Black And White Bioscope recovers a neglected chapter in the histories of world cinema and Africa. It tells the story of movie production in Africa that long predated francophone African films and Nollywood that are the focus of most histories of this industry.

At the same time as Hollywood was starting, a film industry in Southern Africa was surging ahead in integrating production, distribution, and exhibition. African Film Productions Limited made silent movies using technical and acting talent from Britain, the United States, and Australia, as well as from Africa. These included not only the original “long trek movie” and the prototype for the movies Zulu and Zulu Dawn but also the first King Solomon's Mines and the original Blue Lagoon, featuring African actors such as Goba, Tom Zulu, and Msoga Mwana, who starred as the black revolutionary in Prester John.

In this lavishly illustrated book, fifty movies are reconstructed with graphic photographs and plot synopses—plus quotations from reviews—so that readers can rediscover this long-lost treasure trove of silent cinema.

A companion volume to the highly successful Field Guide to the Battlefields of South Africa, this features the pivotal sieges that characterised the Cape Frontier, Anglo-Zulu, Basotho and Anglo-Boer wars in one volume.

Accounts of 17 sieges over the last two centuries explore in detail the historical context in which they occurred, the day-to-day military actions that sustained the investments and the conditions both soldiers and civilians faced while defending their territory against a hostile force. The siege descriptions are animated by maps and a variety of information boxes and human-interest stories, gleaned from diaries, letters and eye-witness accounts, while longer features focus on the practical aspects of siege warfare, such as artillery, medicine, food, and the psychological effects of besiegement. The book also provides practical information for visitors who wish to explore these historical sites.

A fascinating read that will appeal to anyone interested in the volatile history of the country – armchair historians and travellers alike.

A landmark account of the fall of the Weimar Republic and the rise of Hitler, based on award-winning research, and recently discovered archival material.

In the 1930s, Germany was at a turning point, with many looking to the Nazi phenomenon as part of widespread resentment towards cosmopolitan liberal democracy and capitalism. This was a global situation that pushed Germany to embrace authoritarianism, nationalism and economic self-sufficiency, kick-starting a revolution founded on new media technologies, and the formidable political and self-promotional skills of its leader.

Based on award-winning research and recently discovered archival material, The Death Of Democracy is a panoramic new survey of one of the most important periods in modern history, and a book with a resounding message for the world today.

With the flair for narrative and the meticulous research that readers have come to expect, in The Diamond Queen Andrew Marr turns his attention to the monarch, chronicling the Queen’s pivotal role at the centre of the state, which is largely hidden from the public gaze, and making a strong case for the institution itself.

Arranged thematically, rather than chronologically, Marr dissects the Queen’s political relationships, crucially those with her Prime Ministers; he examines her role as Head of the Commonwealth, and her deep commitment to that Commonwealth of nations; he looks at the drastic changes in the media since her accession in 1952 and how the monarchy has had to change and adapt as a result. Under her watchful eye, it has been thoroughly modernized but what does the future hold for the House of Windsor?

This edition, fully revised and updated, features a new introduction and a new chapter that sets out to answer that crucial question. In it, Marr covers the Queen’s reign from the Diamond Jubilee to the run-up to the Platinum Jubilee in 2022, taking in the death of the Duke of Edinburgh, Prince Charles’s plans for the future of the monarchy and examines what Elizabeth II’s lasting legacy might be.

A detailed account of the rich history and resilience of the Bakwena ba Mogopa, one of the most important traditional communities in South Africa.

This seminal and lucid work depicts the scope of social, political and economic change of the community from its earliest beginnings as the Kwena tribe migrating from East Africa to southern Africa, the birth of the tribe as a distinct and independent lineage in the 1600s, the impact of land dispossession of the Boer settlers as they advanced from the Cape Colony to the interior, the impact of Christianity, the racist and oppressive attitudes and policies of colonial governments, through to the hardships endured under the Union government and apartheid.

Mountains Of Spirit captures the role that the traditional leaders of the Bakwena ba Mogopa played in shaping the community and responding to challenges of the modern economy and constitutional democracy of South Africa. It is an important study of the tribal structures, the social, cultural and traditional practices, and the questions of land, minerals and mining rights of the Bakwena ba Mogopa.

A story spanning migrations, wars, land dispossession and restitution, intra-tribal rivalry, unrest, cultural disintegration, forced removals, pain and suffering and reintegration, Mountains Of Spirit reclaims the history of a people and evinces the fighting spirit and resilience of a resourceful community against immense odds.

Winner of the European Book Prize.

On 10 July 1941 a horrifying crime was committed in the small Polish town of Jedwadbne. Early in the afternoon, the town's Jewish population - hundreds of men, women and children - were ordered out of their homes, and marched into the town square. By the end of the day most would be dead. It was a massacre on a shocking scale, and one that was widely condemned. But only a few people were brought to justice for their part in the atrocity. The truth of what actually happened on that day was to be suppressed for more than sixty years.

Part history, part memoir, part investigation, The Crime And The Silence is an award-winning journalist's account of the events of that day: both the story of a massacre told through oral histories of survivors and witnesses, and a portrait of a Polish town coming to terms with its dark past.

For the first time, Spying and the Crown uncovers the remarkable relationship between the Royal Family and the intelligence community, from the reign of Queen Victoria to the death of Princess Diana.

In an enthralling narrative, Richard J. Aldrich and Rory Cormac show how the British secret services grew out of persistent attempts to assassinate Victoria and then operated on a private and informal basis, drawing on close personal relationships between senior spies, the aristocracy, and the monarchy.

Based on original research and new evidence, Spying and the Crown presents the British monarchy in an entirely new light and reveals how far their majesties still call the shots in a hidden world.

Previously published as The Secret Royals.

In Union Made, Heath W. Carter advances a bold new interpretation of the origins of American Social Christianity. While historians have often attributed the rise of the Social Gospel to middle-class ministers, seminary professors, and social reformers, this book places working people at the very center of the story. The major characters-blacksmiths, glove makers, teamsters, printers, and the like-have been mostly forgotten, but as Carter convincingly argues, their collective contribution to American Social Christianity was no less significant than that of Walter Rauschenbusch or Jane Addams. Leading readers into the thick of late-19th-century Chicago's tumultuous history, Carter shows that countless working-class believers participated in the heated debates over the implications of Christianity for industrializing society, often with as much fervor as they did in other contests over wages and the length of the workday. Throughout the Gilded Age the city's trade unionists, socialists, and anarchists advanced theological critiques of laissez faire capitalism and protested "scab ministers" who cozied up to the business elite. Their criticisms compounded church leaders' anxieties about losing the poor, such that by the turn-of-the-century many leading Christians were arguing that the only way to salvage hopes of a Christian America was for the churches to soften their position on "the labor question." As denomination after denomination did just that, it became apparent that the Social Gospel was, indeed, ascendant-from below.

Orwell's personal account of his experiences and observations in the Spanish Civil War.

In Shapes of American Ballet: Teachers and Training before Balanchine, Jessica Zeller introduces the first few decades of the twentieth century as an often overlooked, yet critical period for ballet's growth in America. While George Balanchine is often considered the sole creator of American ballet, numerous European and Russian emigres had been working for decades to build a national ballet with an American identity. These pedagogues and others like them played critical yet largely unacknowledged roles in American ballet's development. Despite their prestigious ballet pedigrees, the dance field's exhaustive focus on Balanchine has led to the neglect of their work during the first few decades of the century, and in this light, this book offers a new perspective on American ballet during the period immediately prior to Balanchine's arrival. Zeller uses hundreds of rare archival documents to illuminate the pedagogies of several significant European and Russian teachers who worked in New York City. Bringing these contributions into the broader history of American ballet recasts American ballet's identity as diverse-comprised of numerous Euro-Russian and American elements, as opposed to the work of one individual. This new account of early twentieth century American ballet is situated against a bustling New York City backdrop, where mass immigration through Ellis Island brought the ballet from European and Russian opera houses into contact with a variety of American forms and sensibilities. Ballet from celebrated Euro-Russian lineages was performed in vaudeville and blended with American popular dance styles, and it developed new characteristics as it responded to the American economy. Shapes of American Ballet delves into ballet's struggle to define itself during this rich early twentieth century period, and it sheds new light on ballet's development of an American identity before Balanchine.

Conventional wisdom holds that the US Army in Vietnam, thrust into an unconventional war where occupying terrain was a meaningless measure of success, depended on body counts as its sole measure of military progress. In No Sure Victory, Army officer and historian Gregory Daddis looks far deeper into the Army's techniques for measuring military success and presents a much more complicated-and disturbing-account of the American misadventure in Indochina.
Daddis shows how the US Army, which confronted an unfamiliar enemy and an even more unfamiliar form of warfare, adopted a massive, and eventually unmanageable, system of measurements and formulas to track the progress of military operations that ranged from pacification efforts to search-and-destroy missions. The Army's monthly "Measurement of Progress" reports covered innumerable aspects of the fighting in Vietnam-force ratios, Vietcong/North Vietnamese Army incidents, tactical air sorties, weapons losses, security of base areas and roads, population control, area control, and hamlet defenses. Concentrating more on data collection and less on data analysis, these indiscriminate attempts to gauge success may actually have hindered the army's ability to evaluate the true outcome of the fight at hand--a roadblock that Daddis believes significantly contributed to the many failures that American forces suffered in Vietnam.
Filled with incisive analysis and rich historical detail, No Sure Victory is not only a valuable case study in unconventional warfare, but a cautionary tale that offers important perspectives on how to measure performance in current and future armed conflict. Given America's ongoing counterinsurgency efforts in Iraq and Afghanistan, No Sure Victory provides valuable historical perspective on how to measure--and mismeasure--military success.

A provocative re-examination of a major romantic composer, Rethinking Schumann provides fresh approaches to Schumann's oeuvre and its reception from the perspectives of literature, visual arts, cultural history, performance studies, dance, and film. Traditionally, research has focused on biographical links between the composer and his music, encouraging the assumption that Schumann was solitary, divorced from reality, and frequently associated with "untimeliness." These eighteen new essays argue from a multitude of perspectives that Schumann was in fact very much a man of his time, informed not only by music but also the culture and society around him. The book further reveals that the composer's reputation has been shaped significantly by, for example, changes in attitudes towards German romanticism and its history, and recent developments in musical scholarship and performance. Rethinking Schumann takes into account cultural and social-institutional frameworks, engages with ongoing and new issues of reception and historiography, and offers fresh music-analytical insights. As a whole, the essays assemble a portrait of the artist that reflects the different ways in which Schumann has been understood and misunderstood over the past two hundred years. The volume is, in short, a timely reassessment of this ultimately non-untimely figure's legacy.
While the essays consider some of Schumann's most famous music (Dichterliebe, Kinderszenen and the Piano Quintet), they also provide crucial adjustment to judgments against the composer's later works by explaining their musical features not as the result of diminishing creative capacity but as reflections of the political and social situations of mid-nineteenth-century German culture and technological developments. Schumann is revealed to have been a musician engaged by and responsive to his surroundings, whose reputation was formed to a great extent by popular culture, both in his own lifetime as he responded to particular poets and painters, and later, as his life and works were responded to by subsequent generations.

In Hollywood Left and Right, Steven J. Ross tells a story that has escaped public attention: the emergence of Hollywood as a vital center of political life and the important role that movie stars have played in shaping the course of American politics.
Ever since the film industry relocated to Hollywood early in the twentieth century, it has had an outsized influence on American politics. Through compelling larger-than-life figures in American cinema--Charlie Chaplin, Louis B. Mayer, Edward G. Robinson, George Murphy, Ronald Reagan, Harry Belafonte, Jane Fonda, Charlton Heston, Warren Beatty, and Arnold Schwarzenegger--Hollywood Left and Right reveals how the film industry's engagement in politics has been longer, deeper, and more varied than most people would imagine. As shown in alternating chapters, the Left and the Right each gained ascendancy in Tinseltown at different times. From Chaplin, whose movies almost always displayed his leftist convictions, to Schwarzenegger's nearly seamless transition from action blockbusters to the California governor's mansion, Steven J. Ross traces the intersection of Hollywood and political activism from the early twentieth century to the present.
Hollywood Left and Right challenges the commonly held belief that Hollywood has always been a bastion of liberalism. The real story, as Ross shows in this passionate and entertaining work, is far more complicated. First, Hollywood has a longer history of conservatism than liberalism. Second, and most surprising, while the Hollywood Left was usually more vocal and visible, the Right had a greater impact on American political life, capturing a senate seat (Murphy), a governorship (Schwarzenegger), and the ultimate achievement, the Presidency (Reagan).

This book explores the mental and literary awakening that many working-class women in the United States experienced when they left the home and began to work in factories early in the nineteenth century. Cook also examines many of the literary productions from this group of women ranging from their first New England magazine of belles lettres, The Lowell Offering, to Emma Goldman's periodical, Mother Earth; from Lucy Larcom's epic poem of women factory workers, An Idyl of Work, to Theresa Malkiel's fictional account of sweatshop workers in New York, The Diary of a Shirtwaist Striker. Working women's avid interests in books and writing evolved in the context of an American romanticism that encouraged ideals of self-reliance that were not formulated with factory girls in mind. Their efforts to pursue a life of the mind while engaged in arduous bodily labour also coincided with the emergence of middle-class women writers from private and domestic lives into the literary marketplace. However, while middle-class women risked forfeiting their status as ladies by trying to earn money by becoming writers, factory women were accused of selling out their class credentials by trying to be literary. Cook traces the romantic literariness of several generations of working-class women in their own writing and the broader literary responses of those who shared some, though by no means all, of their interests. The most significant literary interaction, however, is with middle-class women writers. Some of these, like Margaret Fuller, envisioned ideals of female self-development that inspired, without always including, working women. Others, like novelists Davis, Phelps, Alcott, and Scudder, created compassionate fictions of their economic and social inequities but balked at promoting their artistic and intellectual equality.

We love freedom. We hate racism. But what do we do when these values collide? In this wide-ranging book, Erik Bleich explores policies that the United States, Britain, France, Germany, and other liberal democracies have implemented when forced to choose between preserving freedom and combating racism. Bleich's comparative historical approach reveals that while most countries have increased restrictions on racist speech, groups and actions since the end of World War II, this trend has resembled a slow creep more than a slippery slope. Each country has struggled to achieve a balance between protecting freedom and reducing racism, and the outcomes have been starkly different across time and place. Building on these observations, Bleich argues that we should pay close attention to the specific context and to the likely effects of any policy we implement, and that any response should be proportionate to the level of harm the racism inflicts. Ultimately, the best way for societies to preserve freedom while fighting racism is through processes of public deliberation that involve citizens in decisions that impact the core values of liberal democracies.

For most of the postwar period, the destruction of European Jewry was not a salient part of American Jewish life, and was generally seen as irrelevant to non-Jewish Americans. Survivors and their families tended to keep to themselves, forming their own organizations, or they did their best to block out the past. Today, in contrast, the Holocaust is the subject of documentaries and Hollywood films, and is widely recognized as a universal moral touchstone. Reluctant Witnesses mixes memoir, history, and social analysis to tell the story of the rise of Holocaust consciousness in the United States from the perspective of survivors and their descendants. The public reckoning with the Holocaust, the book argues, was due to more than the passage of time. It took the coming of age of the "second generation" - who reached adulthood during the rise of feminism, the ethnic revival, and therapeutic culture - for survivors' families to reclaim their hidden histories. Inspired by the changed status of the victim in American society, the second generation coaxed their parents to share their losses with them, transforming private pains into public stories. Reluctant Witnesses documents how a group of people who had previously been unrecognized and misunderstood managed to find its voice. It tells this story in relation to the changing status of trauma and victimhood in American culture more generally. At a time when a sense of Holocaust fatigue seems to be setting in, and when the remaining survivors are at the end of their lives, it offers a reminder that the ability to speak openly about traumatic experiences had to be struggled for. By confronting traumatic memories and catastrophic histories, the book argues, we can make our world mean something beyond ourselves.

This is the first text devoted exclusively to women in Britain since 1900 which covers the whole century. The author combines evidence from primary research, with an emphasis on personal testimony, with the most up-to-date work of specialist scholars in each field. Embracing social, economic, political and cultural history, it examines the changing meaning of femininity within the broad historical time periods making up the twentieth century. Each chronological chapter maps out developments for women at work, in the family, sexuality, education, feminism and other political movements. It does not seek to provide a triumphalist history of 'great women', but instead offers an account of women's shifting identity within different social, economic and political contexts, divided by class, sexuality, ethnic background and other factors. Blending analysis with humour and emotion in real life testimony, Women in Britain since 1900 is a woman-centred history of Britain from the suffragettes to the 'Diana effect'.

This book: covers the essential content in the new specifications in a rigorous and engaging way, using detailed narrative, sources, timelines, key words, helpful activities and extension material helps develop conceptual understanding of areas such as evidence, interpretations, causation and change, through targeted activities provides assessment support for A level with sample answers, sources, practice questions and guidance to help you tackle the new-style exam questions. It also comes with three years' access to ActiveBook, an online, digital version of your textbook to help you personalise your learning as you go through the course - perfect for revision.

"Waging a counterinsurgency war and justified by claims of 'an agreement between Guatemala and God, ' Guatemala's Evangelical Protestant military dictator General Rios Montt incited a Mayan holocaust: over just 17 months, some 86,000 mostly Mayan civilians were murdered. Virginia Garrard-Burnett dives into the horrifying, bewildering murk of this episode, the Western hemisphere's worst twentieth-century human rights atrocity. She has delivered the most lucid historical account and analysis we yet possess of what happened and how, of the cultural complexities, personalities, and local and international politics that made this tragedy. Garrard-Burnett asks the hard questions and never flinches from the least comforting answers. Beautifully, movingly, and clearly written and argued, this is a necessary and indispensable book."
-- Francisco Goldman, author of The Art of Political Murder: Who Killed the Bishop?
"Virginia Garrard-Burnett's Terror in the Land of the Holy Spirit is impressively researched and argued, providing the first full examination of the religious dimensions of la violencia - a period of extreme political repression that overwhelmed Guatemala in the 1980s. Garrard-Burnett excavates the myriad ways Christian evangelical imagery and ideals saturated political and ethical discourse that scholars usually treat as secular. This book is one of the finest contributions to our understanding of the violence of the late Cold War period, not just in Guatemala but throughout Latin America."
--Greg Grandin, Professor of History, New York University
Drawing on newly-available primary sources including guerrilla documents, evangelical pamphlets, speech transcripts, and declassified US government records, Virginia Garrard-Burnett provides aa fine-grained picture of what happened during the rule of Guatelaman president-by-coup Efrain Rios Montt. She suggests that three decades of war engendered an ideology of violence that cut not only vertically, but also horizontally, across class, cultures, communities, religions, and even families. The book examines the causality and effects of the ideology of violence, but it also explores the long duree of Guatemalan history between 1954 and the late 1970s that made such an ideology possible. More significantly, she contends that self-interest, willful ignorance, and distraction permitted the human rights tragedies within Guatemala to take place without challenge from the outside world."

Featuring extensive revisions to the text as well as a new introduction and epilogue--bringing the book completely up to date on the tumultuous politics of the previous decade and the long-term implications of the Soviet collapse--this compact, original, and engaging book offers the definitive account of one of the great historical events of the last fifty years.
Combining historical and geopolitical analysis with an absorbing narrative, Kotkin draws upon extensive research, including memoirs by dozens of insiders and senior figures, to illuminate the factors that led to the demise of Communism and the USSR. The new edition puts the collapse in the context of the global economic and political changes from the 1970s to the present day. Kotkin creates a compelling profile of post Soviet Russia and he reminds us, with chilling immediacy, of what could not have been predicted--that the world's largest police state, with several million troops, a doomsday arsenal, and an appalling record of violence, would liquidate itself with barely a whimper. Throughout the book, Kotkin also paints vivid portraits of key personalities. Using recently released archive materials, for example, he offers a fascinating picture of Gorbachev, describing this virtuoso tactician and resolutely committed reformer as "flabbergasted by the fact that his socialist renewal was leading to the system's liquidation"--and more or less going along with it.
At once authoritative and provocative, Armageddon Averted illuminates the collapse of the Soviet Union, revealing how "principled restraint and scheming self-interest brought a deadly system to meek dissolution."
Acclaim for the First Edition:
"The clearest picture we have to date of the post-Soviet landscape."
--The New Yorker
"A triumph of the art of contemporary history. In fewer than 200 pagesKotkin elucidates the implosion of the Soviet empire--the most important and startling series of international events of the past fifty years--and clearly spells out why, thanks almost entirely to the 'principal restraint' of the Soviet leadership, that collapse didn't result in a cataclysmic war, as all experts had long forecasted."
-The Atlantic Monthly
"Concise and persuasive The mystery, for Kotkin, is not so much why the Soviet Union collapsed as why it did so with so little collateral damage."
--The New York Review of Books

The field of American history has undergone remarkable expansion in the past century, all of it reflecting a broadening of the historical enterprise and democratization of its coverage. Today, the shape of the field takes into account the interests, identities, and narratives of more Americans than at any time in its past. Much of this change can be seen through the history of the Organization of American Historians, which, as its mission states, "promotes excellence in the scholarship, teaching, and presentation of American history, and encourages wide discussion of historical questions and equitable treatment of all practitioners of history."
This century-long history of the Organization of American Historians-and its predecessor, the Mississippi Valley Historical Association-explores the thinking and writing by professional historians on the history of the United States. It looks at the organization itself, its founding and dynamic growth, the changing composition of its membership and leadership, the emphasis over the years on teaching and public history, and pedagogical approaches and critical interpretations as played out in association publications, annual conferences, and advocacy efforts. The majority of the book emphasizes the writing of the American story by offering a panorama of the fields of history and their development, moving from long-established ones such as political history and diplomatic history to more recent ones, including environmental history and the history of sexuality

This is a study of Petrograd in the period immediately following the Russian Revolution. Formerly the imperial capital St. Petersburg, in the years after 1917 Petrograd became a revolutionary citadel. Mary McAuley's political and social history throws into relief the interplay of factors that contributed to the formation of the new Soviet state. Her detailed account of life in the city provides new insights into the progress of the Russian Revolution and the establishment, in 1921, of the Leninist political order. Bread and Justice is based on a wide array of original sources, including newspapers, pamphlets, posters, memoirs, and personal interviews. It paints a multi-dimensional picture of everyday life in post-Revolutionary Petrograd, exploring themes such as violence and unemployment, civic justice and bread rations, political ideas and cultural dreams. This is a book about the people of the city - Bolshevik commissars, imperial princesses, hungry schoolchildren, and theatre artists all make their appearance - and about the impact of the Russian Revolution on their lives. It is a major contribution to our understanding of the revolutionary process and the formation of the Soviet Union.

Historians of the Civil Rights Movement have long set their sights on the struggles of African Americans in the South and, more recently, North. In doing so, they either omit the West or merge it with the North, defined as anything outside the former Confederacy. Historians of the American West have long set the region apart from the South and North, citing racial diversity as one of the West's defining characteristics. This book integrates the two, examining the Civil Rights Movement in the West in order to bring the West to the Civil Rights Movement. In particular, it explores the challenge that California's racial diversity posed for building a multiracial civil rights movement, focusing on litigation and legislation initiatives advanced by civil rights reformers (lawyers, legislators, and advocacy organizations) on behalf of the state's different racial groups. A tension between sameness and difference cut through California's civil rights history. On the one hand, the state's civil rights reformers embraced a common goal - equality of opportunity through anti-discrimination litigation and legislation. To this end, they often analogized the plights of racial minorities, accentuating the racism in general that each group faced in order to help facilitate coalition building across groups. This tension - and its implications for the cultivation of a multiracial civil rights movement - manifested itself from the moment that one San Francisco-based NAACP leader expressed his wish for "a united front of all the minority groups" in 1944. Variations proved major enough to force the litigation down discrete paths, reflective of how legalized segregation affected African Americans, Japanese Americans, and Mexican Americans in different ways. This "same but different" tension continued into the 1950s and 1960s, as civil rights reformers ventured down anti-discrimination roads that began where legalized segregation ended. In the end, despite their endorsement of a common goal and calls for a common struggle, California's civil rights reformers managed to secure little coalescence - and certainly nothing comparable to the movement in the South. Instead, the state's civil rights struggles unfolded along paths that were mostly separate. The different axes of racialized discrimination that confronted the state's different racialized groups called forth different avenues of redress, creating a civil rights landscape criss-crossed with color lines rather than bi-sected by any single color line.

St. Louis was a city under siege during Prohibition. Seven different criminal gangs violently vied for control of the town's illegal enterprises. Although their names (the Green Ones, the Pillow Gang, the Russo Gang, Egan's Rats, the Hogan Gang, the Cuckoo Gang and the Shelton Gang) are familiar to many, their exploits have remained largely undocumented until now. Learn how an awkward gunshot wound gave the Pillow Gang its name, and read why Willie Russo's bizarre midnight interview with a reporter from the St. Louis Star involved an automatic pistol and a floating hunk of cheese. From daring bank robberies to cold-blooded betrayals, The Gangs of St. Louis chronicles a fierce yet juicy slice of the Gateway City's history that rivaled anything seen in New York or Chicago.