David Bate examines automatism and the photographic image, the Surrealist passion for insanity, ambivalent use of Orientalism, use of Sadean philosophy and the effect of fascism of the Surrealists. The book is illustrated wtih a wide range of surrealist photographs.

WATERSTONES BEST BOOKS OF 2022 - SPORT 'This book is a work of art about football's works of art... Loved it.' - Kevin Day, broadcaster 'A beautiful showcase of such a distinctive part of the game's culture... impossible not to get lost in the book' - Miguel Delaney, The Independent 'Gorgeous to behold... Unmissable' - Danny Kelly, TalkSPORT radio presenter 'I absolutely love this book' - Jules Breach, football presenter On high-rise buildings, street corners and stadium walls in countries around the world, eye-catching murals pay tribute to footballing greats. From Messi and Ronaldo to Rapinoe and Cruyff, these striking displays are remarkable testaments to the awe and affection fans feel for these football legends and cult heroes. Join renowned football writer and broadcaster Andy Brassell as he explores this fascinating phenomenon. Offering a fresh, highly visual perspective on the global game, Football Murals is the first book to celebrate these towering works of art. Beckenbauer and Cruyff, Rooney and Ronaldinho, Totti and Salah, Zlatan and Zidane - being honoured with a mural cements a player's place in a club's heritage and links them to the heart of the community. This richly illustrated book showcases the most impressive examples, explores their inspirational qualities and examines what they say about these icons and their sport. Written and curated by respected football writer Andy Brassell, this ground-breaking book features more than 100 murals from around the world, capturing the scale, grandeur and wit of this powerful and popular art form. Through a series of short essays and extended captions, Andy shares the players' stories, discusses the cultural politics and explains just why these men and women have been immortalised in mural form. Covering such diverse topics as Home Town Glory, Football Fame and The Cult of the Coach, Football Murals addresses the issues important to fans worldwide. It spans Marcus Rashford's inspirational mural in a Manchester suburb, the George Best tribute on the East Belfast estate where he was born, the 15-foot depiction of Megan Rapinoe in St Paul, Minnesota, and the Naples 'shrine' to Diego Maradona.

Revealing that nineteenth-century photography goes beyond the functional to reflect the aesthetic, intellectual, and cultural concerns of the time, this study proposes that each photographic image of architecture be studied both as a primary visual document and an object of aesthetic inquiry. This multi-faceted approach drives Architecture in Nineteenth-Century Photographs: Essays on Reading a Collection. Despite three decades of post-colonial, post-structuralist and gender-conscious criticism, the study of architectural photography continues to privilege technical virtuosity. This volume offers a thematic exploration of the material, and a socio-historical examination that allows consideration of questions that have not been addressed comprehensively before in a single publication. Themes include exoticism and "armchair tourism"; the absence of women from architectural photography; the role of photographs as commodities; vernacular architecture and the picturesque; and historic preservation, urban renewal, and nationalism. Micheline Nilsen analyzes photographs from France and England"the two countries where photography was invented"and from around the world, representing a corpus of over 10,000 photographs from the Janos Scholz Collection of Nineteenth-Century Photographs of the Snite Museum of Art at the University of Notre Dame.

Formerly a British colony, the island of Cyprus is now a divided country, where histories of political and cultural conflicts, as well as competing identities, are still contested. Cyprus provides the ideal case study for this innovative exploration, extensively illustrated, of how the practice of photography in relation to its political, cultural and economic contexts both contributes and responds to the formation of identity. Contributors from Cyprus, Greece, the UK and the USA, representing diverse disciplines, draw from photography theory, art history, anthropology and sociology to explore how the island and its people have been represented photographically. They reveal how the different gazes- colonial, political, gendered, and within art photography- contribute to the creation of individual and national identities and, by extension, to the creation and re-creation of imagery of Cyprus as place. While Photography and Cyprus focuses on one geographical and cultural territory, the questions this book asks and the themes and arguments it follows apply also to other places characterized by their colonial heritage. The intriguing example of Cyprus thus serves as a fitting test-ground for current debates relating to photography, place and identity.

Revolution Is Love: A Year of Black Trans Liberation is the powerful and celebratory visual record of a contemporary activist movement in New York City, and a moving testament to the enduring power of photography in activism, advocacy, and community. In June 2020, after a Black trans woman in Missouri and a Black trans man in Florida were killed just weeks apart, activists Qween Jean and Joela Rivera returned to the historic Stonewall Inn-site of the 1969 riots that launched the modern gay rights movement-where they initiated weekly actions known thereafter as the Stonewall Protests. Brought together by the urgent need to center Black trans and queer lives within the Black Lives Matter movement, a vibrant and radical community emerged. Over the following year, the Stonewall Protests brought together thousands of people across communities and social movements to gather in solidarity, resistance, and communion. Each Thursday was an invitation for protests, healing, and celebration-whether through marches, voguing balls, or vigil-and a living testament to love in revolution. This book gathers twenty-four photographers who participated in these actions to share images and words on the demonstrations and their community at large, preserving this legacy as it unfolded. Through photographs, interviews, and text, Revolution Is Love celebrates the power of shared joy and struggle in trans community and liberation. Featuring images and text by Ramie Ahmed, Lucy Baptiste, Budi, Brandon English, Deb Fong, Snake Garcia, Stas Ginzburg, Katie Godowski, Robert Hamada, Chae Kihn, Zak Krevitt, Erica Lansner, Daniel Lehrhaupt, Caroline Mardok, Ryan McGinley, Josh Pacheco, Jarrett Robertson, Phoenix Robles, Souls of a Movement, Madison Swart, Cindy Trinh, Sean Waltrous, Ruvan Wijesooriya, and David Zung

In What Photography Is, James Elkins examines the strange and alluring power of photography in the same provocative and evocative manner as he explored oil painting in his best-selling What Painting Is. In the course of an extended imaginary dialogue with Roland Barthes's Camera Lucida, Elkins argues that photography is also about meaninglessness--its apparently endless capacity to show us things that we do not want or need to see--and also about pain, because extremely powerful images can sear permanently into our consciousness. Extensively illustrated with a surprising range of images, the book demonstrates that what makes photography uniquely powerful is its ability to express the difficulty--physical, psychological, emotional, and aesthetic--of the act of seeing.

Documentary photography is undergoing an unprecedented transformation as it adapts to the impact of digital technology, social media and new distribution methods. In this book, photographer and educator Michelle Bogre contextualizes these changes by offering a historical, theoretical and practical perspective on documentary photography from its inception to the present day. Documentary Photography Reconsidered is structured around key concepts, such as the photograph as witness, as evidence, as memory, as narrative and as a vehicle for activism and social change. Chapters include in-depth interviews with some of the world's leading contemporary practitioners, demonstrating the wide variety of different working styles, techniques and topics available to new photographers entering the field. Every key concept is illustrated with work from a range of innovative, influential and often under-represented photographers, giving a flavor of the depth and range of projects from the history of this global art form. There are also creative projects designed to spark ideas and build skills, to help you conceive, develop and produce your own meaningful documentary projects. The book is supported by a companion website, which includes in-depth video interviews with featured practitioners.

Running a Successful Photography Business is the definitive business bible for every professional photographer - a one-stop resource covering everything you need to know to make your business a success. This handy book contains guidance on the key areas of running your business: fine-tuning your brand, attracting new clients and keeping existing ones, costing and producing shoots, professional ethics and codes of practice, contracts, preparing a business plan, operating your business effectively, legal obligations, working with agents and agencies and how to evolve and prosper in this ever changing industry. Everything a working photographer needs to know in order for their business to flourish.Written from the unique point of view of a leading photographers' agent, the author knows from first-hand experience what it takes to survive and succeed as a professional photographer. This book builds on the author's popular first book, Setting up a Successful Photography Business, aimed at those starting out in freelance photography.

In What Photography Is, James Elkins examines the strange and alluring power of photography in the same provocative and evocative manner as he explored oil painting in his best-selling What Painting Is. In the course of an extended imaginary dialogue with Roland Barthes's Camera Lucida, Elkins argues that photography is also about meaninglessness--its apparently endless capacity to show us things that we do not want or need to see--and also about pain, because extremely powerful images can sear permanently into our consciousness. Extensively illustrated with a surprising range of images, the book demonstrates that what makes photography uniquely powerful is its ability to express the difficulty--physical, psychological, emotional, and aesthetic--of the act of seeing.

The Photo Student Handbook is a collection of short, easy-to-read chapters filled with expert advice on enhancing image-making skills and launching a career as a professional photographer. Designed to help students grow beyond the technical aspects of photography, this book presents a variety of methods and strategies proven to strengthen visual awareness, engage creative thinking, and deepen the conceptual aspects of image-making. Topics include how to: - improve the ability to see actively - understand light as a main character - cultivate a creative mind - make a standout portfolio - unpack critical theory - find and develop a creative voice. Packed with valuable tips, insights, and advice from over a hundred instructors, professionals, senior students, and experts, this book is engineered to help instructors guide students step-by-step through the methods and strategies needed to achieve creative success both in the classroom and the real world. This book is ideal for intermediate- and advanced-level photography students and instructors alike. Visit the accompanying website www.photostudent.net for extra chapters, exercises, quizzes, and more.

However beautiful or technically dazzling your photographs might be, if they don't tell a story, convey an idea or make your viewer stop and think, they are unlikely to make a lasting impression.Context and Narrative in Photography introduces practical methods to help you plan, develop and present meaningful, communicative images. With dozens of examples from some of the world's most thought-provoking photographers, this is a beautiful introduction to a fascinating aspect of photography.Beginning with an exploration of different narrative techniques, you'll be guided through selecting and developing a compelling concept for your project and how it might be conveyed either through a single image or a series of photographs. You'll also learn ways to incorporate signs, symbols and text into your work and how to present the finished piece to best reach your audience.New to this edition are extended projects, additional exercises and discussion questions, expanded case studies, around 25% of the images and an expanded Chapter 6 on integrating text into photographic projects.

Hardcore racing fanatics and casual daytrippers alike will be entertained and educated by an insider's view of the early history of the America's Cup. Highlighting this history are previously unpublished photographs of Edwin Levick and his sons from the first 10 America's Cup races. These evocative photographs are complemented by the personal anecdotes and insights of author Gary Jobson, a tactician on two winning America's Cup boats. Levick's photographs, housed at the Mariners' Museum in Newport News, Virginia, offer a rare and exciting look at sailing's premier race.

In today's tumultuous age photography has become a pervasive pursuit. Everywhere you look everyone seems to have a camera and everyone seems to be taking passionate photos on favourite themes, selected subjects and preferred people, who personally spark their wide-eyed interest. As with anything in life, the importance is not in the accomplishment of what photography can do (for you), but rather in the love which you bring to the art of photography. The transformative photographer must approach his subject with a comprehensive, evolutionary, detached but warm love, coupled with humour and an ability to leave things unaltered and fundamentally free.

Brings to life the breathtaking and often heartbreaking stories of the workers who built New York City in the Twentieth Century Ordinary People, Extraordinary Lives tells the stories of the men and women who built the City-of towering structures and the beam walkers who assembled them; of immigrant youths in factories and women in sweatshops; of longshoremen and typewriter girls; of dock workers and captains of industry. It provides a glimpse of the traditions they carried with them to this country and how they helped create new ones, in the form of labor organizations that provided recent immigrants, often overwhelmed by the intensity of New York life, with a sense of solidarity and security. Astounding in their own right, the book's photographic images, most drawn from seldom-seen labor movement photographers, are complemented by poignant oral histories which tell the stories behind the images. Among the extraordinary lives chronicled are those of Philip Keating, who, seven years after a fellow worker photographed him painting the Queensboro Bridge in 1949, plunged to his death from another worksite; William Atkinson, who broke the color bar at Macy's and tells of fighting racism at home after fighting fascism abroad during World War II; and Cynthia Long, who fought gender barriers to become, in the late 1970s, an electrician with International Brotherhood of Electrical Workers Local 3. With narratives at the beginning of each section providing historical context, this book brings the past clearly, emotionally, and fascinatingly alive.

Elusive Birds of the Tropical Understory is an arresting visual trip to the unseen corners of the Neotropical forest understory. Edited by John P. Whitelaw, Jeffrey D. Brawn, Henry S. Pollock, and John W. Fitzpatrick, this book combines unique images of tropical birds with inspired essays by leaders in the world of modern ornithology. With one-of-a-kind photos of seldom-documented birds, the authors use photography as a conservation tool. Many of the birds are more often heard than seen-not much is known about some of them, and much of what we do know is found in historical natural history literature, not contemporary accounts. Due to dense vegetation, low light conditions, and the birds' furtive behavior and cryptic coloring, they are notoriously difficult to photograph. Yet, Elusive Birds of the Tropical Understory delves deep into the Panamanian forest understory to show why these birds should be included in discussion of the current conservation crisis. What these species lack in bright colors they make up for in distinctive behaviors, subtle plumage patterns, and ongoing mystery. Elusive Birds of the Tropical Understory invites and inspires naturalists of all ages to take a closer look at a fascinating assemblage of overlooked birds.

With newly commissioned essays by some of the leading writers on photography today, this companion tackles some of the most pressing questions about photography theory's direction, relevance, and purpose. This book shows how digital technologies and global dissemination have radically advanced the pluralism of photographic meaning and fundamentally transformed photography theory. Having assimilated the histories of semiotic analysis and post-structural theory, critiques of representation continue to move away from the notion of original and copy and towards materiality, process, and the interdisciplinary. The implications of what it means to 'see' an image is now understood to encompass, not only the optical, but the conceptual, ethical, and haptic experience of encountering an image. The 'fractal' is now used to theorize the new condition of photography as an algorithmic medium and leads us to reposition our relationship to photographs and lend nuances to what essentially underlies any photography theory - that is, the relationship of the image to the real world and how we conceive what that means. Diverse in its scope and themes, The Routledge Companion to Photography Theory is an indispensable collection of essays and interviews for students, researchers, and teachers. The volume also features extensive images, including beautiful colour plates of key photographs.

The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a set of contemporary thematic readers designed for educators, students, practicing photographers, and others interested in the ways images function within a wider set of cultural practices. The series tracks the many movements and "lives" of images-their tendency to accumulate, circulate, and transform through different geographies, cultures, processes, institutions, states, uses, and times. Volume 2 in this series, Analogy, Attunement, and Attention, addresses the complex relationships that the reproducible image creates with its viewers, their bodies, their minds, and their sense of the physical and metaphysical world. The selection addresses the image's role in the social constitution of individual and collective identity, in social practices of resistance to the structural violences of racism, or in relation to state exercises of power. Of particular importance in this volume are questions of our changing relationship to space and to selfhood as mediated by the image and by the many networked technologies and norms built around it. Essays in the volume ask: what modes of attention are required of us as viewers and agents of image circulation? The question of how image technologies provide us with an array of freedoms is here combined with and read against the many ways images are deployed to reorient, repress, or reduce our field of vision-thus affecting our capacity to see and to act in social space. Contributions by Victor Burgin, Judith Butler, Tina Campt, Sarah Jane Cervenak, Harun Farocki, Tom Holert, Thomas Keenan, Rabih Mroue, Vivian Sobchack, and Tiziana Terranova

Photography explores the photograph in the twenty-first century and its importance as a media form. Stephen Bull considers our media-saturated society and the place of photography in everyday life, introducing the theories used to analyse photographs and exploring the impact of digital technology.

The text is split into short, accessible chapters on the broad themes central to the study and analysis of photography, and key issues are explained and applied to visual examples in each chapter.

Topics covered include:

• the identity of photography
• the meanings of photographs
• photography for sale
• snapshots
• the photograph as document
• photography as art
• photographs in fashion
• photography and celebrity.

Photography is an up-to-date, clear and comprehensive introduction to debates about photography now and is particularly useful to media, photography and visual culture students.

From the Highlands of Scotland to the plains of northern India, Castles of the World is a beautiful examination of past worlds viewed through strongholds that continue to enrich the modern landscape. They evoke an imagined age of aristocratic warriors and noble aspirations. Presented in a handy, pocket-sized format, arranged chronologically and illustrated with more than 200 colour photographs, Castles of the World examines more than 150 fortifications from across the world, from Cathar castles and Alpine schloesser to Norman keeps and Samurai strongholds. Discover how the 13th-century Eilean Donan Castle in Scotland was destroyed during the Jacobite rebellion of 1719; learn about Turkey's Marmaris Castle, built in 1522 by Suleiman the Magnificent to support his attack on neighbouring Rhodes; and explore the Mughal-constructed Red Fort in Delhi, home of Muslim rulers from 1648 until 1803, and today a symbol of Indian nationalism.

Grounded in real-life experiences and scenarios, this practical guide offers editorial, non-profit, foundation, and corporate photographers an honest and insightful approach to running a freelance photography business. Pulling from thirty years of experience as a freelance photographer, veteran Todd Bigelow presents a timely and detailed account of the methods and tactics best used to navigate and succeed in the profession. He explores the topics that define the business of freelancing, including: analyzing photography contracts; creating and maintaining an image archive; licensing for revenue; client development; registering for copyright; combating copyright infringement; and understanding tax issues, freelance business structures, and more. Chapters feature examples of real contract clauses and emails to better prepare readers for the practical daily activities that are essential to growing a success business. Likewise, Bigelow shares conversational anecdotes throughout to provide real insight into the world of freelancing. Based on the author's sought-after Business of Photography Workshop, this book is an essential guide for emerging, mid-career, and experienced photographers interested in starting or improving their own freelance business.

Photography, Anthropology and History examines the complex historical relationship between photography and anthropology, and in particular the strong emergence of the contemporary relevance of historical images. Thematically organized, and focusing on the visual practices developed within anthropology as a discipline, this book brings together a range of contemporary and methodologically innovative approaches to the historical image within anthropology. Importantly, it also demonstrates the ongoing relevance of both the historical image and the notion of the archive to recent anthropological thought. As current research rethinks the relationship between photography and anthropology, this volume will serve as a stimulus to this new phase of research as an essential text and methodological reference point in any course that addresses the relationship between anthropology and visuality.