In this major new study of a century of Japanese narrative
filmmaking, Isolde Standish provides an in-depth chronological
survey of a huge range of films. The book draws upon a great deal
of Japanese film scholarship that has never been published outside
of Japan, and sheds light on films and directors that are not so
famous on the international stage, as well as on those who are
(Ozu, Mizoguchi, and Kurosawa). The book also features extensive
appendices, including a full filmography and biographical
information on prominent people in the Japanese film industry.
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