The prospect of public speaking is daunting and often frightening for many people. Despite this, most students and professionals must make public presentations in one capacity or another over the course of their careers. What makes dealing with their fear difficult is that most have never been taught how to give a professional presentation. The purpose of this book is to provide some guidance in the 'how to's' of giving professional presentations in the behavioral sciences and related professions.
The book is written specifically for students and professionals who have little or no experience of giving presentations and for those who are particularly anxious about public speaking. It gives concrete advice about designing, delivering, and defending presentations. This advice includes recognition of the appropriate goals of the presentation, using the appropriate fonts, projecting one's voice, and dealing with stage fright. Also included is advice on giving persuasive presentations, drawing on recent social psychological research, and advice on lecturing to students.
Each chapter also includes summary tables to help readers organize their thoughts after each section. The book ends with some examples of good and bad overhead displays and slides.

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Peer behind the curtain and journey into Voodoo's hidden world. A forbidden and often-misunderstood subject, Voodoo has never before been photographically depicted in this way. The people and the spirits of Voodoo are creatively conjured in dozens of photos from world-renowned photographer Justice Howard, coupled with the insightful words of Voodoo Queen Bloody Mary. Subjects include Papa Legba, gatekeeper of the crossroads, and the revered priestess Marie Laveau. See the realities behind Voodoo dolls and meet graveyard rulers Baron Samedi and Maman Brigitte. Voodoo priestess Bloody Mary shares intriguing background information for each of the concepts and explains the meaning of ritual items, from food offerings to libation to the misconceptions of animal sacrifice.

Using rare archival material from the Alkazi Collection, together with supplementary visuals, these essays re-evaluate the official reading of the Uprising. Linked accounts negotiate Mutiny landscapes and architecture: the internal dynamic of the rebellion decoded through topography and monuments. Along with rebels, British troops and their determined generals, and various professional and amateur photographers, the dramatic vista of the Uprising in these essays is also inhabited by a range of significant characters central to the action, including the warrior queen Lakshmi Bai, the exiled last Mughal emperor Bahadur Shah Zafar and the poet Mirza Ghalib. Published in association with the Alkazi Collection of Photography.

This collaborative project by a scientist and artist from the Johns Hopkins University School of Medicine asks the reader to consider the aesthetics of human disease, a dynamically powerful force of nature that acts without regard to race, religion, or culture. Here more than sixty medical science professionals present visually stunning patterns of different diseases affecting various areas of the human anatomy. Captured with a variety of imaging technology ranging from spectral karyotyping to scanning electron microscopy, we see beauty in the delicate lacework of fungal hyphae invading a blood vessel, the structure of the normal cerebellum, and the desperate drive of metastasizing cancer cells. However, appreciation of the imagery produced by disease, which smacks of modern art, is bittersweet; we simultaneously experience the beauty of the natural world and the pain of those living with these disease processes. Ultimately, this series of images will leave the viewer with an understanding and appreciation of visual beauty inherent within the field of modern medical science.

This selection of women's writings on photography proposes a new and different history, demonstrating the ways in which women's perspectives have advanced photographic criticism over 150 years, focusing it more deeply and, with the advent of feminist approaches, increasingly challenging its orthodoxies. Included in the book are Rosalind Krauss, Ingrid Sischy, Vicki Goldberg and Carol Squiers.

Perfect for fans of Portia MacIntosh, Mhairi McFarlane and Catherine Walsh.Madison reckons she's a pretty good judge of character. When a disaster at work brings professional photographer Toby into her life, she has him all worked out within minutes. As their work collaboration blossoms into friendship, her preconceptions about him are only strengthened. The problem is that Madison has got one aspect of Toby completely wrong, and it tears their friendship apart when she finds out. How will she make sense of his revelation and, more importantly, how on earth will she get him to talk to her again?

"...a captivating book covering a wide spectrum of animal behaviour and species... this is a book to make you re-think the role of the female." -BBC Wildlife In the lion world, only the females hunt - because they do it best! The boss of a hyena pack? An alpha female. Even the lowest-ranking female of the pack is superior to her male counterparts. As for praying mantises? They keep interaction with men to the essentials, eating them right after mating for added nutrition. The first photo book to focus exclusively on the female of the species, Fearless Females is a fascinating account of "feminine" strength throughout the animal kingdom. With some 150 photographs, accompanied by remarkable facts and extraordinary stories, the book reveals the fierce, formidable, and fascinating antics of she lions, elephants, and many other creatures. A refreshing reappraisal of "feminine" behaviour and a long overdue emancipation of nature and wildlife photography. Text in English and German.

Photography of art has served as a basis for the reconstruction of works of art and as a vehicle for the dissemination and reinterpretation of art. This book provides the first definitive treatment of the subject, with essays from noted authorities in the fields of art history, architecture, and photography. The essays explore the many meanings of photography as documentation for the art historian, inspiration for the artist, and as a means of critical interpretation of works of art. Art History Through the Camera's Lens will be important reading for students, historians, librarians, and curators of the visual arts. Readership: Academics and professionals in the areas of art history, history of photography, archival management, archaeology, historiography, philosophy of art, and critical theory.

Dreich: (especially of weather) dreary; bleak. Complaining about the weather is a national pastime for Scots - it's no surprise that one of our favourite words is 'dreich'! This is another in McCredie's series of photography books that celebrate of all that is dreich. Fifty dreich images of Edinburgh, accompanied by fifty equally dreich captions. To the author's mind the images in this book are uplifting and joyful. There is nothing miserable about dreich. A sunny day has no more right to exist than a dreich one.

Faces of Yangon was inspired by an image photographer Steve Golden made of a monk at Shwedagon Pagoda in 2015. Drawn by the captivating fearlessness of the gaze, the natural illumination of the afternoon sun on his face, and the distinctly exotic surroundings of the pagoda itself, Steve Golden began planning what would be a two year photographic exploration of the city of Yangon, in Myanmar. The result of his journey is this collection of fine art images, each is a selfcontained vignette of real life in a city of profound and numerous traditions on the brink of major change. It is a snapshot in time... a catalog of the people the photographer crossed paths with, and their environment. It is a study of natural light, of color, and texture. Visiting neighborhoods several times to record the subtle changes brought by light and weather, the photographer traversed the city by foot and was able to observe life at street level. He spent days encamped at monasteries, and would often wander without a map seeking unplanned routes and encounters. The work in Faces of Yangon is currently being exhibited at the Leica Gallery in Marina Bay Sands in Singapore and will travel to other countries. The images have been carefully curated to give the reader the sense that they too are strolling through Yangon's majestic and faded streets, relishing chance encounters and observing one of Southeast Asia's extraordinary cities.

As a visual medium, the photograph has many culturally resonant properties that it shares with no other medium. These essays develop innovative cultural strategies for reading, re-reading and re-using photographs, as well as for (re)creating photographs and other artworks and evoke varied sites of memory in contemporary landscapes: from sites of war and other violence through the lost places of indigenous peoples to the once-familiar everyday places of home, family, neighborhood and community. Paying close attention to the settings in which such photographs are made and used--family collections, public archives, museums, newspapers, art galleries--the contributors consider how meanings in photographs may be shifted, challenged and renewed over time and for different purposes--from historical inquiry to quests for personal, familial, ethnic and national identity.

Annette Kuhn is Professor of Film Studies at Lancaster University, UK, and an editor of the journal Screen. She has written about photographs in "The Power of the Image: Essays on Representation and Sexuality" (1985) and "Family Secrets: Acts of Memory and Imagination" (1995). Her most recent book is "An Everyday Magic: Cinema and Cultural Memory" (2002).

Kirsten Emiko McAllister is an Assistant Professor of Communication at Simon Fraser University in Canada. She has written about photographs, visual culture and museum artifacts in "West Coast Line, CineAction and Cultural Values," and is currently writing a book on a memorial that marks the site of a World War II Japanese-Canadian internment camp.

In Mont Blanc Lines, photographer and alpinist Alex Buisse has travelled the Mont Blanc massif to capture images of all the major mountain faces and to trace the classic climbing and skiing lines. As well as Mont Blanc itself, also featured are other Alpine icons, including the north faces of the Grandes Jorasses and the Droites, the Aiguille du Midi, and the Grand Capucin. Whether on the ground in crampons or on skis, or in the air by ultralight or paraglider, he has captured the majesty of the range so that he can tell the story of these classic lines and present them to us in the most stunning way possible. Mont Blanc Lines features images taken during over a decade of mountaineering while Alex worked as a professional photographer based in Chamonix. Alex Buisse's story of these iconic mountain faces is mixed with the stories of climbers who have experienced great moments there. As a bonus feature, also included are the legendary faces of the Matterhorn and the Eiger North Face in Switzerland.

First published in 1991, "The History of Photography" explores the people, technology, and imagery that have made photography such a tremendous force in modern culture. As technology has improved, the level to which society depends upon photography increases. Over the past 150 years, photographers and their works have taught, inspired, angered, and spurred several generations toward social and political action. This interdependence between society and the photographic image continues to strengthen and evolve.

This book develops specific themes from pre-photography to the present. The reader will develop a deeper understanding of how major photographers have viewed their work, how attitudes toward photography have changed, and how photography has influenced world perceptions and events.

Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.