Talent alone isn’t enough. Education is important' Tracey Emin

'Don’t make art for the purpose of a career or success: make art because it is an unstoppable obsession' Shirin Neshat

'You’re not meant to know what you’re doing when you’re young and making art. It’s meant to fill you with dread' Ryan Gander

Weaving artists’ reflections and anecdotes with their invaluable words of advice to aspiring creatives, this inspiring book explores the practical realities of the art world and demystifies the route to professional success.

Survival Notes is an inspiring narrative weaving artists’ reflections on success with advice to aspiring creatives. Featuring direct quotes and exclusive interviews with internationally acclaimed artists such as Anish Kapoor, Shirin Neshat, Tracey Emin, Jesse Darling and Shahzia Sikander, this book offers authoritative counsel on how to thrive in a highly competitive art world as well as thoughtful insights on what it means to be an artist in the twenty-first century.

Nine thematic chapters offer essential guidance on how to negotiate the practical realities of artmaking, with discussions relating to education, self-discipline, gallery representation, mental wellbeing, mentorship and more. In a climate where emerging creatives feel less empowered than ever, Lydia R. Figes provides a hopeful message about perseverance and perspective, while questioning whether the advice given by established practitioners can still be applied today.

Runa Islam's films are replete with vivid images that enthrall the viewer with their poetry. Using and reflecting on the medium of film is a pivotal part of her work. In detailed interviews with the artist, this book sheds light on her work during the last five years.

Runa Islam was born in Bangladesh in 1970 and today lives in London. She deconstructs linear narrative patterns and time sequences, making the act of seeing--both watching and recognizing what is seen--the central focus of her films. In 2008, Islam was nominated for the Turner Prize for visual art.

This 800 page publication is intended to assist persons in obtaining maximum value from a first or subsequent visit to Scotland. The guide is replete with multiple colour photographs and covers a wide range of specialist topics including activities, architecture, art & crafts, castles, tour itineraries, events & culture, family history, famous persons, filming locations, gardens, geology, history, islands, lochs, nature, 38 popular locations, Scottish Borders region, food, steam trains, textiles and whisky distilleries.

We live in an age of the mobile image. The world today is absolutely saturated with analog and digital images of all kinds circulating around the world at an incredible rate. The movement of the image has never been more extraordinary than it is today. This recent kinetic revolution of the image has hitherto unconsidered consequences not only for the way we think about contemporary art and aesthetics but also for art history as well. Responding to this historical moment, Theory of the Image offers a fresh new aesthetics and history of art from the perspective of this epoch-defining mobility. The image has been understood in many ways, but rarely, if ever, has it been understood to be, primarily and above all, in motion. This original approach is what defines Theory of the Image and what allows it to offer the first kinetic history of the Western art tradition. In this book, Thomas Nail further develops his larger philosophy of movement into a comprehensive "kinesthetics" of the moving image from prehistory to the present. The book concludes with a vivid analysis of the contemporary digital image and its hybridity, ultimately outlining new territory for research and exploration across aesthetics, art history, cultural theory, and media studies.

Published to mark the artist's 90th birthday, this is the first and only book to provide an overview of Bryan Organ, one of the world's great portrait painters.

This book tells the story of Bryan Organ, whose works have been commissioned by the National Portrait Gallery more than any other 20th-century painter. It is itself a portrait, one that draws on his beginnings on the school cricket pitch and at art college as well as his time sketching others in recording studios, on the polo field and at the Elysée Palace. It tells the stories of his most important paintings, his friendship with Graham Sutherland, and his endless experimentation with movement, space and form. For the first time, it offers a contextual overview of his paintings, drawings, prints and sketches from the 1950s to today.

Whether painting Prince Charles, Sir Harold Macmillan, Elton John, President Mitterrand or pigeon fanciers Mr and Mrs Sharples, Organ’s strategy is to find a point of contact with his sitters and get to know them. As this beautiful book illustrates, his acute powers of observation, his facility as a draughtsman and meticulous painting technique enable him to create a psychological likeness that feels like a real human encounter.

Despite his success, Organ has always shunned the limelight. When his controversial 1970 portrait of Princess Margaret hit the front pages, he found it difficult to cope with the uproar and retreated to France. Some ten years later, his portrait of Princess Diana was slashed by an anti-monarchist, and Organ decided that enough was enough. Since then, he has continued to work quietly, but refuses to be involved in any exhibitions and avoids all press coverage. Organ provided unprecedented access to his entire archive for this book, the only overview of his illustrious career.