The second half of the 19th century was a time of extensive political upheaval in central east Europe that saw the negotiation of conflicting territorial claims in the region by the Russian, Austrian and Prussian empires. The post-WW1 settlement gave rise to the formation of the independent nation states of Poland, Lithuania, Ukraine, Latvia and Belarus. Less well know is that this same period was also an era of keen photographic activity. During this time of empire-, state- and nation-building, cultural heritage was a potent vehicle and a provider of collective memory and identity.This innovative account analyses the relationship between politics, history, cultural heritage and photography in central east Europe between 1859 and 1945. To understand the work photographs 'do' in the construction of cultural heritage, the author analyses a wide range of little-known photographic archives created by contemporary professional and amateur photographers. Their work was extensively exploited in contemporary debates, appearing in albums, books, journals, exhibitions, museum exhibits, postcards and newspapers aimed at both scientific and popular and national and international publics. An extensive analysis of how photographic practices and outcomes were applied, borrowed, copied, appropriated and transmitted shows how photography was used to exert or subvert power, on the one hand, and as a tool in constructing and negotiating group identities on the other. By weaving photography and its patterns of making, dissemination and archival survival through major historical narratives, this volume reveals the centrality of photography and visual discourse at pivotal moments of modern history.

Dive deep into the world of sharks, the most fascinating and misunderstood marine animals on the planet, in this stunning new edition of The Shark Handbook, written by Shark Week expert, Dr. Greg Skomal. Did you know that a whale shark's spots are as unique as a fingerprint? Or that sharks can go into a trance when flipped upside down? Or that the Megallodon's mouth was 6 feet across? With The Shark Handbook, jump into brand new facts about these fierce sea creatures! Explore all of the orders of sharks, such as: - Ground sharks - Great white sharks - Mackerel sharks - Carpet sharks - and more! Learn about over 400 profiles of every shark in existence, from the first sharks living about 445 million years ago to the ones lurking in the ocean deep today. Starring spectacular, full-color photography that makes these jaw-dropping sharks come to life, this is the perfect gift for the shark enthusiast in your life. Dr. Greg Skomal, PhD is an experienced aquarist and Marine Fisheries Biologist at Martha's Vineyard Fisheries, Division of Marine Fisheries, Massachusetts. He's been keeping saltwater aquariums since childhood and has shared his extensive knowledge with viewers of National Geographic, the Discovery Channel, NBC's Today, and other media.

We tend to think of silence as the absence of sound, but it is actually the void where we can hear the sublime notes of nature. Here, photographer Pete McBride reveals the wonders of these hushed places in spectacular imagery from the thin-air flanks of Mount Everest to the depths of the Grand Canyon, from the high-altitude vistas of the Atacama to the African savannah, and from the Antarctic Peninsula to the flowing waters of the Ganges and Nile. These places remind us of the magic of being truly away and how such places are vanishing. Often showing beauty from vantages where no other photographer has ever stood, this is a seven-continent visual tour of global quietude and the power in nature s own sounds that will both inspire and calm.

Whether pasted into an album, framed or shared on social media, the family photograph simultaneously offers a private and public insight into the identity and past of its subject. Long considered a model for understanding individual identity, the idea of the family has increasingly formed the basis for exploring collective pasts and cultural memory. Picturing the Family investigates how visual representations of the family reveal both personal and shared histories, evaluating the testimonial and social value of photography and film.Combining academic and creative, practice-based approaches, this collection of essays introduces a dialogue between scholars and artists working at the intersection between family, memory and visual media. Many of the authors are both researchers and practitioners, whose chapters engage with their own work and that of others, informed by critical frameworks. From the act of revisiting old, personal photographs to the sale of family albums through internet auction, the twelve chapters each present a different collection of photographs or artwork as case studies for understanding how these visual representations of the family perform memory and identity. Building on extensive research into family photographs and memory, the book considers the implications of new cultural forms for how the family is perceived and how we relate to the past. While focusing on the forms of visual representation, above all photographs, the authors also reflect on the contextualization and 'remediation' of photography in albums, films, museums and online.

Heritage, Photography, and the Affective Past critically examines the production, consumption, and interpretation of photography across various heritage domains, from global image archives to the domestic arena of the family album. Through original ethnographic and archival research, the book sheds new light on the role photography has played in the emergence, expansion, and articulation of heritage in diverse sociocultural contexts. Drawing on wide-ranging experience across the heritage sector and two international case studies - Angkor in Cambodia and the town of Famagusta, Cyprus - the book makes a major contribution to our understanding of the role photography has played and continues to play in shaping experiences and conceptualisations of heritage. One of the core aims of the book is to problematise and potentially redirect the varied usages of photography within current practice, usages which remain woefully undertheorised, despite their often-central role in shaping heritage. Ultimately, by focusing attention on a hitherto underexamined aspect of the heritage phenomenon, namely its manifold interconnections with photography, this book provides fresh insight to the making and remaking of the past in the present, and the alternative heritages that might come into being around emergent photographic forms and approaches. Heritage, Photography, and the Affective Past uses photography as a method of enquiry as well as a tool of documentation. It will be of interest to scholars and students of heritage, photography, anthropology, museology, public archaeology, and tourism. The book will also be a valuable resource for heritage practitioners working around the globe.

Andreas Muller-Pohle is an artist and publisher who has challenged the limits of photographic, video, and computer images since 1977. Interfaces surveys his entire career, including his early, experimental work from the 70s and 80s and his latest video and computer pieces, Face Codes and Sojourner II. Exquisitely presented and printed, this book is edited and introduced by one of Europe's most distinguished curators, Hubertus von Amelunxen. Anreas Muler-Pohle has also served as the publisher of European Photography since 1980 and is the editor of numerous publications including the major books by media philosopher Vilem Flusser. As von Amelunxen notes, "With its combination of analog and digital technology, video and interaction installations, Interfaces provides insight into photography as a tool for imaging ideas. For Muller-Pohle, the medium of photography is located on the threshold between human perception and the abolition of its limits by the apparatus".

In an age of increasingly fragmented migration, consumption, and globalisation, how do diasporic individuals navigate their ethnic identities? Diasporas, Weddings and the Trajectories of Ethnicity investigates the ways that Chinese Singaporeans shape their Chineseness through wedding rituals and artefacts. Proposing a framework of ethnic identity as a journey, this book will Interrogate the processes underlying diasporic ethnicity-making through weddings. Offer new concepts of transdiasporic space, ethnic tastes, and aesthetic dissonance. Explore the intersections between commercialism, ethnicity, and socio-economic divides. Map the micro-social ramifications of ethnic and racial policy in Singapore. As a former professional wedding photographer, Terence Heng brings a sociological lens to the scripted and spontaneous arena of social interactions that is the wedding day. By combining ethnographic observation, photography, and poetry, Heng reveals the many decisions and demands that underscore Singaporean Chinese weddings, offering novel insights into the roles of the bridal couple, their social networks, and the wedding industry.

Inspired by the podcast Dear Multi-Hyphenate, this book explores how to be a multi-hypenate - an artist with multiple proficiencies - in the entertainment industry. Answers questions about individual mission-driven entrepreneurship in the Theatre industry. Each chapter features an interview with a notable theatre artist.

Wild Light is a stunning panoramic exploration of the Scottish landscape by photographer Craig Aitchison, winner of the inaugural Scottish Landscape Photographer of the Year competition. Produced over seven years and shot entirely using a traditional Hasselblad film camera, this remarkable body of work captures the essence of the Scottish wilderness through the seasons and portrays the Highlands and Islands at their most beautiful. Featuring over eighty panoramas, this book celebrates the rich natural heritage, incredible geodiversity and varied landscape for which Scotland is internationally renowned. Among a glittering cast of many are the dramatic heights of Suilven, An Teallach and Aonach Eagach, and the otherworldly landscapes of the Lairig Ghru in the Cairngorms and Glen Etive. Craig Aitchison's Wild Light will delight anyone who treasures the Scottish mountain landscape.

Distillations: Nancy Goldring Drawings and Foto-Projections 1971-2021 surveys 50 years of visual and conceptual explorations by artist and writer Nancy Goldring. Material is arranged according to predominating themes throughout her career: Thresholds, Sites, Sets, Perspectives, Dreams and Visions, and Chiaroscuro. The book reveals her unique process, how she devised her technique of melding graphic and photographic material through projection, and tracks its evolution from the sandwiching of black-and-white graphic and photographic images through to the creation of her "foto-projections" and large installation work. Included are interviews with the artist and an introduction by Jarrett Earnest with essays by writers and curators Paolo Barbaro, David Levi Strauss, Michael Taussig, and Ellen Handy.

In a world where everyone is a photographer now, how do you stand out? The answer can be found in this simple but profound book. It will train your eye to see what others don't.' -- David Hieatt This isn't a book about how to take the best pictures. It's not even about the technical aspects of photography or how to 'make it' as a photographer. In fact, it argues that you should take fewer photographs. By sharing 10 practices honed over a lifetime spent behind the lens working with clients such as Adidas, Levi Strauss, and Apple, photographer Andrew Paynter encourages you to develop a more considered approach to photography so that you craft pictures with care. Do Photo teaches novice, intermediate and advanced photographers -- and everyone in between -- how to use their cameras to really connect with subjects, create memorable and more impactful photographs, and to enjoy the process along the way. And guess what? It all starts before you even pick up the camera.

When a young, naively confident Jurgen Schadeberg first arrived at The Star news offices in Johannesburg with a Leica strung over his shoulder, he was informed by the paper's chief photographer that he would not last long in the industry with such a tiny camera. Never before was the voice of professional prophecy proven so wrong. In a career spanning over half a century, Schadeberg has come to represent much more than the prototype of the visual storyteller. He epitomises the very best in photojournalism – a photographer with an uncanny sense of timing – momentarily and historically. He possesses an instinctive, idiosyncratic way of seeing, coupled with a rigorous sense of organisation. These attributes are combined with an astute insight into the human condition. He occupies nothing less than legendary status among contemporary photojournalists. This timely publication presents an overview of Schadeberg's impressive collection. Included are photographs in a distinct South African context, juxtaposed with timeless images of an international nature. The seminal works are represented, together with photographs published never before.

“I’ve never understood the passion that my friends have for hunting mushrooms. . . but now, after reading this gorgeous and vivacious book, I get it.�  —Star Tribune Victoria Romanoff picked her first mushroom — a brown-capped butterpilz or sticky bun — at the age of four, at her family’s summer dacha on the shores of the Baltic Sea. Little did she realise that her newfound interest in mushrooming would soon become an essential survival skill, as she and her mother spent eight years in displaced persons camps in the aftermath of World War II, foraging wild foods to supplement their diets. Resettled in the United States, Romanoff has continued to pursue her mycological passion ever since, deploying her considerable culinary skills to convert friends and strangers to the joys of wild mushrooms. Now, in this marvellously written book, rich with anecdote, she shares the wisdom gathered from a lifetime on the hunt. Romanoff introduces readers to 12 of the most easily foraged and delicious mushrooms, including the chanterelle, the morel, and the oyster. She describes the appearance, habits, and lore of each variety, and provides a recipe for each; her recipes include both refined kitchen creations and rustic dishes meant to be prepared over an open fire at the end of a successful hunt. Romanoff also shares personal stories from her eight decades of mushrooming. Detailed accounts of several of her most memorable excursions bring alive the sensory experience of the hunt, which offers a unique experience of nature as well as a culinary reward. Illustrated throughout with Romanoff’s own colour photos — which are instructive and sometimes whimsical — these Mushroom Memoirs will be a friendly primer for novice mushroom hunters and an unexpected delight for veteran mycophiles.

Buried in the 14th century BC but unearthed by Howard Carter in 1922, the objects entombed with Tutankhamun are an invaluable window into a long-extinct belief system. Seen today, they create an intricate picture of how the ancient Egyptian people viewed the perilous journey to paradise, a utopian Egypt that could only be entered following the final judgment. When acclaimed photographer Sandro Vannini started his work in Egypt in the late '90s, a technological revolution was about to unfold. Emerging technologies enabled him to document murals, tombs, and artifacts in unprecedented detail. Using the time-consuming and strenuous multi-shot technique, Vannini produced complete photographic reproductions that revealed colors in their original tones with vivid intensity. Through these extraordinary images, we discover the objects' quintessential features alongside the sophisticated and cleverly hidden details. This comprehensive guide marks the centenary of Carter's first excavations in the Valley of the Kings. These inestimable works endure through Vannini's photographs in their full, timeless splendor. From offerings and rituals to Osiris and eternal life, Vannini's portfolio covers all facets of ancient Egyptian culture-but it is Tutankhamun's unique legacy that dominates these images. With texts by the photographer, captions by specialist Mohamed Megahed, and chapter introductions from scholars in the field, King Tut. The Journey through the Underworld puts much-debated mysteries to rest. The learned yet accessible forewords come from distinguished Egyptologists including Salima Ikram and David P. Silverman. Insightful narratives, resplendent images, and a contemporary standpoint make this title a fitting tribute to the Boy King's odyssey, illuminating an epoch that spanned an unimaginable 4,000 years. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

First published in 1981, In A Glamourous Fashion is not only a fascinating look at film fashion portraying the glamour and glitter of Hollywood's heyday; but is also an invaluable reference source for any student of the film, of costume, or of the social history. It documents some of the best work of the designers - names like Adrian, Cecil Beaton, Edith Head - but tells the often-dramatic story of their careers and their relationships with legendary stars such as Garbo, Dietrich, Monroe and many more. Here are the stories behind the screen's most famous costumes: Walter Plunkett's 'curtain dress' for Scarlett O'Hara; the red Jezebel gown Orry-Kelly designed for Bette Davis; the slinky back satin sheath Rita Hayworth wore in Gilda; and the extravagant gown - 15, 000 worth of mink - worn by Ginger Rogers in Lady in the Dark. The photographs and original sketches are an essential and decorative complement to the text; there is an index, bibliography, and a full list of Academy Award winners for costume design.

This innovative text bridges media theory, psychology, and interpersonal communication by describing how our relationships with media emulate the relationships we develop with friends and romantic partners through their ability to replicate intimacy, regularity, and reciprocity. In research-rich, conversational chapters, the author applies psychological principles to understand how nine influential media technologies-theatrical film, recorded music, consumer market cameras, radio, network and cable television, tape cassettes, video gaming, and dial-up internet service providers-irreversibly changed the communication environment, culture, and psychological expectations that we then apply to future media technologies. With special attention to mediums absent from the traditional literature, including recorded music, cable television, and magnetic tape, this book encourages readers to critically reflect on their own past relationships with media and consider the present environment and the future of media given their own personal habits. 20th Century Media and the American Psyche is ideal for media studies, communication, and psychology students, scholars, and industry professionals, as well as anyone interested in a greater understanding of the psychological significance of media technology, usage, and adoption across the past 150 years.