Ethical Design Intelligence: The Virtuous Designer explores the deep significance of philosophy and ethics to the practice of design. It offers designers from disciplines such as architecture, urban design, planning, landscape, interior, and industrial design an alternative ethical framework in which to expand their thinking about their practice. Arguing that design today is primarily an agency driven by the momentum of globalization, embedded in economy, materialism, and utility, the book reconceptualizes the notion of virtue in design practice. Across chapters covering topics such as virtuous character, creative agency, and unsustainable practices, the book scrutinizes design through a philosophical lens. d'Anjou dissects articulations from different philosophical thinkers from antiquity to contemporary time to reveal that ethics is fundamental to everything affected by design. Countering well-established modes of postmodern relativism in design, which has led to "defuturing" and "unsustainability," ethical realism is presented as an alternative solution. This book is written for designers, educators, researchers, and students.

Hybrid Drawing Techniques for Interior Design shows you a flexible and productive design workflow that starts with hand drawing and moves on to digital techniques. In this book, digital and freehand images are displayed side-by-side, so that you can choose at every step which method is best for your desired effect. You will also learn how to draw freehand using a digital tablet, and how to render perspective views, elevations and floor plans. This book includes more than 400 color images and practice exercises that can be referenced online.

- Expands the understanding of architectural programming to include neuroscience, human factors and the fundamentals of place-making - Presents 18 original essays from experts in various aspects of architectural programming, sustainable design and human factors - Includes over 50 black and white illustrations

Offers invaluable and accessible guidance for designing workspaces in order to increase productivity and efficiency and reduce operating costs. After reviewing an existing situation, the author presents a variety of approaches that include instruction and direction to enact changes. Identifies specific deterrents in the workplace, providing new techniques and other methods to solve them. Details the Shumake Beta Module, created by the author, which supports maximum productivity by an individual worker at any company's level. All the material in the text has been successfully tested.

Despite policy directives, standards and guidelines, indoor environmental quality is still poor in many cases. The Healthy Indoor Environment, winner of the 2016 IDEC Book Award, aims to help architects, building engineers and anyone concerned with the wellbeing of building occupants to better understand the effects of spending time in buildings on health and comfort. In three clear parts dedicated to mechanisms, assessment and analysis, the book looks at different indoor stressors and their effects on wellbeing in a variety of scenarios with a range of tools and methods. The book supports a more holistic way of evaluating indoor environments and argues that a clear understanding of how the human body and mind receive, perceive and respond to indoor conditions is needed. At the national, European and worldwide level, it is acknowledged that a healthy and comfortable indoor environment is important both for the quality of life, now and in the future, and for the creation of truly sustainable buildings. Moreover, current methods of risk assessment are no longer adequate: a different view on indoor environment is required. Highly illustrated and full of practical examples, the book makes recommendations for future procedures for investigating indoor environmental quality based on an interdisciplinary understanding of the mechanisms of responses to stressors. It forms the basis for the development of an integrated approach towards assessment of indoor environmental quality.

This book examines experiences of home improvement in the UK and Aotearoa New Zealand, providing valuable insight into the ways in which people make and maintain home in social, material and economic context. Drawing on in-depth interviews, examining both DIY projects and projects carried out by professional handymen, Rosie Cox explores how home improvement fits into wider social relationships and structures of inequality. Consideration is given to the importance of such work for gender and national identities, and how these identities are related to material contexts and the forms and fabric of homes. The book also highlights how home improvement can be a rewarding and valuable form of work, as well as an unrewarding and alienating endeavour. It will be of interest to scholars from a range of disciplines including anthropology, sociology and human geography.

This book explores the beginnings of the interior design profession in nineteenth-century France. Drawing on a wealth of visual sources, from collecting and advice manuals to pattern books and department store catalogues, it demonstrates how new forms of print media were used to 'sell' the idea of the unified interior as a total work of art, enabling the profession of interior designer to take shape. In observing the dependence of the trades on the artistic and public visual appeal of their work, the book establishes crucial links between the fields of art history, material and visual culture, and design history. -- .

Universal Principles of Interior Design presents 100 concepts and guidelines that are critical to a successful visualization and application of interior design. Richly illustrated and easy to navigate, this comprehensive reference pairs clear explanations of every topic with visual examples of it applied in practice. By considering these concepts and examples, you can learn to make more informed and ultimately better design decisions. The book is organized alphabetically so that principles can be easily and quickly referenced. For those interested in addressing a specific challenge or application problem, the principles are also indexed by questions commonly confronting designers. Each principle is presented in a two-page format: The left-hand page contains a succinct definition, a full description of the principle, and examples of and guidelines for its use. Side notes, which appear to the right of the text, provide elaborations and references. The right-hand page contains visual examples and related graphics to support a deeper understanding of the principle. This landmark reference is the standard for interior design students, practitioners, and educators, and others who seek to broaden and improve their understanding of and expertise in interior design. The titles in the Rockport Universal series offer comprehensive and authoritative information and edifying and inspiring visual examples on multidisciplinary subjects for designers, architects, engineers, students, and anyone who is interested in expanding and enriching their design knowledge.

Collaborative spaces are more than physical locations of work and production. They present strong identities centered on collaboration, exchange, sense of community, and co-creation, which are expected to create a physical and social atmosphere that facilitates positive social interaction, knowledge sharing, and information exchange. This book explores the complex experiences and social dynamics that emerge within and between collaborative spaces and how they impact, sometimes unexpectedly, on creativity and innovation. Collaborative Spaces at Work is timely and relevant: it will address the gap in critical understandings of the role and outcomes of collaborative spaces. Advancing the debate beyond regional development rhetoric, the book will investigate, through various empirical studies, if and how collaborative spaces do actually support innovation and the generation of new ideas, products, and processes. The book is intended as a primary reference in creativity and innovation, workspaces, knowledge and creative workers, and urban studies. Given its short chapters and strong empirical orientation, it will also appeal to policy makers interested in urban regeneration, sustaining innovation, and social and economic development, and to managers of both collaborative spaces and companies who want to foster creativity within larger organizations. It can also serve as a textbook in master's degrees and PhD courses on innovation and creativity, public management, urban studies, management of work, and labor relations.

Progressive Studio Pedagogy provides guidance to educators in all design fields by questioning processes and assumptions about teaching and learning, utilising examples from architecture, landscape architecture, and interior design. Through a series of case studies, this book presents innovative approaches to learning and teaching in design studio. Traditionally, design education is perceived to be a process for acquiring skills and a site for developing creative potential. However, contemporary higher education is embracing issues that include widening participation, managing transition, and fostering independent learning and graduate employability. This book situates design learning within this varied context and offers insights into how to confront the challenge of facilitating learning through divergent contexts by presenting projects and courses that use a range of approaches that require students to think and act critically and evaluatively. Progressive Studio Pedagogy presents new practices that readers can adapt into their own creative education, making it an ideal read for those interested in teaching design.

"Books such as this are imperative for our students to learn skills taught as part of a class. Although this book is geared towards interior design, the content and skills development will be as important to students in garden design and soft furnishings alike." Vicky McClymont, National Design Academy, Nottingham, UK Use detailed, step-by-step techniques to create quick perspective sketches. The book will help you develop important skills for ideation and client communication. Exercises cover a wide range of elements including doors, windows, stairs, millwork, furnishings, and ceilings, as well as more advanced topics like shade and shadowing, scene composition, contrast, and materials and textures. -Interactive digital content, including demonstration videos and self-assessment exercises -Presented in three parts: beginning, intermediate, and advanced sketching techniques -Sketching Gallery shows the work of practitioners allowing you to enhance your style

Wallpaper's spread across trades, class and gender is charted in this first full-length study of the material's use in Britain during the long eighteenth century. It examines the types of wallpaper that were designed and produced and the interior spaces it occupied, from the country house to the homes of prosperous townsfolk and gentry, showing that wallpaper was hung by Earls and merchants as well as by aristocratic women. Drawing on a wide range of little known examples of interior schemes and surviving wallpapers, together with unpublished evidence from archives including letters and bills, it charts wallpaper's evolution across the century from cheap textile imitation to innovative new decorative material. Wallpaper's growth is considered not in terms of chronology, but rather alongside the categories used by eighteenth-century tradesmen and consumers, from plains to flocks, from China papers to papier mache and from stucco papers to materials for creating print rooms. It ends by assessing the ways in which eighteenth-century wallpaper was used to create historicist interiors in the twentieth century. Including a wide range of illustrations, many in colour, the book will be of interest to historians of material culture and design, scholars of art and architectural history as well as practicing designers and those interested in the historic interior.

A veteran human resources manager and consultant shares his firsthand experience to show human resources professionals in the design field how to attract, develop and retain the best people. Demonstrates how the nature of the design profession lends itself to special strengths and weaknesses in the human resources management area. Shows managers how to break out of traditional American styles of management and into the participative management style in which design professionals thrive. Theya ll also learn how to define their firma s mission, determine strategy, agree on common goals plus many other techniques that will contribute not only to their human resources management goals but also to their corporationa s goals as a whole.

This updated and revised edition of The Interior Design Reference & Specification Book gives you the information essential to planning and executing interior projects of all shapes and sizes in a format that is as easy to use as it is to carry-now including interviews with top practitioners from across the field of interior design. With detailed charts, specifications, diagrams, and digital information for planning and executing projects of every scale, this accessible reference explores these vital design topics: Fundamentals: Provides a step-by-step overview of an interior project, describing the scope of professional services, the project schedule, and the design and presentation tools used by designers. Space: Examines ways of composing rooms as spatial environments while speaking to functional and life-safety concerns. Surface: Identifies options in color, material, texture, and pattern, while addressing maintenance and performance issues. Environments: Looks at aspects of interior design that help create a specific mood or character, such as natural and artificial lighting, sound, and smell. Elements: Describes the selection and specification of furniture and fixtures, as well as other components essential to an interior environment, such as artwork and accessories. Resources: Gathers a wealth of useful data, from sustainability guidelines to online sources for interiors-related research. The Interior Design Reference & Specification Book is an essential sourcebook for designers, students of design, and anyone undertaking an interior design project. The Reference & Specification Book series from Rockport Publishers offers students and practicing professionals in a range of creative industries must-have information in their area of specialty in an up-to-date, concise handbook.

This book investigates the interconnections between textile and architecture via a variety of case studies from the Middle Ages through the twentieth century and from diverse geographic contexts. Among the oldest human technologies, building and weaving have intertwined histories. Textile structures go back to Palaeolithic times and are still in use today and textile furnishings have long been used in interiors. Beyond its use as a material, textile has offered a captivating model and metaphor for architecture through its ability to enclose, tie together, weave, communicate, and adorn. Recently, architects have shown a renewed interest in the textile medium due to the use of computer-aided design, digital fabrication, and innovative materials and engineering. The essays edited and compiled here, work across disciplines to provide new insights into the enduring relationship between textiles and architecture. The contributors critically explore the spatial and material qualities of textiles as well as cultural and political significance of textile artifacts, patterns, and metaphors in architecture. Textile in Architecture is organized into three sections: "Ritual Spaces," which examines the role of textiles in the formation and performance of socio-political, religious, and civic rituals; "Public and Private Interiors" explores how textiles transformed interiors corresponding to changing aesthetics, cultural values, and material practices; and "Materiality and Material Translations," which considers textile as metaphor and model in the materiality of built environment. Including cases from Morocco, Samoa, France, India, UK, Spain, the Ancient Andes and the Ottoman Empire, this is essential reading for any student or researcher interested in textiles in architecture through the ages.

A combination of difficult economic times, a premium on urban space, and the modern trend for living alone means that living in small spaces has become a necessity, as much as a choice. But that needn't mean living in cramped, unimaginative spaces. Living Little shows how the challenges of small floor plans and compact interiors can be transformed with clever and creative design, the innovative use of technology, and ingenious and stylish solutions. Be they small or tiny homes, flats, apartments or storefront properties, cottages, shipping-container dwellings, caravans, or cabins, this book is the perfect source of inspiration for those short on space who are yearning for a strong dose of ingenuity and style.

- Presents the basics of design practice through twelve real-life ethical scenarios - Provides professional resources in solving the dilemma from several perspectives followed by discussion questions and suggested additional resources - Includes practice‐based topics such as contracts and project delivery methods and soft skills such as effective communication - Encourages architecture and design students to become ethical professionals ready to contribute effectively to design teams and to ask the right questions

Ludwig Bemelmans came to the California home of famed interior decorator Elsie de Wolfe, Lady Mendl, for cocktails. By the end of the night, he was firmly established as a member of the family: given a bedroom in their sumptuous house, invitations to the most outrageous parties in Hollywood, and the friendship of the larger-than-life woman known to her closest friends simply as 'Mother'. With hilarity and mischief, Bemelmans lifts the curtain on a bygone world of extravagance and eccentricity, where the parties are held in circus tents and populated by ravishing movie stars. To the One I Love the Best is a luminous painting of life's oddities and a touching tribute to a fabulously funny woman.

The California Revival style of home design is a new movement, an indoor-outdoor design that uses vintage furnishings, art pottery, tile, paintings and decorative arts from California's Spanish Revival period of the 1920s to 1940s. Carole Coates and Annie Dietz take you inside ten "real" homes and share secrets from scores more, including top collections that demonstrate how to achieve this enlivening and color-saturated style. The book contains over 600 color images with detailed captions and an engaging text. See historic Malibu pottery, Catalina Island pottery and tile, Bauer pottery, Taylor tiles, Monterey furniture, San Jose Workshop murals from Texas, ironwork, paintings, textiles, and more. This friendly and individualized style can be adjusted to suit your personality and tastes whether your architecture is Ranch or Mexicana, Spanish Revival or Modern, Cabin or Lodge, Mission or European. You learn why this vintage California home decor is on the cutting edge with leading interior designers, museums, and collectors across the country.

This book explores and explains the fundamentals of interior design. Because it does not emphasize current trends and fashion, its value will be long lasting.

Interior codes and standards reference of choice for designers and architects, updated and revised Completely revised and updated, the seventh edition of The Codes Guidebook to Interiors is the only book devoted exclusively to codes that are applicable to interior designers. The guide features jargon-free explanations of all the codes and standards that are relevant to designers and architects, including performance codes, building and finish standards, energy codes, and ADA standards. In addition, the dozens of examples and a greatly enhanced with a set of illustrations, including floor plans, that clearly show how codes apply to real-world project. Written by Katherine E. Kennon (a professional architect and facilities planner) and Sharon Koomen Harmon (a professional interior designer and educator) are experts on interior design and architecture codes. Updated coverage contains the most recent ICC codes, including the International Building Code and new material on the ICC International Green Construction Code, as well as the NFPA's most recent Life code. The authors address a wide-variety of building and project types (large and small) and they offer information on single family homes and historical and existing buildings. The seventh edition includes: * Easy-to-navigate format geared toward the code process as a whole * A step-by-step guide through the codes relevant at each stage in the design process * The newest changes to the ADA Standards and ICC/ASI accessibility requirements * A companion site that offers digital checklists, flashcards, study questions, sample forms, and PowerPoint slides Having all applicable codes in a single resource saves hours of research time, and can dramatically reduce the potential for costly planning oversights. Whether renovation or new construction, small or large, codes apply to every project. The Codes Guidebook for Interiors provides designers with the comprehensive information they need to stay up-to-date.

Why do we care so much about our homes? When did this societal phenomenon begin? Entire stores and cable channels are dedicated to the remodeling of one's home-proof that our homes are more than just walls, windows, and floors. Our homes exemplify who we are. Start with the "why" rather than the "how" when remodeling and your home will become your haven. You will experience more joy, fulfillment, and the contentment you seek.

Why do we care so much about our homes? When did this societal phenomenon begin? Entire stores and cable channels are dedicated to the remodeling of one's home-proof that our homes are more than just walls, windows, and floors. Our homes exemplify who we are. Start with the "why" rather than the "how" when remodeling and your home will become your haven. You will experience more joy, fulfillment, and the contentment you seek.

Designing the French Interior traces France's central role in the development of the modern domestic interior, from the pre-revolutionary period to the 1970s, and addresses the importance of various media, including drawings, prints, pattern books, illustrated magazines, department store catalogs, photographs, guidebooks, and films, in representing and promoting French interior design to a wider audience. Contributors to this original volume identify and historicize the singularity of the modern French domestic interior as a generator of reproducible images, a site for display of both highly crafted and mass-produced objects, and the direct result of widely-circulated imagery in its own right. This important volume enables an invaluable new understanding of the relationship between architecture, interior spaces, material cultures, mass media and modernity.

The Production Sites of Architecture examines the intimate link between material sites and meaning. It explores questions such as: how do spatial configurations produce meaning? What are alternative modes of knowledge production? How do these change our understanding of architectural knowledge? Featuring essays from an international range of scholars, the book accepts that everything about the production of architecture has social significance. It focuses on two areas: firstly, relationships of spatial configuration, form, order and classification; secondly, the interaction of architecture and these notions with other areas of knowledge, such as literature, inscriptions, interpretations, and theories of classification, ordering and invention. Moving beyond perspectives which divide architecture into either an aesthetic or practical art, the authors show how buildings are informed by intersections between site and content, space and idea, thought and materiality, architecture and imagination. Presenting illustrated case studies of works by architects and artists including Amale Andraos, Dan Wood, OMA, Koen Deprez and John Soane, The Production Sites of Architecture makes a major contribution to our understanding of architectural theory.