Filled with personal insight, humour, creativity, joy, and poignancy, Home: A Celebration is a lyrical ode to sanctuary and a thoughtful and inspirational book to peruse again and again. Through the lenses of their crafts and passions, each illustrious contributor presents an offering either a personal text or work of art on what home means to them. Historian Jon Meacham discusses books as the emotional infrastructure of the houses in his life. Photographer Oberto Gili documents the glorious garden at his property in northwest Italy. Chef Alice Waters proffers a recipe from her home garden. Interior designers including Nina Campbell, Steven Gambrel, Michael S. Smith, and Kelly Wearstler share aspects of their profession that define home to them. Other notable pieces are from Joan Juliet Buck, Julian Fellowes, John Grisham, Jill Kargman, Joyce Carol Oates, and Gloria Steinem. Charlotte Moss s inspiration for this project is Edith Wharton s The Book of the Homeless (1916), a fundraising effort that aided refugees and children during the First World War. For this book, a portion of the profits are benefiting the organization No Kid Hungry, which works to feed more than 11 million children in the United States who live in food-insecure homes.

Since the publication of Edward Said's groundbreaking work Orientalism 35 years ago, numerous studies have explored the West's fraught and enduring fascination with the so-called Orient. Focusing their critical attention on the literary and pictorial arts, these studies have, to date, largely neglected the world of interior design. Oriental Interiors is the first book to fully explore the formation and perception of eastern-inspired interiors from an orientalist perspective. Orientalist spaces in the West have taken numerous forms since the 18th century to the present day, and the fifteen chapters in this collection reflect that diversity, dealing with subjects as varied and engaging as harems, Turkish baths on RMS Titanic, Parisian bachelor quarters, potted palms, and contemporary yoga studios. It explores how furnishings, surface treatments, ornament and music, for example, are deployed to enhance the exoticism and pleasures of oriental spaces, looking across a range of international locations. Organized into three parts, each introduced by the editor, the essays are grouped by theme to highlight critical paths into the intersections between orientalist studies, spatial theory, design studies, visual culture and gender studies, making this essential reading for students and researchers alike.

For more than 40 years, Martin Waller and his company Andrew Martin have continued to demonstrate that furniture is more than just a functional object, and that a living space always finds new stories to tell. His Interior Design Review, the definitive standard work, unmatched in its variety and broad range of topics, is now being published in its 26th edition. One hundred designers, 500+ pages, 1,000 photographs - such is the opulent presentation of the latest interior trends in this magnificent coffee table book. With its special arrangement, the latest edition is once again a feast for the eyes of design lovers who want to unleash their creativity.

The fashion show and its spaces are sites of otherness, representing everything from rebellion and excess through to political and social activism. This conceptual and stylistic variety is reflected in the spaces they occupy, whether they are staged in an industrial warehouse, on a city street, or out in the open landscape. Staging Fashion is the first collection of essays about the presentation and staging of fashion in runway shows in the period from the 1960s to the 2010s. It offers a fresh perspective on the many collaborations between artists, architects and interior designers to reinforce their interdisciplinary links. Fashion, architecture and interiors share many elements, including design, history, material culture, aesthetics and trends. The research and ideas underpinning Staging Fashion address how fashion and the spatial fields have collaborated in the creation of the space of the fashion show. The 15 essays are written by fashion, interior, architecture and design scholars focusing on the presentation of fashion within the runway space, from avant-garde practices and collaboration with artists, to the most spectacular and commercial shows of recent years, from Prada to Chanel.

- Expands the understanding of architectural programming to include neuroscience, human factors and the fundamentals of place-making - Presents 18 original essays from experts in various aspects of architectural programming, sustainable design and human factors - Includes over 50 black and white illustrations

The hands-on daylighting resource to solve a variety of design issues

From evaluation to implementation, Daylighting Performance and Design is a veritable catalog of daylighting strategies, building materials, and methods of construction. This Second Edition offers up-to-date case studies, the latest glazing techniques, new discussions on productivity and human performance, and valuable knowledge on the impact of daylighting on interior spaces. With hands-on guidance, step-by-step instructions, and concise information, this resource stands alone in the field of architectural design.

Real-world execution of design concepts are illustrated by a wide range of case studies that include such structures as:

United Gulf Bank

Newport Coast Elementary School

Nike European Headquarters

Remo Headquarters

Success Center

Unlike other books that get bogged down in overly complex detail and laborious language, Daylighting Performance and Design is a highly visual resource with clear information and straight-to-the-solution examples. From saving energy and money to increasing productivity in schools and offices, all aspects of the latest advances in theory, calculations, and execution techniques are available here. Busy professionals can find explanations at a glance with more than 175 striking illustrations and many visual examples.

Complete with extensive appendices featuring invaluable data, worksheets, and forms, Daylighting Performance and Design, Second Edition is an essential volume for everyone interested in architectural design that is sensitive to the environment.

This book focuses on human adaptive thermal comfort in the building environment and the balance between reducing building air conditioning energy and improving occupants' thermal comfort. It examines the mechanism of human thermal adaptation using a newly developed adaptive heat balance model, and presents pioneering findings based on an on online survey, real building investigation, climate chamber experiments, and theoretical models. The book investigates three critical issues related to human thermal adaptation: (i) the dynamics of human thermal adaptation in the building environment; (ii) the basic rules and effects of human physiological acclimatization and psychological adaptation; and (iii) a new, adaptive, heat balance model describing behavioral adjustment, physiological acclimatization, psychological adaptation, and physical improvement effects. Providing the basis for establishing a more reasonable adaptive thermal comfort model, the book is a valuable reference resource for anyone interested in future building thermal environment evaluation criteria.

Architectural solutions & designs to optimize the spaces in your home without spending a fortune. Architect Laura Jane Clark, from the BBC and Netflix smash-hit series Your Home Made Perfect, has spent over 15 years designing, remodelling, and building homes with budgets that range from modest to enormous. THE HANDBOOK OF HOME DESIGN distils Laura's wealth of experience and enthusiasm giving you an accessible yet detailed guide to design, empowering you with the tools and knowledge to shape your home how you want. Throughout your home design journey, whether large or small, Laura takes you each step of the way from understanding your home, reading a plan and writing a brief, right through to sketching your own design and having the confidence to get what you want on the building site. Packed full of tips and tricks, inspiration and technical know-how, THE HANDBOOK OF HOME DESIGN is like having Laura by your side, showing you how to design practical yet beautiful spaces, get more storage into your life and create the home of your dreams. Laura Jane Clark wants to democratize the whole concept of residential architectural design and empower you to redesign your spaces by giving you the language and ability to confidently communicate your vision, get the most out of your design and ultimately love your finished home. Whether you are a long-term homeowner, first-time buyer or simply visualising your dream space, no matter what your budget is, this unique insight into Laura's process allows you to achieve both the design you want and the home you need. www.lamparchitects.co.uk Instagram: @laurajaneclark_

Business essentials and marketing strategies to help your firm survive and thrive . . .

As a design professional running your own small firm, you expect to wear many hats—designer, office manager, project manager—all in a day's work. But strategic marketer? No one prepared you for that! Marketing Basics for Designers is a long overdue resource for designers who need to become expert marketers fast. It provides solid practical advice on how to market your services, build your client base, and keep your customers coming back for more.

You'll learn how to establish your design niche and develop your own marketing plan to reach potential clients. You'll find techniques for networking and using your contacts with other professionals. And you'll find inside tips from 30 leading designers who have had to develop their own marketing methods to survive. Positively packed with all the details you need, Marketing Basics for Designers helps you ensure your firm's future success and shows you how to:

• Increase your firm's visibility within your community
• Use past successes to generate future business
• Perform beyond your clients' expectations
• Utilize a show home to market your talents
• Establish competitive and appropriate prices
• Work successfully with other professionals
• And much more

If you are recently out on your own, planning to start your own practice, or already managing your own small firm, this is one of the most important books you will ever add to your professional library.

Marketing Basics for Designers

What makes running a small design practice so much more challenging than working for one of the big firms? You have to attract your own clients and keep them, you're working with limited resources and personnel, and once you finally pull yourself away from your drawing board to concentrate on marketing your services, where do you begin? You can't just sit there wondering why you didn't learn more about marketing in design school.

Here's a book to help you out. With a clear, no-nonsense approach, Jane D. Martin and Nancy Knoohuizen address the full range of marketing problems and solutions from the unique perspective of the small design firm. They understand that you often find yourself short of the time, money, and know-how it takes to advertise your services effectively. Drawing on their own experience as well as interviews with more than 30 successful designers, Martin and Knoohuizen show you how to overcome these limitations and develop an effective marketing campaign.

This incomparable guide will help you put together your marketing campaign, map out your strategy, and attract the attention of potential clients. Not everyone is a born salesperson, but Martin and Knoohuizen let you in on trade secrets that really work and offer suggestions that will help you feel more comfortable marketing yourself. You'll learn to build relationships by effective use of referrals and word of mouth. You'll master the subtleties of clinching the deal and discover how to keep your newfound clients coming back for more.

You'll also receive sound advice from those who have been there before you. Charles Gandy, B. J. Peterson, Mark Hampton, and Cheryl P. Duvall are among the illustrious designers who share their wisdom, tips, and recommendations. You'll find out how these major designers have coped with many of the same problems you face now, and you'll learn from their mistakes as well as their triumphs.

Whether you're just starting out in the design business, yearning to break free and become your own boss, or trying to create growth in an established firm, Marketing Basics for Designers helps you develop a successful marketing strategy based on your own needs, capabilities, and expectations.

The architectures of capitalist development's present phase manifest themselves through a very diverse range of episodes: data centers, warehouses, container terminals, logistics parks. Generally considered as mediocre and banal examples that sit outside of pre-established disciplinary canons, these artifacts are extremely relevant. They are relevant not for their formal or historic qualities, but for what they represent - for the implicit system of values they embed. They express specific power relations, exacerbate issues of labor, and generate processes of subjectivity. Most importantly, these architectures, despite their formal and typological diversity, share a common ground. They depict a sort of inner and extended paradigm: the EXTERIORLESS. How can an architecture of the EXTERIORLESS be defined? How does it differentiate from examples and manifestations of the past? How do notions of legibility, form vs. function, typological articulation, come into play? In situating the architectures of contemporary capitalism within the larger debate on Anthropocene, Post- Anthropocene and Capitalocene, this book attempts to answer those questions by delineating three main characteristics for an architecture of the EXTERIORLESS: its physical and symbolic role as interface; its ambiguous condition of being at the same time local and global, isolated and connected, compressed and expanded; and, lastly, its contribution to new forms of urbanity in absence of the traditional city. These three aspects-Interface, Expanded Domains, and New Forms of Urbanity-constitute the three main sections of the book. Each section includes two chapters and examines one specific aspect of the EXTERIORLESS paradigm. Defining its three main characteristics, this book covers a wide spectrum of themes and examples. It describes the influence that the experimental architecture of the 1960s has exerted on late-capitalist spatial products; it analyzes the impact of logistics on the redesign of the territory; it introduces new forms of global urbanity generated by the EXTERIORLESS. Written for students and scholars of architectural history, theory and criticism, Stefano Corbo contextualizes the concept of EXTERIORLESS and its role in contemporary architecture, its obedience to macro-economic dynamics, and its possible future.

Interior design guru Axel Vervoordt shares his latest inspirations for the home. Axel Vervoordt's intense curiosity has fueled his work as an interior designer, spurring him to explore and draw inspiration from cultures around the globe. He was first exposed to Eastern art and philosophy years ago, but today it has become the guiding principle in his work, particularly the concept of Wabi. Developed in the twelfth century, Wabi advocates simplicity and humility, the rejection of all that is superfluous or artificial. Through extraordinary photographs from Japan and Korea to Belgium and Switzerland, Vervoordt invites us to explore the elements that inspire him: natural materials and time-worn objects that evoke the essence of Wabi. Today, together with the Japanese architect Tatsuro Miki, Vervoordt carries the principles of Wabi into his remarkable interiors. As Vervoordt reveals how he infuses his current creations with a fundamentally oriental approach, interiors devotees will gain new insight from this tribute to the designer's latest sources of inspiration for the home.

This book explores creative solutions to the unique challenges inherent in crafting livable spaces in extra-terrestrial environments. The goal is to foster a constructive dialogue between the researchers and planners of future (space) habitats. The authors explore the diverse concepts of the term Habitability from the perspectives of the inhabitants as well as the planners and social sciences. The book provides an overview of the evolution and advancements of designed living spaces for manned space craft, as well as analogue research and simulation facilities in extreme environments on Earth. It highlights how various current and future concepts of Habitability have been translated into design and which ones are still missing. The main emphasis of this book is to identify the important factors that will provide for well-being in our future space environments and promote creative solutions to achieving living spaces where humans can thrive. Selected aspects are discussed from a socio-spatial professional background and possible applications are illustrated. Human factors and habitability design are important topics for all working and living spaces. For space exploration, they are vital. While human factors and certain habitability issues have been integrated into the design process of manned spacecraft, there is a crucial need to move from mere survivability to factors that support thriving. As of today, the risk of an incompatible vehicle or habitat design has already been identified by NASA as recognized key risk to human health and performance in space. Habitability and human factors will become even more important determinants for the design of future long-term and commercial space facilities as larger and more diverse groups occupy off-earth habitats. The book will not only benefit individuals and organizations responsible for manned space missions and mission simulators, but also provides relevant information to designers of terrestrial austere environments (e.g., remote operational and research facilities, hospitals, prisons, manufacturing). In addition it presents general insights on the socio-spatial relationship which is of interest to researchers of social sciences, engineers and architects.

"It's an evocative, inspiring mood board of a book." - Andreina Cordani, Reclaim Magazine "Decorating with flowers - on everything from walls and windows to sofas and floors - will bring magic and romance to any space." - Mail on Sunday's You Magazine In the designs of Tricia Guild, atmosphere is everything. Patterns, colour, texture, furniture and furnishings interweave to create spaces that have all the depth and meaning of installation art. Yet just as an outfit never feels complete without a spritz of scent, a room without plants is only nearly complete. Only nearly perfect. At Designers Guild, Tricia Guild uses flowers, leaves and stems to enhance a room's mood, bringing soul to the spaces we live in. A flower has many spirits over the course of its life, from the promise of those first pristine and innocent buds, to the resplendent joy of full blooms and the wistful glory as they fade. The cycle of nature provides an ever-evolving muse for Tricia Guild. Her latest book explores how blooms can evoke emotion, presenting a plethora of inspirational designs that breathe fresh life into our homes and workspaces.

Designed to Sell presents an engaging account of mid-twentieth-century department store design and display in America from the 1930s to the 1960s. It traces the development of postwar philosophies of retail design that embodied aesthetics and function and new modes of merchandise display, resulting in the emergence of a new type of industrial designer. The evolution of aesthetics in department stores during this period reflected larger cultural shifts in consumer behaviour and lifestyle. Designed to Sell explores these changes using five key case studies and original archival sources to reveal the link between designers and consumption beyond the design of individual objects. It argues that design is not simply connected to retail consumption, but that it is capable of controlling how and where customers shop and what they are drawn to purchase. This book contextualises this discussion and brings it up to date for students and scholars interested in design, retail, and interior history.

Progressive Studio Pedagogy provides guidance to educators in all design fields by questioning processes and assumptions about teaching and learning, utilising examples from architecture, landscape architecture, and interior design. Through a series of case studies, this book presents innovative approaches to learning and teaching in design studio. Traditionally, design education is perceived to be a process for acquiring skills and a site for developing creative potential. However, contemporary higher education is embracing issues that include widening participation, managing transition, and fostering independent learning and graduate employability. This book situates design learning within this varied context and offers insights into how to confront the challenge of facilitating learning through divergent contexts by presenting projects and courses that use a range of approaches that require students to think and act critically and evaluatively. Progressive Studio Pedagogy presents new practices that readers can adapt into their own creative education, making it an ideal read for those interested in teaching design.

Regardless of style, age or size, a home should be a place of refuge, a private space in which we can feel truly comfortable, whether spending time on our own or entertaining friends. Above all, it should be a place of our own making, filled with the books, furniture and other cherished objects that say so much about who we are. Nowhere is this philosophy more apparent than in the work of Chester Jones, one of the UK's most celebrated interior designers and decorators. Lavishly illustrated throughout, "The Interiors of Chester Jones" provides a unique and fascinating insight into both Jones himself - a former architect and managing director of Colefax and Fowler - and the thinking behind the many rich and nuanced interiors he has created since establishing his own firm in 1989. The book covers every aspect of his work, from his distinctive use of art and artefacts to his sympathetic treatment of a building's architectural history, and includes a series of in-depth case studies on past projects. At the heart of this beautiful book is Jones's own belief that to be happy in one's own surroundings, to live contentedly in a space of our own design, is to feel genuinely at home.

A stunning visual journey through the homes of people from around the world who have taken steps to simplify their lives and embrace the principles of slow living. Still is an interiors book that invites readers to take on the philosophy of the SLOW movement. Living Sustainably; Local; Organic; and Whole. It talks not just to the question of the physical structures we choose, but also the surrounding environment, and what effect that can have on general happiness and wellbeing. Still includes about a dozen case studies featuring escape homes and owners who live according to these aforementioned principles, enlightening readers as to why they chose this path and how it has benefitted their lives. It is the follow-up to Natalie Walton's successful first title This is Home, and once again features location photography by Chris Warnes.

Originally published in 1945, Plastics and Industrial Design is a non-technical work of reference for manufacturers and designers who, after the Second World War were beginning to realize the possibilities that manufacturing with Plastics could bring. The different types of plastics and their uses is discussed, as is their impact on the design of manufactured articles. Whilst the extensive use of plastic may have fallen out of favour in recent years due to environmental concerns, this book reminds us that in their infancy they offered exciting manufacturing possibilities.

Originally published in 1946, this book is based on a series of broadcast talks on design. Led by an engineer, an artist and critic of architecture and industrial design, the discussions focussed on the problems that were involved by a general application of design to the environment of contemporary life. It surveys the possibilities of design in modern life and the talks have been rewritten, amplified and revised for the purposes of the book.

Originally published in 1946, when Britain was facing a post-war housing crisis, this book dealt with the issue of the factory-produced house in being part of the solution for housing people in an affordable manner and a short time-scale. The book, aimed at both lay-people and technicians discusses aspects of pre-fabricated housing such as comfort, standardisation and aesthetics. The book is illustrated with 48pp of black and white plates.

Originally published in 1958, A Guide to Western Architecture charts the origins of the system of architectural design that was perfected in Greece, follows its development under the Roman Empire and describes the achievements of the Byzantine architects. Passing through Romanesque to Gothic, the contributions made by Mediaeval builders to structure and design are recorded, and then the impact of the Renaissance on architecture, and its characteristic development in the different European countries. The transplanting of Renaissance ideas to the New World is covered, and finally the origins and nature of the new Western architecture occupy the last section of the book. The Appendix includes a list of the principal architects, and brief notes on their work, from the 5th century B. C. to the end of the Renaissance.

Originally published in 1964, The Englishman's Chair is a history of English chairs, written as a continuous story from the 15th to the 20th Century and because of the revealing powers inherent in chair-making and design, it is also an unconventional footnote to English social history. The changes in taste, and fashion, the increase of skill, the introduction of new materials and the long battle between dignity and comfort are discussed, as is the impact that modern industrial designers have had on chair design.