Can a sculpture be a river? Can contemporary art unite conflicting
systems of belief? Do other species appreciate culture? And can
public art revive communities and ecosystems? Cristina Iglesias’
horizontal fountains, submerged rooms and tropical mazes bring
together language, architecture and botany to create immersive
spaces of contemplation. In this publication an international
roster of curators, art critics, philosophers, architects and
scientists discuss the social and ecological potential of art in
urban and rural space.
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