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Books > Arts & Architecture > Architecture > Interior design
Collaborative spaces are more than physical locations of work and production. They present strong identities centered on collaboration, exchange, sense of community, and co-creation, which are expected to create a physical and social atmosphere that facilitates positive social interaction, knowledge sharing, and information exchange. This book explores the complex experiences and social dynamics that emerge within and between collaborative spaces and how they impact, sometimes unexpectedly, on creativity and innovation. Collaborative Spaces at Work is timely and relevant: it will address the gap in critical understandings of the role and outcomes of collaborative spaces. Advancing the debate beyond regional development rhetoric, the book will investigate, through various empirical studies, if and how collaborative spaces do actually support innovation and the generation of new ideas, products, and processes. The book is intended as a primary reference in creativity and innovation, workspaces, knowledge and creative workers, and urban studies. Given its short chapters and strong empirical orientation, it will also appeal to policy makers interested in urban regeneration, sustaining innovation, and social and economic development, and to managers of both collaborative spaces and companies who want to foster creativity within larger organizations. It can also serve as a textbook in master's degrees and PhD courses on innovation and creativity, public management, urban studies, management of work, and labor relations.
Progressive Studio Pedagogy provides guidance to educators in all design fields by questioning processes and assumptions about teaching and learning, utilising examples from architecture, landscape architecture, and interior design. Through a series of case studies, this book presents innovative approaches to learning and teaching in design studio. Traditionally, design education is perceived to be a process for acquiring skills and a site for developing creative potential. However, contemporary higher education is embracing issues that include widening participation, managing transition, and fostering independent learning and graduate employability. This book situates design learning within this varied context and offers insights into how to confront the challenge of facilitating learning through divergent contexts by presenting projects and courses that use a range of approaches that require students to think and act critically and evaluatively. Progressive Studio Pedagogy presents new practices that readers can adapt into their own creative education, making it an ideal read for those interested in teaching design.
Wallpaper's spread across trades, class and gender is charted in this first full-length study of the material's use in Britain during the long eighteenth century. It examines the types of wallpaper that were designed and produced and the interior spaces it occupied, from the country house to the homes of prosperous townsfolk and gentry, showing that wallpaper was hung by Earls and merchants as well as by aristocratic women. Drawing on a wide range of little known examples of interior schemes and surviving wallpapers, together with unpublished evidence from archives including letters and bills, it charts wallpaper's evolution across the century from cheap textile imitation to innovative new decorative material. Wallpaper's growth is considered not in terms of chronology, but rather alongside the categories used by eighteenth-century tradesmen and consumers, from plains to flocks, from China papers to papier mache and from stucco papers to materials for creating print rooms. It ends by assessing the ways in which eighteenth-century wallpaper was used to create historicist interiors in the twentieth century. Including a wide range of illustrations, many in colour, the book will be of interest to historians of material culture and design, scholars of art and architectural history as well as practicing designers and those interested in the historic interior.
The Inverse and Ill-Posed Problems Series is a series of monographs publishing postgraduate level information on inverse and ill-posed problems for an international readership of professional scientists and researchers. The series aims to publish works which involve both theory and applications in, e.g., physics, medicine, geophysics, acoustics, electrodynamics, tomography, and ecology.
The bachelor has long held an ambivalent, uncomfortable and even at times unfriendly position in society. This book carefully considers the complicated relationships between the modern queer bachelor and interior design, material culture and aesthetics in Britain between 1885 and 1957. The seven deadly sins of the modern bachelor (queerness, idolatry, askesis, decadence, the decorative, glamour and artifice) comprise a contested site and reveal in their respective ways the distinctly queer twinning of shame and resistance. It pays close attention to the interiors of Lord Ronald Gower, Alfred Taylor, Oscar Wilde, Charles Shannon and Charles Ricketts, Edward Perry Warren and John Marshall, Sir Cedric Morris and Arthur Lett-Haines, Noel Coward and Cecil Beaton. Richly illustrated and written in a lively and accessible manner, Bachelors of a different sort is at once theoretically ambitious and rich in its use of archival and various historical sources. -- .
The Inverse and Ill-Posed Problems Series is a series of monographs publishing postgraduate level information on inverse and ill-posed problems for an international readership of professional scientists and researchers. The series aims to publish works which involve both theory and applications in, e.g., physics, medicine, geophysics, acoustics, electrodynamics, tomography, and ecology.
This rising star s first monograph showcases vibrant, elegantly stylish rooms that offer bits of the unexpected that reflect a deep connection to their surroundings. Having apprenticed with such celebrated New York interior designers as David Easton, Bunny Williams, and David Kleinberg, Manger recently launched his own firm. He has quickly established himself as a top designer with a well-heeled clientele designing inviting interiors that resonate good taste. This amazing talent s affinity for seeking the best artisans and workrooms for custom work result in impeccable homes that will remain enviably chic for generations to come. Manger s interiors are further distinguished by their strong connection to locale with their sense of authenticity. Throughout this stunning book, Manger introduces fundamental elements that inform his design choices for a several magnificent projects, giving readers a window into his process. Highlights include a Park Avenue apartment in an iconic Candela building; an original Shingle-style cottage in Southampton, New York; a historically restored house perched on the cliffs of St. Andrews, Scotland; a Haussmann pied-a-terre on Boulevard St. Germain in Paris; and a contemporary home overlooking the Bay of Palma in Mallorca, Spain. Regardless of location, every project, captured in stunning photography, combines traditional inspiration with contemporary elegance and suitability, placing Manger in a league of his own.
The Inverse and Ill-Posed Problems Series is a series of monographs publishing postgraduate level information on inverse and ill-posed problems for an international readership of professional scientists and researchers. The series aims to publish works which involve both theory and applications in, e.g., physics, medicine, geophysics, acoustics, electrodynamics, tomography, and ecology.
The Inverse and Ill-Posed Problems Series is a series of monographs publishing postgraduate level information on inverse and ill-posed problems for an international readership of professional scientists and researchers. The series aims to publish works which involve both theory and applications in, e.g., physics, medicine, geophysics, acoustics, electrodynamics, tomography, and ecology.
The Inverse and Ill-Posed Problems Series is a series of monographs publishing postgraduate level information on inverse and ill-posed problems for an international readership of professional scientists and researchers. The series aims to publish works which involve both theory and applications in, e.g., physics, medicine, geophysics, acoustics, electrodynamics, tomography, and ecology.
The Inverse and Ill-Posed Problems Series is a series of monographs publishing postgraduate level information on inverse and ill-posed problems for an international readership of professional scientists and researchers. The series aims to publish works which involve both theory and applications in, e.g., physics, medicine, geophysics, acoustics, electrodynamics, tomography, and ecology.
The approach of layer-damping coordinate transformations to treat singularly perturbed equations is a relatively new, and fast growing area in the field of applied mathematics. This monograph aims to present a clear, concise, and easily understandable description of the qualitative properties of solutions to singularly perturbed problems as well as of the essential elements, methods and codes of the technology adjusted to numerical solutions of equations with singularities by applying layer-damping coordinate transformations and corresponding layer-resolving grids. The first part of the book deals with an analytical study of estimates of the solutions and their derivatives in layers of singularities as well as suitable techniques for obtaining results. In the second part, a technique for building the coordinate transformations eliminating boundary and interior layers, is presented. Numerical algorithms based on the technique which is developed for generating layer-damping coordinate transformations and their corresponding layer-resolving meshes are presented in the final part of this volume. This book will be of value and interest to researchers in computational and applied mathematics.
Why do we care so much about our homes? When did this societal phenomenon begin? Entire stores and cable channels are dedicated to the remodeling of one's home-proof that our homes are more than just walls, windows, and floors. Our homes exemplify who we are. Start with the "why" rather than the "how" when remodeling and your home will become your haven. You will experience more joy, fulfillment, and the contentment you seek.
Designing the French Interior traces France's central role in the development of the modern domestic interior, from the pre-revolutionary period to the 1970s, and addresses the importance of various media, including drawings, prints, pattern books, illustrated magazines, department store catalogs, photographs, guidebooks, and films, in representing and promoting French interior design to a wider audience. Contributors to this original volume identify and historicize the singularity of the modern French domestic interior as a generator of reproducible images, a site for display of both highly crafted and mass-produced objects, and the direct result of widely-circulated imagery in its own right. This important volume enables an invaluable new understanding of the relationship between architecture, interior spaces, material cultures, mass media and modernity.
The theory of approximation of functions is one of the central branches in mathematical analysis and has been developed over a number of decades. This monograph deals with a series of problems related to one of the directions of the theory, namely, the approximation of periodic functions by trigonometric polynomials generated by linear methods of summation of Fourier series. More specific, the following linear methods are investigated: classical methods of Fourier, Fejir, Riesz, and Roginski. For these methods the so-called Kolmogorov-Nikol'skii problem is considered, which consists of finding exact and asymptotically exact qualities for the upper bounds of deviations of polynomials generated by given linear methods on given classes of 2?-periodic functions. Much attention is also given to the multidimensional case. The material presented in this monograph did not lose its importance since the publication of the Russian edition (1981). Moreover, new material has been added and several corrections were made. In this field of mathematics numerous deep results were obtained, many important and complicated problems were solved, and new methods were developed, which can be extremely useful for many mathematicians. All principle problems considered in this monograph are given in the final form, i.e. in the form of exact asymptotic equalities, and, therefore, retain their importance and interest for a long time.
This book explores and explains the fundamentals of interior design. Because it does not emphasize current trends and fashion, its value will be long lasting.
Anyone who loves houses and interiors loves Charleston. The Allure of Charleston shows why by delving into the architecture and interiors of the past and present. Exploring the question of what makes Charleston so distinct, Sully demonstrates why the language of its architecture, interior design, and gardens is so versatile and enduring. Examples of Georgian, Federal, and Greek Revival architecture and of rooms containing an array of English, European, and American decorative details convey the complex harmony that characterises the city s houses. Featuring historic masterpieces including Drayton Hall, the Nathaniel Russell House, and Middleton Place, this volume also offers a look at present-day residences, among them a new house built faithfully to colonial style, a charming eighteenth-century dwelling with modern updates, a stunning Georgian town-house with a contemporary addition, and a sophisticated Federal home. The Allure of Charleston also includes a visual lexicon presenting the individual elements wrought iron gates, garden statuary, pastel plaster walls, refined porcelain that comprise the city s style, making this exquisite book both informative and inspiring.
The Production Sites of Architecture examines the intimate link between material sites and meaning. It explores questions such as: how do spatial configurations produce meaning? What are alternative modes of knowledge production? How do these change our understanding of architectural knowledge? Featuring essays from an international range of scholars, the book accepts that everything about the production of architecture has social significance. It focuses on two areas: firstly, relationships of spatial configuration, form, order and classification; secondly, the interaction of architecture and these notions with other areas of knowledge, such as literature, inscriptions, interpretations, and theories of classification, ordering and invention. Moving beyond perspectives which divide architecture into either an aesthetic or practical art, the authors show how buildings are informed by intersections between site and content, space and idea, thought and materiality, architecture and imagination. Presenting illustrated case studies of works by architects and artists including Amale Andraos, Dan Wood, OMA, Koen Deprez and John Soane, The Production Sites of Architecture makes a major contribution to our understanding of architectural theory.
This book contains the results of 30 years of investigation by the
author into the creation of a new theory on statistical analysis of
observations, based on the principle of random arrays of random
vectors and matrices of increasing dimensions. It describes limit
phenomena of sequences of random observations, which occupy a
central place in the theory of random matrices. This is the first
book to explore statistical analysis of random arrays and provides
the necessary tools for such analysis. This book is a natural
generalization of multidimensional statistical analysis and aims to
provide its readers with new, improved estimators of this analysis.
Douglas Burrage Snelling (1916-85) was one of Britain's significant emigre architects and designers. Born in Kent and educated in New Zealand, he became one of Australia's leading mid-century architects, of luxury residences and commercial buildings, and a trend-setting designer of furniture, interiors and landscapes. This is the first comprehensive study of Snelling's pan-Pacific life, works and trans-disciplinary significance. It provides a critical examination of this controversial modernist, revealing him to be a colourful and talented protagonist who led antipodean interpretations of American, especially Wrightian and southern Californian, architecture, design and lifestyle innovations.
This book argues that interior architects have a responsibility to practice their profession in collaborative ways that address the needs of communities and of to be the agents of social justice and cultural heritage. The book is divided into three sections, based on three pivotal themes - community engagement, social justice and cultural heritage. Each section has chapters that put forward the principles of these themes, leading into a variety of fascinating case studies that illustrate how socially sustainable design is implemented in diverse communities across the world. The second section includes four concise case studies of community housing issues, including remote-area indigenous housing and housing for the homeless. The third section offers two extensively researched essays on design and cultural heritage - a case study of the development of a redundant industrial site and a historical study of gendered domestic interiors. The book appeals to a wider audience than the design community alone and challenges mainstream interior design/interior architecture practitioners nationally and internationally to take a leading role in the field of socially responsible design. The issues raised by the authors are relevant for individuals, communities, government and non-government organisations, professionals and students. ""In the twenty-first century we seem to have entered into a new world of knowledge discovery, where many of the most exciting insights come not from the authority of a traditional discipline, but from the dialogue that happens at the hubs and intersections of thought - the arenas where different disciplines and approaches, different schools and habits of thinking, come together to collaborate and contend. This collection is a good example of this, and I hope the book will be widely read and its lessons learned and applied.""Tim Costello, Officer of the Order of Australia, Chief Executive, World Vision Australia.
Whether you are keen to develop your interest in interior design and build your skills, or to pursue a career and begin a portfolio, then this book is for you. Specifically designed to cover all aspects of interior design, this intensive course introduces the practice of basic design principles through set projects. Inspiration and imagination are the first key steps to starting your study. Whatever your background, this course will encourage your individual creativity and help you to explore and further your own design ideas.
A companion and successor to Merrell's hugely successful Dream Homes (more than 50,000 copies in print), this book presents 100 exceptional interiors of all styles from around the globe. From sumptuous, state-of-the-art city apartments created by professional designers to quirky holiday retreats transformed by their dedicated owners, More Dream Homes is an exciting kaleidoscope of locations and decoration ideas. Each project is fully illustrated with beautiful photographs by celebrated interiors photographer Andreas von Einsiedel, while Johanna Thornycroft describes concisely the key characteristics of each home and how these have been achieved, providing insights into the work of leading designers. More Dream Homes contains a wealth of inspiration for lovers of interior design or anyone seeking to make their dream home a reality.
In the theory of random processes the term 'ergodicity' has a wide variety of meanings. In the theory of stationary processes ergodicity is often identified with metric transitivity. In the theory of Markov processes, the word ergodic is applied to theorems of both the existence of transition probability limits and on the convergence of mean value ratios of these transition probabilities. In addition, there are also 'ergodic theorems' on the convergence of distributions of shifted random processes. In this monograph, the term 'ergodic' is understood in its original sense, i.e. the one it had when it was first adopted by the theory of random processes from statistical mechanics and Boltzmann's theory of gases. In this book, an ergodic theorem refers to any statement about the existence of a mean value with respect to trajectories of a random process taken with respect to time. The author takes the view that problems of the existence of time means, and their equality to phase means, are interesting without any assumptions about the distribution of the random process. |
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