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Tokyo Boogie-Woogie - Japan's Pop Era and Its Discontents (Hardcover)
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Tokyo Boogie-Woogie - Japan's Pop Era and Its Discontents (Hardcover)
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In this first English-language history of the origins and impact of
the Japanese pop music industry, Hiromu Nagahara connects the rise
of mass entertainment, epitomized by ryukoka ("popular songs"),
with Japan's transformation into a middle-class society in the
years after World War II. With the arrival of major international
recording companies like Columbia and Victor in the 1920s, Japan's
pop music scene soon grew into a full-fledged culture industry that
reached out to an avid consumer base through radio, cinema, and
other media. The stream of songs that poured forth over the next
four decades represented something new in the nation's cultural
landscape. Emerging during some of the most volatile decades in
Japan's history, popular songs struck a deep chord in Japanese
society, gaining a devoted following but also galvanizing a
vociferous band of opponents. A range of critics-intellectuals,
journalists, government officials, self-appointed arbiters of
taste-engaged in contentious debates on the merits of pop music.
Many regarded it as a scandal, evidence of an increasingly debased
and Americanized culture. For others, popular songs represented
liberation from the oppressive political climate of the war years.
Tokyo Boogie-Woogie is a tale of competing cultural dynamics coming
to a head just as Japan's traditionally hierarchical society was
shifting toward middle-class democracy. The pop soundscape of these
years became the audible symbol of changing times.
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