The book features a detailed analysis and interpretation of "The
Saragossa Manuscript" (1964) by Wojciech Jerzy Has. The
interpretative key is the director's reference to the aesthetics of
various art trends, starting with baroque, through romanticism,
symbolism, surrealism and the culture of Orient. The artistic
references named here which to a high degree can be brought down to
quotations and hints (the composition of stop-frames referring to
the style of a given painter or an art trend) are to a large extent
the consequence of having been adapted by a particular novel (Jan
Potocki). Notwithstanding, also this time Has stigmatised the
project with his own style by referring to the aesthetics of
surrealism which was alien to the literary prototype.
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