Aesthetics and the Revolutionary City engages in alternative ways of reading foreign visual representations of Havana through analysis of advertising images, documentary films, and photographic texts. It explores key narratives relating to the projection of different Havana imaginaries and focuses on a range of themes including: pre-revolutionary Cuba; the dream of revolution; and the metaphor of the city "frozen-in-time." The book also synthesizes contemporary debates regarding the notion of Havana as a real and imagined city space and fleshes out its theoretical insights with a series of stand-alone, important case studies linked to the representation of the Cuban capital in the Western imaginary. The interpretations in the book bring into focus a range of critical historical moments in Cuban history (including the Cuban Revolution and the "Special Period") and consider the ways in which they have been projected in advertising, documentary film and photography outside the island.

This book explores the significance of photography for Iain Sinclair's London prose. The visual medium is one of the writer's most prominent motifs, featuring extensively in his fiction and non-fiction. This study, however, proposes that its role in Sinclair's work extends beyond that of a literary theme, to an actual literary principle. In its interdisciplinary rereading of his writing, this book uses key notions of photography theory to examine the correlation between the principal ideological aspects of the visual medium and the main characteristics of Sinclair's unique brand of literature. The analysis reveals that photography may actually serve as a key to understanding the peculiar dynamics and inherent pluralities that define the writer's literary practice.

Cats were seen as omens in ancient times but eventually became trusted animal companions to those who sailed the seas. From catching rats at docks and on ships at sea, cats often became mascots to the navies around the globe. Filled with informative text and more than eighty photos, Cats in the Navy provides a fun history of our feline friends who rode the waves with us.

A Fresh Twist on Vintage Flower Meanings & Arrangements"This book is enchanting to the eyes, inspiring for the mind, and refreshing for the soul.� —Maggie Hyde, Petal Back Farm #1 New Release in Plant & Animal Photography, Photograpy Equipment & Techniques, and Nature Literary Criticism This floriography guide is a gorgeous and inspired combination of vintage Victorian flower meanings, quotes, and lore perfectly entwined with a contemporary toolbox for creating stunning flower arrangements and bouquets. For those who want to create beautiful bouquets and flower arrangements with history. Blooming with inspirational lifestyle photography by Jess Buttermore of Cedar House Living, The Love Language of Flowers will blow you away with an intriguing history of flowers alongside step-by-step instructions for creating 25 tasteful, meaningful arrangements. Express yourself and show others you care. With stunning photographs of different types of flowers, a detailed list of  floral arranging tools and supplies, and fascinating Victorian flower meanings, The Love Language of Flowers provides you with an elegant way to express your feelings or bring your self-care to the next level. Inside The Love Language of Flowers, find: A visual glossary of flowers and their Victorian meanings Simple step-by-step instructions for creating twenty-five gorgeous floral arrangements Suggestions for introducing contemporary plants and other interesting elements to bring a fresh look to classic bouquets If you like botanical books illustrated with stunning photography and floral design, such as Floriography, The Complete Language of Flowers, or Growing Flowers, you’ll love The Love Language of Flowers.

Now available for the first time in paperback, Photography and social movements is the first thorough study of photography's interrelationship with social movements. Focusing on photographic production and dissemination during the student and worker uprising in Paris in May 1968, the Zapatista rebellion, and the anti-capitalist protests in Genoa in 2001, the book argues that at times of political uprisings, photographic documentations, often contradictory, strive to prevail in the public domain, extending the political or economic struggle to a representational level. Photography plays a central role in this representational conflict, by either reproducing or challenging stereotypical narratives of protest. This groundbreaking interdisciplinary analysis of a wide range of practices - amateur and professional - and of previously unpublished archival material will add considerably to students', researchers' and scholars' knowledge of both the visual imagery of political movements and the developing history of photographic representation. -- .

This publication offers a rich and expansive visual record of Julie Brook's artistic practice, and proposes a unique collaboration between Brook and distinct voices from the nature writing and craftsmanship traditions. Situating Brook's practice in the context of critical reflections by Robert Macfarlane, Alexandra Harris and Raku Jikinyu, the publication presents a striking visual narrative of Brook's landscape and tidal sculptural work, and a sense of its timeless yet contemporary resonance. Documenting in depth a number of recent works made in the Hebrides, Japan and Namibia, their shared attention to the elements and their key pre-occupations of the fleeting, mobile forces of light, time, and gravity demonstrate Brook's coherent vision within vastly contrasting environments. Throughout her oeuvre, the balance between what Brook makes in relation to the environment and materials themselves is paramount. Including film stills, photography and drawing, which are all integral languages for conceptualising and communicating the work, plus insightful extracts from Brook's notebooks, this beautiful publication succeeds in providing the reader with a unique understanding of the artist's 'monuments to the moment'.

Photographic stills of women, appearing in both press coverage and relief campaigns, have long been central to the documentation of war and civil conflict. Images of non-Western women, in particular, regularly function as symbols of the misery and hopelessness of the oppressed. Featured on the front pages of newspapers and in NGO reports, they inform public understandings of war and peace, victims and perpetrators, but within a discourse that often obscures social and political subjectivities. Uniquely, this book deconstructs - in a systematic, gender-sensitive way - the repetitive circulation of certain images of war, conflict and state violence, in order to scrutinize the role of photographic tropes in the globalized visual sphere. Zarzycka builds on feminist theories of representations of war to explore how the concepts of femininity and war secure each other's intelligibility in photographic practices. This book examines the complex connections between photographic tropes and the individuals and communities they represent, in order to rethink the medium of photography as a discursive and political practice. This book interrogates both the structure and transmission of contemporary encounters with war, violence, and conflict. It will appeal to advanced students and scholars of gender studies, visual studies, media studies, photography theory, cultural anthropology, cultural studies, and trauma and memory studies.

Following the success of the wildly popular Photo Tales, HPH Publishing presents Photo Tales - Volume 2. Showcasing extraordinary stories told by amateur photojournalists, Photo Tales - Volume 2 reveals wonders of nature as seen through the camera lenses of regular visitors to game reserves. The stories unveil the tragedy and the drama in the animal kingdom. But they also divulge the beauty and charm of the natural world, and the thoughts and feelings of the lucky few who have witnessed these incredible scenes. Experience all this for yourself through these captivating accounts of once-in-a-lifetime sightings.

Virginia Woolf 's prescient 1928 novel Orlando tells the story of a young nobleman who, during the era of Elizabeth I, mysteriously shifts gender, and lives on for three centuries without aging. Today, Orlando remains startlingly fresh for its playful imagining of gender fluidity. In 1992, filmmaker Sally Potter released an adaptation of the book with Tilda Swinton carrying the film as Orlando. Woolf 's tale has continued to hold sway over Swinton, who describes the book's ability "to change like a magic mirror. Where I once assumed it was a book about eternal youth, I now see it as a book about growing up, about learning to live." This special issue of Aperture magazine, guest edited by Swinton, will draw upon the themes of the novel-gender, indeterminate space, and the passage of time-and offer readers a collection of images and writings that celebrate openness and curiosity, in contrast to a contemporary political moment of insurgent parochialism and divisiveness. "Woolf wrote Orlando," Swinton notes, "in an attitude of celebration of the oscillating nature of existence. She believed the creative mind to be androgynous. I have come to see Orlando far less as being about gender than about the flexibility of the fully awake and sensate spirit: as Orlando him/herself so memorably remarks at the critical moment of transformation: 'Same person, different sex: no difference at all.' The issue of Aperture, then, will be a salute to indetermination. Peopled by voices and visions of artists and writers who are kaleidoscopically wired."

There are currently 272 London Underground, 113 Overground and 45 Docklands Light Railway stations. Luke Agbaimoni has been slowly attempting to capture visual moments at each one. When we see a symmetrical image, it soothes us. It feels as if a puzzle has been completed in front of our eyes. In his first book, The Tube Mapper Project: Capturing Moments on the London Underground, Luke Agbaimoni captured themes such as light, reflections, tunnels and escalators, and documented how the London Underground is part of our identity, a network of shared experiences and visual memories. This follow-up project sees Luke delve into his obsession with symmetry, seeking out stunning and powerful examples across the network in his quest to find beauty in the seemingly mundane. London Underground Symmetry & Imperfections considers such questions as what symmetry means and how to find it in your daily commute, and also revels in the design of the newly opened Elizabeth line.

Photographers and publishers of photographs enjoy a wide range of legal rights including freedom of expression and of publication. They have a right to create and publish photographs. They may invoke their intellectual, moral and property rights to protect and enforce their rights in their created and/or published works. These rights are not absolute. This book analyses the various legal restrictions and prohibitions, which may affect these rights. Photography and the Law investigates the legal limitations faced by professional and amateur photographers and photograph publishers under Irish, UK and EU Law. Through an in-depth discussion of the personal rights of the public, including the right not to be harassed, the book gives a clear analysis of the current legal standpoint on the relationship between privacy and freedom of expression. Additionally, the book looks at the reconciliation of photographers' rights with the state's interest in public security and defence, alongside the enforcement of ethical and moral codes. Comparative legal standing in the European Union is used as a springboard to further analyse Irish and UK statutes and case law, including recent reforms and current proposals for future change. The book ends with pertinent suggestions of the necessary reforms and enactments required to rebalance the relationship between the personal rights of individuals, the state's duties and the protection of photographers' and photograph publishers' rights. By clearly explaining the theoretical and conceptual reasoning behind the current law, alongside proposed reforms, the book will be a useful tool for any student or academic interested in photography law, privacy and media law, alongside professional and amateur photographers and photograph publishers.

Wild Light is a stunning panoramic exploration of the Scottish landscape by photographer Craig Aitchison, winner of the inaugural Scottish Landscape Photographer of the Year competition. Produced over seven years and shot entirely using a traditional Hasselblad film camera, this remarkable body of work captures the essence of the Scottish wilderness through the seasons and portrays the Highlands and Islands at their most beautiful. Featuring over eighty panoramas, this book celebrates the rich natural heritage, incredible geodiversity and varied landscape for which Scotland is internationally renowned. Among a glittering cast of many are the dramatic heights of Suilven, An Teallach and Aonach Eagach, and the otherworldly landscapes of the Lairig Ghru in the Cairngorms and Glen Etive. Craig Aitchison's Wild Light will delight anyone who treasures the Scottish mountain landscape.

Extreme Lakeland by Nadir Khan and Tom McNally is a stunning photographic celebration of all that makes the Lake District a magnet for those with a heart for adventure and who want to immerse themselves in the beauty of the hills and mountains of this jewel in the English landscape. From the crags of the high fells to the lakes and tarns for which the Lakes is famous, Nadir and Tom showcase incredible adventure sports through the seasons, including rock climbing, mountain biking, fell running, wild swimming, stand-up paddleboarding, base jumping and ski touring. Alongside a foreword by renowned rock climber Leo Houlding, and original illustrations by Anna Sharpe, there are inspirational literary contributions from wild swimmer Gilly McArthur, fell runner Ellis Bland, climbers Anna Taylor and Peter Goulding, and adventurer Jon Sparks. Extreme Lakeland is a visual feast for those that treasure the Lake District.

Journeys Exposed: Women's Writing, Photography and Mobility examines contemporary literature written by women that are all related to Italy in different ways. It argues that photography provides women with a means to expose aspects of their nomadic self and of others' mobile lives within and beyond the writing process. By resorting to the visual, women individualistically respond to forms of hegemonic power, fragmentation, displacement, loss and marginality and make these experiences key to their creative production.

How are events turned into news pictures that define them for the audience? How do events become commodified into pictures that both capture them and reiterate the values of the agencies that sell them? This book looks at every stage of the production of news photographs as they move to and from the ground and are sold around the world. Based on extensive fieldwork at a leading international news agency that includes participant observation with photographers in the field, at the agency's local and global picture desks in Israel, Singapore, and the UK, in-depth interviews with pictures professionals, and observations and in-depth interviews at The Guardian's picture desk in London, the findings in this book point to a wide cultural production infrastructure hidden from - and yet also nurtured and thus very much determined by - the consumer's eye.

This unique study offers a political analysis of the relationship between visual representations and the politics of violence both nationally and internationally. It emphasizes the spectator and his or her own involvement in, responsibility for, and potential responses to the conditions depicted in given images.Through a series of case studies which engage with visual representations of the politics of violence, such as the aftermath of the 1994 genocide in Rwanda and the visualization of colonial memory, it analyzes the relationship between visibility and political agency and elaborates the extent to which people who have normally been subjects of the image production of others can become agents of their own image.This book's comprehensive analysis of different genres including photography, graphic novels, comics and paintings introduces a new research agenda for the emerging field of visual peace.

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From the Highlands of Scotland to the plains of northern India, Castles of the World is a beautiful examination of past worlds viewed through strongholds that continue to enrich the modern landscape. They evoke an imagined age of aristocratic warriors and noble aspirations. Presented in a handy, pocket-sized format, arranged chronologically and illustrated with more than 200 colour photographs, Castles of the World examines more than 150 fortifications from across the world, from Cathar castles and Alpine schloesser to Norman keeps and Samurai strongholds. Discover how the 13th-century Eilean Donan Castle in Scotland was destroyed during the Jacobite rebellion of 1719; learn about Turkey's Marmaris Castle, built in 1522 by Suleiman the Magnificent to support his attack on neighbouring Rhodes; and explore the Mughal-constructed Red Fort in Delhi, home of Muslim rulers from 1648 until 1803, and today a symbol of Indian nationalism.