bowling and sports clubs, car agencies, transportation hubs, drive-ins, motels, and mobile home parks that have been lit with neon in the Los Angeles area. Drool over great advertising images and marvel at the amazing designs that keep neon shining among a growing number of preservation enthusiasts.

A searching account of the ethics and aesthetics of the home: the place that is most important in determining human happiness.

A bedroom, a kitchen, a bathroom - are these rooms all that make a home? Not at all, argues Emanuele Coccia. The buildings we inhabit are of immense psychological and cultural significance. They play a decisive role in human flourishing and, for hundreds of years, their walls and walkways, windows and doorways have guided our relationships with others and with ourselves. They reflect and reinforce social inequalities; they allow us to celebrate and cherish those we love. They are the places of return that allow us to venture out into the world.

In this intimate, elegantly argued account, Coccia shows how the architecture of home has shaped, and continues to shape, our psyches and our societies, before then masterfully leading us towards a more creative, ecological way of dwelling in the world.

Originally published in 1946, when Britain was facing a post-war housing crisis, this book dealt with the issue of the factory-produced house in being part of the solution for housing people in an affordable manner and a short time-scale. The book, aimed at both lay-people and technicians discusses aspects of pre-fabricated housing such as comfort, standardisation and aesthetics. The book is illustrated with 48pp of black and white plates.

This book explores creative solutions to the unique challenges inherent in crafting livable spaces in extra-terrestrial environments. The goal is to foster a constructive dialogue between the researchers and planners of future (space) habitats. The authors explore the diverse concepts of the term Habitability from the perspectives of the inhabitants as well as the planners and social sciences. The book provides an overview of the evolution and advancements of designed living spaces for manned space craft, as well as analogue research and simulation facilities in extreme environments on Earth. It highlights how various current and future concepts of Habitability have been translated into design and which ones are still missing. The main emphasis of this book is to identify the important factors that will provide for well-being in our future space environments and promote creative solutions to achieving living spaces where humans can thrive. Selected aspects are discussed from a socio-spatial professional background and possible applications are illustrated. Human factors and habitability design are important topics for all working and living spaces. For space exploration, they are vital. While human factors and certain habitability issues have been integrated into the design process of manned spacecraft, there is a crucial need to move from mere survivability to factors that support thriving. As of today, the risk of an incompatible vehicle or habitat design has already been identified by NASA as recognized key risk to human health and performance in space. Habitability and human factors will become even more important determinants for the design of future long-term and commercial space facilities as larger and more diverse groups occupy off-earth habitats. The book will not only benefit individuals and organizations responsible for manned space missions and mission simulators, but also provides relevant information to designers of terrestrial austere environments (e.g., remote operational and research facilities, hospitals, prisons, manufacturing). In addition it presents general insights on the socio-spatial relationship which is of interest to researchers of social sciences, engineers and architects.

- Accessible introduction to design concept for interior design students - Provides a concise explanation of what design concept is, why it plays such an integral role in the design process and how it is utilized by interior designers - Includes over 50 original diagrams and illustrations created by the author - Foundational text for interior design and all related design disciplines

* Introduces a holistic and embodied alternative to visually-driven architecture, demonstrating that it is more capable of sustaining our physical, emotional and psychological wellbeing * Written in an accessible manner that increases interest and understanding in what is a traditionally diffuse subject area * Illustrated with almost 100 black and white images

Originally published in 1958, A Guide to Western Architecture charts the origins of the system of architectural design that was perfected in Greece, follows its development under the Roman Empire and describes the achievements of the Byzantine architects. Passing through Romanesque to Gothic, the contributions made by Mediaeval builders to structure and design are recorded, and then the impact of the Renaissance on architecture, and its characteristic development in the different European countries. The transplanting of Renaissance ideas to the New World is covered, and finally the origins and nature of the new Western architecture occupy the last section of the book. The Appendix includes a list of the principal architects, and brief notes on their work, from the 5th century B. C. to the end of the Renaissance.

Originally published in 1952 but enlarged and revised in 1969, this dictionary became a standard authoritative work of reference. It contains 2,612 entries and over 1,000 illustrations, reproduced from contemporary sources and from drawings by Ronald Escott, Marcelle Barton and Maureen Stafford. The work is divided into 6 sections: the first and second concern the description and design of furniture, the third contains the entries, the fourth gives a list of furniture makers in Britain and North America, section five records books and periodicals on furniture and design and the concluding section sets out in tabular form the periods with the materials used, and types of craftsmen employed from 1100 to 1950.

This book examines diverse ways of questioning, critiquing, and communicating site in the creative process of architecture, interior design, urban planning, and historical and cultural studies. The authors use the term site to connote a series of complex, established, or pre-existing conditions - a setting, an atmosphere, an area - to read, to interpret, to relate to, and to engage with, to redefine, or to create in relation to a design prompt. By acknowledging, accommodating, and empowering the physical, intellectual, and cultural characteristics of a site, students question its history, boundaries, posture, and situational aspects. Such inquiries promote a deeper appreciation of a site and thus help students to acknowledge its capacity to influence design throughout the iterative creative process. Understanding Site in Design Pedagogy adds to the body of literature on design studio pedagogy by presenting a collection of essays that challenge normative assumptions about what defines a site and its distinctive qualities. It poses a series of pedagogical questions for how sites might be diversely interpreted and introduced to design students. This study offers chapters that speak to site, memory, and lived experience; multi-scalar thinking about site; connecting to site through sensory phenomenon in interior design; alternate ways of engaging site for learning sustainable principles; and introducing unorthodox forms of site as the impetus to creative endeavours. It offers innovative approaches to scholarship of teaching and learning with respect to diverse readings of site within design education.

A stunning visual journey through the homes of people from around the world who have taken steps to simplify their lives and embrace the principles of slow living. Still is an interiors book that invites readers to take on the philosophy of the SLOW movement. Living Sustainably; Local; Organic; and Whole. It talks not just to the question of the physical structures we choose, but also the surrounding environment, and what effect that can have on general happiness and wellbeing. Still includes about a dozen case studies featuring escape homes and owners who live according to these aforementioned principles, enlightening readers as to why they chose this path and how it has benefitted their lives. It is the follow-up to Natalie Walton's successful first title This is Home, and once again features location photography by Chris Warnes.

- Explores the history of interior decorating and design from the late nineteenth century to the present, focusing on the period from 1905 to 1960 - Emphasizes careers and contributions of significant American female interior designers who were instrumental in the creation of the field of residential and commercial interior design in the United States - Examines the complex relationships among professionals in the design fields, the social dynamics of designer-client relationships, and how class, culture and family influenced their lives and careers - Candace Wheeler, Elsie de Wolfe, Edith Wharton, Dorothy Draper, Sister Parish, Florence Knoll, among many others, will be showcased

Collaborative spaces are more than physical locations of work and production. They present strong identities centered on collaboration, exchange, sense of community, and co-creation, which are expected to create a physical and social atmosphere that facilitates positive social interaction, knowledge sharing, and information exchange. This book explores the complex experiences and social dynamics that emerge within and between collaborative spaces and how they impact, sometimes unexpectedly, on creativity and innovation. Collaborative Spaces at Work is timely and relevant: it will address the gap in critical understandings of the role and outcomes of collaborative spaces. Advancing the debate beyond regional development rhetoric, the book will investigate, through various empirical studies, if and how collaborative spaces do actually support innovation and the generation of new ideas, products, and processes. The book is intended as a primary reference in creativity and innovation, workspaces, knowledge and creative workers, and urban studies. Given its short chapters and strong empirical orientation, it will also appeal to policy makers interested in urban regeneration, sustaining innovation, and social and economic development, and to managers of both collaborative spaces and companies who want to foster creativity within larger organizations. It can also serve as a textbook in master's degrees and PhD courses on innovation and creativity, public management, urban studies, management of work, and labor relations.

Material Theories takes a radically new approach to well-established thinking on nineteenth-century architecture and design by investigating Gottfried Semper's classic ideas about dressing, metamorphosis of material, and cultural development, culminating in his two-volume publication Style. This book demonstrates how Semper's theories crystallised among his encounters with material things of the late 1840s and early 1850s. It examines several discursive frameworks and phenomena which shaped the attitude to artefacts in Europe in the mid-nineteenth century, and which were specifically pertinent to Semper's evolution: archaeology and antiquarianism, the domestic interior, print media, collections, and the embodied relationship between the designer and their work. For the first time, this book examines the construction of a design theory not only as an intellectual endeavour but also as a process of confrontation with material things. It employs recent approaches to material culture, in particular Thing Theory, in order to show that Semper's artefact references constituted his ideas, rather than simply giving impetus to them. It will be an important investigation for academics and researchers interested in interior design history, as well as scholars of material culture and history of design theory.

Offers invaluable and accessible guidance for designing workspaces in order to increase productivity and efficiency and reduce operating costs. After reviewing an existing situation, the author presents a variety of approaches that include instruction and direction to enact changes. Identifies specific deterrents in the workplace, providing new techniques and other methods to solve them. Details the Shumake Beta Module, created by the author, which supports maximum productivity by an individual worker at any company's level. All the material in the text has been successfully tested.

In this gloriously illustrated book, world traveller and style expert Bibi Jordan introduces Swahili style, a school of design, architecture and graceful living that instils a sense of simplicity, sensuality and spirituality into any interior. Each chapter details the region's rich past, with fascinating facts about African culture and history, and highlights the most intriguing and inspirational aspects of the local decor, making this an ideal book for both the armchair traveller and the globetrotting adventurer as well as decorating devotees.

This book explores how the design characteristics of homes can support or suppress individuals' attempts to create meaning in their lives, which in turn, impacts well-being and delineates the production of health, income, and educational disparities within homes and communities. According to the author, the physical realities of living space-such as how kitchen layouts restrict cooking and the size of social areas limits gatherings with friends, or how dining tables can shape aspirations-have a salient connection to the beliefs, culture, and happiness of the individuals in the space. The book's purpose is to examine the human capacity to create meaning and to rally home mediators (scholars, educators, design practitioners, policy makes, and advocates) to work toward Culturally Enriched Communities in which everyone can thrive. The volume includes stories from Hmong, Somali, Mexican, Ojibwe, and African American individuals living in Minnesota to show how space intersects with race, gender, citizenship, ability, religion, and ethnicity, positing that social inequalities are partially spatially constructed and are, therefore, malleable.

- Expands the understanding of architectural programming to include neuroscience, human factors and the fundamentals of place-making - Presents 18 original essays from experts in various aspects of architectural programming, sustainable design and human factors - Includes over 50 black and white illustrations

- Explores the history of interior decorating and design from the late nineteenth century to the present, focusing on the period from 1905 to 1960 - Emphasizes careers and contributions of significant American female interior designers who were instrumental in the creation of the field of residential and commercial interior design in the United States - Examines the complex relationships among professionals in the design fields, the social dynamics of designer-client relationships, and how class, culture and family influenced their lives and careers - Candace Wheeler, Elsie de Wolfe, Edith Wharton, Dorothy Draper, Sister Parish, Florence Knoll, among many others, will be showcased

1. This book provides the first extended study of heritage from the point of view of design history. 2. Demonstrating that design historical methods of inquiry contribute significantly to critical heritage studies, the book will be of great interest to academics, researchers and students engaged in the study of heritage, design history, material culture, folklore, art history, architectural history, and social and cultural history. 3. There are no existing titles which directly focus on the relationship between design (history) and heritage (studies).

'The New Bespoke: Couture-Inspired Rooms That Seamlessly Combine One-of-a-kind Objects with Hand-made Furniture' is a compelling first monograph on the work of Boston-based interior designer Frank Roop. A mastermind of original colour palettes, Roop leaves his signature couture touch on each and every space that he creates. The ingredients that go into his projects are truly unique: almost all of the furniture and furnishings he uses in his interiors are either vintage finds or custom-made pieces of his own design. Roop began his design firm after a career in specialty menswear, where he acquired the principles of design that gave him a unique and unexpected basis for formulating and conceptualizing his interior design schemes. For Roop, a room is not just a space to be inhabited: it is a garment to be worn, and an impeccably tailored garment at that. Over 160 colour images by internationally renowned photographer Eric Roth are accompanied by Roop's personal and distinctive theories about colour, texture, shape, and the elements of design, making 'The New Bespoke' a vibrant, outspoken, and well-tailored book for anyone interested in interior design.

Despite policy directives, standards and guidelines, indoor environmental quality is still poor in many cases. The Healthy Indoor Environment, winner of the 2016 IDEC Book Award, aims to help architects, building engineers and anyone concerned with the wellbeing of building occupants to better understand the effects of spending time in buildings on health and comfort. In three clear parts dedicated to mechanisms, assessment and analysis, the book looks at different indoor stressors and their effects on wellbeing in a variety of scenarios with a range of tools and methods. The book supports a more holistic way of evaluating indoor environments and argues that a clear understanding of how the human body and mind receive, perceive and respond to indoor conditions is needed. At the national, European and worldwide level, it is acknowledged that a healthy and comfortable indoor environment is important both for the quality of life, now and in the future, and for the creation of truly sustainable buildings. Moreover, current methods of risk assessment are no longer adequate: a different view on indoor environment is required. Highly illustrated and full of practical examples, the book makes recommendations for future procedures for investigating indoor environmental quality based on an interdisciplinary understanding of the mechanisms of responses to stressors. It forms the basis for the development of an integrated approach towards assessment of indoor environmental quality.

Ethical Design Intelligence: The Virtuous Designer explores the deep significance of philosophy and ethics to the practice of design. It offers designers from disciplines such as architecture, urban design, planning, landscape, interior, and industrial design an alternative ethical framework in which to expand their thinking about their practice. Arguing that design today is primarily an agency driven by the momentum of globalization, embedded in economy, materialism, and utility, the book reconceptualizes the notion of virtue in design practice. Across chapters covering topics such as virtuous character, creative agency, and unsustainable practices, the book scrutinizes design through a philosophical lens. d'Anjou dissects articulations from different philosophical thinkers from antiquity to contemporary time to reveal that ethics is fundamental to everything affected by design. Countering well-established modes of postmodern relativism in design, which has led to "defuturing" and "unsustainability," ethical realism is presented as an alternative solution. This book is written for designers, educators, researchers, and students.

This book examines experiences of home improvement in the UK and Aotearoa New Zealand, providing valuable insight into the ways in which people make and maintain home in social, material and economic context. Drawing on in-depth interviews, examining both DIY projects and projects carried out by professional handymen, Rosie Cox explores how home improvement fits into wider social relationships and structures of inequality. Consideration is given to the importance of such work for gender and national identities, and how these identities are related to material contexts and the forms and fabric of homes. The book also highlights how home improvement can be a rewarding and valuable form of work, as well as an unrewarding and alienating endeavour. It will be of interest to scholars from a range of disciplines including anthropology, sociology and human geography.