This book argues that photography, with its inherent connection to the embodied material world and its ease of transmissibility, operates as an implicitly political medium. It makes the case that the right to see is fundamental to the right to be. Limning the paradoxical links between photography as a medium and the conditions of political, social, and epistemological disappearance, the book interprets works by African American, Indigenous American, Latinx, and Asian American photographers as acts of political activism in the contemporary idiom. Placing photographic praxis at the crux of 21st-century crises of political equity and sociality, the book uncovers the discursive visual movements through which photography enacts reappearances, bringing to visibility erased and elided histories in the Americas. Artists discussed in-depth include Shelley Niro, Carrie Mae Weems, Paula Luttringer, LaToya Ruby Frazier, Matika Wilbur, Martine Gutierrez, Ana Mendieta, An-My Le, and Rebecca Belmore. The book makes visible the American land as a site of contestation, an as-yet not fully recognized battlefield.

Newcastle is England's most northerly city and shares a long history with Gateshead, its neighbour on the south side of the River Tyne. The two, city and town respectively, are a heady mix of the old and new; both were industrial powerhouses during the 19th Century that have successfully embraced recent change, reinventing themselves as vibrant places of entertainment and culture. With this book in hand, journey over and under the Tyne to discover treasures such as the steam turbine ship Turbinia, a sleekly streamlined example of north-eastern mechanical know-how; wander across the wide-open space of the Town Moor, where President Jimmy Carter has the right to graze cattle; take in Saltwell Towers, an eccentric castle in the leafy surroundings of Saltwell Park; then top it all off with a pint in a pub where the ghost of Charles I may well make an appearance. Written by a Geordie, this book will help you explore the quirkier side of both Newcastle and Gateshead, and discover their hidden gems.

The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a series of readers designed for those interested in the ways images function within a wider set of cultural practices. Volume I of the series, Repetition, Reproduction, Circulation, addresses the multiple life cycles of the image-its modes of dispersion, reception, consumption, and aggregation-and the significance of technological reproduction for contemporary forms of social, cultural, and political life. Volume I of the series, Repetition, Reproduction, Circulation, addresses the multiple life cycles of the image-its modes of dispersion, reception, consumption, and aggregation-and the significance of technological reproduction for contemporary forms of social, cultural, and political life. The image is considered both a tool for liberation and a means of repression within the evolving structures of modern life. The essays consider the implications of the nature and effect of the reproducible image on the categories, shapes, and aims of contemporary art and society. Further grounded by two interviews with practitioners in the field, Repetition, Reproduction, Circulation promises to be an accessible, rigorous, and timely resource for all students, educators, and practitioners of photography.

An immersive look at all manner of verdant dreamscapes.’ – Vanity Fair

Celebrate the beauty and creativity of the world’s greatest contemporary gardens through this stunning survey highlighting the leading designers of today

The Contemporary Garden showcases 300 outstanding gardens in more than forty countries across the globe. Curated in collaboration with an international team of horticultural experts, this wide-ranging collection includes iconic public gardens such as the High Line and Changi Airport Garden, as well as private gems, such as a dreamy hillside garden in Morocco by Umberto Pasti and Anna Wintour’s elegant garden in upstate New York by Miranda Brooks.

Beautifully designed and illustrated, The Contemporary Garden celebrates each garden with a gorgeous large-format image and insightful description. Readers will discover the work of renowned garden designers and landscape architects, such as Fiona Brockhoff, Dan Pearson, Sarah Price, and Bernard Trainor, alongside projects by rising stars and owner-makers.

Organized alphabetically by designer or studio name, the book’s pages reveal a striking range of contemporary garden styles – naturalistic, community, wild, urban, botanical, dry, topiary, minimalist, edible, flower, and more – demonstrating how our evolving stylistic and horticultural aesthetic fosters an increasingly strong connection with the natural world.

Both an inspirational resource and an authoritative reference, The Contemporary Garden will delight professional, recreational, and armchair gardeners of all ages.

Garden designers featured include: Marian Boswell, Sam Cox, Erik Dhont, Isabel Duprat, Luciano Giubbilei, Olin, Piet Oudolf, Reed Hilderbrand, Amalia Robredo, and Tom Stuart-Smith

Gardens featured include: African Ancestors Memorial Garden, Chihuly Garden & Glass, Gardens by the Bay, High Line, Hunting Brook Gardens, Jardins d’Étretat, The Native Plant Garden at New York Botanical Garden, The Opera Park, and numerous private gardens

Advisors and contributors include: Richard Aitken, Matthew Biggs, Matt Collins, Sorrel Everton, Joanna Fortnum, Clare Foster, Noel Kingsbury, Stephanie Mahon, Tovah Martin, Michael McCoy, Colleen Morris, Paul Redman, and Tony Spencer