braw, adj. fine or fine-looking, excellent. This is a celebration of all that is braw, from the warmth of a Scottish pub to the beauty of the Highland hills, from sunbathing on a dual carriageway to weathering the Beast from the East. Dive into braw Scotland.

What sort of a life do you make for yourself when there is no focus? How does your life pan out as you ride the vicissitudes of a dog eat dog, cut throat employment market? How do you chase your dreams into adulthood to find love, happiness and success, when you carry inside yourself a childhood, dejected, insecure, unstable and with what tiny morsel of confidence you possess - in tatters, because you've been at the mercy of a bullying control freak - your own father? I have survived so much mental anguish with confidence renewed following a difficult and painful education in Blackpool. After handwriting 100 letters, I landed my first job - cutting my teeth as a London-based portrait and wedding photographer in early summer 1986. A life on the ocean wave then beckoned, which turned me from nervous novice ship's photographer to expert smudger working aboard cruise liners worldwide. In 1990 I settled down, met the girl of my dreams and landed a fabulous job - Metropolitan Police Service forensic photographer. In the late 1990s I qualified as a Hendon-based instructor, leaving the police in 2004 to set up a business. If that wasn't enough, I then retrained as a medical photographer in 2008 and I'm now a medical photography manager working for Blackpool Teaching Hospitals NHS Foundation Trust. Both journey and path to success have been a miracle in the making.

...give(s) readers a stirring sense of place in which the history of an era springs to life and captivates one's imagination.-- The Quoddy Times

The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come.

Its coverage is global an important first in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena.

Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being a solution in search of a problem when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century.

The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.

Escape to our world's most remote destinations with photographer David De Vleeschauwer and travel journalist Debbie Pappyn. Immerse yourself in 12 journeys that unfold through fascinating firsthand texts and enthralling photographs. With personal accounts revealing useful travel tips, discover an extraordinary tour of our globe from north to south.

The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a set of contemporary thematic readers designed for educators, students, practicing photographers, and others interested in the ways images function within a wider set of cultural practices. The series tracks the many movements and "lives" of images-their tendency to accumulate, circulate, and transform through different geographies, cultures, processes, institutions, states, uses, and times. Volume 2 in this series, Analogy, Attunement, and Attention, addresses the complex relationships that the reproducible image creates with its viewers, their bodies, their minds, and their sense of the physical and metaphysical world. The selection addresses the image's role in the social constitution of individual and collective identity, in social practices of resistance to the structural violences of racism, or in relation to state exercises of power. Of particular importance in this volume are questions of our changing relationship to space and to selfhood as mediated by the image and by the many networked technologies and norms built around it. Essays in the volume ask: what modes of attention are required of us as viewers and agents of image circulation? The question of how image technologies provide us with an array of freedoms is here combined with and read against the many ways images are deployed to reorient, repress, or reduce our field of vision-thus affecting our capacity to see and to act in social space. Contributions by Victor Burgin, Judith Butler, Tina Campt, Sarah Jane Cervenak, Harun Farocki, Tom Holert, Thomas Keenan, Rabih Mroue, Vivian Sobchack, and Tiziana Terranova

When he arrived in Paris, Koudelka had already produced two outstanding works of reportage. One documented the Prague Spring, while the other, on gypsies, could almost have been an ethnological study had its images not been charged with so much emotion. Unknown in 1970, he rose to become one of the most powerful photographers of his day.This book shows that in the lands of exile through which he travels with his amazing urge to see, Koudelka's own particular talent has been affirmed and expanded.

An empowering, thought-provoking feminist novel that will change the way you see the world. Perfect for fans of Elizabeth Day, Claire Fuller and Joanna Cannon. 1968. Veronica Moon, a junior photographer for a local newspaper, is frustrated by her (male) colleagues' failure to take her seriously. And then she meets Leonie on the picket line of the Ford factory at Dagenham. So begins a tumultuous, passionate and intoxicating friendship. Leonie is ahead of her time and fighting for women's equality with everything she has. She offers Veronica an exciting, free life at the dawn of a great change. Fifty years later, Leonie is gone, and Veronica leads a reclusive life. Her groundbreaking career was cut short by one of the most famous photographs of the twentieth century. Now, that controversial picture hangs as the centrepiece of a new feminist exhibition curated by Leonie's niece. Long-repressed memories of Veronica's extraordinary life begin to stir. It's time to break her silence, and step back into the light. Praise for The Woman in the Photograph: 'Imaginative and moving novel - a must-read for any feminist' Katie Fforde 'I absolutely loved The Woman in the Photograph, a compelling,original and thought-provoking look at feminism and the power of female friendships' Sarah Franklin 'What a glorious combination: Stephanie's warm intelligence brought to bear on the complexities of second-wave feminism. I ate the book up' Shelley Harris 'Refreshing and thought-provoking . . . a stirring exploration of female friendship and the fight for equality' Carys Bray 'Brilliantly researched, thought-provoking, and written straight from the heart, this is undoubtedly Butland's best book yet' Lancashire Evening Post

Charles Holden's designs for the London Underground from the mid-1920s to the outbreak of World War II represent a high point of transport architecture and Modernist design in Britain. His collaboration with Frank Pick, the Chief Executive of London Transport, brought about a marriage of form and function still celebrated today. Pick used the term ‘Medieval Modernism’ to describe their work on the underground system, comparing the task to the construction of a great cathedral. London Tube Stations 1924 – 1961 catalogues and showcases every surviving station from this innovative period. These beautiful buildings, simultaneously historic and futuristic, have been meticulously documented by architectural photographer Philip Butler. Annotated with station-by-station overviews by writer and historian Joshua Abbott, the book provides an indispensable guide to the network's Modernist gems. All the key stations have a double page spread, with a primary exterior photograph alongside supporting images. A broader historical introduction, illustrated with archival images from the London Transport Museum, gives historical context, while a closing chapter lists the demolished examples alongside further period images.These stations, as famed architectural historian Nicholas Pevsner later noted, would "pave the way for the twentieth-century style in England".

In creating one of the first and most successful examples of the inspirational self-help book, James Allen was motivated by his own hard experience to show how our mental attitude has profound control over our lives and how we experience the world. More than that, he shows how, in mastering how we think, we can master our place in the world. As a Man Thinketh first appeared in 1903 and draws its title from the Bible (Prov. 23: 7) "As a man thinketh in his heart, so is he." Written to be accessible to all, the author persuasively describes how readers need to take responsibility for their thoughts as well as their actions, and that how a person thinks literally shapes their life path. In improving our thoughts, we can improve our lives. With an eye-catching new cover, and professionally typeset manuscript, this edition of As a Man Thinketh is both modern and readable.

Fully updated and revised, this seminal book explains and illustrates what photographs are, how they were made and used in the past and, more particularly, what their place is in the creative arts and visual communications world of today.

Paul Hill looks at photographs as modes of expression and explores the diversity of approaches taken when creating photographs and what these mean for a photographer’s practice and purpose. It emphasises the importance of contextualisation to the understanding of the medium, diving into the ideas behind the images and how the camera transforms and influences how we see the world. With an impressive collection of 200 full colour images from professional practitioners and artists, it invites us to consider the foundations of photography’s past and the digital revolution’s impact on the creation and dissemination of photographs today.

Essential reading for all students of photography, it is an invaluable guide for those who want to make a career in photography, covering most areas of photographic practice from photojournalism to fine art to personal essay.

Table of Contents

Foreword by Roger Taylor

Preface

Acknowledgements

Introduction

Chapter One: SEEING AND THINKING PHOTOGRAPHICALLY

Reading Photographs

Lenses and Angles

‘Flattening’ the 3-D World

Tones and Hues

The Focal Point

Juxtaposition

Metaphors and Symbols

Chapter Two: AFTER THE SHUTTER IS PRESSED

Understanding Images

Selection

Ambiguity

Making Prints

A Theme

Sequence and Series

Chapter Three: ART AND COMMUNICATION

Influence of Photography on Art

Influence of Art on Photography

Links with Literature

Narrative Flow

The Moving Image

Mixed Media

Visual Impact

Chapter Four: HOW PHOTOGRAPHY IS USED

Captions and Titles

Galleries

Publishing and Reproduction

Commissions

Magazines

Newspapers

Photojournalism

Posters and Photomurals

Chapter Five: THE PHOTOGRAPHER AS WITNESS

Making a Record

Snapshots

Portraits

Content and Form

Documentary

Events

Chapter Six: EXPERIENCING BEAUTY

Landscape and Nature

Natural Landscape

Manmade Landscape

Home Environment

The ‘Fine’ Print

Chapter Seven: IN SEARCH OF SELF AND THE METAPHOR

Self-expression

Reflecting the Human Condition

Spirit of Place

Sequencing

Chapter Eight: FROM PRINTED PAGE TO GALLERY WALL

New Outlets

New Documentary

Surrealism

Topographies

Chapter Nine: RADICAL CHANGES AND THE IMAGING FUTURE

Conceptual Art

Democratic Dissemination

Signs and Symbols

Photography and Politics

Postmodernism and Beyond

Electronic Imaging

Conclusion