Liz Wells is a leading figure in the field and this collection brings together otherwise difficult to find works for the first time. There is a great depth and range of essays in this collection, both in terms of geographical coverage and artistic styles, and addressing the work of well-known and lesser-known artists. These essays draw on the key focal points of the author’s scholarly expertise. The collection opens with a conversation with Martha Langford, providing an excellent introduction to Wells’ thought and reflection and contextualization about each of the themes and the pieces and their contemporary relevance. Section introductions by Wells provide further context and tie older essays to current concerns in the field.

The lovingly restored vintage automobiles still in daily use on the streets of Havana are an iconic symbol of the charm - and the tragedy - of the vibrant Caribbean island of Cuba. When communist rebels overthrew the corrupt and brutal Batista government in 1959, the United States reacted with blockades and sanctions, choking off potential investment and stopping economic development. For six decades, Cuba remained trapped in the nineteen fifties - a living museum of mid-twentieth century life.With the lifting of economic sanctions, Cuba is poised to leap forward into the modern age. Collectors are flocking to the island to snap up the classic, still-operational American automobiles. The shelves of shops and department stores, for decades largely empty, are being stocked with consumer goods the Cubans can scarcely imagine.Now, as John Kuan approaches his sixtieth birthday as the owner of a thriving business, he is picking up where he left off decades before. As though this were still the 1960s, he mastered photography with a manual film camera.His photographic eye, combining a novices' fresh perspective with the discernment of a mature adult, captures the unique aspects of Cuba: the charm and hospitality of the people, the fine artistry of historic buildings and homes. Sixty Years On captures these poignant images, a record of a culture that will soon pass into history as Cuba makes its long-delayed entrance into the modern world.

Grounded in real-life experiences and scenarios, this practical guide offers editorial, non-profit, foundation, and corporate photographers an honest and insightful approach to running a freelance photography business. Pulling from thirty years of experience as a freelance photographer, veteran Todd Bigelow presents a timely and detailed account of the methods and tactics best used to navigate and succeed in the profession. He explores the topics that define the business of freelancing, including: analyzing photography contracts; creating and maintaining an image archive; licensing for revenue; client development; registering for copyright; combating copyright infringement; and understanding tax issues, freelance business structures, and more. Chapters feature examples of real contract clauses and emails to better prepare readers for the practical daily activities that are essential to growing a success business. Likewise, Bigelow shares conversational anecdotes throughout to provide real insight into the world of freelancing. Based on the author's sought-after Business of Photography Workshop, this book is an essential guide for emerging, mid-career, and experienced photographers interested in starting or improving their own freelance business.

An empowering, thought-provoking feminist novel that will change the way you see the world. Perfect for fans of Elizabeth Day, Claire Fuller and Joanna Cannon. 1968. Veronica Moon, a junior photographer for a local newspaper, is frustrated by her (male) colleagues' failure to take her seriously. And then she meets Leonie on the picket line of the Ford factory at Dagenham. So begins a tumultuous, passionate and intoxicating friendship. Leonie is ahead of her time and fighting for women's equality with everything she has. She offers Veronica an exciting, free life at the dawn of a great change. Fifty years later, Leonie is gone, and Veronica leads a reclusive life. Her groundbreaking career was cut short by one of the most famous photographs of the twentieth century. Now, that controversial picture hangs as the centrepiece of a new feminist exhibition curated by Leonie's niece. Long-repressed memories of Veronica's extraordinary life begin to stir. It's time to break her silence, and step back into the light. Praise for The Woman in the Photograph: 'Imaginative and moving novel - a must-read for any feminist' Katie Fforde 'I absolutely loved The Woman in the Photograph, a compelling,original and thought-provoking look at feminism and the power of female friendships' Sarah Franklin 'What a glorious combination: Stephanie's warm intelligence brought to bear on the complexities of second-wave feminism. I ate the book up' Shelley Harris 'Refreshing and thought-provoking . . . a stirring exploration of female friendship and the fight for equality' Carys Bray 'Brilliantly researched, thought-provoking, and written straight from the heart, this is undoubtedly Butland's best book yet' Lancashire Evening Post

Winner of the ASAA mid-career book prize in Asian Studies 2020 and joint winner of the 2020 Royal Studies Journal Book Prize Photographic subjects examines photography at royal celebrations during the reign of Queens Wilhelmina (1898-1948) and Juliana (1948-80), a period spanning the zenith and fall of Dutch rule in Indonesia. It is the first monograph in English on the Dutch monarchy and the Netherlands' modern empire in the age of mass and amateur photography. Photographs forged imperial networks, negotiated relations of recognition and subjecthood between Indonesians and Dutch authorities, and informed cultural modes of citizenship at a time of accelerated colonial expansion and major social change in the East Indies/Indonesia. This book advances methods in the uses of photographs for social and cultural history and provides a new interpretation of Queens Wilhelmina and Juliana as imperial monarchs. -- .

Addresses the relationship between law and the visual and the importance of photography in show trials. Includes case studies from Albania, East Germany, and Poland. Will appeal to legal and cultural theorists.

During the post-war years the North of England saw the building of some of the most aspirational, enlightened and successful modernist architecture in the world. For the first time, a single photographic book captures those buildings, in all their power and progressive ambition. Over the last few years acclaimed photographer Simon Phipps has travelled and sought out the publicly commissioned architecture of the post-war North. From Newcastle's Byker Wall Estate, voted the best neighbourhood in the UK, to the extraordinary Park Hill Estate in Sheffield, from Preston's sweeping bus station and Liverpool's Royal Insurance Building, these structures have seen off threats to their survival and are rightly celebrated for the imprint they leave upon the skyline and the cultural life of their cities.This inspiring invitation to explore northern modernism includes maps and detailed information about all the architecture photographed.

This work is dedicated to CMOS based imaging with the emphasis on the noise modeling, characterization and optimization in order to contribute to the design of high performance imagers in general and range imagers in particular. CMOS is known to be superior to CCD due to its flexibility in terms of integration capabilities, but typically has to be enhanced to compete at parameters as for instance noise, dynamic range or spectral response. Temporal noise is an important topic, since it is one of the most crucial parameters that ultimately limits the performance and cannot be corrected. This work gathers the widespread theory on noise and extends the theory by a non-rigorous but potentially computing efficient algorithm to estimate noise in time sampled systems. This work contributed to two generations of LDPD based ToF range image sensors and proposed a new approach to implement the MSI PM ToF principle. This was verified to yield a significantly faster charge transfer, better linearity, dark current and matching performance. A non-linear and time-variant model is provided that takes into account undesired phenomena such as finite charge transfer speed and a parasitic sensitivity to light when the shutters should remain OFF, to allow for investigations of largesignal characteristics, sensitivity and precision. It was demonstrated that the model converges to a standard photodetector model and properly resembles the measurements. Finally the impact of these undesired phenomena on the range measurement performance is demonstrated.

When you think of London, what do you see? The Houses of Parliament? The bustle around Piccadilly Circus? Elegant Victorian streets and squares? The Tate Modern? Or even Camden Market? With London, there are so many different aspects to the city. In more than 200 striking images, London celebrates the British capital, from its famous landmarks to atmospheric alleyways, from the top of the Shard to London Underground's lost ghost stations, from the parks to the canals to the Thames. Exploring both the history and modernity of the city, the book reveals the city's legacy as a capital and a trading hub, but also looks at how the contemporary city lives and breathes as a multi-ethnic metropolis. Presented in a landscape format and with captions explaining the story behind each entry, London is a stunning collection of images celebrating the world's most interesting city.

There have been major advances in therapeutic photography since Del's first book in 2013, and the recent lockdowns have accelerated the field further.

Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians' war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience. -- .

Explore the art of mindful travel with Kinfolk, the pioneers in "slow living," their philosophy of simplicity, authenticity, intentionality and community. With nearly 450,000 copies in print, the Kinfolk series has applied this philosophy to entertaining (The Kinfolk Table), interior design (The Kinfolk Home), and living with nature (The Kinfolk Garden). Now they have turned their attention to "slow travel," offering readers a road map for planning trips that foster meaningful connections with local people and authentic experiences of local culture. Go museum hopping in Tasmania, or birdwatching in London. Explore the burgeoning fashion community in Dakar. Take a bicycle tour through Idaho, or a train trip from Oslo to Bergen. Drawing on the magazine's global community of writers and photographers, Kinfolk Travel takes readers to over 20 location across five continents, with travel tips from locals, stunning images, and thoughtful essays.

Andre Kertesz is one of four new titles being published in Autumn 2007 in Thames & Hudson's acclaimed 'Photofile' series. Each book brings together the best work of the world's greatest photographers in an attractive format and at an easily affordable price. Handsome and collectable, the books are printed to the highest standards. Each one contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography.

With an emphasis on photographic works that offer new perspectives on the history of American social documentary, this book considers a history of politically engaged photography that may serve as models for the representation of impending environmental injustices. Chris Balaschak examines histories of American photography, the environmental movement, as well as the industrial and postindustrial economic conditions of the United States in the 20th century. With particular attention to a material history of photography focused on the display and dissemination of documentary images through print media and exhibitions, the work considered places emphasis on the depiction of communities and places harmed by industrialized capitalism. The book will be of interest to scholars working in art history, visual studies, photography, ecocriticism, environmental humanities, media studies, culture studies, and visual rhetoric.

Reimagines photography through the long history of ideas of expression The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity-industrialization, racialization, and capitalism-were quickly reshaping the world. The Unintended slows down the moment in which the technology of photography seemed to speed itself-and so the history of racial capitalism-up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership. The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of "expression" into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control's absence are central to the practice and idea of property-making. The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives.

Modernism both influenced and was fascinated by the rhetorical and aesthetic manifestations of fascism. In examining how four artists and writers represented fascist leaders, Annalisa Zox-Weaver aims to achieve a more complex understanding of the modernist political imagination. She examines how photographer Lee Miller, filmmaker Leni Riefenstahl, writer Gertrude Stein and journalist Janet Flanner interpret, dramatize and exploit Hitler, Goering and Petain. Within their own artistic medium, each of these modernists explore confrontations between private and public identity, and historical narrative and the construction of myth. This study makes use of extensive archival material, such as letters, photographs, journals, unpublished manuscripts and ephemera, and includes ten illustrations. This interdisciplinary perspective opens up wider discussions of the relationship between artists and dictators, modernism and fascism, and authority and representation.

Transcultural Theater outlines the idea of a transcultural theater as enabling an approximation to and an interaction with the foreign and the alien. In consideration of the allure of fundamentalist and populist movements that promote the development and practices of xenophobia worldwide, this book makes a powerful plea for the art of theater as a medium of conviviality with (the) foreign(er) that should not be underestimated. This study contributes to transcultural experience, artistic practice, and education in the medium of theater. The book’s investigation extends far into space and time and pays particular attention to the relationship between aesthetic experience, artistic practice, and academic representation. This book is for scholars and students as well as for all those working in the cultural field, especially in the field of cultural transfer.

The ability to thoroughly and accurately photograph a crime scene is a mandate for all investigators, regardless of the time of day, weather conditions, or confines within which a piece of evidence is concealed. Evidence is commonly found in some of the most difficult to access and photograph locations. Having the knowledge, wherewithal, and skills necessary to photograph evidence in less-than-accommodating environments is vital to a photographer's effectiveness and success. Advanced Crime Scene Photography, Third Edition takes a somewhat different approach to the subject over prior editions. Rather than assuming a crime scene investigator's or photographer's comfort with the operation of their cameras-and a basic understanding of apertures, shutter speeds, ISO values, and basic exposure calculations-the author provides a thorough review of basic photographic concepts, as a refresher to readers. And, for those less familiar or otherwise new to photography, such background provided makes the foundational concepts more understandable for those readers who require such information to understand the more advanced techniques covered later in the book. In addition to this added coverage, an entirely new chapter has been added to provide essential guidance on how to prepare and testify in court. Anyone with a camera phone can take a photograph in perfect lighting, with the subject sitting out in the open, and already positioned for the best composition. This book provides crime scene photographers the skills to record those same beautiful photographs in adverse condition, surrounded by tragedy, utilizing all the tools available to the investigator. The greatest tool a photographer has available to them is their brain. From start to finish, the value of quality crime scene photographs cannot be overemphasized; photographers must take control of their photographic endeavors, identify the challenges, design a plan to capture the image correctly, and then execute that plan. As such Advanced Crime Scene Photograph, Third Edition is written to help photographers achieve the goal of capturing the best possible images, especially in those difficult-to-capture, real-world environments and conditions. All photographers need to practice their craft, whether they are actively working cases as seasoned veterans or are just beginning their careers. This book provides the knowledge and skills essential to achieve career and professional success in crime scene photography.