Originally published in 1945, Plastics and Industrial Design is a non-technical work of reference for manufacturers and designers who, after the Second World War were beginning to realize the possibilities that manufacturing with Plastics could bring. The different types of plastics and their uses is discussed, as is their impact on the design of manufactured articles. Whilst the extensive use of plastic may have fallen out of favour in recent years due to environmental concerns, this book reminds us that in their infancy they offered exciting manufacturing possibilities.

Originally published in 1946, this book is based on a series of broadcast talks on design. Led by an engineer, an artist and critic of architecture and industrial design, the discussions focussed on the problems that were involved by a general application of design to the environment of contemporary life. It surveys the possibilities of design in modern life and the talks have been rewritten, amplified and revised for the purposes of the book.

Originally published in 1946, when Britain was facing a post-war housing crisis, this book dealt with the issue of the factory-produced house in being part of the solution for housing people in an affordable manner and a short time-scale. The book, aimed at both lay-people and technicians discusses aspects of pre-fabricated housing such as comfort, standardisation and aesthetics. The book is illustrated with 48pp of black and white plates.

Originally published in 1958, A Guide to Western Architecture charts the origins of the system of architectural design that was perfected in Greece, follows its development under the Roman Empire and describes the achievements of the Byzantine architects. Passing through Romanesque to Gothic, the contributions made by Mediaeval builders to structure and design are recorded, and then the impact of the Renaissance on architecture, and its characteristic development in the different European countries. The transplanting of Renaissance ideas to the New World is covered, and finally the origins and nature of the new Western architecture occupy the last section of the book. The Appendix includes a list of the principal architects, and brief notes on their work, from the 5th century B. C. to the end of the Renaissance.

Originally published in 1964, The Englishman's Chair is a history of English chairs, written as a continuous story from the 15th to the 20th Century and because of the revealing powers inherent in chair-making and design, it is also an unconventional footnote to English social history. The changes in taste, and fashion, the increase of skill, the introduction of new materials and the long battle between dignity and comfort are discussed, as is the impact that modern industrial designers have had on chair design.

Originally published in 1952 but enlarged and revised in 1969, this dictionary became a standard authoritative work of reference. It contains 2,612 entries and over 1,000 illustrations, reproduced from contemporary sources and from drawings by Ronald Escott, Marcelle Barton and Maureen Stafford. The work is divided into 6 sections: the first and second concern the description and design of furniture, the third contains the entries, the fourth gives a list of furniture makers in Britain and North America, section five records books and periodicals on furniture and design and the concluding section sets out in tabular form the periods with the materials used, and types of craftsmen employed from 1100 to 1950.

Offers invaluable and accessible guidance for designing workspaces in order to increase productivity and efficiency and reduce operating costs. After reviewing an existing situation, the author presents a variety of approaches that include instruction and direction to enact changes. Identifies specific deterrents in the workplace, providing new techniques and other methods to solve them. Details the Shumake Beta Module, created by the author, which supports maximum productivity by an individual worker at any company's level. All the material in the text has been successfully tested.

This book examines diverse ways of questioning, critiquing, and communicating site in the creative process of architecture, interior design, urban planning, and historical and cultural studies. The authors use the term site to connote a series of complex, established, or pre-existing conditions - a setting, an atmosphere, an area - to read, to interpret, to relate to, and to engage with, to redefine, or to create in relation to a design prompt. By acknowledging, accommodating, and empowering the physical, intellectual, and cultural characteristics of a site, students question its history, boundaries, posture, and situational aspects. Such inquiries promote a deeper appreciation of a site and thus help students to acknowledge its capacity to influence design throughout the iterative creative process. Understanding Site in Design Pedagogy adds to the body of literature on design studio pedagogy by presenting a collection of essays that challenge normative assumptions about what defines a site and its distinctive qualities. It poses a series of pedagogical questions for how sites might be diversely interpreted and introduced to design students. This study offers chapters that speak to site, memory, and lived experience; multi-scalar thinking about site; connecting to site through sensory phenomenon in interior design; alternate ways of engaging site for learning sustainable principles; and introducing unorthodox forms of site as the impetus to creative endeavours. It offers innovative approaches to scholarship of teaching and learning with respect to diverse readings of site within design education.

This book explores how the design characteristics of homes can support or suppress individuals' attempts to create meaning in their lives, which in turn, impacts well-being and delineates the production of health, income, and educational disparities within homes and communities. According to the author, the physical realities of living space-such as how kitchen layouts restrict cooking and the size of social areas limits gatherings with friends, or how dining tables can shape aspirations-have a salient connection to the beliefs, culture, and happiness of the individuals in the space. The book's purpose is to examine the human capacity to create meaning and to rally home mediators (scholars, educators, design practitioners, policy makes, and advocates) to work toward Culturally Enriched Communities in which everyone can thrive. The volume includes stories from Hmong, Somali, Mexican, Ojibwe, and African American individuals living in Minnesota to show how space intersects with race, gender, citizenship, ability, religion, and ethnicity, positing that social inequalities are partially spatially constructed and are, therefore, malleable.

Interior designer Mark D. Sikes burst onto the publishing scene with his NewYork Times best-selling first book, Beautiful. His new book, aptly titled More Beautiful, picks up where the first left off, in a celebration of classic, all-American decorating. The rooms featured in More Beautiful are divided into five distinct styles, all of which exude the happiness that comes with surrounding oneself with things you love. Traditional is chockablock with vibrant color, antique furniture, and heady doses of trim and pattern. Country is a new take on the style, where distressed finishes and modern silhouettes mingle for a warm welcome. Coastal is streamlined, with natural woven fibers, sun-faded linen and neutrals, and blues and whites galore. Mediterranean evokes faraway lands, with a saturated palette, ornate tiles and ikats, and iron details. Finally, there's Beautiful: a peek inside Mark's own Hollywood Hills home, which nods to all of his favorite design signatures--including Italian wicker, blue and white, Anglo-Indian antiques, and more. With all-new photography by Amy Neunsinger, the book will inspire with rooms that are light-filled and crisply patterned, chic yet comfortable, and just the way people want to live today.

Collaborative spaces are more than physical locations of work and production. They present strong identities centered on collaboration, exchange, sense of community, and co-creation, which are expected to create a physical and social atmosphere that facilitates positive social interaction, knowledge sharing, and information exchange. This book explores the complex experiences and social dynamics that emerge within and between collaborative spaces and how they impact, sometimes unexpectedly, on creativity and innovation. Collaborative Spaces at Work is timely and relevant: it will address the gap in critical understandings of the role and outcomes of collaborative spaces. Advancing the debate beyond regional development rhetoric, the book will investigate, through various empirical studies, if and how collaborative spaces do actually support innovation and the generation of new ideas, products, and processes. The book is intended as a primary reference in creativity and innovation, workspaces, knowledge and creative workers, and urban studies. Given its short chapters and strong empirical orientation, it will also appeal to policy makers interested in urban regeneration, sustaining innovation, and social and economic development, and to managers of both collaborative spaces and companies who want to foster creativity within larger organizations. It can also serve as a textbook in master's degrees and PhD courses on innovation and creativity, public management, urban studies, management of work, and labor relations.

Classic, refined, and alluring are just some of the ways to describe Sarah Blank Design Studio's timeless kitchen designs. Sarah Blank's vast expertise in the classicist language spanning many decades and her creative vision for contemporary elegance form the basis of her understanding that a beautiful and functional kitchen is not only an integral part of the architecture of the house, but the very heart of the home. She incorporates a set of rules and principles in her work that are imperative to beautiful and functional design, mastering some of the finest kitchens ever developed for a new generation of happy homeowners. This beautifully photographed volume presents a stunning selection of award-winning projects, each showcasing exquisite beauty, attention to detail, and technical prowess.

Inspiring new design ideas from multiple award-winning Danish fashion and interior designer Malene Birger. In this third volume of her successful interior design series, Birger showcases four houses and apartments she has recently furnished in England, Italy, Greece and Spain. Alluring before-and-after shots trace the path from proverbial white canvas to feel-good oasis. In addition, the versatile globetrotter shows her own artwork and a new line of jewellery that reflects her unique aesthetic visual language. The final chapter of the book is devoted to the beginnings of her latest remodeling project, a townhouse in Felanitx, a town on the Balearic Island of Majorca. Text in English, German, French and Spanish Also available by Malene Birger: Move and Work, ISBN 9783832798093, and Live and Work, ISBN 9783832794170.

A stunning visual journey through the homes of people from around the world who have taken steps to simplify their lives and embrace the principles of slow living. Still is an interiors book that invites readers to take on the philosophy of the SLOW movement. Living Sustainably; Local; Organic; and Whole. It talks not just to the question of the physical structures we choose, but also the surrounding environment, and what effect that can have on general happiness and wellbeing. Still includes about a dozen case studies featuring escape homes and owners who live according to these aforementioned principles, enlightening readers as to why they chose this path and how it has benefitted their lives. It is the follow-up to Natalie Walton's successful first title This is Home, and once again features location photography by Chris Warnes.

Intended for anyone who wants to restore original features in an Edwardian house, or simply to create the light gentility of that period in a modern home, this book looks at each room in turn, as well as the exterior and garden, in terms of how it was then and how antique and modern furniture, funishings and fittings can be used to recreate the setting.;The book contains source material from contemporary catalogues, together with photographs of houses and finished rooms in Britain, Europe, North America and Australia. Major trends of the Edwardian period - including the Arts and Crafts Movement, Art Nouveau and the Queen Anne Revival - are all featured, with the work of architects such as Lutyens and Rennie Mackintosh, gardeners such as Gertrude Jekyll, and design houses such as Liberty and Heals.

Material Theories takes a radically new approach to well-established thinking on nineteenth-century architecture and design by investigating Gottfried Semper's classic ideas about dressing, metamorphosis of material, and cultural development, culminating in his two-volume publication Style. This book demonstrates how Semper's theories crystallised among his encounters with material things of the late 1840s and early 1850s. It examines several discursive frameworks and phenomena which shaped the attitude to artefacts in Europe in the mid-nineteenth century, and which were specifically pertinent to Semper's evolution: archaeology and antiquarianism, the domestic interior, print media, collections, and the embodied relationship between the designer and their work. For the first time, this book examines the construction of a design theory not only as an intellectual endeavour but also as a process of confrontation with material things. It employs recent approaches to material culture, in particular Thing Theory, in order to show that Semper's artefact references constituted his ideas, rather than simply giving impetus to them. It will be an important investigation for academics and researchers interested in interior design history, as well as scholars of material culture and history of design theory.

'The New Bespoke: Couture-Inspired Rooms That Seamlessly Combine One-of-a-kind Objects with Hand-made Furniture' is a compelling first monograph on the work of Boston-based interior designer Frank Roop. A mastermind of original colour palettes, Roop leaves his signature couture touch on each and every space that he creates. The ingredients that go into his projects are truly unique: almost all of the furniture and furnishings he uses in his interiors are either vintage finds or custom-made pieces of his own design. Roop began his design firm after a career in specialty menswear, where he acquired the principles of design that gave him a unique and unexpected basis for formulating and conceptualizing his interior design schemes. For Roop, a room is not just a space to be inhabited: it is a garment to be worn, and an impeccably tailored garment at that. Over 160 colour images by internationally renowned photographer Eric Roth are accompanied by Roop's personal and distinctive theories about colour, texture, shape, and the elements of design, making 'The New Bespoke' a vibrant, outspoken, and well-tailored book for anyone interested in interior design.

A Summer Place reflects the natural charm, understated beauty, and sophistication of the properties of notable tastemakers of Long Island s idyllic seaside community of Bellport-Brookhaven, where Foley resides. This beautifully photographed collection of homes offers inspirational ideas for making your home a personal sanctuary. Featured are modern residences by the sea designed around their water views, nineteenth-century shingle-style cottages that have been restored for today s living, and artist retreats filled with colour, pattern, and unique style. Many of these houses, with their screened porches, handcrafted outbuildings, and summer gardens have ideas that translate to seaside living anywhere. Some are decorated with subtle hues of sky blue, white floorboards, and comfortable rustic or contemporary furnishings. The grounds vary from manicured lawns that roll down to the sea to wild landscapes of seagrass, and lovely pergolas dripping with wisteria to working cutting gardens. With sections on summer decorating style, casual outdoor entertaining, seasonal flowers, and weekend guest tips, this book shares several ways to enjoy summer living at home.

- Explores the history of interior decorating and design from the late nineteenth century to the present, focusing on the period from 1905 to 1960 - Emphasizes careers and contributions of significant American female interior designers who were instrumental in the creation of the field of residential and commercial interior design in the United States - Examines the complex relationships among professionals in the design fields, the social dynamics of designer-client relationships, and how class, culture and family influenced their lives and careers - Candace Wheeler, Elsie de Wolfe, Edith Wharton, Dorothy Draper, Sister Parish, Florence Knoll, among many others, will be showcased

- Explores the history of interior decorating and design from the late nineteenth century to the present, focusing on the period from 1905 to 1960 - Emphasizes careers and contributions of significant American female interior designers who were instrumental in the creation of the field of residential and commercial interior design in the United States - Examines the complex relationships among professionals in the design fields, the social dynamics of designer-client relationships, and how class, culture and family influenced their lives and careers - Candace Wheeler, Elsie de Wolfe, Edith Wharton, Dorothy Draper, Sister Parish, Florence Knoll, among many others, will be showcased

This fully updated edition of the successful book The Design of Lighting, provides the lighting knowledge needed by the architect in practice, the interior designer and students of both disciplines. The new edition offers a clear structure, carefully selected material and linking of lighting with other subjects, in order to provide the reader with a comprehensive and specifically architectural approach to lighting. Features of this new edition include: technical knowledge of lighting in the context of architectural design; an emphasis on imagination in architectural light and presentation of the tools necessary in practice for creative design; additional chapters on the behaviour of light and on the context of design; a strong emphasis on sustainable design and energy saving, with data and examples; analyses of actual lighting schemes and references to current standards and design guides; an up-to-date review of lamp and lighting technology, with recommendations on the choice of equipment; a revision of the calculation section, with examples and step-by-step instructions, based on recent student feedback about the book.

1. This book provides the first extended study of heritage from the point of view of design history. 2. Demonstrating that design historical methods of inquiry contribute significantly to critical heritage studies, the book will be of great interest to academics, researchers and students engaged in the study of heritage, design history, material culture, folklore, art history, architectural history, and social and cultural history. 3. There are no existing titles which directly focus on the relationship between design (history) and heritage (studies).

This book explores the beginnings of the interior design profession in nineteenth-century France. Drawing on a wealth of visual sources, from collecting and advice manuals to pattern books and department store catalogues, it demonstrates how new forms of print media were used to 'sell' the idea of the unified interior as a total work of art, enabling the profession of interior designer to take shape. In observing the dependence of the trades on the artistic and public visual appeal of their work, the book establishes crucial links between the fields of art history, material and visual culture, and design history. -- .