In this ground-breaking collection of critical essays, 15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.

Set against a contemporary South African society that is chronologically `post' apartheid, but one that continues to grapple with material redress, land redistribution and systemic racism, Acts of Transgression finds a representation of the complexity of this moment within the rich potential of a performative art form that transcends disciplinary boundaries and aesthetic conventions. The collection probes live art's intersection with crisis and socio-political turbulence, shifting notions of identity and belonging, embodied trauma and loss, questions of archive, memory and the troubling of colonial systems of knowing,

an interrogation of narratives of the past and visions for the future.These diverse essays, analysing the work of more than 25 contemporary South African artists and accompanied by a striking visual record of more than 50 photographs, represent the first major critical study of contemporary live art in South Africa; a study that is as timeous as it is imperative.

At the start of the March 2020 lockdown, Ian Beck would walk his greyhound Gracie through the early morning streets of Isleworth in west London, revelling in the light and the silence that the restrictions had brought. The familiar became charged with new meaning, inspiring Ian to paint the scenes around him for their own sake, something that he hadn't done since his student days in the sixties. Suburban streets, trees, fences, shrubs and overgrown alleyways - all are transformed in the quiet intensity of Ian's lockdown paintings. He painted interiors too: the moon shining through a bedroom window, objects on mantelpieces, the eeriness of back gardens at dusk. As the year progressed, the crisp light of spring gave way to the haze of summer and the gloom of autumn fogs. The Light in Suburbia collects sixty of Ian's paintings from this period: a remarkable record of his year spent trying to capture the beauty of the unprepossessing everyday.

Sandra Blow (1925-2006) is among the most important British artists of the later twentieth century. During a time of rapid change in the art world, her commitment to abstract painting resulted in a large and diverse body of work of distinctive power and subtlety. Michael Bird's fascinating survey of Sandra Blow's life and art is now available for the first time in a handsome paperback edition. Compiled in collaboration with the artist during the last years of her life, it provides a definitive overview of her career. The book is lavishly illustrated throughout with a fully representative selection of Blow's work. In this highly readable account, Michael Bird looks in depth at Blow's evolving studio practice and the personal nature of her abstract vision. He places Blow's achievement firmly within the wider context of British and international art movements of the post-war period and late twentieth century. He also casts new light on the role played in her life by Alberto Burri and Roger Hilton, two influences she acknowledged to be crucial to her art. Through close attention to Blow's working methods, this book provides a unique insight into her creative process. It reveals the intensity of emotional engagement and technical experimentation that lie behind the apparent spontaneity of her vivid handling of materials, colour and form.

This almanac of overlooked vintage subject matter has an emphasis on art, design, photography and culture. With an extensive array of rare images, Outr Journal presents a curated compendium of the unusual that takes its cues from cabinets of curiosities and journals of miscellany such as The Saturday Book of old. The focus on underground topics and pop culture extends across time and continents to include highlights such as: religious architecture in the Space Age, found photos and images of masked people, Satan, pop culture and many more.

Beginning as a low-budget, oversized fanzine in 1996, index magazine quickly became one of the most influential small publications in the United States. index had a smart and irreverent voice that epitomized the late '90s indie ethos. Featuring conversations between architects, artists, celebrities, designers, filmmakers, musicians and writers, the magazine brought together some of the most relevant cultural figures who were at that time young and often unknown, yet have since become cultural icons or celebrities. Some of these names include Bjork, Scarlett Johansson, Alexander McQueen, Rem Koolhaas, and David Sedaris, and photographs by cutting-edge photographers such as Leeta Harding, Terry Richardson, Juergen Teller, Wolfgang Tillmans, and Ryan McGinley. Paying homage to Generation X's it glossy, index A to Z features the best interviews and photographs by the most celebrated artists and celebrities that were featured in the iconic index magazine. This A to Z index captures the spirit of an era, with F for Fashion, featuring designers Kate Spade and Marc Jacobs, and I for Indie with Harmony Korine and John Waters, and other sections including Royalty,Vanished, and X-Rated, this volume is packed with index's most memorable interviews and greatest photos of the time, including previously unpublished outtakes and party pictures. A new interview with Halley and Nickas, a reminisence by Bruce LaBruce, and a historical overview by Wendy Vogel offer further looks behind the scenes. Index A to Z celebrates the uncompromising personalities, humor, and DIY brilliance of the indie generation.

At the beginning of 2020, just as global Covid-19 restrictions were coming into force, the artist David Hockney was at his house, studio and garden in Normandy. From there, he witnessed the arrival of spring, and recorded the blossoming of the surrounding landscape on his iPad, a medium he has been using for over a decade. Working outdoors was an antidote to the anxiety of the moment for Hockney – 'We need art, and I do think it can relieve stress,' he says. This uplifting publication – produced to accompany a major exhibition at the Royal Academy of Arts – includes 116 of his new iPad paintings and shows to full effect Hockney's singular skill in capturing the exuberance of nature.

One of Britains foremost printmakers, Norman Ackroyd CBE RA has spent a lifetime recording the coastal landscapes of the British Isles. A Shetland Notebook contains forty of his vivid landscape sketches in watercolour. Made in the open air, often aboard a pitching and tossing fishing boat, these lively, spontaneous works capture the unique atmosphere of these remote and beautiful islands. The notebooks unusual format is due entirely to the artist, who uses sheets of various types of paper torn to fit into a loose-leaf ring binder made from two pieces of wooden picture-backing; this he tucks into his coat pocket, ready for use whenever the need arises. His brief but engaging commentaries place each sketch in its context. Following the success of A Line in the Water , Ackroyds collaboration with the award-winning poet Douglas Dunn OBE, published by the Royal Academy in 2009, A Shetland Notebook is an essential purchase for all admirers of this most characterful artists work.

Over the past decade, Frank Bowling has enjoyed belated attention and celebration, including a major Tate Britain retrospective in 2019. This comprehensive monograph, published in 2011, is now available in an updated and expanded edition. Born in British Guiana in 1934, Bowling arrived in England in his late teens, going on to study at the Royal College of Art alongside David Hockney and Derek Boshier. By the early 1960s he was recognised as an original force in the vibrant London art scene, with a style that brilliantly combined figurative, symbolic and abstract elements. Dividing his time between New York and London since the late 1960s, he has developed a unique and virtuosic abstract style that combines aspects of American painterly abstraction with a treatment of light and space that consciously recollects the great English landscape painters Gainsborough, Turner and Constable. In a compelling text the art writer, critic and curator Mel Gooding hails Bowling as one of the finest British artists of his generation.

The Quest for Gold is an edited version of writings by visionary Andrew Fekete - a painter, architect, poet and writer, who died in 1986 from an Aids-related illness. Andrew, flaneur, walked the city; he was a man whose writings, to adapt the words of Baudelaire, serve as a mirror as vast as the crowd itself. This anthology, collated by his brother Peter, comprises key works from Andrew Fekete's opus, and deals with his development as an artist, his visions and his experiment in Jungian alchemy - the intentional creation of visionary experiences to manifest unconscious archetypes to consciousness. The title is taken from an autobiographical novella that Andrew wrote in 1982, with extracts from his diaries also provided. The culmination of the anthology is the poem Punishment for the Transgressors in which Andrew confronts his impending death, thereby illustrating the connection between art and life. The work, which is open to multiple interpretations, is witty and entertaining, dramatic and engaging, full of deep sentiment and self-reflection. We journey with Andrew in his Quest for Gold that occurs against the background of his sexuality and his membership of the gay community. We see into the mind of a man undertaking an experiment in the exploration of what Jung calls the contents of the collective unconscious in an attempt at self-healing and expansion of consciousness. You can find out more about Andrew Fekete at www.andrewfekete.net and see a retroscpective of his work at the Victoria Gallery and Museum, Liverpool until April 2017.

The paintings are grouped under various headings to take the reader through specific visual experiences beginning with some of the artist's tools, colour palettes and showing the development of texture. Seascapes and shorelines are the first stop, going through to the moors,hills and beyond.