In this ground-breaking collection of critical essays, 15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.

Set against a contemporary South African society that is chronologically `post' apartheid, but one that continues to grapple with material redress, land redistribution and systemic racism, Acts of Transgression finds a representation of the complexity of this moment within the rich potential of a performative art form that transcends disciplinary boundaries and aesthetic conventions. The collection probes live art's intersection with crisis and socio-political turbulence, shifting notions of identity and belonging, embodied trauma and loss, questions of archive, memory and the troubling of colonial systems of knowing,

an interrogation of narratives of the past and visions for the future.These diverse essays, analysing the work of more than 25 contemporary South African artists and accompanied by a striking visual record of more than 50 photographs, represent the first major critical study of contemporary live art in South Africa; a study that is as timeous as it is imperative.

Long-time art critic Richard Dorment reveals the corruption and lies of the art world and its mystifying authentication process. Late one afternoon in the winter of 2003 art critic Richard Dorment answered a telephone call from a stranger. The caller was Joe Simon, an American film producer and art collector. He was ringing at the suggestion of David Hockney, his neighbour in Malibu. A committee of experts called the Andy Warhol Art Authentication Board had declared the two Warhols in his collection to be fake. He wanted to know why and thought Dorment could help. This call would mark the beginning of an extraordinary story that would play out over the next ten years and would involve a cast of characters straight out of fiction. From rock icons and film stars; art dealers and art forgers; to a murdered Russian oligarch and a lawyer for the mob; from courtrooms to auction houses: all took part in a bitter struggle to prove the authenticity of a series of paintings by the most famous American artist of the twentieth century. Part detective story, part art history, part memoir, part courtroom drama, Warhol After Warhol is a spellbinding account of the dark connection between money, power and art.

At the beginning of 2020, just as global Covid-19 restrictions were coming into force, the artist David Hockney was at his house, studio and garden in Normandy. From there, he witnessed the arrival of spring, and recorded the blossoming of the surrounding landscape on his iPad, a medium he has been using for over a decade. Working outdoors was an antidote to the anxiety of the moment for Hockney – 'We need art, and I do think it can relieve stress,' he says. This uplifting publication – produced to accompany a major exhibition at the Royal Academy of Arts – includes 116 of his new iPad paintings and shows to full effect Hockney's singular skill in capturing the exuberance of nature.

THE SUNDAY TIMES BESTSELLER 'A burst of springtime joy' Daily Telegraph 'A springboard for ideas about art, space, time and light' The Times 'Lavishly illustrated' Guardian David Hockney reflects upon life and art as he experiences lockdown in rural Normandy On turning eighty, David Hockney sought out rustic tranquility for the first time: a place to watch the sunset and the change of the seasons; a place to keep the madness of the world at bay. So when Covid-19 and lockdown struck, it made little difference to life at La Grande Cour, the centuries-old Normandy farmhouse where Hockney set up a studio a year before, in time to paint the arrival of spring. In fact, he relished the enforced isolation as an opportunity for even greater devotion to his art. Spring Cannot be Cancelled is an uplifting manifesto that affirms art's capacity to divert and inspire. It is based on a wealth of new conversations and correspondence between Hockney and the art critic Martin Gayford, his long-time friend and collaborator. Their exchanges are illustrated by a selection of Hockney's new, unpublished Normandy iPad drawings and paintings alongside works by van Gogh, Monet, Bruegel, and others. We see how Hockney is propelled ever forward by his infectious enthusiasms and sense of wonder. A lifelong contrarian, he has been in the public eye for sixty years yet remains entirely unconcerned by the view of critics or even history. He is utterly absorbed by his four acres of northern France and by the themes that have fascinated him for decades: light, colour, space, perception, water, trees. He has much to teach us, not only about how to see... but about how to live.

Featuring four films by the young Irish filmmaker Kevin Gaffney, Unseen By My Open Eyes is the first publication on the artist's work, exploring the psychological landscapes that the artist devises to explore the construction, projection and manipulation of identity. Within the book, Gaffney's films are presented through a series of richly illustrated sections, providing an excellent insight into the artist's methodologies. The book explores subjects ranging from: daily life in Iran; selfhood and military conscription in Taiwan; geographic, political and emotional separations in South Korea, with characters imagining what the moon looks like from North Korea; and food consumption in a self-sustaining militarised Ireland of the near future where climate change has benefited agricultural production.The book features English scripts of the five films, with an annex compiling the scripts in Korean, Chinese, Persian and Gaeilge (Irish Gaelic).Gaffney's works are contextualised through an accompanying essay by Irish critic Caoimhin Mac Giolla Leith.Gaffney was the first Irish recipient of a Sky Academy Arts Scholarship in 2015, and was an UNESCO-Aschberg laureate artist in residence at the National Museum of Modern and Contemporary Art's Changdong Residency in South Korea in 2014. His work features in the Irish Museum of Modern Art's collection, and solo exhibitions have been held at the Linenhall Arts Centre (Ireland), Millennium Court Arts Centre (Northern Ireland) and CAI02 Contemporary Art Institute (Japan).

For the first time, talented French illustrator and character designer Sibylline Meynet not only shares her beautiful artwork in this beautifully crafted book, but also presents specially commissioned tutorials, step-by-step techniques, and the story of her journey as a professional artist. Reverie: The Art of Sibylline Meynet is a must-have for aspiring artists and illustrators in need of career inspiration and a creative re-boot. Sibylline launched herself as a freelance illustrator straight out of high school in her native France, and now works as a comic artist, character designer, and illustrator for magazines and books. Her artwork features in abundance the girls and animals she loves to draw, characters who exude charm and whimsy as well as great narrative strength and depth. Behind her artwork is a career in film and print, on projects from Scoob! (Warner Bros.) and Garfield (BOOM! Studios), to Cursed and Orange is the New Black (Netflix). In this book, Sibylline shares her experiences working in the industry, juggling work commitments with exhibiting, collaborations, and personal projects. For artists seeking new creative exercises, career inspiration, advice, and a chance to peruse the gallery of a talented and unique professional artist, this exciting new book is essential.

At the start of the March 2020 lockdown, Ian Beck would walk his greyhound Gracie through the early morning streets of Isleworth in west London, revelling in the light and the silence that the restrictions had brought. The familiar became charged with new meaning, inspiring Ian to paint the scenes around him for their own sake, something that he hadn't done since his student days in the sixties. Suburban streets, trees, fences, shrubs and overgrown alleyways - all are transformed in the quiet intensity of Ian's lockdown paintings. He painted interiors too: the moon shining through a bedroom window, objects on mantelpieces, the eeriness of back gardens at dusk. As the year progressed, the crisp light of spring gave way to the haze of summer and the gloom of autumn fogs. The Light in Suburbia collects sixty of Ian's paintings from this period: a remarkable record of his year spent trying to capture the beauty of the unprepossessing everyday.

The first monograph on New York-based contemporary artist Richard Phillips, best known for his large-scale paintings that are 'ultra-cool' in execution and very hot in effect. Richard Phillips's hyper realistic oil paintings embody themes as broad as power, politics, celebrity, fashion, ideology, beauty, and sex, and pose questions about the status of painting today: Does the medium remain valid, or has it become a historical pastime? Pornography, propaganda, advertising, entertainment, fashion-Phillips incorporates material from a range of sources to confront what is at the core of contemporary image making, from the power of celebrity branding to complicity between viewer and viewed. The book's exploitative design strategy celebrates the commercial and fashion alliances of the artist's practice, while revealing the complex politics behind the imagery the artist chooses to paint.

The definitive art book for the remastered Spyro Reignited Trilogy, for fans young and old. In 2018 Toys for Bob Studios thrilled fans world wide by releasing Spyro Reignited Trilogy, a faithful remaster encompassing all three titles from the beloved Spyro trilogy introduced in 1998. The Art of Spyro is a meticulously crafted compendium filled with in-depth behind-the-scenes content, insightful quotes from top illustrators in the industry, anecdotes from the game developers, and a dazzling assortment of incredible concept art, some of which has never been seen by the public. It is a must-have for art lovers, games, fans... and the fun-loving adventurer in all of us.

From Russia to Poland and Romania, and from the Czech Republic to Yugoslavia and East Germany, Contemporary Art in Eastern Europe is an ambitious attempt to chart the changing realities of the eastern half of Europe as seen through the eyes of artists, critics, photographers and curators. If the Iron Curtain and the antagonisms of the Cold War era had often kept the richness and diversity of Eastern European art hidden from the rest of the world, the contemporary era has been a witness to its unparalleled creative explosion and fruitful dialogue with the global art scene. The work featured in this book explores the correlations between shifts in the political, cultural, economic and geographical realities of Eastern Europe and the region's contemporary art. The artists in this book revisit the region's past to envision a better future, reaching challenging conclusions and producing some of the most powerful and inspiring art being produced today. The book features essays from respected writers in the field and profiles the most influential artists producing work in and from the region today, including Marina Abramovic, Christo, Krzysztof Wodiczko, Zofia Kulik, Komar and Melamid, IRWIN, Natalia Lach-Lachowicz, Alexander Brodsky, Ewa Partum, NSK, Group OHO, Stano Filko, Laibach, KwieKulik, Post Ars, Weekend Art, Zbigniew Libera, Marjetica Potrc, and Mladen Stilinovic. The following countries are covered in this anthology: Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, East Germany, Estonia, Hungary, Latvia, Lithuania, Macedonia, Moldova, Poland, Romania, Russia, Slovak Republic, Slovenia and Yugoslavia. Contemporary Art in Eastern Europe is the third title in the ARTWORLD series following Contemporary Art in the Middle East and Contemporary Art in Latin America.