Here is what happens when Jeff Koons, one of the most important and controversial artists of the twenty-first century, sits down with distinguished art curator Sir Norman Rosenthal. Published to coincide with his 2014 2015 retrospective, this new book provides the most revealing portrait that exists of Jeff Koons singular personality and artistic vision as he discusses works across his thirty-five -year career with his long-time friend and collaborator Rosenthal. Rosenthal s masterful interviews, conducted over three years, give unparalleled access to the thoughts of one of the most influential minds in contemporary culture, disclosing the artist undistorted and in his own words. As well as examining all his major series in depth, from his first inflatables to his latest series on antiquities, the interviews shed new light on the artist s interest in other artists works, reveal the significance of his youth and family life on his art, and explain the key concepts of his practice, such as his ideas on self-acceptance, ecstasy and sex. A book of historic importance, extensively and comprehensively illustrated throughout, it will become the reference point for all who want to understand Koons and creativity in the twenty-first century."

Ralph Steadman: A Life in Ink is the definitive career retrospective of this revered and provocative UK artist. Renowned for his collaborations with iconic American writer Hunter S. Thompson, he formed an unlikely duo that created "Gonzo" journalism. This lifelong collaboration included the now-legendary Fear and Loathing in Las Vegas, originally published in Rolling Stone magazine, which has since become a cult classic. * Explores Steadman's signature ink-splattered style * Features a diverse body of work that includes satirical political illustrations * Includes art from award-winning children's books such as Alice in Wonderland Ralph Steadman: A Life in Ink is a must-have celebration of the artist's important and influential career. This comprehensive monograph on the life and work of Ralph Steadman collects work from his dozens of books from his 50-plus year career. * Satirist, artist, cartoonist, illustrator, writer-Steadman's prolific and influential career continues to resonate and inspire. * His work is synonymous with the counterculture of the 1970s. * The ultimate gift and coffee table book for fans of Gonzo journalism, Hunter S. Thompson, and political satire * Add it to the shelf with books like .Ralph Steadman: Proud Too Be Weirrd by Ralph Steadman, The Curse of Lono by Hunter S. Thompson, and Gonzo: The Art by Ralph Steadman.

This book offers a comprehensive account of the audiovisual translation (AVT) of humour, bringing together insights from translation studies and humour studies to outline the key theories underpinning this growing area of study and their applications to case studies from television and film. The volume outlines the ways in which the myriad linguistic manifestations and functions of humour make it difficult for scholars to provide a unified definition for it, an issue made more complex in the transfer of humour to audiovisual works and their translations as well as their ongoing changes in technology. Dore brings together relevant theories from both translation studies and humour studies toward advancing research in both disciplines. Each chapter explores a key dimension of humour as it unfolds in AVT, offering brief theoretical discussions of wordplay, culture-specific references, and captioning in AVT as applied to case studies from Modern Family. A dedicated chapter to audio description, which allows the visually impaired or blind to assess a film's non-verbal content, using examples from the 2017 film the Big Sick, outlines existing research to date on this under-explored line of research and opens avenues for future study within the audiovisual translation of humour. This book is key reading for students and scholars in translation studies and humour studies.

A powerful portrait of the greatest humanitarian emergency of our time, from the director of Human Flow In the course of making Human Flow, his epic feature documentary about the global refugee crisis, the artist Ai Weiwei and his collaborators interviewed more than 600 refugees, aid workers, politicians, activists, doctors, and local authorities in twenty-three countries around the world. A handful of those interviews were included in the film. This book presents one hundred of these conversations in their entirety, providing compelling first-person stories of the lives of those affected by the crisis and those on the front lines of working to address its immense challenges. Speaking in their own words, refugees give voice to their experiences of migrating across borders, living in refugee camps, and struggling to rebuild their lives in unfamiliar and uncertain surroundings. They talk about the dire circumstances that drove them to migrate, whether war, famine, or persecution; and their hopes and fears for the future. A wide range of related voices provides context for the historical evolution of this crisis, the challenges for regions and states, and the options for moving forward. Complete with photographs taken by Ai Weiwei while filming Human Flow, this book provides a powerful, personal, and moving account of the most urgent humanitarian crisis of our time.

At the beginning of 2020, just as global Covid-19 restrictions were coming into force, the artist David Hockney was at his house, studio and garden in Normandy. From there, he witnessed the arrival of spring, and recorded the blossoming of the surrounding landscape on his iPad, a medium he has been using for over a decade. Working outdoors was an antidote to the anxiety of the moment for Hockney – 'We need art, and I do think it can relieve stress,' he says. This uplifting publication – produced to accompany a major exhibition at the Royal Academy of Arts – includes 116 of his new iPad paintings and shows to full effect Hockney's singular skill in capturing the exuberance of nature.

SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2019 SELECTED AS BOOK OF THE YEAR BY THE TIMES, FINANCIAL TIMES, DAILY TELEGRAPH, NEW STATESMAN, SUNDAY TIMES, TIMES LITERARY SUPPLEMENT AND SPECTATOR 'A compendium of high-grade gossip about everyone from Princess Margaret to the Krays, a snapshot of grimy London and a narrative of Freud's career and rackety life and loves ... Leaves the reader itching for more' SUNDAY TIMES, ART BOOK OF THE YEAR Though ferociously private, Lucian Freud spoke every week for decades to his close confidante and collaborator William Feaver - about painting and the art world, but also about his life and loves. The result is this a unique, electrifying biography. In Youth, Feaver conjures Freud's early childhood: Sigmund Freud's grandson, born into a middle-class Jewish family in Weimar Berlin, escaping Nazi Germany in 1934. Following Freud through art school, his time in the Navy during the war, his post-war adventures in Paris and Greece, and his return to Soho - consorting with duchesses and violent criminals, out on the town with Greta Garbo and Princess Margaret - Feaver traces a brilliant, difficult young man's coming of age. 'Brilliant ... Freud would have approved' DAILY TELEGRAPH 'Superlative ... packed with stories' GUARDIAN 'Anyone interested in British art needs it' ANDREW MARR, NEW STATESMAN

This book studies the intersection of performance and nationalism in South Asia.It traces the emergence of the culture of nationalism from the late nineteenth century through to contemporary times. Drawing on various theatrical performance texts, it looks at the ways in which performative narratives have reflected the national narrative and analyses the role performance has played in engendering nationhood. The volume discusses themes such as political martyrdom as performative nationalism, the revitalisation of nationalism through new media, the sanitisation of physical gestures in dance, the performance of nationhood through violence in Tajiki films, as well as K-Pop and the new northeastern identity in India. A unique contribution to the study of nationalism, this book will be useful for scholars and researchers of history, theatre and performance studies, cultural studies, postcolonial studies, modern India, Asian studies, political studies, social anthropology and sociology.

Embodied Playwriting: Improv and Acting Exercises for Writing and Devising is the first book to compile new and adapted exercises for teaching playwriting in the classroom, workshop, or studio through the lens of acting and improvisation. The book provides access to the innovative practices developed by seasoned playwriting teachers from around the world who are also actors, improv performers, and theatre directors. Borrowing from the embodied art of acting and the inventive practice of improvisation, the exercises in this book will engage readers in performance-based methods that lead to the creation of fully imagined characters, dynamic relationships, and vivid drama. Step-by-step guidelines for exercises, as well as application and coaching advice, will support successful lesson planning and classroom implementation for playwriting students at all levels, as well as individual study. Readers will also benefit from curation by editors who have experience with high-impact educational practices and are advocates for the use of varied teaching strategies to increase accessibility, inclusion, skill-building, and student success. Embodied Playwriting offers a wealth of material for teachers and students of playwriting courses, as well as playwrights who look forward to experimenting with dynamic, embodied writing practices.

Theatre and Performance in East Africa looks at indigenous performances to unearth the aesthetic principles, sensibilities and critical framework that underpin African performance and theatre. The book develops new paradigms for thinking about African performance in general through the construction of a critical framework that addresses questions concerning performance particularities and coherences, challenging previous understandings. To this end, it establishes a common critical and theoretical framework for indigenous performance using case studies from East Africa that are also reflected elsewhere in the continent. This book will be of great interest to students and scholars of theatre and performance, especially those with an interest in the close relationship between theatre and performance with culture.

This volume offers a concise guide to the teaching and philosophy of one of the most significant figures in twentieth century actor training. Jacques Lecoq's influence on the theatre of the latter half of the twentieth century cannot be overestimated. Now reissued Jacques Lecoq is the first book to combine: an historical introduction to his life and the context in which he worked an analysis of his teaching methods and principles of body work, movement, creativity, and contemporary theatre detailed studies of the work of Theatre de Complicite and Mummenschanz practical exercises demonstrating Lecoq's distinctive approach to actor training.

'I, Kusama, am the modern Alice in Wonderland' Yayoi Kusama Nonagenarian Japanese artist is simultaneously one of the most famous and most mysterious artists on the planet. A wild child of the 1950s and 1960s, she emerged out of the international Fluxus movement to launch naked happenings in New York and went on to become a doyenne of that city's counter-cultural scene. In the early 1970s, she returned to Japan and by 1977 had checked herself in to a psychiatric hospital which has remained her home to this day. But, though she was removed from the world, she was definitely not in retirement. Her love and belief in the polka dot has given birth to some of the most surprising and inspiring installations and paintings of the last four decades - and made her exhibitions the most visited of any single living artist.

In this first major study of the work of the painter John Wonnacott (b.1940), Charles Saumarez Smith has surveyed a body of work produced at a tangent to the orthodoxies of modernism. Exploring the artist's formative experiences at the Slade, which connected him with artists such as Frank Auerbach and Michael Andrews and the School of London more broadly, Saumarez Smith roots Wonnacott's approach in his commitment to the discipline of drawing, his acute skills in observational analysis and the mechanics of graphic invention that makes his visual response to the world so memorable. Alongside commissioned portraits created in the grandest of architectural spaces, from naval bases to the Painted Hall at Greenwich and including John Major in 10 Downing Street and the Royal Family in Buckingham Palace, he has produced a revealing diary of self-portraits stretching back from his early teens and landscape paintings of light and sky which are celebrations of his native Essex coastline. In presenting the full range of Wonnacott's impressive oeuvre, the scope of the artist's remarkable achievement is revealed.

This survey exhibition captures the arc and continued ascent of contemporary artist Beverly McIver. This exhibition catalog accompanies a survey exhibition of contemporary artist and painter Beverly McIver. Curated by Kim Boganey, this exhibition represents the diversity of McIver's thematic approach to painting over her career. From early self-portraits in clown makeup to more recent works featuring her father, dolls, Beverly's experiences during COVID-19 and portraits of others, Full Circle illuminates the arc of Beverly McIver's artistic career while also touching on her personal journey. McIver's self-portraits explore expressions of individuality, stereotypes, and ways of masking identity; portraits of family provide glimpses into intimate moments, in good times as well as in illness and death. The show includes McIver's portraits of other artists and notable figures, recent work resulting from a year in Rome with American Academy's Rome Prize, and new work in which McIver explores the juxtaposition of color, patterns, and the human figure. Full Circle also features works that reflect on McIver's collaborations with other artists, as well as her impact on the next generation of artists. The complementary exhibition, In Good Company, includes artists who have mentored McIver, such as Faith Ringgold and Richard Mayhew, as well as those who have studied under her. This catalog includes a conversation with Beverly McIver by exhibition curator Kim Boganey, as well as two essays: one by leading Black feminist writer Michele Wallace, daughter of Beverly's graduate school mentor Faith Ringgold, and another by distinguished scholar of African American art history Richard Powell. Published in association with the Scottsdale Museum of Contemporary Art Exhibition dates: Scottsdale Museum of Contemporary Art February 12-September 4, 2022 Southeastern Center for Contemporary Art December 8, 2022-March 26, 2023 The Gibbes Museum April 28-August 4, 2023

Contemporary Chinese art has played a significant role in contributing to art globalisation; meanwhile, the trajectory of modernisation of art in China has not been rendered explicitly. This book aims to explore the context of Chinese art from the 20th to the 21st century, from three aspects: society, the individual and art forms. It is hoped to inject new vitality into the current obscure art historiography. The complicated issue regarding how to position globalisation and national identity is well discussed throughout the book, addressing the hardcore research questions in the field. This research selects the nine most representative artists: Lin Fengmian, Wu Dayu, Sanyu, Zao Wou-ki, Wu Guanzhong, Su Tianci, Wang Jieyin, Zhang Enli and Chen Yujun.

Milestones in Musical Theatre tracks ten of the most significant moments in musical theatre history, from some of its earliest incarnations, especially those crafted by Black creators, to its rise as a global phenomenon. Designed for weekly use in musical theatre courses, these ten chosen snapshots chart the development of this unique art form and move through its history chronologically, tracking the earliest operettas through the mid-century Golden Age classics, as well as the creative explosion in directing talent which reshaped the form, and moves toward inclusivity which have recast its creators. Each chapter explores how the musical and its history have been deeply influenced by a variety of factors, including race, gender and nationality, and examines how each milestone represents a significant turning point for this beloved art form. Milestones are a range of accessible textbooks, breaking down the need-to-know moments in the social, cultural, political and artistic development of foundational subject areas. This book is ideal for diverse and inclusive undergraduate musical theatre history courses.

This book is the first monograph on the paintings of Lois Dodd. It provides invaluable analysis and contextualisation of her work alongside such New York City contemporaries as Alex Katz, Philip Pearlstein and other denizens of the Tenth Street milieu of the 1950s. Emerging from the shadow of Abstract Expressionism, Dodd and this circle cleaved to an observational painting based in the early modernist tradition. Beginning in the 1950s, Lois Dodd has steadfastly pursued her observational painting, remaining aloof from passing trends. She is widely admired as a 'painter's painter' whose landscapes and city scenes display subtle effects of place, light and weather within graphically distilled compositions. Dodd's works capture the intangible character of changing seasons or particular hours of day in locations throughout New York City, rural New Jersey and Maine, but the paintings betray no mark of era. They are curiously timeless.Through extensive studio visits and interviews, Faye Hirsch considers the processes, places and impulses behind Dodd's paintings and reveals her outwardly peaceful, reflective canvases to be the product of an alert and forceful eye and a powerfully efficient execution.

A Galaxy of Things explores the ways in which all puppets, masks, and makeup-prosthetic figures are "material characters," and uses Star Wars creatures, droids, and helmeted-characters to illustrate what makes the good ones not only compelling, but meaningful. The book begins with author Colette Searls' Star Wars thing aesthetic, described through a release-order overview of what creatures, droids and masked characters have brought to 45+ years of live-action Star Wars. Building on theories from the burgeoning field of puppetry and material performance, it sees these "material characters" as a group and describes three specific powers that they share - distance, distillation, and duality - using the ubiquitously recognizable Star Wars characters to illustrate them. The book describes Distance, Distillation, and Duality as material character powers, using characters like C-3PO and Jabba the Hutt to illustrate how all three work to generate meaning. An in-depth exploration of the original Empire Strikes Back Yoda and "Baby" Yoda (Grogu) reveals how these two puppets use those powers to transform their human companions: Luke Skywalker, and then Din Djarin. Searls provides an in-depth analysis of Darth Vader's mask trajectory across three trilogies (1977 - 2019), revealing its contribution as a "performing thing." Finally, the book presents problematic uses of material character powers by critiquing droids in service, and the historical use of racial stereotypes in characters like Jar Jar Binks, before offering a hopeful analysis of how early 2020s live-action Star Wars began centering the non-, semi-, and concealed human in redemptive ways. This is an accessible exploration for students and scholars of theatre, film, media studies and popular culture who want to better understand puppets, masks, and makeup-prosthetic characters. Its terms and concepts will be useful to scholarly explorations of non-, semi-, and concealed human portrayals for a range of other fields, including posthumanism, object-oriented ontology, ethnic studies, and material culture.