Showcasing Roger Ballen’s photographic work in colour, these stunning images remain grounded in the chaotic, absurd psychological space of the Ballenesque.

Having previously expressed no interest in colour photography, Roger Ballen was inspired to engage with the medium after receiving a Leica SL camera as a gift in 2016. Opening to the potential of colour in his work, Ballen used light in creative ways, exploring new avenues of experimentation. Spirits and Spaces eloquently captures the absurd and bizarre world of Roger Ballen, where animals and art brut–like drawings dominate, and humanity is reduced to obscure figures or fragmented body parts.

The colour images in Spirits and Spaces, created in conjunction with Ballen’s artistic director, Marguerite Rossouw, were produced in a claustrophobic space, constructed of worn, wallpapered wooden panels and with minimalistic lighting. Here, in this dense, oppressive environment, Ballen creates what might be seen by many as a world that is unexplainable in words: one in which absurdity, chaos, comedy, and tragedy apparently exist side by side.

Both a visual revelation and an artistic evolution by one of contemporary photography’s most unique voices, Spirits and Spaces will be an essential and much-anticipated photobook for all Roger Ballen fans.

Runa Islam's films are replete with vivid images that enthrall the viewer with their poetry. Using and reflecting on the medium of film is a pivotal part of her work. In detailed interviews with the artist, this book sheds light on her work during the last five years.

Runa Islam was born in Bangladesh in 1970 and today lives in London. She deconstructs linear narrative patterns and time sequences, making the act of seeing--both watching and recognizing what is seen--the central focus of her films. In 2008, Islam was nominated for the Turner Prize for visual art.

This 800 page publication is intended to assist persons in obtaining maximum value from a first or subsequent visit to Scotland. The guide is replete with multiple colour photographs and covers a wide range of specialist topics including activities, architecture, art & crafts, castles, tour itineraries, events & culture, family history, famous persons, filming locations, gardens, geology, history, islands, lochs, nature, 38 popular locations, Scottish Borders region, food, steam trains, textiles and whisky distilleries.

Shortly after his untimely death in 1988, Jean-Michel Basquiat’s meteoric art-world ascent was in retreat. Nearly four decades later, the artist’s paintings are amongst the world’s most recognizable and valuable. Based on over 100 interviews, Jean-Michel Basquiat: The Making of an Icon finally fills in long-missing chapters from the life and work of an artist who helped reframe contemporary art.

When Jean-Michel Basquiat died in 1988 at the age of twenty-seven, major critics called his work a flash in the pan and the meteoric rise in the prices of his paintings started to fall back. Almost thirty years later Basquiat joined Picasso, Modigliani and Munch when one of his paintings sold for over $100 million. Nearly four decades after his untimely death, he remains one of the most recognizable artists in the world ― his work not only headlines major museum exhibitions and private collections but also appears on T-shirts, sneakers, tattoos and accessories from Rio to Singapore. What happened?

For the first substantive biography in over twenty-five years, art world insider Doug Woodham conducted more than 100 interviews ― with family members, friends, lovers, gallery owners, collectors, musicians, academics and other artists ― to weave a thoughtful and revealing account of Basquiat’s life, work and legacy. Woodham’s account takes readers from the artist’s rich and complex family background through to his commercial and critical resurrection ― an ascent that has played a role in reshaping the art-world. In the process, he has also crafted a unique account of how the twenty-first century art world selects its icons and cements their place in history.

Jean-Michel Basquiat: The Making of an Icon examines key aspects of the artist’s life such as his childhood trauma, sexuality, cultural identities and struggles with addiction ― topics long downplayed in the museum and art world, arguably due to the controlling role played by his estate. Simultaneously Woodham uncovers the previously untold story of how a few against-the-grain speculators and gallerists ― plus his deftly skilled and strategic father, the band U2 and a bestselling children’s book ― all contributed to bringing what Basquiat accomplished back to the centre of the conversation and in the process helped to birth a new era in contemporary art.

We live in an age of the mobile image. The world today is absolutely saturated with analog and digital images of all kinds circulating around the world at an incredible rate. The movement of the image has never been more extraordinary than it is today. This recent kinetic revolution of the image has hitherto unconsidered consequences not only for the way we think about contemporary art and aesthetics but also for art history as well. Responding to this historical moment, Theory of the Image offers a fresh new aesthetics and history of art from the perspective of this epoch-defining mobility. The image has been understood in many ways, but rarely, if ever, has it been understood to be, primarily and above all, in motion. This original approach is what defines Theory of the Image and what allows it to offer the first kinetic history of the Western art tradition. In this book, Thomas Nail further develops his larger philosophy of movement into a comprehensive "kinesthetics" of the moving image from prehistory to the present. The book concludes with a vivid analysis of the contemporary digital image and its hybridity, ultimately outlining new territory for research and exploration across aesthetics, art history, cultural theory, and media studies.

A bold exploration of the role of the domestic interior in fashion photography and its importance in defining a new kind of fashion image.

For three decades, the fashion image has shifted its focus from high-end shoots to the idiosyncratic, Instagram-style practice of pictures taken at home. That home may be a house, apartment or room – often, though not always, the antithesis of glamour and gloss.

The Domestic Stage captures this fascination with the home as an 'uncurated' setting for presenting an individual’s private life and relationships, and for professional commissions with edge. Those behind the camera come from very different places, but all celebrate a sense of inventiveness and empowerment from working in the domestic space. How this space merged with the fashion image is revealed through the words and work of twenty-two such image-makers, most of whom talked personally to author Adam Murray. They include the pioneering Nigel Shafran; International Magic, who created virtual fashion shows with Martine Rose during the pandemic; and Carrie Mae Weems, whose 2024 Bottega Veneta campaign truly came 'home' – to show A$AP Rocky enjoying time with his children.

Each and every contributor’s commentary is candid and revealing, their images even more so. The result is a provocative new take on fashion photography and its transformation in recent years.

Published to mark the artist's 90th birthday, this is the first and only book to provide an overview of Bryan Organ, one of the world's great portrait painters.

This book tells the story of Bryan Organ, whose works have been commissioned by the National Portrait Gallery more than any other 20th-century painter. It is itself a portrait, one that draws on his beginnings on the school cricket pitch and at art college as well as his time sketching others in recording studios, on the polo field and at the Elysée Palace. It tells the stories of his most important paintings, his friendship with Graham Sutherland, and his endless experimentation with movement, space and form. For the first time, it offers a contextual overview of his paintings, drawings, prints and sketches from the 1950s to today.

Whether painting Prince Charles, Sir Harold Macmillan, Elton John, President Mitterrand or pigeon fanciers Mr and Mrs Sharples, Organ’s strategy is to find a point of contact with his sitters and get to know them. As this beautiful book illustrates, his acute powers of observation, his facility as a draughtsman and meticulous painting technique enable him to create a psychological likeness that feels like a real human encounter.

Despite his success, Organ has always shunned the limelight. When his controversial 1970 portrait of Princess Margaret hit the front pages, he found it difficult to cope with the uproar and retreated to France. Some ten years later, his portrait of Princess Diana was slashed by an anti-monarchist, and Organ decided that enough was enough. Since then, he has continued to work quietly, but refuses to be involved in any exhibitions and avoids all press coverage. Organ provided unprecedented access to his entire archive for this book, the only overview of his illustrious career.