A vivid and moving celebration of the ways that Black Americans have shaped and been shaped by photography, from its inception to the present day. A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as a series of four lectures during the Civil War. It has been widely acknowledged that Douglass, the subject of 160 photographic portraits and the most photographed American of the nineteenth century, anticipated that the history of American photography and the history of Black American culture and politics would be deeply intertwined. A Picture Gallery of the Soul honors the diverse visions of Blackness made manifest through the lens of photography. Published in association with the Katherine E. Nash Gallery. Exhibition dates: Katherine E. Nash Gallery: September 13-December 10, 2022.

Photojournalism: The Professionals' Approach is the definitive book on photojournalism, delivering a blend of insightful interviews with professionals, practical techniques, and high-impact photographs. This edition features updates on social media in photojournalism, shooting video on smart phones, and the use of drones to cover the news. It also includes revised chapters on audio and video, and additional international case studies including, among others, approaches to covering the Arab Spring, the Ukrainian Revolution, and resurgent white supremacy in South Africa. New interviews and case studies bring readers on assignment with industry greats, whose experiences provide a guide on how to take your work from a hobby to a profession. The revised and expanded business chapter goes the next step and outlines how to make a living in photojournalism. Often called the "bible" of the industry, Photojournalism continues to be the must-have reference for photojournalists that it has been for nearly 40 years.

When you think of Paris do you picture the Eiffel Tower? The medieval city of Notre Dame? The elegant boulevards of Baron Haussmann? The Montmartre of Toulouse- Lautrec? The grandeur of the Louvre? The Art Nouveau of the Paris Metro? The Grand Projets of Francois Mitterrand? Or...? Yes, there is just so much beauty to Paris. In 150 striking images, Paris celebrates the French capital, from its world-famous landmarks to evocative alleyways and corners that might surprise you. You may have heard, for instance, about the Paris catacombs and sewers that you can visit, but did you know about La Petite Ceinture, a disused 19th century railway line that circumnavigates the inner city? From the medieval marvels of Sainte-Chapelle to the 1970s Pompidou Centre to the latest pop-up beaches beside the Seine, the book explores a great many sides to the city. In collecting these images of the city today, we come to understand something of its history - from the executions that took place at the Place de la Concorde during the Revolution to the Arc de Triomphe honouring those who served in the Revolutionary and Napoleonic Wars to the skyscrapers of La Defense. Presented in a landscape format and with captions explaining the story behind each entry, Paris is a stunning collection of images celebrating the world's most romantic city.

Nineteenth-century Iran was an ocularcentered society predicated on visuality and what was seen and unseen, and photographs became liminal sites of desire that maneuvered "betwixt and between" various social spaces-public, private, seen, unseen, accessible, and forbidden-thus mapping, graphing, and even transgressing those spaces, especially in light of increasing modernization and global contact during the nineteenth and early twentieth centuries. Of primary interest is how photographs negotiated and coded gender, sexuality, and desire, becoming strategies of empowerment, of domination, of expression, and of being seen. Hence, the photograph became a vehicle to traverse multiple locations that various gendered physical bodies could not, and it was also the social and political relations that had preceded the photograph that determined those ideological spaces of (im)mobility. In identifying these notions in photographs, one may glean information about how modern Iran metamorphosed throughout its own long duree or resisted those societal transformations as a result of modernization.

Isms: Understanding Photography packs an enormous amount of detail into a handy, attractive guide tracing the evolution of photography through a series of interconnected trends, groups, themes and movements - from the invention of the photographic process to the post-internet age. Organised chronologically, this is a uniquely international, comprehensive guide to photography with concise, readable and jargon-free but scholarly insight into major photographers, movements and themes of the past 170 years. In an age where photography is of more resonance and interest than ever before, Isms: Understanding Photography offers an in-depth and clear exposition of photography for the interested general reader or student.

Through Positive Eyes is a collaborative photo-storytelling project by 130 people living with HIV and AIDS around the world. This global photographic collaboration with Gideon Mendel and the UCLA Art & Global Health Center chronicles a very particular moment in the epidemic, when effective treatment is available but far from universal, and the enduring stigma associated with HIV and AIDS has become entrenched. Through Positive Eyes addresses this stigma, social inequality, and limited access to medication through the voices of those experiencing it. The participants in the project have volunteered to tell their stories and create their own artistic statements, empowering themselves in order to banish stigma.

The use of images, particularly photography, has been steadily gaining popularity in academia, but there has not yet been a book that deals with the act and process of photo-taking in the field. Drawing upon 21 years of photographic experience and sociological research, Terence Heng's immersive and narrative style will: introduce photography as a qualitative method; discuss the intricacies of, challenges in and opportunities for using a camera in the field; explore common themes and topics in social science research, including photographing rituals, space, people and objects; advise on navigating the always evolving technological landscapes of traditional, digital and mobile photography. Visual Methods in the Field: Photography for the Social Sciences is a photography guide written for researchers by a researcher. Using in-depth ethnographic case studies from research done in various urban environments, this book will act as a crucial bridge for students in geography, sociology, education, media studies and other social sciences to incorporate photography into their research repertoire.

Museums and Photography combines a strong theoretical approach with international case studies to investigate the display of death in various types of museums-history, anthropology, art, ethnographic, and science museums - and to understand the changing role of photography in museums. Contributors explore the politics and poetics of displaying death, and more specifically, the role of photography in representing and interpreting this difficult topic. Working with nearly 20 researchers from different cultural backgrounds and disciplines, the editors critically engage the recent debate on the changing role of museums, exhibition meaning-making, and the nature of photography. They offer new ways for understanding representational practices in relation to contemporary visual culture. This book will appeal to researchers and museum professionals, inspiring new thinking about death and the role of photography in making sense of it.

Follow the Sun will guide you through all aspects of architectural photography, from the genre's rich history to the exciting new approaches brought by the advent of the digital age. It explains how to use the powerful tools of digital photography while employing many of the skills and traditions of the established genre. Written to be accessible to professionals, amateurs, and students alike, this book will be useful for photographers exploring architecture as fine artists, on editorial assignments, or on commercial shoots. Key features include: * Example photographs and diagrams * Historical background of architectural photography * Advice on essential equipment * How to plan a shoot to your advantage * How to use tilt-shift lenses for architecture * Editing workflow and strategies * Interviews with architectural photographers Peter Aaron, Magda Biernat, Ty Cole, and Elizabeth Felicella.

Recent decades have seen photography's privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. Photography and Doubt reflects on this interest in photography's referential power by discussing it in rigorously historical terms. How was the understanding of photographic realism cultivated in the first place? What do cases of staged and manipulated photography reveal about that realism's hold on audiences across the medium's history? Have doubts about photography's testimonial power stimulated as much knowledge as its realism? Edited by Sabine T. Kriebel and Andres Mario Zervigon, Photography and Doubt is the first multi-authored collection specifically designed to explore these questions. Its 13 original essays, illustrated with 73 color images, explore cases when the link between the photographic image and its referent was placed under stress, and when photography was as attuned to its myth-making capabilities as to its claims to authenticity. Photography and Doubt will serve as a valuable resource for students and scholars in art history, visual and media studies, philosophy, and the history of science and technology.

Recent decades have seen photography's privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. Photography and Doubt reflects on this interest in photography's referential power by discussing it in rigorously historical terms. How was the understanding of photographic realism cultivated in the first place? What do cases of staged and manipulated photography reveal about that realism's hold on audiences across the medium's history? Have doubts about photography's testimonial power stimulated as much knowledge as its realism? Edited by Sabine T. Kriebel and Andres Mario Zervigon, Photography and Doubt is the first multi-authored collection specifically designed to explore these questions. Its 13 original essays, illustrated with 73 color images, explore cases when the link between the photographic image and its referent was placed under stress, and when photography was as attuned to its myth-making capabilities as to its claims to authenticity. Photography and Doubt will serve as a valuable resource for students and scholars in art history, visual and media studies, philosophy, and the history of science and technology.

"Fully illustrated, the charm of his English Roses comes across on every page, even if the reader has to imagine their scent." - The Irish Garden "Experts will appreciate the notes on each rose's breeding." - Historic Gardens Foundation Informative, accessible and stunningly illustrated, David Austin's English Roses introduces the reader to the world of rose propagation and care. The book focuses on English Roses, bred by David Austin to combine the sumptuousness of Old Roses with the strength and practical virtues of Modern Roses. It will be greatly prized by rose-growers and rose-lovers everywhere, whether professional or amateur. Also available: Climbing and Rambler Roses ISBN: 9781870673655 Modern, Shrub and Species Roses ISBN: 9781870673716 Old Roses ISBN: 9781870673693

Drawing together philosophical, empirical and academic thinking, this book focuses on generating awareness of the relationship forged between self and surroundings. It details research undertaken at two coastal sites, the South Wall in Dublin city and the Maharees peninsula in Co. Kerry, Ireland. Sixty-two participants were engaged in photography and drawing to enable this exploration of spatial experience. The participants' photographs and drawings present how spatial sensibilities can be revealed by becoming more attentive to the immediacy of bodily knowledge: our more-than-cognitive experience. Their communications resonate with the philosophers and theorists considered, including Merleau-Ponty, Edward Casey, Gilles Deleuze, Dalibor Vesely, and contemporary cultural geographers. From exploring the experienced spatiality of the meeting of land and sea, this book begins to suggest an alternative politics of the coast.

When you take the first steps on a journey of faith, the grace of God will be with you. Many miracles beyond the reach of reason will happen. Perhaps this is the true nature of a mission trip-a spiritual journey that shapes you, as a living witness to the greatness of God. This was certainly the experience of international photojournalist Shamow'el Rama Surya, when he was called to serve the glory of God, the Creator of all of heaven and earth, in West Papua.This photobook is a humble attempt to give readers a glimpse of the extraordinary grace that was revealed to the photographer with his Leica camera during his West Papuan mission.

Sell your photos again and again! Live anywhere. Pick your hours. Be your own boss. Earn more money. See your pictures in print. Discover the freedom of a profitable photo business by learning the secrets behind making and selling editorial stock photography. For more than three decades, industry classic Sell & Re-Sell Your Photos has been giving new and veteran photographers the tools to sell their pictures consistently to markets they enjoy. Rohn Engh's master text, with updates from independent photographer Mikael Karlsson, outlines the time-tested formula for successfully marketing your work to publishers world-wide. This completely revised and expanded 6th edition features up-to-date advice, brand new photos and charts and tables to help you achieve your goals. Learn how to: Create enduring images--the ones photo buyers always need Price your photos like a professional Find your niche and corner that market Take and market your work with modern technology Confidently submit to agencies and publishers Digitally store your archive Protect yourself and your photos with basic copyright laws and regulations Includes a detailed five-week action plan to get you organized and selling Master the stock photography market: Take pictures today that you can sell for many tomorrows to come!

Explore the underwater world of photography through this informative guide written in simple language, covering the technical, mechanical, and compositional factors that contribute to producing quality images. View 120 beautiful color photographs and 18 instructional images illustrating the successful use of the techniques described. Precise instructions are given for handling and maintaining an underwater camera, as well as how to choose from the many different types of equipment available. Learn about the historical pioneers in the fields of underwater exploration, photography, and oceanography. Included are descriptions of specific diving techniques that can result in improved photographic opportunities. Gain knowledge of animal behavior and ecology with an emphasis on safety and protection of the marine environment. This book is a must have for any scuba enthusiast, aspiring underwater photographer, or ocean lover.

The book features a perspective of Indonesia few have seen: from the air.From the window of a commercial airliner in flight, Indonesia is a carpet of green fields and blue seas. But from a low-flying aircraft, details on the ground are clearly visible, while the vantage point is sufficiently lofty to encompass the full splendor of trackless forests, towering volcanic cones, and endless sea, the pride of Indonesia from Sabang to Merauke.17,000 Islands of Imagination presents the natural grandeur of the land and sea of Indonesia in a stunning collection of photographs taken from the photographer's custom-made microlight.It portrays Indonesia's vast and rich beauty to the world as one will be taken to "fly" across its lands, seas and thousands of its islands along the equator. A book that will take one's imagination to freely glide and define all aspects of life beyond such beauty.Thousands of islands to imagine.

Gum Printing: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a two-part book on gum bichromate written by the medium's leading expert, Christina Z. Anderson. Section One provides a step-by-step description of the gum printing process. From setting up the "dimroom" (no darkroom required!) to evaluating finished prints, it walks the reader through everything that is needed to establish a firm gum practice with the simplest of setups at home. Section Two showcases contemporary artists' works, illustrating the myriad ways gum is conceptualized and practiced today. The works in these pages range from monochrome to colorful and from subtle to bold, representing a variety of genres, including still lifes, portraits, nudes, landscapes, urbanscapes and more. Featuring over 80 artists and 400 full-color images, Gum Printing is the most complete overview of this dynamic and expressive medium that has yet appeared in print. Key topics covered include: The history of gum Simple digital negatives for gum, platinum, and cyanotype Preparing supplies Making monochrome, duotone, tricolor, and quadcolor gum prints Printing gum over cyanotype Printing gum over platinum Troubleshooting gum Advice on developing a creative practice

Rick Sammon's Evolution of an Image illustrates the creative photographic process from start to finish. In this book, Canon Explorer of Light Rick Sammon pulls back the curtain to prove that creating amazing photographs is a well-thought-out process that involves several stages. Comprising 50 case studies that examine photographs taken by Rick around the world in a wide variety of shooting situations, Evolution of an Image shows the power of creative thinking, getting it right in the camera, and the careful use of image processing using Lightroom. By including his outtakes- and the reasons that he considers them outtakes- Rick suggests the steps that every photographer should take in order to improve their images. Combining technical advice with tips on lighting, composition and using Lightroom, this book will motivate and encourage those looking to evolve as creative photographers and digital darkroom artists. Key features include: * More than 200 before-and-after photographs * Fully illustrated sections on wildlife, seascape, landscape, scenic, action and people photography * Screen grabs showing Rick's Lightroom adjustments * Suggestions on working in Adobe Photoshop Lightroom as well as Adobe Photoshop * Special section on Rick's "Sammonisms," or quick tips on getting the best in-camera image * Advice on evolving as a photographer * Inspirational photographs from Provence, the Palouse, Kenya, Antarctica, Iceland, Alaska, Mongolia, Myanmar, Colorado and more

The use of images, particularly photography, has been steadily gaining popularity in academia, but there has not yet been a book that deals with the act and process of photo-taking in the field. Drawing upon 21 years of photographic experience and sociological research, Terence Heng's immersive and narrative style will: introduce photography as a qualitative method; discuss the intricacies of, challenges in and opportunities for using a camera in the field; explore common themes and topics in social science research, including photographing rituals, space, people and objects; advise on navigating the always evolving technological landscapes of traditional, digital and mobile photography. Visual Methods in the Field: Photography for the Social Sciences is a photography guide written for researchers by a researcher. Using in-depth ethnographic case studies from research done in various urban environments, this book will act as a crucial bridge for students in geography, sociology, education, media studies and other social sciences to incorporate photography into their research repertoire.

Distributed by the University of Nebraska Press for Michael Forsberg Photography ". . . and the sky blackened with dark, gray bodies. In the blurry confusion, John lost Mary." So begins Have You Seen Mary?, Jeff Kurrus's fictional account of one sandhill crane's faithful search during spring migration for his lost mate. Set on Nebraska's Platte River, this tenderly woven story of love is also a stirring introduction to these majestic birds, replete with Michael Forsberg's radiant color photographs. This book will appeal to all ages, for it both entertains and educates readers about sandhill cranes.

The first monograph to analyze the Surrealist gesture of photographic appropriation, this study examines "found" photographs in three French Surrealist reviews published in the 1920s and 1930s: La Revolution surrealiste, edited by Andre Breton; Documents, edited by Georges Bataille; and Minotaure, edited by Breton and others. The book asks general questions about the production and deployment of meaning through photographs, but addresses more specifically the construction of a Surrealist practice of photography through the gesture of borrowing and re-contextualization and reveals something crucial both about Surrealist strategies and about the way photographs operate. The book is structured around four case studies, including scientific photographs of an hysteric in Charcot's clinic at the Salpetriere hospital, positioned as poetry rather than pathology; and one of the first crime-scene photographs, depicting Jack the Ripper's last victim, radically transformed into a work of art. Linda Steer traces the trajectory of the found photographs, from their first location to their location in a Surrealist periodical. Her study shows that the act of removal and re-framing highlights the instability and mutability of photographic meaning an instability and mutability that has consequences for our understanding both of photography and of Surrealism in the 1920s and 1930s.