An accessible and comprehensive 'how to' guide to expressive and experimental techniques and manipulation of Polaroid prints and cameras. Polaroid: The Missing Manual is the go-to resource for all lovers of instant photography. Divided into two main parts, 'Camera and Film Format Guide' and 'Creative Techniques', it offers a comprehensive introduction to instant photography, including: a wide-ranging overview of instant cameras and compatible accessories and film; tips on what to buy and where to buy it; how to adapt equipment and preserve the life of your images; easy step-by-step guides to a wide range of image manipulations, accompanied by visual showcases of the work of the very best Polaroid photographers; and extensive resources section, complete with film compatibility guide, a list of stockists and safety information. Polaroid: The Missing Manual provides photographers, art students and vintage camera enthusiasts with the knowledge and skills to push the boundaries of what a Polaroid photograph can be.

..". this volume makes a] strong contribution... to rethinking the limitations and failures of photographic representation and to challenging our own interpretive assumptions driven by desires to see and read photographs in certain ways. Rather, as the volume makes clear in unique and varied sites of research, photographic meaning and memory, unstable and in constant flux, are marked as much by forgetfulness and absence as remembrance and presence." . H-Net

..".the discursive style of each of the chapters highlights the value of attention to oral histories...There are many chapters worth investigating in this volume, delivering as it does a specific methodological clout for the study of memory and its mutations over time which result in national deliriums, amnesia and all types of cultural disorders." . Cultural Studies Review

"The successful combination of varied insights, from work on cultural memory and visual culture to analysis of photographic acts, makes this a unique collection of essays, an exemplary model of interdisciplinary scholarship, and a valuable asset to Berghahn Books' 'Remapping Cultural History' series." . Canadian Journal of Communication

As a visual medium, the photograph has many culturally resonant properties that it shares with no other medium. These essays develop innovative cultural strategies for reading, re-reading and re-using photographs, as well as for (re)creating photographs and other artworks and evoke varied sites of memory in contemporary landscapes: from sites of war and other violence through the lost places of indigenous peoples to the once-familiar everyday places of home, family, neighborhood and community. Paying close attention to the settings in which such photographs are made and used--family collections, public archives, museums, newspapers, art galleries--the contributors consider how meanings in photographs may be shifted, challenged and renewed over time and for different purposes--from historical inquiry to quests for personal, familial, ethnic and national identity.

Annette Kuhn is Professor of Film Studies at Lancaster University, UK, and an editor of the journal Screen. She has written about photographs in The Power of the Image: Essays on Representation and Sexuality (1985) and Family Secrets: Acts of Memory and Imagination (1995). Her most recent book is An Everyday Magic: Cinema and Cultural Memory (2002).

Kirsten Emiko McAllister is an Assistant Professor of Communication at Simon Fraser University in Canada. She has written about photographs, visual culture and museum artifacts in West Coast Line, CineAction and Cultural Values, and is currently writing a book on a memorial that marks the site of a World War II Japanese-Canadian internment camp.

This bibliography of more than 2,000 monographs in twenty languages covers the period 1839-1999. Entries range from those that explore the relationship between photography and literature, to words where the literary text is complemented by photographs. It includes books, exhibition catalogues, dissertations, and special issues of magazines, with brief annotations where appropriate. The book is arranged alphabetically by author/photographer, with numerous cross-references and cumulative name and subject indexes.

Engendering an avant-garde is the first book to comprehensively examine the origins of Vancouver photo-conceptualism in its regional context between 1968 and 1990. Employing discourse analysis of texts written by and about artists, feminist critique and settler-colonial theory, the book discusses the historical transition from artists' creation of 'defeatured landscapes' between 1968-71 to their cinematographic photographs of the late 1970s and the backlash against such work by other artists in the late 1980s. It is the first study to provide a structural account for why the group remains all-male. It accomplishes this by demonstrating that the importation of a European discourse of avant-garde activity, which assumed masculine social privilege and public activity, effectively excluded women artists from membership. -- .

This anthology offers a fresh approach to the philosophical aspects of photography. The essays, written by contemporary philosophers in a thorough and engaging manner, explore the far-reaching ethical dimensions of photography as it is used today.
A first-of-its-kind anthology exploring the link between the art of photography and the theoretical questions it raises
Written in a thorough and engaging manner
Essayists are all contemporary philosophers who bring with them an exceptional understanding of the broader metaphysical issues pertaining to photography
Takes a fresh look at some familiar issues - photographic truth, objectivity, and realism
Introduces newer issues such as the ethical use of photography or the effect of digital-imaging technology on how we appreciate images

The fifth edition of this indispensable history of photography spans the history of the medium, from its early development to current practice, and providing a focused understanding of the cultural contexts in which photographers have lived and worked throughout, this remains an all-encompassing survey. Mary Warner Marien discusses photography from around the world and through the lenses of art, science, travel, war, fashion, the mass media and individual photographers. Professional, amateur and art photographers are all represented, with 'Portrait' boxes devoted to highlighting important individuals and 'Focus' boxes charting particular cultural debates. Mary Warner Marien is also the author of 100 Ideas that Changed Photography and Photography Visionaries. New additions to this ground-breaking global survey of photography includes 20 new images and sections on advances in technology and the influence of social media platforms. An essential text for anyone studying photography.

A bright white temple as if carved from ice. Statues in candlelit caves. Massive red monastery walls in the midst of majestic mountains. In this beautiful book of travel photography, Christoph Mohr presents the most sacred places of Buddhism. Across Myanmar, Thailand, Vietnam, China, Tibet, Ladakh, Zanskar, and other Asian regions, Mohr shows Buddhist temples, monasteries, sacred mountains, and illuminates the life of the historical Buddha. The images are accompanied by texts from Oliver Fulling, sharing the basics of Buddhism and everyday Buddhist practice and rituals.

Still Life Notecards feature 20 beautiful, floral photographs by New York City–based florist, artist, and photographer Doan Ly and her studio, a.p. bio.

Doan Ly’s striking photography elevates floral design to an art form. Her playful and innovative floral arrangements and her use of color and lighting are visually stunning. This lovely stationery set of 20 blank notecards with accompanying envelopes comes in a keepsake box featuring a pull-out tray with a thumb-cut detail, making it perfect to use for any occasion or give as a gift. It also pairs beautifully with Still Life, Ly's hardcover coffee table photography book of the same name.

Instruction and inspiration combine in this visually stunning how-to guide on creative collage through a comprehensive explanation of techniques, project ideas, and an abundance of artistic examples by Italian artist Naomi Vona.

Creative Collage features both step-by-step advice and over 200 full-color examples. Vona provides detailed storyboards through photographs and captions across a range of projects in mixed media on paper and wood. Each project includes the following: Storyboard-like photos of each process with captions offering detailed and easy-to-follow explanations on how to create mixed media collages on paper and wood. Materials, techniques, and tools, from what types of acrylic paint pens she uses to the specific Washi tape she favors to how to explore pattern and color palettes through layering and hand-lettering. Individual sections include building your own art kit; working with fashion magazine images, mixed media, vintage photos, and ephemera; and creating your own abstract art pieces.

Vona is widely known for her inspiring collages that transform fashion magazine ads into feminist art pieces, questioning conventional notions of beauty and the overwhelming consumerism that supports them. Through paint, collage, and hand-lettered text, Vona creates her own artistic beauty that is subversive, detailed, colorful, patterned, layered, and visually bold.

In the fashion magazine section, Vona shares over 200 full-color, full-page illustrations from her Selling Lies series, which reinterprets images from the pages of Vogue. Her visually dense style includes integrated, handwritten text in response to the images she builds upon. The alternately hidden and legible commentary questions notions of physical perfection and the pervasiveness of advertising within the beauty industry.

This stunning guide and comprehensive collection of visually layered collage examples makes an excellent gift or collectible for artists, journalers, creative professionals, educators, and students of art history, contemporary art, and feminist studies.

Andrew Feiler has been named Prix de la Photographie Paris 'Book Photographer of the Year' 2022. Additionally, A Better Life for Their Children has won the Gold medal for 'Documentary'. A Sarah Mills Hodge Fund publication Born to Jewish immigrants, Julius Rosenwald rose to lead Sears, Roebuck & Company and turn it into the world's largest retailer. Born into slavery, Booker T. Washington became the founding principal of Tuskegee Institute. In 1912 the two men launched an ambitious program to partner with black communities across the segregated South to build public schools for African American children. This watershed moment in the history of philanthropy-one of the earliest collaborations between Jews and African Americans-drove dramatic improvement in African American educational attainment and fostered the generation who became the leaders and foot soldiers of the civil rights movement. Of the original 4,978 Rosenwald schools built between 1917 and 1937 across fifteen southern and border states, only about 500 survive. While some have been repurposed and a handful remain active schools, many remain unrestored and at risk of collapse. To tell this story visually, Andrew Feiler drove more than twenty-five thousand miles, photographed 105 schools, and interviewed dozens of former students, teachers, preservationists, and community leaders in all fifteen of the program states. A Better Life for their Children includes eighty-five duotone images that capture interiors and exteriors, schools restored and yet-to-be restored, and portraits of people with unique, compelling connections to these schools. Brief narratives written by Feiler accompany each photograph, telling the stories of Rosenwald schools' connections to the Trail of Tears, the Great Migration, the Tuskegee Airmen, Brown v. Board of Education, embezzlement, murder, and more. Beyond the photographic documentation, A Better Life for Their Children includes essays from three prominent voices. Congressman John Lewis, who attended a Rosenwald school in Alabama, provides an introduction; preservationist Jeanne Cyriaque has penned a history of the Rosenwald program; and Brent Leggs, director of African American Cultural Heritage at the National Trust for Historic Preservation, has written a plea for preservation that serves as an afterword.