Winner of the Duff Cooper Prize, King Leopold’s Ghost is the true and haunting account of Leopold's brutal regime and its lasting effect on a ruined nation. With an introduction by award-winning novelist Barbara Kingsolver.

In the late nineteenth century, a time when Africa was being parcelled among European powers, King Leopold of Belgium seized vast, untapped territories around the Congo River. Under his brutal regime, resources were plundered, natives oppressed and populations halved. Amidst the corruption, Leopold maintained a façade of a compassionate leader.

In King Leopold's Ghost, author Adam Hochschild introduces us to a group of missionaries and idealists who, upon their arrival in Africa, found themselves in the middle of a horrifying holocaust. Their courage to stand against Leopold shines a light on this often overlooked chapter of history.

A devastating piece of African history, King Leopold's Ghost explores the grave cost paid by those silenced by colonial terror.

From the Neolithic cave paintings in Wadi Sura - created long before it was a desert when the region was savannah grassland - to the Valley of the Kings to the rock-cut temples at Abu Simbel, and from the vast temple complexes at Karnak and Luxor to the funerary mask of Tutankhamun and, of course, to the pyramids and the Sphinx, Ancient Egypt is a hugely colourful guide to the surviving wonders of Egyptian antiquity. Today the exceptional beauty and scale of the antiquities is legendary, drawing millions of visitors to Egypt's monuments each year. Arranged by region, the book takes the reader along the ancient settlements that were established on the banks of the River Nile. Through beautiful photographs and expert captions, the reader gains an understanding of how ancient Egypt developed its trade links and became such a powerful and wealthy force across North Africa and the eastern Mediterranean. Alongside the world-famous places, there are also fascinating, lesser-known entries, such as the Step Pyramid of Djoser, the bent pyramid at Dahshur and the Statue of Khaefre. Featuring monuments and obelisks, hieroglyphics and jewelry, funerary masks, tombs and mausoleums, mummies of cats and statues of falcon-headed gods, Ancient Egypt includes 160 outstanding photographs and captions.

Charles Holden's designs for the London Underground from the mid-1920s to the outbreak of World War II represent a high point of transport architecture and Modernist design in Britain. His collaboration with Frank Pick, the Chief Executive of London Transport, brought about a marriage of form and function still celebrated today. Pick used the term ‘Medieval Modernism’ to describe their work on the underground system, comparing the task to the construction of a great cathedral. London Tube Stations 1924 – 1961 catalogues and showcases every surviving station from this innovative period. These beautiful buildings, simultaneously historic and futuristic, have been meticulously documented by architectural photographer Philip Butler. Annotated with station-by-station overviews by writer and historian Joshua Abbott, the book provides an indispensable guide to the network's Modernist gems. All the key stations have a double page spread, with a primary exterior photograph alongside supporting images. A broader historical introduction, illustrated with archival images from the London Transport Museum, gives historical context, while a closing chapter lists the demolished examples alongside further period images.These stations, as famed architectural historian Nicholas Pevsner later noted, would "pave the way for the twentieth-century style in England".

This book presents mathematical models that arise in current photographic science. The book contains seventeen chapters, each dealing with one area of photographic science, and a final chapter containing exercises. Each chapter, except the two introductory chapters, begin with general background information at a level understandable by graduate and undergraduate students. It then proceeds to develop a mathematical model, using mathematical tools such as ordinary differential equations, partial differential equations, and stochastic processes. Next, some mathematical results are mentioned, often providing a partial solution to problems raised by the model. Finally, most chapters include open problems. The last chapter of the book contains "Modeling and Applied Mathematics" exercises based on the material presented in the earlier chapters. These exercises are intended primarily for graduate students and advanced undergraduates.

Using rare archival material from the Alkazi Collection, together with supplementary visuals, these essays re-evaluate the official reading of the Uprising. Linked accounts negotiate Mutiny landscapes and architecture: the internal dynamic of the rebellion decoded through topography and monuments. Along with rebels, British troops and their determined generals, and various professional and amateur photographers, the dramatic vista of the Uprising in these essays is also inhabited by a range of significant characters central to the action, including the warrior queen Lakshmi Bai, the exiled last Mughal emperor Bahadur Shah Zafar and the poet Mirza Ghalib. Published in association with the Alkazi Collection of Photography.

For six years Sebastiao Salgado traveled the Brazilian Amazon and photographed the unparalleled beauty of this extraordinary region: the rainforest, the rivers, the mountains, the people who live there-this irreplaceable treasure of humanity in which the immense power of nature is felt like nowhere else on earth.

'The thought in my head does not yet have shape or form, only direction, one picture leading into another.' An ageing artist, faced with his own mortality, embarks on one final artwork. As he battles to complete the project, working with an enigmatic young photographer, he finds his past and present blurring. Through the act of creation and the memories it excavates, the artist comes to a realisation about what matters most, and what he will leave behind when he is gone. This hybrid and innovative short novel responds through fiction to 'The New World', the final artwork by the late artist Alan Smith - which is in turn a response to an eighteenth-century fresco, Giandomenico Tiepolo's 'Il Mondo Nuovo'. With sparkling, dreamlike prose, Bruton weaves a story around these artworks, arriving at both a profound exploration of the creative process and a timeless love story told in a new way.

'Wow, this is an absolutely brilliant and hot crime read. I loved the characters and how real it all feels' reader review If you love Karen Rose, Melinda Leigh and Lisa Gardner, you'll be gripped by Laura Griffin! With her signature breathless pacing and suspenseful twists and turns, 'Laura Griffin never fails to put me on the edge of my seat' (USA TODAY). 'I love smart, sophisticated, fast-moving romantic thrillers and Laura Griffin writes them brilliantly' JAYNE ANN KRENTZ 'A pulse-pounding romantic thriller' Publishers Weekly ............................................................................................. A missing victim. A merciless killer. Up-and-coming attorney Leigh Larson fights for victims of sexual extortion, harassment, and online abuse. She's laser-focused on her career and not afraid to go after the sleaziest targets to get payback for her clients. Austin homicide detective Brandon Reynolds is no stranger to midnight callouts, but his investigation of an abandoned car on a desolate road reveals an unusual crime scene. A pool of blood in the nearby woods suggests a brutal homicide. But where is the victim? The vehicle is registered to twenty-six-year-old Vanessa Adams, yet all Brandon finds inside is a smear of blood and a business card for Leigh Larson, attorney-at-law. Vanessa had hired Leigh just before her disappearance, but Leigh has no leads on who could have wanted her dead. Faced with bewildering evidence and shocking twists, Leigh and Brandon must work against the clock to chase down a ruthless criminal who is out for vengeance. ............................................................................................. Raves for Laura Griffin: 'Desperate Girls is a nail-biting read from the very first page to the final, shocking twist. I could not put this book down' MELINDA LEIGH 'Griffin pulls out all the stops in a phenomenal twist ending that will leave readers stunned' Publishers Weekly 'An absolutely must read . . . Full of suspenseful mysterious happenings with a little romance thrown in, this book hits all the right notes' reader review 'Everything a reader of romantic suspense could want. Another excellent novel from Laura Griffin' reader review 'What a fast-paced, well-written romantic suspense! . . . I cannot say enough about how good this story was and hope that fans of creepy good romantic suspense will enjoy it as much as I did' reader review 'An exciting, intriguing, suspenseful thriller . . . Last Seen Alone was another edge of your seat adventure' reader review 'A highly suspenseful read with a gripping edge . . . an unputdownable storyline. Laura Griffin is one of my favorite storytellers and her latest work is phenomenal' reader review

Dreich: (especially of weather) dreary; bleak. Complaining about the weather is a national pastime for Scots - it's no surprise that one of our favourite words is 'dreich'! This is another in McCredie's series of photography books that celebrate of all that is dreich. Fifty dreich images of Edinburgh, accompanied by fifty equally dreich captions. To the author's mind the images in this book are uplifting and joyful. There is nothing miserable about dreich. A sunny day has no more right to exist than a dreich one.

Fully updated and revised, this seminal book explains and illustrates what photographs are, how they were made and used in the past and, more particularly, what their place is in the creative arts and visual communications world of today.

Paul Hill looks at photographs as modes of expression and explores the diversity of approaches taken when creating photographs and what these mean for a photographer’s practice and purpose. It emphasises the importance of contextualisation to the understanding of the medium, diving into the ideas behind the images and how the camera transforms and influences how we see the world. With an impressive collection of 200 full colour images from professional practitioners and artists, it invites us to consider the foundations of photography’s past and the digital revolution’s impact on the creation and dissemination of photographs today.

Essential reading for all students of photography, it is an invaluable guide for those who want to make a career in photography, covering most areas of photographic practice from photojournalism to fine art to personal essay.

Table of Contents

Foreword by Roger Taylor

Preface

Acknowledgements

Introduction

Chapter One: SEEING AND THINKING PHOTOGRAPHICALLY

Reading Photographs

Lenses and Angles

‘Flattening’ the 3-D World

Tones and Hues

The Focal Point

Juxtaposition

Metaphors and Symbols

Chapter Two: AFTER THE SHUTTER IS PRESSED

Understanding Images

Selection

Ambiguity

Making Prints

A Theme

Sequence and Series

Chapter Three: ART AND COMMUNICATION

Influence of Photography on Art

Influence of Art on Photography

Links with Literature

Narrative Flow

The Moving Image

Mixed Media

Visual Impact

Chapter Four: HOW PHOTOGRAPHY IS USED

Captions and Titles

Galleries

Publishing and Reproduction

Commissions

Magazines

Newspapers

Photojournalism

Posters and Photomurals

Chapter Five: THE PHOTOGRAPHER AS WITNESS

Making a Record

Snapshots

Portraits

Content and Form

Documentary

Events

Chapter Six: EXPERIENCING BEAUTY

Landscape and Nature

Natural Landscape

Manmade Landscape

Home Environment

The ‘Fine’ Print

Chapter Seven: IN SEARCH OF SELF AND THE METAPHOR

Self-expression

Reflecting the Human Condition

Spirit of Place

Sequencing

Chapter Eight: FROM PRINTED PAGE TO GALLERY WALL

New Outlets

New Documentary

Surrealism

Topographies

Chapter Nine: RADICAL CHANGES AND THE IMAGING FUTURE

Conceptual Art

Democratic Dissemination

Signs and Symbols

Photography and Politics

Postmodernism and Beyond

Electronic Imaging

Conclusion

For mainstream economics, cultural production raises no special questions: creative expression is to be harvested for wealth creation like any other form of labour. As Karl Marx saw it, however, capital is hostile to the arts because it cannot fully control the process of creativity. But while he saw the arts as marginal to capital accumulation, that was before the birth of the mass media. Engaging with the major issues in Marxist theory around art and capitalism, From Printing to Streaming traces how the logic of cultural capitalism evolved from the print age to digital times, tracking the development of printing, photography, sound recording, newsprint, advertising, film and broadcasting, exploring the peculiarities of each as commodities, and their recent transformation by digital technology, where everything melts into computer code. Showing how these developments have had profound implications for both cultural creation and consumption, Chanan offers a radical and comprehensive analysis of the commodification of artistic creation and the struggle to realise its potential in the digital age.

We Were Here: Sexuality, Photography, and Cultural Difference offers an unparalleled firsthand account of the influential photographer and curator Sunil Gupta's writing and critical inquiry since the 1970s. Newspaper articles, speeches, and essays show Gupta's crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta foregrounds the power of cultural activism in the politically fraught contexts of London and Delhi, and illuminates the essential connections between queer migration and self-discovery. Continually questioning given forms of identity, Gupta offers artists and curators multiple strategies of resistance, carving out space for new ways of imagining what it might mean to live, love, and create.

"...a captivating book covering a wide spectrum of animal behaviour and species... this is a book to make you re-think the role of the female." -BBC Wildlife In the lion world, only the females hunt - because they do it best! The boss of a hyena pack? An alpha female. Even the lowest-ranking female of the pack is superior to her male counterparts. As for praying mantises? They keep interaction with men to the essentials, eating them right after mating for added nutrition. The first photo book to focus exclusively on the female of the species, Fearless Females is a fascinating account of "feminine" strength throughout the animal kingdom. With some 150 photographs, accompanied by remarkable facts and extraordinary stories, the book reveals the fierce, formidable, and fascinating antics of she lions, elephants, and many other creatures. A refreshing reappraisal of "feminine" behaviour and a long overdue emancipation of nature and wildlife photography. Text in English and German.

Since the first atomic bomb was dropped, humankind has been haunted by the idea of nuclear apocalypse. That nightmare almost became reality in 1986, when an accident at the USSR's Chernobyl Nuclear Power Plant triggered the world's worst radiological crisis. The events of that night are well documented - but history didn't stop there. Chernobyl, as a place, remains very much alive today. In Chernobyl: A Stalkers' Guide, researcher Darmon Richter journeys into the contemporary Exclusion Zone, venturing deeper than any previously published account. While thousands of foreign visitors congregate around a handful of curated sites, beyond the tourist hotspots lies a wild and mysterious land the size of a small country. In the forests of Chernobyl, historic village settlements and Soviet-era utopianism have lain abandoned since the time of the disaster - overshadowed by vast, unearthly mega-structures designed to win the Cold War. Richter combines photographs of discoveries made during his numerous visits to the Zone with the voices of those who witnessed history - engineers, scientists, police and evacuees. He explores evacuated regions in both Ukraine and Belarus, finding forgotten ghost towns and Soviet monuments lost deep in irradiated forests. He gains exclusive access inside the most secure areas of the power plant itself, and joins the 'stalkers' of Chernobyl as he sets out on a high-stakes illegal hike to the heart of the Exclusion Zone.

London is Patrick Keiller's highly imaginative psychogeographic journey through (and history of) London, as undertaken by an unnamed narrator and his companion, Robinson. The unseen pair complete a series of excursions around the city, in an attempt to investigate what Robinson calls 'the problem of London', in so doing the palimpsest of the city is revealed. London is a unique take on the essay-film format, with scathing reflections on the recent past, enlivened by offbeat humour and wide-ranging literary anecdotes. The amazing locations reveal the familiar London of the near past: Concorde almost touches suburban houses as it takes off; Union Jacks fly from Wembley Stadium's Twin Towers and pigeons flock around tourists in Trafalgar Square. These images, in combination with the script, allow us to see beyond the London presented on the page. It is both a fascinating reflection on the diverse histories of Britain's capital and an illuminating record of 1992, the year of John Major's re-election, IRA bombs and the first crack in the House of Windsor. The book is the first time the film has been fully reproduced in print and contains an introduction from the director.

Over forty million people a year travel to Vegas, more than to Mecca. It is a global celebrity, an improbable oasis, a place offering bank-breaking fortunes and instant gratification, 24/7, with no moral debits. Award-winning writer Timothy O'Grady lived in Vegas for two years. He finally began to understand it when he talked to people who had grown up there, the children of the card dealers and cocktail shakers, the jugglers and the dancers - young people who had been bearing witness to this strange city all their lives. One had her student loans and credit card limits stolen by her father. Another fled a sequence of exploiters until she found herself living in the storm drains under the casinos. There is the boy whose father entered him into a drinking contest when he was eight, the casino owner's son, the erudite contortionist turned stripper. Each tells their own tale. In Children of Las Vegas, O'Grady renews his partnership with renowned photographer Steve Pyke. Through short essays, Pyke's portraits and ten witness testimonies, he pierces the city's glittering facade to reveal the darker reality that lies beneath.

The fifth edition of this indispensable history of photography spans the history of the medium, from its early development to current practice, and providing a focused understanding of the cultural contexts in which photographers have lived and worked throughout, this remains an all-encompassing survey. Mary Warner Marien discusses photography from around the world and through the lenses of art, science, travel, war, fashion, the mass media and individual photographers. Professional, amateur and art photographers are all represented, with 'Portrait' boxes devoted to highlighting important individuals and 'Focus' boxes charting particular cultural debates. Mary Warner Marien is also the author of 100 Ideas that Changed Photography and Photography Visionaries. New additions to this ground-breaking global survey of photography includes 20 new images and sections on advances in technology and the influence of social media platforms. An essential text for anyone studying photography.

"A meticulous and shattering investigation of eight horrific pictures..."-L'Arche In December 1941, on a shore near the Latvian city of Liepaja, Nazi death squads (the Einsatzgruppen) and local collaborators murdered in three days more than 2,700 Jews. The majority were women and children, most men having already been shot during the summer. The perpetrators took pictures of the December killings. These pictures are among the rare photographs from the first period of the extermination, during which over 800 000 Jews from the Baltic to the Black Sea were shot to death. By showing the importance of photography in understanding persecution, Nadine Fresco offers a powerful meditation on these images while confronting the essential questions of testimony and guilt. From the forward by Dorota Glowackay: Straddling the boundary between historical inquiry and personal reflection, this extraordinary text unfolds as a series of encounters with eponymic Holocaust photographs. Although only a small number of photographs are reproduced here, Fresco provides evocative descriptions of many well-known images: synagogues and Torah scrolls burning on the night of Kristallnacht; deportations to the ghettos and the camps; and, finally, mass executions in the killing fi elds of Eastern Europe. The unique set of photographs included in On the Death of Jews shows groups of women and children from Liepaja (Liepaja), shortly before they were killed in December 1941 in the dunes of Shkede (Skede) on the Baltic Sea. In the last photograph of the series, we see the victims' bodies tumbling into the pit.