A vibrant and adventurous LEGO (R) photography book that sees the world in LEGO bricks and minifigures. LEGO (R) In Focus celebrates the boundless creativity of LEGO play through stunning brick and minifigure photography. Look through the lens of 30 toy photographers as they imagine the world from a LEGO point of view. This distinctive collection from creators across the globe explores minifigure-sized perspectives on nature, urban life, travel and adventure, and much more. From diving into the ocean's depths and seeking shelter in a snowstorm, to dancing at a washing machine disco and enjoying ice cream on a summer day, each image offers surprises and hidden humor, while sharpening our focus to the magic of play. Detailed captions and behind-the-scenes progress images take us deeper into the bricks and elements that connect us. LEGO (R) In Focus is the perfect experiential, imaginative photography book for LEGO builders and dreamers alike.

Liz Wells is a leading figure in the field and this collection brings together otherwise difficult to find works for the first time. There is a great depth and range of essays in this collection, both in terms of geographical coverage and artistic styles, and addressing the work of well-known and lesser-known artists. These essays draw on the key focal points of the author’s scholarly expertise. The collection opens with a conversation with Martha Langford, providing an excellent introduction to Wells’ thought and reflection and contextualization about each of the themes and the pieces and their contemporary relevance. Section introductions by Wells provide further context and tie older essays to current concerns in the field.

Winner of the ASAA mid-career book prize in Asian Studies 2020 and joint winner of the 2020 Royal Studies Journal Book Prize Photographic subjects examines photography at royal celebrations during the reign of Queens Wilhelmina (1898-1948) and Juliana (1948-80), a period spanning the zenith and fall of Dutch rule in Indonesia. It is the first monograph in English on the Dutch monarchy and the Netherlands' modern empire in the age of mass and amateur photography. Photographs forged imperial networks, negotiated relations of recognition and subjecthood between Indonesians and Dutch authorities, and informed cultural modes of citizenship at a time of accelerated colonial expansion and major social change in the East Indies/Indonesia. This book advances methods in the uses of photographs for social and cultural history and provides a new interpretation of Queens Wilhelmina and Juliana as imperial monarchs. -- .

Addresses the relationship between law and the visual and the importance of photography in show trials. Includes case studies from Albania, East Germany, and Poland. Will appeal to legal and cultural theorists.

This beautiful book explains the basics of composition and using your camera, but quickly moves on to show you how to try many different flower photography techniques, both indoors and out. Through clear step-by-step guides and stunning examples, it shows you how to capture the smallest flower portrait through to broad garden landscapes. There are ideas on how to develop a creative eye using available light, colour and background. The most important rules of flower photography are explained, and also how to break them. It shows how to use a light box in your home for flower portrait photography and still life and explains how to edit your photos and take them to another level. As well as practical advice it provides inspiration through a monthly photo gallery giving ideas of botanical subjects to capture throughout the year.

When you think of London, what do you see? The Houses of Parliament? The bustle around Piccadilly Circus? Elegant Victorian streets and squares? The Tate Modern? Or even Camden Market? With London, there are so many different aspects to the city. In more than 200 striking images, London celebrates the British capital, from its famous landmarks to atmospheric alleyways, from the top of the Shard to London Underground's lost ghost stations, from the parks to the canals to the Thames. Exploring both the history and modernity of the city, the book reveals the city's legacy as a capital and a trading hub, but also looks at how the contemporary city lives and breathes as a multi-ethnic metropolis. Presented in a landscape format and with captions explaining the story behind each entry, London is a stunning collection of images celebrating the world's most interesting city.

There have been major advances in therapeutic photography since Del's first book in 2013, and the recent lockdowns have accelerated the field further.

Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians' war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience. -- .

This re-fuelled edition of our bestselling Harley-Davidson book features 32 new pages and several updated chapters, honouring the Harley in all its facets. Ride through the history of the Milwaukee legend, get up close to its pristine design, and explore the Harley-Davidson lifestyle that sees riders on the beach, the ice, or in the mountains. A must-have book for all who agree with the grandson of company founder, Willie G. Davidson: "On the eighth day, God created Harley-Davidson." Text in English, French, and German.

Modernism both influenced and was fascinated by the rhetorical and aesthetic manifestations of fascism. In examining how four artists and writers represented fascist leaders, Annalisa Zox-Weaver aims to achieve a more complex understanding of the modernist political imagination. She examines how photographer Lee Miller, filmmaker Leni Riefenstahl, writer Gertrude Stein and journalist Janet Flanner interpret, dramatize and exploit Hitler, Goering and Petain. Within their own artistic medium, each of these modernists explore confrontations between private and public identity, and historical narrative and the construction of myth. This study makes use of extensive archival material, such as letters, photographs, journals, unpublished manuscripts and ephemera, and includes ten illustrations. This interdisciplinary perspective opens up wider discussions of the relationship between artists and dictators, modernism and fascism, and authority and representation.

Transcultural Theater outlines the idea of a transcultural theater as enabling an approximation to and an interaction with the foreign and the alien. In consideration of the allure of fundamentalist and populist movements that promote the development and practices of xenophobia worldwide, this book makes a powerful plea for the art of theater as a medium of conviviality with (the) foreign(er) that should not be underestimated. This study contributes to transcultural experience, artistic practice, and education in the medium of theater. The book’s investigation extends far into space and time and pays particular attention to the relationship between aesthetic experience, artistic practice, and academic representation. This book is for scholars and students as well as for all those working in the cultural field, especially in the field of cultural transfer.

Race, Representation & Photography in 19th-Century Memphis: from Slavery to Jim Crow presents a rich interpretation of African American visual culture. Using Victorian era photographs, engravings, and pictorial illustrations from local and national archives, this unique study examines intersections of race and image within the context of early African American communities. It emphasizes black agency, looking at how African Americans in Memphis manipulated the power of photography in the creation of free identities. Blacks are at the center of a study that brings to light how wide-ranging practices of photography were linked to racialized experiences in the American south following the Civil War. Jenkins' book connects the social history of photography with the fields of visual culture, art history, southern studies, gender, and critical race studies.

ICONIC: Sabrina is a bold, visual journey through the rise of one of the world's most beloved new pop stars.

Charting her early beginnings as a Disney channel princess to her sold-out shows and iconic Nonsense outros, as well as her best fashion moments at events such as the Met Gala and the Grammys, this beautiful gift book offers a jam-packed, photographic insight into the Espresso singer's most memorable moments to date.

Divided into 50 moments accompanied by striking photography of the musician, ICONIC: Sabrina celebrates the short n' sweet pop sensation in all her glittering glory.

Crosses disciplinary boundaries to explore German Romantic writing about visual experience and the interplay of text and image in Romantic epistemology. The work of the groundbreaking writers and artists of German Romanticism -- including the writers Tieck, Brentano, and Eichendorff and the artists Caspar David Friedrich and Philipp Otto Runge -- followed from the philosophical arguments of the German Idealists, who placed emphasis on exploring the subjective space of the imagination. The Romantic perspective was a form of engagement with Idealist discourses, especially Kant's Critique of Pure Reason and Fichte's Science of Knowledge. Through an aggressive, speculative reading of Kant, the Romantics abandoned the binary distinction between the palpable outer world and the ungraspable space of the mind's eye and were therefore compelled to develop new terms for understanding the distinction between "internal" and "external." In this light, Brad Prager urges a reassessment of some of Romanticism's major oppositional tropes, contending that binaries such as "self and other," "symbol and allegory," and "light and dark," should be understood as alternatives to Lessing's distinction between interior and exterior worlds. Prager thus crosses the boundaries between philosophy,literature, and art history to explore German Romantic writing about visual experience, examining the interplay of text and image in the formulation of Romantic epistemology. Brad Prager is Associate Professor of Germanat the University of Missouri, Columbia.

This includes work by leading scholars, artists, scientists and practitioners in the field of visual culture. It explores current debates surrounding post-colonial thinking, empowerment, identity, contemporary modes of self-representation, diversity in the arts, the automated creation and use of imagery in science and industry, vernacular imagery and social media platforms, visual mechanisms for control and manipulation in the age of surveillance capitalism and deep fakes, as well as the role of imagery in the times of crisis, such as pandemics, wars and climate change. Expanding on contemporary debates within the field, this is essential reading for photographers, scholars, and students alike.

Dag Petersson offers a comprehensive critique of the philosophy that has dominated 200 years of modern thought, politics, economy, and culture. The basic question is this: why does dialectical metaphysics fail to keep what it promises? What is it about dialectics, that makes it fall into irreducibly distinct variations of itself, when all it promises is to synthesize, to reconcile and make whole what is fragmented and alien to itself? An undisciplined creativity intrinsic to completing reason comes to light through analyses of how dialectical systems begin. Every dialectical philosophy must account for its own birth, and it is at this point, when it also articulates its promise of universal synthesis, that the book discovers a desire for light-writing, or photography. Only the most immediate element - light - can mediate the necessary self-determination of thought at its origin. Light must begin to write. A philosophical critique of dialectics is therefore also a point of departure for a new aesthetic ontology of photography.