Focusing on the presence of the photographer's gaze as an integral part of constructing meaningful images, Roswell Angier combines theory and practice, to provide you with the technical advice and inspiration you need to develop your skills in portrait photography.Fully updated to take into account advances in creative work and photographic technology, this second edition also includes stunning new visuals and a discussion on the role of social media in the practice of portraiture.Each chapter includes a practical assignment, designed to help you explore various kinds of portrait photography and produce a range of different styles for your creative portfolio.

From the INTERNATIONALLY BESTSELLING author of The Paris Seamstress comes a story of courage, family and forgiveness from New York to war-torn Europe. Perfect for fans of Kate Furnivall, Lucinda Riley, Kate Morton and Gill Paul 'Divine' GILL PAUL, bestselling author of The Secret Wife 'An emotional and sweeping tale' CHANEL CLEETON, bestselling author of Next Year in Havana 'A splendid, breathtaking novel, full of mystery and passion...a must read!' JEANNE MACKIN, author of The Last Collection ******** 1942 When Jessica May's successful modelling career is abruptly cut short, Vogue send her to war-torn Paris to cover the conflict as a correspondent. She's courageous and a fast-learner, but of course the military men make her life as difficult as possible. Three friendships change that: journalist Martha Gellhorn encourages Jess to bend the rules; paratrooper Dan Hallworth shows her how to take pictures and write stories that matter; and a little girl, Victorine, who shows Jess how to open hear heart. 2005 Australian curator D'Arcy Hallworth arrives at a beautiful French chateau to manage a famous collection of photographs. What begins as just another job becomes far more disquieting as D'Arcy uncovers the true identity of the mysterious French photographer...

David Busch's Nikon Z5 Guide to Digital Photography is your all-in-one comprehensive resource and reference for getting the most out of your Nikon Z5 mirrorless camera. Nikon s most affordable full-frame mirrorless model boasts up-scale features, including dual memory card slots, five-axis image stabilization for sharp images even when using slow shutter speeds, and an advanced hybrid autofocus system with face/eye detection and 273 AF points. The Z5 s 24MP sensor supports 4K and Full HD movie shooting, and an innovative Focus Shift mode that produces stunning deep-focus images. With this book in hand, you ll master all the camera s impressive features, and fine tune your camera skills as develop your creativity taking great photographs with your new Z5.Filled with detailed how-to steps and full-color illustrations, David Busch's Nikon Z5 Guide to Digital Photography covers all the camera's capabilities in depth, from taking your first photos through advanced details of setup, exposure, lens selection, lighting, and more, and relates each feature to specific photographic techniques and situations. Also included is the handy visual guide to the Z5, with close-up photos and descriptions of the camera's essential features and controls. Learn when to use each option and, more importantly, when not to use them, by following the author s recommended settings for every menu entry. With best-selling photographer and mentor David Busch as your guide, you'll quickly have full creative mastery of your camera s capabilities, whether you're shooting on the job, as an advanced enthusiast, or are just out for fun. Start building your knowledge and confidence, while bringing your vision to light with the Nikon Z5 today.

Through powerful case studies, Adjusting the Lens addresses the ways that the historical photographic record of Indigenous peoples has been shaped by colonial practices, and explores how this legacy is being confronted by Indigenous art activism and contemporary renegotiations of the past. Contributors to this collection analyze the photographic practices and heritage of communities from North America, Europe, and Australia, revealing how Indigenous people are using old photographs in new ways to empower themselves, revitalize community identity, and decolonize the colonial record.

The second half of the 19th century was a time of extensive political upheaval in central east Europe that saw the negotiation of conflicting territorial claims in the region by the Russian, Austrian and Prussian empires. The post-WW1 settlement gave rise to the formation of the independent nation states of Poland, Lithuania, Ukraine, Latvia and Belarus. Less well know is that this same period was also an era of keen photographic activity. During this time of empire-, state- and nation-building, cultural heritage was a potent vehicle and a provider of collective memory and identity.This innovative account analyses the relationship between politics, history, cultural heritage and photography in central east Europe between 1859 and 1945. To understand the work photographs 'do' in the construction of cultural heritage, the author analyses a wide range of little-known photographic archives created by contemporary professional and amateur photographers. Their work was extensively exploited in contemporary debates, appearing in albums, books, journals, exhibitions, museum exhibits, postcards and newspapers aimed at both scientific and popular and national and international publics. An extensive analysis of how photographic practices and outcomes were applied, borrowed, copied, appropriated and transmitted shows how photography was used to exert or subvert power, on the one hand, and as a tool in constructing and negotiating group identities on the other. By weaving photography and its patterns of making, dissemination and archival survival through major historical narratives, this volume reveals the centrality of photography and visual discourse at pivotal moments of modern history.

Gum Printing: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a two-part book on gum bichromate written by the medium's leading expert, Christina Z. Anderson. Section One provides a step-by-step description of the gum printing process. From setting up the "dimroom" (no darkroom required!) to evaluating finished prints, it walks the reader through everything that is needed to establish a firm gum practice with the simplest of setups at home. Section Two showcases contemporary artists' works, illustrating the myriad ways gum is conceptualized and practiced today. The works in these pages range from monochrome to colorful and from subtle to bold, representing a variety of genres, including still lifes, portraits, nudes, landscapes, urbanscapes and more. Featuring over 80 artists and 400 full-color images, Gum Printing is the most complete overview of this dynamic and expressive medium that has yet appeared in print. Key topics covered include: The history of gum Simple digital negatives for gum, platinum, and cyanotype Preparing supplies Making monochrome, duotone, tricolor, and quadcolor gum prints Printing gum over cyanotype Printing gum over platinum Troubleshooting gum Advice on developing a creative practice

The Mallet Ranch, from its founding to the present, has followed the arc of most Texas ranches. It has experienced booms and busts, and its owners have fretted over droughts and floods as well as fights in courtrooms. Despite hardships that may have outnumbered successes, the Mallet, headquartered in Hockley County, Texas, perseveres to this day. But More Than Running Cattle is more than just a ranch tale. It is the story of a family both unique and conventional among Texas stock raisers. David M. DeVitt, like many before him, was not "born" to be a Texas cattleman. DeVitt began his career as a reporter in Brooklyn, New York, before he decided to leave that path behind to try his luck on the wide-open ranges of West Texas. David DeVitt passed down his hardy, independent spirit to his two daughters. Although Christine and Helen were raised in Fort Worth, both from a young age learned the lesson that the West Texas land—and the Mallet Ranch—were part of their souls. When their father died, the two sisters fought to retain control of the Mallet for the family. The discovery in 1938 of oil on the ranch, and the subsequent drilling of more than a thousand oil wells over the next few decades, transformed the Mallet from a struggling enterprise into one of the most profitable such entities in the nation. From that financial windfall sprung from the land, Christine and Helen generously reinvested back into the region. The two non-profit organizations founded by the DeVitt sisters have distributed more than $200 million. The story of the Mallet Ranch told within these pages illuminates and delves into this remarkable story of a family, their operation, and the land that made it all possible.

Hundreds of deep space missions since the 1960s have captured stunning photographs of the cosmos. Many of these scientific images can also be classified as art. This book highlights more than 100 examples, revealing the splendor of our universe. This book is a gallery of human accomplishment that celebrates the scientists and engineers who push civilization--including the ways that we produce and experience art--beyond the physical limits of our planet. The photographs, selected by Dr. Jim Bell, represent some of the finest examples of the art of deep space exploration, most of them involving high-tech robotic emissaries. The images are loosely organized by distance from the Earth, so that readers will slowly travel on a journey farther and farther away from home, ultimately voyaging out to vistas of the farthest-known places in the universe.

Joan Brooks Baker grew up privileged in the New York City of post-World War II America. The Yankee daughter of transplanted, dyed-in-the-wool Southerners soon confronted an unwritten code of conduct - the Magnolia Code - that paralyzed her mother and threatened to do the same to her. In this embellished memoir, Baker shares how she navigated her bifurcated world, defying the code and finding role models in rebellious women including her Aunt Billie, who challenged her to be herself regardless of the consequences. Baker examines relationships with her primary and extended families, ultimately discovering that her work as a photographer taught her much about who she is and where she belongs. The author's unselfconscious, humorous narrative will strike a chord for those who struggle in a world full of paradox.

In 2013, he was commissioned to create Child Poverty in Spain for Save the Children, which earned the PHotoEspana OjodePez Prize for Human Values in 2014. The jury highlighted "his personal vision and style, and his profound respect for the topic." He has worked in several different countries, where he has explored the anthropological dimensions of certain forms of religious worship and some social minorities.

Ghost Image is made up of sixty-three short essays - meditations, memories, fantasies, and stories bordering on prose poems - and not a single image. Herve Guibert's brief, literary rumination on photography was written in response to Roland Barthes' Camera Lucida, but its deeply personal contents go far beyond that canonical text. Some essays talk of Guibert's parents and friends, some describe old family photographs and films, and spinning through them all are reflections on remembrance, narcissism, seduction, deception, death, and the phantom images that have been missed. Both a memoir and an exploration of the artistic process, Ghost Image not only reveals Guibert's particular experience as a gay artist captivated by the transience and physicality of his media and his life, but also his thoughts on the more technical aspects of his vocation. In one essay, Guibert searches through a cardboard box of family portraits for clues-answers, or even questions-about the lives of his parents and more distant relatives. Rifling through vacation snapshots and the autographed images of long-forgotten film stars, Guibert muses, "I don't even recognize the faces, except occasionally that of an aunt or great-aunt, or the thin, fair face of my mother as a young girl." In other essays, he explains how he composes his photographs, and how - in writing - he seeks to escape and correct the inherent limits of his technique, to preserve those images lost to his technical failings as a photographer. With strains of Jean Genet and recurring themes that speak to the work of contemporary artists across a range of media, Guibert's Ghost Image is a beautifully written, melancholic ode to existence and art forms both fleeting and powerful - a unique memoir at the nexus of family, memory, desire, and photography.

***One of The New Yorker's Best Books of 2022*** ***One of The New York Time's 100 Notable Books of 2022*** 'Exuberantly entertaining' NYT Book Review 'Mark Braude's writing and subject make this book irresistible, as was Kiki herself.' Jim Jarmusch 'A delightful, marvelously readable, meticulously-researched romp of a book, Kiki Man Ray brings to life not just the kaleidoscopically talented Kiki herself, but the endlessly fascinating Montparnasse milieu over which she reigned.' Whitney Scharer, author of THE AGE OF LIGHT Though many have never heard her name, Alice Prin - Kiki de Montparnasse - was the icon of 1920s Paris. She captivated as a ground-breaking nightclub performer, wrote a bestselling memoir, sold out exhibitions of her paintings, and shared drinks and ideas with the likes of Pablo Picasso, Peggy Guggenheim, and Marcel Duchamp. She also shepherded along the career of a then-unknown American photographer: Man Ray. Following Kiki in the years between 1921 and 1929, when she lived and worked with Man Ray, Kiki Man Ray charts their complicated entanglement and reveals how Man Ray - always the unabashed careerist - went on to become one of the most famous photographers of the twentieth century, enjoying wealth and prestige, while Kiki's legacy was lost. But this isn't a story of an overbearing male genius and his defeated muse. During the 1920s it was Kiki, not Man Ray, who was the brighter of the two rising stars and a powerful figure among the close-knit community of models, painters, writers and cafe wastrels who made their homes in gritty Montparnasse. Following the couple as they created art, struggled for power and competed for fame, Kiki Man Ray illuminates for the first time Kiki's seminal influence on the culture of 1920s Paris, and challenges ideas about artists and muses, and the lines separating the two. 'Kiki de Montparnasse was more than a muse - she was a vivacious, independent woman whose talent and magnetism helped make Paris the center of the art world in the 1920s. In Mark Braude's riveting cultural history, the Queen of Montparnasse rises again. This is a lively and compassionate tribute to the chanteuse, model, and portraitist who held center stage in her life, and who inspired some of the finest Surrealist art of the twentieth century.' Heather Clark, author of Pulitzer Prize-finalist Red Comet: The Short Life and Blazing Art of Sylvia Plath

This book studies the relationship between photography and history in colonial Southern Africa, using a series of encounters with Southern African photographic archives to reflect on photography as a distinct historical form. Through use of private and public archives, images produced by African itinerant photographers, white settlers, and colonial state institutions, this book explores the relationship between photography and history in colonial Southern Africa. Late nineteenth century Cape Colonial prison albums, police photographs from German Southwest Africa, African studio portraits, identity documents, travel permits and passports from the 1920s and 1930s, visual studies of whiteness and blackness authored by settler photographers, South African dompas photographs from the 1950s and 1960s, and aerial photography from the Eastern Cape in the mid-twentieth century are examined to highlight the ways in which photographic images cut across conventional institutional boundaries and complicate rigid distinctions between the private and the public, the political and the aesthetic, the colonial and the vernacular, or the subject and the object. Photography and History in Colonial Southern Africa argues that rather than understanding photographs as a means of preserving and recreating the past in the present, we can value them for how they evoke at once the need for and the limits of historical reconstruction. This book will be of interest to students and scholars of colonial history, photographic history, visual media, and African studies.

The first-ever exhibition curated by Peter Lindbergh himself, shortly before his untimely death, Untold Stories at the Dusseldorf Kunstpalast served as a blank canvas for the photographer's unrestrained vision and creativity. Given total artistic freedom, Lindbergh curated an uncompromising collection that sheds an unexpected light on his colossal oeuvre. This artist's book, the official companion to the landmark exhibition, offers an extensive, firsthand look at the highly personal collection. When it came to printing his photos, Lindbergh chose a special uncoated paper - a thin sheet with a soft, open surface - as a deliberate aesthetic statement. Renowned the world over, Lindbergh's images have left an indelible mark on contemporary culture and photo history. Here, the photographer experiments with his own oeuvre and narrates new stories while staying true to his lexicon. In both emblematic and never-before-seen images, he challenges his own icons and presents intimate moments shared with personalities who had been close to him for years, including Nicole Kidman, Uma Thurman, Robin Wright, Jessica Chastain, Jeanne Moreau, Naomi Campbell, Charlotte Rampling and many more. This XL volume presents more than 150 photographs-many of them unpublished or short-lived, often having been commissioned by monthly fashion magazines such as Vogue, Harper's Bazaar, Interview, Rolling Stone, W Magazine, or The Wall Street Journal. An extensive conversation between Lindbergh and Kunstpalast director Felix Kramer, as well as an homage by close friend Wim Wenders, offer fresh insights into the making of the collection. The result is an intimate personal statement by Lindbergh about his work.

"It is as if I have lost myself," described a client of her state of being to the psychiatrist Alois Alzheimer 100 years ago. Today, as the number of old people is constantly growing, more and more people are affected by Alzheimer's disease.

This book is an artistic approach to the topic of Alzheimer's disease. Many of the images are portraits, a classical way to capture an individual's personality. The soft colors and square shapes of the photographs create a striking esthetic without denying that the people shown are continually losing their individuality. Texts and images are a plea to the individual and to society as a whole to get involved with people suffering from Alzheimer's disease.

However beautiful or technically dazzling your photographs might be, if they don't tell a story, convey an idea or make your viewer stop and think, they are unlikely to make a lasting impression.Context and Narrative in Photography introduces practical methods to help you plan, develop and present meaningful, communicative images. With dozens of examples from some of the world's most thought-provoking photographers, this is a beautiful introduction to a fascinating aspect of photography.Beginning with an exploration of different narrative techniques, you'll be guided through selecting and developing a compelling concept for your project and how it might be conveyed either through a single image or a series of photographs. You'll also learn ways to incorporate signs, symbols and text into your work and how to present the finished piece to best reach your audience.New to this edition are extended projects, additional exercises and discussion questions, expanded case studies, around 25% of the images and an expanded Chapter 6 on integrating text into photographic projects.

Learn to ask better, more helpful questions of your work so that you can create stronger and more powerful photographs. Photographers often look at an image--one they've either already created or are in the process of making--and ask themselves a simple question: "Is this a good photograph?" It's an understandable question, but it's really not very helpful. How are you supposed to answer that? What does "good" even mean? Is it the same for everyone? What if you were equipped to ask better, more constructive questions of your work so that you could think more intentionally and creatively, and in doing so, bring more specific action and vision to the act of creating photographs? What if asking stronger questions allowed you to establish a more effective approach to your image-making? In The Heart of the Photograph: 100 Questions for Making Stronger, More Expressive Photographs, photographer and author David duChemin helps you learn to ask better questions of your work in order to craft more successful photographs--photographs that express and connect, photographs that are strong and, above all, photographs that are truly yours. From the big-picture questions--What do I want this image to accomplish?--to the more detail-oriented questions that help you get there--What is the light doing? Where do the lines lead? What can I do about it?--David walks you through his thought process so that you can establish your own. Along the way, he discusses the building blocks from which compelling photographs are made, such as gesture, balance, scale, contrast, perspective, story, memory, symbolism, and much more. The Heart of the Photograph is not a theoretical book. It is a practical and useful book that equips you to think more intentionally as a photographer and empowers you to ask more helpful questions of you and your work, so that you can produce images that are not only better than "good," but as powerful and authentic as you hope them to be. TABLE OF CONTENTS Better Questions PART ONE: A GOOD PHOTOGRAPH? Is It Good? The Audience's Good The Photographer's Good PART TWO: BETTER THAN GOOD Better Subjects PART THREE: BETTER EXPRESSION Exploration and Expression What Is the Light Doing? What Does Colour Contribute? What Role Do the Lines and Shapes Play? What's Your Point of View? What Is the Quality of the Moment? Where Is the Story? Where Is the Contrast? What About Balance and Tension? What Is the Energy? How Can I Use Space and Scale? Can I Go Deeper? What About the Frame? Do the Elements Repeat? Harmony Can I Exclude More? Where Does the Eye Go? How Does It Feel? Where's the Mystery? Remember When? Can I Use Symbols? Am I Being Too Literal? PART FOUR: BETTER PHOTOGRAPHS The Heart of the Photograph Index