This 800 page publication is intended to assist persons in obtaining maximum value from a first or subsequent visit to Scotland. The guide is replete with multiple colour photographs and covers a wide range of specialist topics including activities, architecture, art & crafts, castles, tour itineraries, events & culture, family history, famous persons, filming locations, gardens, geology, history, islands, lochs, nature, 38 popular locations, Scottish Borders region, food, steam trains, textiles and whisky distilleries.

Shortly after his untimely death in 1988, Jean-Michel Basquiat’s meteoric art-world ascent was in retreat. Nearly four decades later, the artist’s paintings are amongst the world’s most recognizable and valuable. Based on over 100 interviews, Jean-Michel Basquiat: The Making of an Icon finally fills in long-missing chapters from the life and work of an artist who helped reframe contemporary art.

When Jean-Michel Basquiat died in 1988 at the age of twenty-seven, major critics called his work a flash in the pan and the meteoric rise in the prices of his paintings started to fall back. Almost thirty years later Basquiat joined Picasso, Modigliani and Munch when one of his paintings sold for over $100 million. Nearly four decades after his untimely death, he remains one of the most recognizable artists in the world ― his work not only headlines major museum exhibitions and private collections but also appears on T-shirts, sneakers, tattoos and accessories from Rio to Singapore. What happened?

For the first substantive biography in over twenty-five years, art world insider Doug Woodham conducted more than 100 interviews ― with family members, friends, lovers, gallery owners, collectors, musicians, academics and other artists ― to weave a thoughtful and revealing account of Basquiat’s life, work and legacy. Woodham’s account takes readers from the artist’s rich and complex family background through to his commercial and critical resurrection ― an ascent that has played a role in reshaping the art-world. In the process, he has also crafted a unique account of how the twenty-first century art world selects its icons and cements their place in history.

Jean-Michel Basquiat: The Making of an Icon examines key aspects of the artist’s life such as his childhood trauma, sexuality, cultural identities and struggles with addiction ― topics long downplayed in the museum and art world, arguably due to the controlling role played by his estate. Simultaneously Woodham uncovers the previously untold story of how a few against-the-grain speculators and gallerists ― plus his deftly skilled and strategic father, the band U2 and a bestselling children’s book ― all contributed to bringing what Basquiat accomplished back to the centre of the conversation and in the process helped to birth a new era in contemporary art.

We live in an age of the mobile image. The world today is absolutely saturated with analog and digital images of all kinds circulating around the world at an incredible rate. The movement of the image has never been more extraordinary than it is today. This recent kinetic revolution of the image has hitherto unconsidered consequences not only for the way we think about contemporary art and aesthetics but also for art history as well. Responding to this historical moment, Theory of the Image offers a fresh new aesthetics and history of art from the perspective of this epoch-defining mobility. The image has been understood in many ways, but rarely, if ever, has it been understood to be, primarily and above all, in motion. This original approach is what defines Theory of the Image and what allows it to offer the first kinetic history of the Western art tradition. In this book, Thomas Nail further develops his larger philosophy of movement into a comprehensive "kinesthetics" of the moving image from prehistory to the present. The book concludes with a vivid analysis of the contemporary digital image and its hybridity, ultimately outlining new territory for research and exploration across aesthetics, art history, cultural theory, and media studies.

ICONIC: Sabrina is a bold, visual journey through the rise of one of the world's most beloved new pop stars.

Charting her early beginnings as a Disney channel princess to her sold-out shows and iconic Nonsense outros, as well as her best fashion moments at events such as the Met Gala and the Grammys, this beautiful gift book offers a jam-packed, photographic insight into the Espresso singer's most memorable moments to date.

Divided into 50 moments accompanied by striking photography of the musician, ICONIC: Sabrina celebrates the short n' sweet pop sensation in all her glittering glory.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A fascinating and detailed analysis of one of the most iconic works of Surrealism

In 1931, Salvador Dalí (1904–89) painted The Persistence of Memory, a work that has become virtually synonymous both with the artist and with Surrealism itself. In this bleak and infinite dreamscape, hard objects become inexplicably limp, while metal attracts ants like rotting flesh. Yet realistic details are included, too: the distant cliffs depict the coastline of Dalí’s native Catalonia. Tapping deep into the non-rational mechanisms of his mind―dreams, the imagination and the subconscious― and utilizing what he called “the usual paralyzing tricks of eye-fooling,” Dalí claimed that he made this painting with “the most imperialist fury of precision,” but only “to systematize confusion and thus to help discredit completely the world of reality.” Curator Anne Umland unpacks this uncanny masterpiece, placing it within Dalí’s long career as artist, author, critic, impresario and provocateur.

WINNER OF THE NOBEL PRIZE IN LITERATURE 2024

Like a long winter’s dream, this haunting and visionary new novel from 2024 Nobel Prize winner Han Kang takes us on a journey from contemporary South Korea into its painful history

‘One of the most profound and skilled writers working on the contemporary world stage’ Deborah Levy

Beginning one morning in December, We Do Not Part traces the path of Kyungha as she travels from the city of Seoul into the forests of Jeju Island, to the home of her old friend Inseon. Hospitalized following an accident, Inseon has begged Kyungha to hasten there to feed her beloved pet bird, who will otherwise die.

Kyungha takes the first plane to Jeju, but a snowstorm hits the island the moment she arrives, plunging her into a world of white. Beset by icy wind and snow squalls, she wonders if she will arrive in time to save the bird – or even survive the terrible cold which envelops her with every step. As night falls, she struggles her way to Inseon’s house, unaware as yet of the descent into darkness which awaits her.

There, the long-buried story of Inseon’s family surges into light, in dreams and memories passed from mother to daughter, and in a painstakingly assembled archive documenting a terrible massacre on the island seventy years before.

We Do Not Part is a hymn to friendship, a eulogy to the imagination and above all an indictment against forgetting.

Translated by e. yaewon and Paige Aniyah Morris