Willem Pretorius is een van ons voorste skilders wat die Suid-Afrikaanse platteland vasvat met soortgelyke patos as Walter Meyer, aan wie alle skilders in hierdie genre hulde bring. Sy skilderye is amper foto-realisties maar inspireer tog ʼn sekere gevoel van nostalgie na ʼn verlore onskuld, na die sogenaamde goeie ou dae wat nie vir almal goed was nie. Daar is ook ʼn afstandelikheid, ʼn gebrek aan kommentaar: Die landskap spreek vir homself.

Die boek bevat kleurafdrukke, professioneel gefotografeer, van sy 50 jongste werke, ʼn goeie mengsel van sy gebruiklike onderwerpe: huise, treine, versaakte swembaddens, landskappe, ou karre en gekrokte bakkies, plattelandse winkels, huise en dorpstonele, ensovoorts.

Elke skildery is begelei deur ʼn skryfsel van ʼn bekende skrywer, musikant, digter of skilder. Dis nie ʼn beskrywing of tegniese ontleding van die skildery nie, eerder vry assosiasie, ʼn kort kortverhaal, ʼn herinneringskets. Elk is ongeveer 500 woorde en beslaan dus nie meer as een bladsy nie; die bladsy langs die skildery wat dit geïnspireer het.

"Around South Africa in Eighteen Days" documents the author's journey to the country s most scenic and photogenic areas.

The book is divided into eighteen sections, each one representing a day in a different area. The beautiful photographs and witty captions make for pleasant reading and for contemplating your own trip to far-flung regions.

The book may also inspire readers to move away from their coffee tables and couches and make the eighteen-day trip themselves, as it gives practical advice on the route and the photographic equipment that is needed to make this journey a successful photographic expedition

Lions are the stuff of legends. Revered and feared in equal measure, both majestic and terrifying, they once reigned supreme over an extensive domain. But this once-dominant beast’s original range has contracted by some 85%, and the world population is thought to have dropped to just over 20,000 individuals. The IUCN Red Data List now classifies lions as Vulnerable, and the West African subpopulation as Critically Endangered.

Not only are lion numbers crashing, but the remaining populations cling to their existence on ever smaller, more fragmented pockets of land. Feared and despised by farmers trying to eke out a living on marginal land, lions are increasingly being exterminated or repurposed for commercial gain. Trophy hunters pay extortionate sums to bag specimens in their prime, and lion bones are being sold for the roaring Eastern trade in ‘tiger wine’.

This landmark book aims to halt the downward spiral. It takes you on a journey across the continent and into the lives of rangers, scientists and communities, and the majestic creatures they work to conserve. Along with the bad news about today’s lions, it offers a message of hope, showing how innovative conservationists are rethinking our approach to human-lion coexistence.

This book, with its searing, inspiring images and vivid accounts from the experts and foot-soldiers of conservation, brings the plight of lions to the attention of the world and is an urgent plea for the actions that need to be taken before it’s too late.

One of the few books about photography to come out of the continent and where the majority of contributors are African and work on the continent.

Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, Ambivalent gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships with photography – and with visibility more generally – in ways that engage and disrupt the easy categories and genres that have characterised the field to date.

Contributors pose new questions concerning the instability of the identity photograph in South Africa; ethnographic photographs as potential history; humanitarian discourse from the perspective of photographic survivors of atrocity photojournalism; the nuanced passage from studio to screen in postcolonial digital portraiture; and the burgeoning visual activism in West Africa.

WINNER OF THE NOBEL PRIZE IN LITERATURE 2024

Like a long winter’s dream, this haunting and visionary new novel from 2024 Nobel Prize winner Han Kang takes us on a journey from contemporary South Korea into its painful history

‘One of the most profound and skilled writers working on the contemporary world stage’ Deborah Levy

Beginning one morning in December, We Do Not Part traces the path of Kyungha as she travels from the city of Seoul into the forests of Jeju Island, to the home of her old friend Inseon. Hospitalized following an accident, Inseon has begged Kyungha to hasten there to feed her beloved pet bird, who will otherwise die.

Kyungha takes the first plane to Jeju, but a snowstorm hits the island the moment she arrives, plunging her into a world of white. Beset by icy wind and snow squalls, she wonders if she will arrive in time to save the bird – or even survive the terrible cold which envelops her with every step. As night falls, she struggles her way to Inseon’s house, unaware as yet of the descent into darkness which awaits her.

There, the long-buried story of Inseon’s family surges into light, in dreams and memories passed from mother to daughter, and in a painstakingly assembled archive documenting a terrible massacre on the island seventy years before.

We Do Not Part is a hymn to friendship, a eulogy to the imagination and above all an indictment against forgetting.

Translated by e. yaewon and Paige Aniyah Morris

This full colour book to the Historic Cotswolds takes you alphabetically through the fascinating and mostly hidden side to the Cotswolds. 100s of pen and ink line drawings by Peter Reardon matching 100s colour photos of the same thing by his son Nicholas Reardon, so one can see things such as a stone crocodile head, with a spring gushing out of its mouth at Compton Abdale, as both a line drawing and colour photograph. The book travels all over the Cotswolds from its very own Stonehenge (Rollright Stones) in the North of the Cotswolds, to a Sham Castle in the South, with lots of strange or old odd things to see on the way, with this book you will soon find the Cotswolds have something of interest for anyone.

A book of evocative and atmospheric photographs taken by Dick Hawkes to create a representative record of this precious and ecologically unique habitat - before much of it is lost to the many threats it faces. Chalk streams have been described as England's "rainforest". Around 85% of the world's chalk streams are in England. They are beautiful, biologically distinct and amazingly rich in wildlife, but are under threat from man-made issues of abstraction, pollution from chemicals and effluent, development for housing, and climate change. Included in the book are images of typical habitats and species of wildlife found in chalk streams and water meadows, highlighting those that are rare or most under threat.