Extreme Lakeland by Nadir Khan and Tom McNally is a stunning photographic celebration of all that makes the Lake District a magnet for those with a heart for adventure and who want to immerse themselves in the beauty of the hills and mountains of this jewel in the English landscape. From the crags of the high fells to the lakes and tarns for which the Lakes is famous, Nadir and Tom showcase incredible adventure sports through the seasons, including rock climbing, mountain biking, fell running, wild swimming, stand-up paddleboarding, base jumping and ski touring. Alongside a foreword by renowned rock climber Leo Houlding, and original illustrations by Anna Sharpe, there are inspirational literary contributions from wild swimmer Gilly McArthur, fell runner Ellis Bland, climbers Anna Taylor and Peter Goulding, and adventurer Jon Sparks. Extreme Lakeland is a visual feast for those that treasure the Lake District.

What makes news patriotic? How is photojournalism used in wartime? In a national crisis, the press operates under various forms of censorship. Within these constraints, it continues to produce news in line with what is considered newsworthy. Everyday 'human interest' photographs and stories, which tell of bizarre, comic or tragic events, are turned to patriotic ends. The subject of death is transformed by its use in saving the nation; it is accompanied and displaced by more comforting ideas. Originally published in 1991, with the help of full-page illustrations from newspapers and journals, John Taylor looks at the special truth of war news, how it is built on established ways of storytelling, and how photography is used to make it seem real. Taking examples from the First and Second World Wars, the Falklands campaign and present-day accounts of terrorism and crime within the United Kingdom, Taylor shows that aside from legal controls, the press's own methods bring it close to the official perspective. Drawing on history, sociology and photo-history, War Photography is a well-illustrated account of the place of photojournalism in the news industry and the use of news in creating national identity.

Artist and photographer Clare Newton rediscovers and records the faint remnants of old London, only made visible when lit by a fleeting low winter's sun. These images are the conduits through time, analysing the sometimes uncomfortable balance between a struggling heritage to exist and the insatiable appetite of modern regeneration. But deep inside East London also lies a Victorian era. The mother of inventions, which not only stimulated change across the world then but even now their lingering artefacts and sayings effect us even in today's hi-tech social world. Strange but true stories that explain how and where artefacts have come from. Including the roots of 'Sarcasm' or the colour purple, both invented in the east end. Or how Shoreditch got its name. This book arose after many previous years exploration for a large exhibition displayed before the Olympics in London, called Riches Uncovered. The facts of which will be made into a series of photographic studies for all to enjoy and smile over. About Clare Newton In 2001 Clare Newton was awarded the British Female Inventor of the Year, and she has received 5 international awards for innovation. Born in London, her creative talents were expressed at a young age, first painting her bedroom to building wooden aeroplanes. But when she was given her first camera, a little Minolta, at the age of 14, it inspired her to build a dark room in the roof of her parents' house, where she taught herself how to shoot and develop photographs, with neighbours encouraging her with small commissions. She took a degree in art and design in East London and worked as a Graphic & Interior Designer for many years. Photography really took off for her when the Olympics came to London. She made her first large photographic installation in 2009, 'Riches Uncovered', a collection of photographic montages to explain and document East London's disappearing heritage. After this first project she went on to produce numerous extraordinary community art projects, involving hundreds of children and adults. The resulting photographic montages were displayed outdoors in unexpected public places, encouraging all to take part, share and learn about local heritage. Clare believes that it is through the passion of creating participatory public projects, that art can positively affect people in different and personal ways, even drawing communities together. Clare's next endeavour was to create Jump4London - the World's Longest Photograph, with 5,000 people taking part, who appeared to jump simultaneously. Two meters high and one kilometre in length, it was printed on 2.5 tons of specialist photographic material, and documented an important piece of London's history as people celebrated the 2012 Olympic Games. It made a Double Guinness World Record as part of the Cultural Olympiad's World Record London.

Inspiring new design ideas from multiple award-winning Danish fashion and interior designer Malene Birger. In this third volume of her successful interior design series, Birger showcases four houses and apartments she has recently furnished in England, Italy, Greece and Spain. Alluring before-and-after shots trace the path from proverbial white canvas to feel-good oasis. In addition, the versatile globetrotter shows her own artwork and a new line of jewellery that reflects her unique aesthetic visual language. The final chapter of the book is devoted to the beginnings of her latest remodeling project, a townhouse in Felanitx, a town on the Balearic Island of Majorca. Text in English, German, French and Spanish Also available by Malene Birger: Move and Work, ISBN 9783832798093, and Live and Work, ISBN 9783832794170.

In the world of grand touring cars, Aston Martin occupies a special place. The English firm has always distinguished itself by its restraint, by the elegance of its creations, by the discretion of its style, by a reserve rarely observed in a universe that willingly abandons itself to exuberance. This book is devoted to DB models. David Brown relaunched the brand with emblematic cars, including some models that later became legendary, like the famous DB5 of James Bond. The history of Aston Martin over the past 70 years is organised around eight main designs. They are all strongly typed; directly associated with their creators, and with the nature of the successive owners of the company. Serge Bellu, a specialist in the history of the automobile, has produced a superbly illustrated book on the history of this typically British brand.

Faces of Mallorca features fifty-nine locals from the island and authentically captures people's hopes, dreams and aspirations. It showcases the diverse culture and the rich heritage of the past and shows how its people adapt to a bright new future. Whether you love beautiful photography, moving stories or just love Mallorca, Faces of Mallorca transports you into the lives of people in this sunny, warm climate. * Big book format * Full color photography * Foreword by Toni Nadal * Texts by Mark Julian Edwards and Stephanie Schulz * Photography by Mark Julian Edwards

Andreas Muller-Pohle is an artist and publisher who has challenged the limits of photographic, video, and computer images since 1977. Interfaces surveys his entire career, including his early, experimental work from the 70s and 80s and his latest video and computer pieces, Face Codes and Sojourner II. Exquisitely presented and printed, this book is edited and introduced by one of Europe's most distinguished curators, Hubertus von Amelunxen. Anreas Muler-Pohle has also served as the publisher of European Photography since 1980 and is the editor of numerous publications including the major books by media philosopher Vilem Flusser. As von Amelunxen notes, "With its combination of analog and digital technology, video and interaction installations, Interfaces provides insight into photography as a tool for imaging ideas. For Muller-Pohle, the medium of photography is located on the threshold between human perception and the abolition of its limits by the apparatus".

Counterfactual thinking has become an established method to evaluate decisions in a range of disciplines, including history, psychology and literature. Elke Reinhuber argues it also has valuable applications in the fine arts and popular media. A fascination with the path not taken is a logical consequence of a world saturated with choices. Art which provokes and explores these tendencies can help to recognise and contextualise the impulse to avoid or endlessly revisit individual or collective decisions. Reinhuber describes the term in broad strokes through the disciplines to show how counterfactualism finds shape in contemporary art forms, especially in photography, film, and immersive and interactive media art (such as 360 Degrees content, virtual reality and augmented reality). She analyses the different stages of counterfactuals with examples where artists experience counterfactual thoughts in the process of art production, explore these thoughts in their artwork, and where the artwork itself evokes counterfactual thoughts in the audience. A fascinating exploration for scholars and students of art, media and the humanities, and anybody else with an interest in choices, the art of decisionmaking and counterfactualism.

Written by a leading instructor, it focuses on accessible methods and concepts to introduce active, rather than passive, photography to students, instructors and practitioners in the fields of landscape, planning, architecture and environmental design Provides clear guidance on a diverse set of approaches and explores deeper discussions about making and using photography in environmental design, along with further reading It covers techniques to build on such as casual composition, constraints, slowing down, investigating, non-visual cues, POV, narrative and detachment that encourage enhanced visual focus Includes 190 full colour images, with examples by the author and invited contributors from practice.

By analysing the philosophical lineage of notions of representation, time, being, light, exposure, image, and truth, this book argues that photography is the visual manifestation of the philosophical account of how humans encounter beings in the present. Daniel Rubinstein argues that traditional understandings of photography are determined by the notions of verisimilitude and representation, and this limits our understanding of photographic materiality. It is suggested that the photographic image must be closely read not for the objects, events and situations represented in it, but for the insights it affords into the structure of contemporary consciousness. The book will be of interest to scholars working in photography, media studies, philosophy, fine art, and art history.

In an age of increasingly fragmented migration, consumption, and globalisation, how do diasporic individuals navigate their ethnic identities? Diasporas, Weddings and the Trajectories of Ethnicity investigates the ways that Chinese Singaporeans shape their Chineseness through wedding rituals and artefacts. Proposing a framework of ethnic identity as a journey, this book will Interrogate the processes underlying diasporic ethnicity-making through weddings. Offer new concepts of transdiasporic space, ethnic tastes, and aesthetic dissonance. Explore the intersections between commercialism, ethnicity, and socio-economic divides. Map the micro-social ramifications of ethnic and racial policy in Singapore. As a former professional wedding photographer, Terence Heng brings a sociological lens to the scripted and spontaneous arena of social interactions that is the wedding day. By combining ethnographic observation, photography, and poetry, Heng reveals the many decisions and demands that underscore Singaporean Chinese weddings, offering novel insights into the roles of the bridal couple, their social networks, and the wedding industry.

Expert advice from several industrial professionals who have worked for some of the world's biggest tech and interactive companies. Best practices that not only prepare writers on how to apply their craft to new fields, but also prepare them for the common ambiguity they will find in corporate and start-up environments. Breakdown of platforms that shows how tech capabilities can fulfill content expectations and how content can fulfill tech expectations. Basic storytelling mechanics customized to today's popular technologies and traditional gaming platforms.

Explores how social media defines consumer behaviour. Discovers how social media works to keep the user always on. Reviews why social media can shape a more extreme political and cultural ideology in users. Studies how social media algorithms can shape a predictable and homogeneous culture. Develops critical and multidisciplinary thinking about the impact of social media in shaping a predictable society.

This is a critical cultural primer, which can be used for undergraduate level study and above to introduce and orientate students to contemporary image cultures. A knowledge and understandings of recent developments in image technologies is central to all students engaged in art, cultural and media studies, whether academically or practically. A 'standout' book defining a new approach to thinking about how images function in networked cultures. Based on work by scholars from The Centre for the Study of the Networked Image at London South Bank University, this is a coherent and consistent volume.

Expert advice from several industrial professionals who have worked for some of the world's biggest tech and interactive companies. Best practices that not only prepare writers on how to apply their craft to new fields, but also prepare them for the common ambiguity they will find in corporate and start-up environments. Breakdown of platforms that shows how tech capabilities can fulfill content expectations and how content can fulfill tech expectations. Basic storytelling mechanics customized to today's popular technologies and traditional gaming platforms.

This book examines the photography's unique capacity to represent time with a degree of elasticity and abstraction. Part object-study, part cultural/philosophical history, it examines the medium's ability to capture and sometimes "defy" time, while also traveling as objects across time-and-space nexuses. The book features studies of understudied, widespread, practices: studio portraiture, motion studies, panoramas, racing photo finishes, composite college class pictures, planetary photography, digital montages, and extended-exposure images. A closer look at these images and their unique cultural/historical contexts reveals photography to be a unique medium for expressing changing perceptions of time, and the anxiety its passage provokes.

Includes Social Media Analytics Case Studies Reviews Social Media Analytics Applications Reviews Trends of Innovation in Social Media Analytics Describes Skills in Social Media Analytics Includes Real-world examples

This publication maps out key moments in the history of environmentalist photography, while also examining contemporary examples of artistic practice. Historically, photography has acted as a technology for documenting the industrial transformation of the world around us; usually to benefit the interests of capitalist markets. An alternative photographic tradition exists, however, in which the indexical image is used 'evidentially' to protest against incidents of industrial pollution. By providing a definition of environmental activism in photographic praxis, and identifying influential practitioners, this publication demonstrates that photography plays a vital role in the struggle against environmental despoliation. This book will be of interest to scholars in photography, art and visual culture, environmental humanities, and the history of photography.

Explores death as a narrative theme within cinema and animation Biographical insight into Dennis Tupicoff's works and how the subject of death impacted these completed award-winning films Special online access to Dennis Tupicoff's animated works In-depth exploration into ten of Dennis Tupicoff's most influential animations

This fall, Aperture magazine presents an issue exploring the idea of cosmologies-the origins, histories, and local universes that artists create for themselves. In an exclusive interview, Greg Tate speaks to Deana Lawson about how her monumental staged portraits trace cosmologies of the African diaspora. "What I'm doing integrates mythology, religion, empirical data, dreams," says Lawson, whose work is the subject of major solo exhibitions this year at the Solomon R. Guggenheim Museum, New York, and Institute of Contemporary Art, Boston. In an in-depth profile of Judith Joy Ross and her iconic portraiture, Rebecca Bengal shows how a constellation of strangers is brought together through Ross's precise, empathic gaze. "Ross is guided by a rapt, intense, wholehearted belief in the individual," Bengal writes. A portfolio of Michael Schmidt's acutely observed work from the 1970s and '80s reveals the realms within realms of a once divided Berlin, while Feng Li's surprising black-and-white snapshots zigzag between absurdist dramas in various Chinese cities. Ashley James distills the surreal visions of Awol Erizku's still lifes and tableaux; Casey Gerald contributes a sweeping ode to Baldwin Lee's stirring 1980s portraits of Black Southern subjects; and Pico Iyer meditates on Tom Sandberg's grayscales marked by both absence and reverence. Throughout "Cosmologies," artists cast their attention on the great mysteries of both personal and shared lineages, tracking their locations in space, time, and history, and reminding us of the elegant enigmas that can be unraveled close to home.