'Exuberantly entertaining' NYT Book Review 'Mark Braude's writing and subject make this book irresistible, as was Kiki herself.' Jim Jarmusch 'A delightful, marvelously readable, meticulously-researched romp of a book, Kiki Man Ray brings to life not just the kaleidoscopically talented Kiki herself, but the endlessly fascinating Montparnasse milieu over which she reigned.' Whitney Scharer, author of THE AGE OF LIGHT Though many have never heard her name, Alice Prin - Kiki de Montparnasse - was the icon of 1920s Paris. She captivated as a ground-breaking nightclub performer, wrote a bestselling memoir, sold out exhibitions of her paintings, and shared drinks and ideas with the likes of Pablo Picasso, Peggy Guggenheim, and Marcel Duchamp. She also shepherded along the career of a then-unknown American photographer: Man Ray. Following Kiki in the years between 1921 and 1929, when she lived and worked with Man Ray, Kiki Man Ray charts their complicated entanglement and reveals how Man Ray - always the unabashed careerist - went on to become one of the most famous photographers of the twentieth century, enjoying wealth and prestige, while Kiki's legacy was lost. But this isn't a story of an overbearing male genius and his defeated muse. During the 1920s it was Kiki, not Man Ray, who was the brighter of the two rising stars and a powerful figure among the close-knit community of models, painters, writers and cafe wastrels who made their homes in gritty Montparnasse. Following the couple as they created art, struggled for power and competed for fame, Kiki Man Ray illuminates for the first time Kiki's seminal influence on the culture of 1920s Paris, and challenges ideas about artists and muses, and the lines separating the two. 'Kiki de Montparnasse was more than a muse - she was a vivacious, independent woman whose talent and magnetism helped make Paris the center of the art world in the 1920s. In Mark Braude's riveting cultural history, the Queen of Montparnasse rises again. This is a lively and compassionate tribute to the chanteuse, model, and portraitist who held center stage in her life, and who inspired some of the finest Surrealist art of the twentieth century.' Heather Clark, author of Pulitzer Prize-finalist Red Comet: The Short Life and Blazing Art of Sylvia Plath

#2 on Photo.net's list of Best Photography Books of 2014! To create successful imagery, you need to balance technical know-how and aesthetic vision. In Camera & Craft, we deconstruct photographic principles in new ways to help you think through your process. Together with nine guest photographers, we explore photographic practice and follow up with inventive exercises and demonstrations that challenge you to engage with your tools-all with the goal of helping you work more creatively. Along the way are conversations with our guest photographers that address each topic, from how the professionals work with clients and models to what they think about as they look through the viewfinder. Here's what you'll find inside: Advice and insights from professionals working in a variety of fields, from photojournalism and portraiture to fine-art, landscape and commercial photography Technical explanations about how photographic tools work-so you can connect knowledge to your practice and work more instinctively and creatively Key steps for improving digital workflow Innovative exercises at the end of each chapter as well as on our companion website that encourage you to experiment with and understand the photographic process-from learning how far you can push your camera's sensor to exploring the effects of neutral vs. creative color Interviews with technical and creative experts about developing skills and making images that matter This book is part of The Digital Imaging Masters Series, which features cutting-edge information from the most sought-after and qualified professionals and instructors in the photography field. Based on the progressive curriculum of the Master of Professional Studies in Digital Photography (MPS DP) program created by Katrin Eismann at the School of Visual Arts (SVA) in New York City, these books are the next best thing to being in the classroom with the Digital Photography Masters themselves.

Empower your artistry in the digital environment This unique Painter book addresses both creative and technical proficiency, helping you step ahead in today's world of photography, art, multimedia, and design. This lavishly illustrated guide speaks directly to all visual artists and shows you how to combine traditional and stateof-the-art media to capture the essence of your vision. Fully updated for Corel Painter X and the newest range of Wacom graphics tablets, progressive, well-structured tutorials from beginner to advanced level, case studies, and examples of art will inspire your imagination at every stage. Let world-renowned Painter master Jeremy Sutton guide you step-by-step in how to experiment with creative ideas and techniques that you can adapt to your own style. New time-saving tips, workflow strategies, and keyboard short cuts allow you to quickly transform your work with Corel Painter X's outstanding natural-media tools. From expressive paintings to evocative collage portraits, oil impressionism, live portrait paintings, and painterly effects for video, television, and the Web, you get the best techniques through... *Clear explanations with colorful screen grabs and inspiring artworks that lead you through the sophisticated and creative Painter tools *Practical, hands-on tutorials, and project illustrations that show you every step in image development, including multimedia artist techniques *Downloadable resources are packed with unique custom brushes, tutorial images, and additional art materials not supplied with Painter X Included on the resource CD: *48 extra brushes including many unique custom brushes not supplied with Painter *38 custom color sets *Jeremy's SupaDoopa custom palettes to help speed up your workflow *Collection of Jeremy's favorite Image Hose nozzles, paper textures, and patterns to greatly enhance the variety and richness of art materials available at your fingertips *Gain instant access to Jeremy's interface customization and optimize your creativity with unique custom workspaces, new to Painter X *4 QuickTime movies including a studio tour, artwork commentary, and details on Wacom tablets *Have fun practicing with 28 tutorial images!

With the new edition of this proven bestseller, Photoshop users can master the power of Photoshop CS5 with internationally renowned photographer and Photoshop hall-of-famer Martin Evening by their side. In this acclaimed reference work, Martin covers everything from the core aspects of working in Photoshop to advanced techniques for professional results. Subjects covered include organizing a digital workflow, improving creativity, output, automating Photoshop, and using Camera RAW. The style of the book is extremely clear, with real examples, diagrams, illustrations, and step-by-step explanations supporting the text throughout. This is, quite simply, the essential reference for photographers of all levels using Photoshop. Downloadable resources are available online at www.focalpress.com/cw/evening-9780240522005/

Are you bewildered by the advanced editing options available in Photoshop Elements? Do you want to get the most out of your image without going bleary-eyed in front of a computer screen? This handy guide will explain the ins and outs of using Photoshop Elements, without having to spend hours staring at the screen. Using a fabulous combination of easy-to-follow advice and step-by-step instructions, Focus On Photoshop Elements gives great advice on setting up, storing and sharing your image library and teaches you the basics of RAW image processing and color correction, plus shows you how to edit and retouch your images for stunning results. These simple tweaks and adjustments will take your images from so-so to amazing - and fast! Packed with inspiring photographs, this guide focuses on your needs as a photographer and nothing else.

Have you ever wanted to summon magical powers? Create a stained glass style masterpiece? Or turn Summer into Fall? There's a whole world of opportunity out there for creating fun photomontages, powerful panoramas, and dynamic distortions. Redesigned and completely rewritten for Elements 11, this book starts you at the basics of photomontage with selection techniques, layers and transformations; leading up to full-length projects for creating magazine covers, fantasy scenes, poster artwork and much, much more. This book also features a dedicated website where you can download images and tutorial videos that show you how to expand, develop, and master top techniques. As well as, full color images, a glossary of terms, useful keyboard shortcuts, and a detailed index that will help you locate that fantastic technique in a flash.

Photo Op is a photo projects book with a difference. Featuring 52 inspirational ideas, backed up by jargon-free practical guidance, it is packed with cliche-busting images from some of the best, brightest, hottest photographers working in the Flickr community - many of whom already have a cult following. This book offers a weekly dose of creative inspiration for photographers and images-makers of all levels, and features diverse challenges ranging from quick-fire results to more immersive techniques. Photographers and image-makers are always on the lookout for inspiration and guidance, and Photo Op provides both in a fun, accessible format that will kick-start creativity, enhance skills, and build confidence behind the lens.

Author Haje Jan Kamps knows that you are travelling for two good reasons: to experience great things, and to get great photos of your travels. He also understands very well how people's eyes tend to glaze over when phrases like "Circles of Confusion" or the "Inverse Square Law" are brandished about, and focuses instead on great photographs, and how to take them. A realistic and easy-to-follow approach to travel photography puts the fun back into photography, and by following a series of simple exercises, you'll learn much more about photography than you would have thought possible! Focus on Travel Photography covers the basics of photography in brief before throwing itself into the real essence of travel photography: landscapes, people, and capturing the spirit of your destination. Finally, the author explores how you can download, edit, and distribute your photos while you're on the move-all without being over-burdened with equipment.

This edited collection explores the complex ways in which photography is used and interpreted: as a record of evidence, as a form of communication, as a means of social and political provocation, as a mode of surveillance, as a narrative of the self, and as an art form. What makes photographic images unsettling and how do the re-uses and interpretations of photographic images unsettle the self-evident reality of the visual field? Taking up these themes, this book examines the role of photography as a revelatory medium underscored by its complex association with history, memory, experience and identity.

In today's tumultuous age photography has become a pervasive pursuit. Everywhere you look everyone seems to have a camera and everyone seems to be taking passionate photos on favourite themes, selected subjects and preferred people, who personally spark their wide-eyed interest. As with anything in life, the importance is not in the accomplishment of what photography can do (for you), but rather in the love which you bring to the art of photography. The transformative photographer must approach his subject with a comprehensive, evolutionary, detached but warm love, coupled with humour and an ability to leave things unaltered and fundamentally free.

If you've ever wanted to take dynamic and vibrant digital photos of your favorite band in concert, but aren't sure how to tackle such obstacles as approaching the stage, tricky lighting situations, or even what equipment to use, then look no further! Concert and Live Music Photography is a comprehensive guide to shooting live music performances, providing you with the right information on equipment, camera settings, composition, and post-processing to get the best out of each performance shot. J. Dennis Thomas, whose work has appeared in such magazines as Rolling Stone, SPIN, and Country Weekly, shares tips on lighting, common problems, etiquette, and recommended camera settings for shooting in a variety of different venues, including clubs, bars, outdoor concerts, theatres, stadiums, and arenas. He also explains how to get the right credentials to get you closer to each performance. Jam packed with over 160 photos from today's top concerts, this book will not only give you the information you need to start taking rockin' photos of your favorite musicians, but will spark your creativity when you're anticipating the next shot. For the on-the-go photographer, a cool companion website features additional tips, venue troubleshooting, and an equipment checklist when you need to think on your feet while running to another gig.

Take a tour of the burgeoning world of plastic cameras and low-tech photography in this fun and funky guide to creating the most artistic pictures of your life! Whether you're an experienced enthusiast or toy camera neophyte, you'll find this guide full of tantalizing tips, fun facts, and absolutely striking photographs taken with the lowest tech tools around. You'll learn how to prep your plastic camera, their advantages and quirks, and what film to feed it. You'll also explore what makes a good subject, vignetting, multiple exposures, panoramas, close-ups, night photography, color, flash, problems and solutions, and so much more. Michelle Bates also takes you from a negative to either prints or pixels so that you can show off your photos and jump on the toy-camera revolution! Contributors include: Michael Ackerman, Thomas Michael Alleman, Erin Antognoli, Jonathan Bailey , James Balog, Michelle Bates, Phil Bebbington, Gyorgy Beck, Susan Bowen, Laura Corley Burlton, David Burnett, Susan Burnstine, Nancy Burson, Perry Dilbeck, Jill Enfield, fotovitamina, Annette Elizabeth Fournet, Brigitte Grignet, Eric Havelock-Bailie, Christopher James, Michael Kenna, Wesley Kennedy, Teru Kuwayama, Louviere and Vanessa, Mary Ann Lynch, Anne Arden McDonald, Ted Orland, Sylvia Plachy, Dan Price, Becky Ramotowski, Nancy Rexroth, Francisco Mata Rosas, Richard Ross, Franco Salmoiraghi, Rosanna Salonia, Jennifer Shaw, Nancy Siesel, Mark Sink, Kurt Smith, Sandy Sorlien, Pauline St. Denis, Harvey Stein, Gordon Stettinius, Ryan Synovec, Rebecca Tolk, Marydorsey Wanless, Shannon Welles, Matthew Yates, Dan Zamudio.

Taking its departure point from the 1933 surrealist photographs of 'involuntary sculptures' by Brassai and Dali, Found Sculpture and Photography from Surrealism to Contemporary Art offers fresh perspectives on the sculptural object by relating it to both surrealist concerns with chance and the crucial role of photography in framing the everyday. This collection of essays questions the nature of sculptural practice, looking to forms of production and reproduction that blur the boundaries between things that are made and things that are found. One of the book's central themes is the interplay of presence and absence in sculpture, as it is highlighted, disrupted, or multiplied through photography's indexical nature. The essays examine the surrealist three-dimensional object, its relation to and transformation through photographs, as well as the enduring legacies of such concerns for the artwork's materiality and temporality in performance and conceptual practices from the 1960s through the present. Found Sculpture and Photography sheds new light on the shifts in status of the art object, challenging the specificity of visual practices, pursuing a radical interrogation of agency in modern and contemporary practices, and exploring the boundaries between art and everyday life.

Gives an ethnographic account of the complexities of the use of photography in Africa, both historically and in contemporary practice. This collection of studies in African photography examines, through a series of empirically rich historical and ethnographic cases, the variety of ways in which photographs are produced, circulated, and engaged across a range of social contexts. In so doing, it elucidates the distinctive characteristics of African photographic practices and cultures, vis-a-vis those of other forms of 'vernacular photography' worldwide. In addition, these studies develop areflexive turn, examining the history of academic engagement with these African photographic cultures, and reflecting on the distinctive qualities of the ethnographic method as a means for studying such phenomena. The volumecritically engages current debates in African photography and visual anthropology. First, it extends our understanding of the variety of ways in which both colonial and post-colonial states in Africa have used photography as a means for establishing, and projecting, their authority. Second, it moves discussion of African photography away from an exclusive focus on the role of the 'the studio' and looks at the circulations through which the studios' products - the photographs themselves - later pass as artefacts of material culture. Last, it makes an important contribution to our understanding of the relationship between photography and ethnographic research methods, as these have been employed in Africa. Richard Vokes is Senior Lecturer in Anthropology at the University of Canterbury, New Zealand, and author of Ghosts of Kanungu

Film photography has recently witnessed a significant renaissance and not just among those who have previously shot with film. Interest in film photography and analogue photography has also grown enormously among those who have only ever shot digitally. In The Film Photography Handbook, 3rd Edition, authors Chris Marquardt and Monika Andrae speak to both types of film photographers as they offer an easy-to-understand, complete resource to shooting film. In this updated and expanded edition, they address today s working climate, including such topics as the hybrid film/digital workflow, the digitization of negatives, and using smartphones for light metering and to assist in film processing. This book is intended for anyone who is curious about film and analogue photography, whether you need a refresher course or are discovering this wonderful format for the first time. You ll learn how easy it is to shoot and process black-and-white film at home, and that just a little special equipment is needed to get into film photography. You ll learn all about: The important differences between film and digital photography Numerous film cameras, as well as how to buy a second-hand camera Film formats, from 35 mm to medium format and large format Exposure settings, tonal values, and tonal representations in different types of film, from colour negatives and slides to the enormous spectrum of black-and-white film Processing film, covering everything you need to know: equipment, chemicals, and workflow Scanning negatives to bring your analogue photography into a digital workflow Both presenting and archiving your prints and negatives. Working in such an analogue medium requires a unique approach to photography, and it fosters a completely different form of creativity. Working in film and embracing analogue photography can also prove to be a great inspiration for your own digital photography, as well. The Film Photography Handbook, 3rd Edition covers it all from the technical to the creative and will have you shooting film in no time, whether it s with an old rangefinder, an inexpensive Holga, or a medium-format Rolleiflex or Hasselblad.

Even in an age when the photograph has changed from a physical object into a data file that can be easily manipulated, we tend to believe what we see. But photographs can and do lie. As an object in a film, a photograph's meaning and function can be even more malleable and deceiving, as new developments in technology are altering how we perceive reality. In Reel Photos: Balancing Art and Truth in Contemporary Film, Wendy Sterba examines the use of photographs in cinema to explore issues of objectivity, subjectivity, fabrication, and fact. This study first looks at the traditional use of the photograph in films such as Blow-Up and then considers similar issues as they relate to the search for truth in detective films like Along Came a Spider, The Bone Collector, and Forgotten. Subsequent chapters explore ambivalence and photographic objectification in films about art photography, including The Governess, Fur, and Closer. Other movies discussed include Inception, Paparazzi, Under Fire, and Somebody Has to Shoot the Picture. By examining the function of the photograph in movies rather than the role of film photography as art, Sterba provides an innovative approach to cinema studies. Utilizing theory in an intelligent but easily understandable way, this book allows readers to re-examine the role of authorship and the value of authentic art. Reel Photos will appeal to students and scholars of cinema, as well as anyone interested in the aesthetics of art and truth in film.

'The thought in my head does not yet have shape or form, only direction, one picture leading into another.' An ageing artist, faced with his own mortality, embarks on one final artwork. As he battles to complete the project, working with an enigmatic young photographer, he finds his past and present blurring. Through the act of creation and the memories it excavates, the artist comes to a realisation about what matters most, and what he will leave behind when he is gone. This hybrid and innovative short novel responds through fiction to 'The New World', the final artwork by the late artist Alan Smith - which is in turn a response to an eighteenth-century fresco, Giandomenico Tiepolo's 'Il Mondo Nuovo'. With sparkling, dreamlike prose, Bruton weaves a story around these artworks, arriving at both a profound exploration of the creative process and a timeless love story told in a new way.

While studying the theory and contemporary impact of 'embodied' viewing, this book celebrates the emergence and development of Visual Studies as a major subject of research and teaching in the field of Hispanic Studies within the UK over the last thirty years. By exploring current routes of investigation, as well as analysing future pathways for study in the field, seven highly distinguished Spanish and Latin American scholars examine their own entry into Visual Studies, and discuss the major trends and changes which occurred in the field as matters of the visual gradually became embedded in higher-education curricula and research trajectories. Each scholar also lays out a current research project, or interest, concerning Spain or Latin America within the visual field. The projects variously explore different media - including film, sculpture, photography, dance, and performance art - spread across a wide array of geographical locales, including Mexico, Cuba, mainland Spain, and the Canary Islands. Offering a map of current and future research in the field, this book provides the first history of visual studies within UK Hispanism. It will be of lasting value to a wide range of scholars and advanced students of Spanish and Latin American cultural, visual, and film studies. This book was originally published as a special issue of the Bulletin of Spanish Studies.

Ophthalmic Imaging serves as a reference for the practicing ophthalmic imager. Ophthalmic imaging combines photography and diagnostic imaging to provide insight into not only the health of the eye, but also the health of the human body as a whole. Ophthalmic photographers are specialists in imaging through and in the human eye, one of the only parts of the body where the circulation and nervous system is visible non-invasively. With technical perspective as context, this book will provide instructional techniques as well as the background needed for problem solving in this exciting field. The book covers all aspects of contemporary ophthalmic imaging and provides image support to ophthalmologists and sub-specialties including retinal specialists, corneal specialists, neuro-ophthalmologists, and ocular oncologists. This text serves as a reference for the practicing ophthalmic imager, or to imagers just getting started in the field.

Ophthalmic Imaging serves as a reference for the practicing ophthalmic imager. Ophthalmic imaging combines photography and diagnostic imaging to provide insight into not only the health of the eye, but also the health of the human body as a whole. Ophthalmic photographers are specialists in imaging through and in the human eye, one of the only parts of the body where the circulation and nervous system is visible non-invasively. With technical perspective as context, this book will provide instructional techniques as well as the background needed for problem solving in this exciting field. The book covers all aspects of contemporary ophthalmic imaging and provides image support to ophthalmologists and sub-specialties including retinal specialists, corneal specialists, neuro-ophthalmologists, and ocular oncologists. This text serves as a reference for the practicing ophthalmic imager, or to imagers just getting started in the field.

The childlike character of ideal femininity has long been critiqued by feminists, from Mary Wollstonecraft to Simone de Beauvoir. Yet, women continue to be represented as childlike in the western fashion media, despite the historical connotations of inferiority. This book questions why such images still hold appeal to contemporary women, after three, or even four, waves of feminism. Focusing on the period of 1990-2015, Picturing the Woman-Child traces the evolution of childlike femininity in British fashion magazines, including Vogue, i-D and Lula, Girl of my Dreams. These images draw upon a network of references, from Kinderwhore and Lolita to Alice in Wonderland and the femme-enfant of Surrealism. Alongside analysis of fashion photography, the book presents the findings of original research into audience reception. Inviting contemporary women to comment on images of the 'woman-child' provides an insight into the meaning of this figure as well as an evaluation of theory on the 'female gaze'. Both scholarly and accessible, the book paves the way for future studies on how readers make sense of fashion imagery.

This book delivers an in-depth analysis of Hercule Florence, who is virtually unknown despite being among the world's photographic pioneers. Based on the texts of various manuscripts, letters, diaries, notes, and advertisements, this book answers numerous questions surrounding Florence's work, including the materials, methods, and techniques he employed and why it took more than a century for his discovery to come to light. Kossoy's groundbreaking research establishes Florence's use of "photographie" to describe the product of his experiments, half a decade before Sir John Herschel recommended "photography" to Henry Fox Talbot. This book aims to change the fact that despite its cultural and historical importance, Florence's photographic breakthrough remains largely unknown in the English-speaking world.