Grasmere, at the heart of the Lake District National Park and World Heritage Site, is one of the most celebrated valleys in the region. The particular Lakeland character and beauty of Grasmere have made it world famous and have inspired artists and writers for over two hundred years. This high-quality book is a personal photographic diary by award-winning photographer Bill Birkett. All the four seasons, and their many moods, are represented and the photographic journey extends from lakeshore, through village, wood and meadow, to the high fell tops. Extensive captions are based on a lifetime’s local knowledge.

In Landscapes Between Then And Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to post-apartheid and into the contemporary era.

By examining specific artworks made in South Africa, Namibia and Angola, Brandt sheds light on established and emerging themes related to aftermath landscapes, embodied histories, (un)belonging, spirituality and memorialization. She shows how landscape and identity are mutually constituted, and profiles this process against the background of the legacy of the acutely racially divisive policies of the apartheid regime that are still reflected on the land. As a signpost throughout the book, Brandt draws on the work of the renowned South African photographer Santu Mofokeng and his critical thinking about landscape.

Landscapes Between Then And Now explores how practitioners who engage with identity and their physical environment as a social product might reveal something about the complex and fractured nature of postcolonial and contemporary societies. Through diverse strategies and aesthetics, they comment on inherent structures and epistemologies of power whilst also expressing new and radical forms of self-determinism. Brandt asks why these cross-disciplinary works ranging from social documentary to experimental performance and embodied practices are critical now, and what important possibilities for social and political reflection and engagement they suggest.

Acclaimed reviews:
"Landscapes Between Then and Now brilliantly explores how artistic and critical practices of post-apartheid South Africa and Namibia chart a creative and critical path out of habituated ways of looking at the world with a Western, colonial and inherently unjust gaze. This lucid, innovative and deeply ethical study of a range of genres and artists will quickly become an enduring and indispensable book for anyone concerned with camera-based art practices in our globalized age." ~ Ulrich Baer, New York University, author of Spectral Evidence: The Photography of Trauma

"This is an extraordinary book for those interested in a more prismatic consideration of the visualization of history at the interstices of violence, race and modernity in Africa; here the landscape itself is the primary archive. Focused on Southern Africa, Brandt reaches beyond the knowing silence photography can engender, to give voice to formerly unspeakable things that perhaps can no longer remain unspoken." ~ Erica Moiah James, art historian, curator and professor

"Landscapes Between Then and Now, reminds us of the extraordinary enmeshment of histories in Southern Africa in spite of rigid man-made borders and the traumas that came with them. In tracing the work of key artists working in photography, performance and video art, it delves into the complex politics of land and reflects on nuanced tensions emanating from different places, spaces and time periods. In many ways it creates a context for important debates around collective memory and commemoration that are ongoing today." ~ Tandazani Dhlakama, Assistant Curator, Zeitz Mocca Museum, South Africa

"Brandt writes insightfully about the individual bodies of work selected for in-depth consideration. Her underlying argument, that contemporary ‘landscape’ photography in the region should be understood in relation to the social documentary practices predominant during the apartheid years, is both valuable and convincing." ~ Darren Newbury, author of Defiant Images: Photography and Apartheid South Africa

"The past can be owned, just like landscape. The temptation to assert meaning, rather than to make visible, is as ancient as the hills. The writer guides us deep into this overlapping terrain as she examines landscape, memorial, monument and our memory of what happened to us." ~ Guy Tillim, South African photographer, Henri Cartier-Bresson Award winner, 2017

"In this moment of seismic shifting – of ideas, of power, and of the ways we construct and interpret knowledge – Brandt’s book is an insightful guide to readers attempting to navigate ‘landscapes’ – both as physical environments, and more so, as social and psychic spaces." ~ Nomvuyo Horwitz, University of Johannesburg, South Africa

In Embodying Relation Allison Moore examines the tensions between the local and the global in the art photography movement in Bamako, Mali, which blossomed in the 1990s after Malian photographers Seydou Keita and Malick Sidibe became internationally famous and the Bamako Photography Biennale was founded. Moore traces the trajectory of Malian photography from the 1880s-when photography first arrived as an apparatus of French colonialism-to the first African studio practitioners of the 1930s and the establishment in 1994 of the Bamako Biennale, Africa's most important continent-wide photographic exhibition. In her detailed discussion of Bamakois artistic aesthetics and institutions, Moore examines the post-fame careers of Keita and Sidibe, the biennale's structure, the rise of women photographers, cultural preservation through photography, and how Mali's shift to democracy in the early 1990s enabled Bamako's art scene to flourish. Moore shows how Malian photographers' focus on cultural exchange, affective connections with different publics, and merging of traditional cultural precepts with modern notions of art embody Caribbean philosopher and poet Edouard Glissant's notion of "relation" in ways that spark new artistic forms, practices, and communities.

Does a photograph freeze a moment of time? What does it mean to treat a photographic image as an artefact? In the visual culture of the 21st century, do new digital and social forms change the status of photography as archival or objective - or are they revealing something more fundamental about photography's longstanding relationships with time and knowledge?Archaeology and Photography imagines a new kind of Visual Archaeology that tackles these questions. The book reassesses the central place of Photography as an archaeological method, and re-wires our cross-disciplinary conceptions of time, objectivity and archives, from the History of Art to the History of Science.Through twelve new wide-ranging and challenging studies from an emerging generation of archaeological thinkers, Archaeology and Photography introduces new approaches to historical photographs in museums and to contemporaryphotographic practice in the field. The book re-frames the relationship between Photography and Archaeology, past and present, as more than a metaphor or an analogy - but a shared vision.Archaeology and Photography calls for a change in how we think about photography and time. It argues that new archaeological accounts of duration and presence can replace older conceptions of the photograph as a snapshot orremnant received in the present. The book challenges us to imagine Photography, like Archaeology, not as a representation of the past and the reception of traces in the present but as an ongoing transformation of objectivity and archive.Archaeology and Photography will prove indispensable to students, researchers and practitioners in History, Photography, Art, Archaeology, Anthropology, Science and Technology Studies and Museum and Heritage Studies.

Japanese dog grooming does not follow the rules of traditional, breed- standard grooming. In fact, it only has one mission-to make dogs look as adorable as possible! With extreme attention to detail and careful consideration of a pup's best attributes, Japanese dog groomers and salons achieve the perfect transformation by forgetting uniform looks and getting creative. From internationally acclaimed pet photographer and author of Waggish: Dogs Smiling for Dog Reasons comes this adorable book, which showcases the transformation of dogs going from cute to cutest. Originally a viral photo series called "Hairy," Grace Chon's work perfectly captures the whimsy and glamour of freshly groomed furry friends. With nearly 50 before- and- afters, Chon proves that Japanese dog grooming is not just a haircut, but a work of art.

The Family of Man is the most widely seen exhibition in the history of photography. The book of the exhibition, still in print, is also the most commercially successful photobook ever published. First shown at the Museum of Modern Art in New York in 1955, the exhibition travelled throughout the United States and to forty-six countries, and was seen by over nine million people. Edward Steichen conceived, curated and designed the exhibition. He explained its subject as `the everydayness of life' and `the essential oneness of mankind throughout the world'. The exhibition was a statement against war and the conflicts and divisions that threatened a common future for humanity after 1945. The popular international response was overwhelmingly enthusiastic. Many critics, however, have dismissed the exhibition as a form of sentimental humanism unable to address the challenges of history, politics and cultural difference.This book revises the critical debate about The Family of Man, challenging in particular the legacy of Roland Barthes's influential account of the exhibition. The expert contributors explore new contexts for understanding Steichen's work and they undertake radically new analyses of the formal dynamics of the exhibition. Also presented are documents about the exhibition never before available in English. Commentaries by critical theorist Max Horkheimer and novelist Wolfgang Koeppen, letters from photographer August Sander, and a poetic sequence on the images by Polish poet Witold Wirpsza enable and encourage new critical reflections. A detailed survey of audience responses in Munich from 1955 allows a rare glimpse of what visitors thought about the exhibition. Today, when armed conflict, environmental catastrophe and economic inequality continue to threaten our future, it seems timely to revisit The Family of Man.

If you want to understand the key debates in photography and learn how to apply the fascinating issues raised by critical theory to your own practical work, this is the book for you! This accessible book cuts through often difficult and intimidating academic language to deliver understandable, stimulating discussion and summaries of the original texts.
Key works by great writers such as Sontag and Barthes are explored, along with those from other prominent critics. You are guided through a broad range of issues, including the differences between Eastern and Western art, post-modernism, sexism, the relationship between photography and language and many other crucial debates. The book is illustrated by many classic images by eminent international photographers.
Each chapter is followed by stimulating assignments and activities to get you thinking critically and apply theoretical knowledge to your own practical work. A helpful glossary provides quick access to all key terms and a substantial index references key words within the original essays which are not normally indexed.
A must-have aid to anyone studying critical theory, this book provides intelligently written, illuminating insights on the 21st century's dominant art form.
* Benefit from detailed summaries and stimulating discussion that cuts through the complexity of key critical theory texts
* Gives you confidence to tackle photographic theory and relate it to your own work, enhancing your creativity and understanding
* Explore fascinating issues including sexism, the effects of advertising, Eastern versus Western art and moral issues raised by photography

Double Exposure is a major new series based on the remarkable photography collection held by the Earl W. and Amanda Stafford Center for African American Media Arts at the Smithsonian National Museum of African American History and Culture (NMAAHC). The powerful images depicted in this volume include many of the photographs that helped to galvanize support from around the world for the Civil Rights Movement in the United States. Among them are photographs from Leonard Freed's series, "Black in White America," Ernest C. Withers' signature photograph of the Sanitation Workers' Solidarity March in Memphis, Tennessee, and Charles Moore's documentation of police brutality during the 1963 Children's Crusade in Birmingham, Alabama. Also featured are Spider Martin's shots of the Selma to Montgomery March in 1965, including the iconic Two Minute Warning, James H. Wallace's visual record of a Ku Klux Klan rally in 1964, and Burk Uzzle's images following Dr. Martin Luther King Jr.'s assassination. In addition to over 60 photographs, this volume features a foreword by Founding Director Lonnie G. Bunch III, along with essays by civil rights leader and United States Representative the late John Lewis, and activist Bryan Stevenson.;lt;/DIV>

While there are many books that teach the "how-to" of photography, Science for the Curious Photographer is a book for those who also want to understand how photography works. Beginning with an introduction to the history and science of photography, Charles S. Johnson, Jr. addresses questions about the principles of photography, such as why a camera needs a lens, how lenses work, and why modern lenses are so complicated. Addressing the complex aspects of digital photography, the book discusses color management, resolution, "noise" in images, and the limits of human perception. The creation and appreciation of art in photography is discussed from the standpoint of modern cognitive science. A crucial read for those seeking the scientific context to photographic practice, this second edition has been comprehensively updated, including discussion of DSLRs, mirror-less cameras, and a new chapter on the limits of human vision and perception.

This sixth edition of The Practical Zone System by Chris Johnson updates the classic manual on Ansel Adams's landmark technique for the digital age. For photographers working digitally or with film, in color or black and white, in the studio or on the go, this simple visual language helps to control contrast and, through a process called Previsualization, provides photographers with the power of free creative expression. This new edition discusses recent advances in technology and potentials for their use in zone photography, including HDR, smartphone cameras that shoot in raw format and smartphone light meters. Johnson demonstrates how the Zone System is a universal visual and conceptual language that dramatically simplifies the problem of creating and rendering complex lighting setups.

Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer's The Concert ? And what is Susan Meiselas's take on Instagram and the future of online storytelling? Aperture Conversations presents a selection of interviews pulled from Aperture's publishing history, highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Through the history of Aperture's booklist, online platform, and Aperture magazine, Aperture Conversations celebrates the artist's voice, collaborations, and the photography community at large.

First published in 2001. Making Culture Visible provides a fresh focus on the history of nineteenth-century photography. The narrative moves from a close focus on several selected events between 1847 and 1900, beginning with six industrial fairs of the 1840s-1860s to the looming presence of the Philadelphia Centennial Exhibition in the mid-1870s. The last two chapters deal with the exhibition work of the Smithsonian Institution's US National Museum in the 1880s and finally the collecting and displays of public libraries in the 1890s. The evolution of the increasingly complex social function of photography is clearly demonstrated.

First published in 1997, Photography and its Critics offers an overview of nineteenth-century American and European writing about photography from such disparate fields as art theory, social reform, and physiology. The earliest criticism of the invention was informed by an ample legacy of notions about objectivity, appearances, and copying. Received ideas about neutral vision, intuitive genius, and progress in art also shaped nineteenth-century understanding of photography. In this study, Mary Warner Marien argues that photography was an important social and cultural symbol for modernity and change in several fields, such as art and social reform. Moreover, she demonstrates how photography quickly emerged as a pliant symbol for modernity and change, one that could as easily oppose progress as promote democracy.

A major reassessment of photography's pivotal role in 1960s conceptual art Why do we continue to look to photographs for evidence despite our awareness of photography's potential for duplicity? Documents of Doubt critically reassesses the truth claims surrounding photographs by looking at how conceptual artists creatively undermined them. Studying the unique relationship between photography and conceptual art practices in the United States during the social and political instability of the late 1960s, Heather Diack offers vital new perspectives on our "post-truth" world and the importance of suspending easy conclusions in contemporary art. Considering the work of four leading conceptual artists of the 1960s and '70s, Diack looks at photographs as documents of doubt, pushing the form beyond commonly assumed limits. Through in-depth and thorough reevaluations of early work by noted artists Mel Bochner, Bruce Nauman, Douglas Huebler, and John Baldessari, Diack advances the powerful thesis that photography provided a means of moving away from the object and toward performative effects, playing a crucial role in the development of conceptual art as a medium of doubt and contingency. Discussing how unexpected and contradictory meanings can exist in the guise of ordinary pictures, Documents of Doubt offers evocative and original ideas on truth's connection to photography in the United States during the late 1960s and how conceptual art from that period anticipated our current era of "alternative facts" in contemporary politics and culture.

Focusing on the presence of the photographer's gaze as an integral part of constructing meaningful images, Roswell Angier combines theory and practice, to provide you with the technical advice and inspiration you need to develop your skills in portrait photography.Fully updated to take into account advances in creative work and photographic technology, this second edition also includes stunning new visuals and a discussion on the role of social media in the practice of portraiture.Each chapter includes a practical assignment, designed to help you explore various kinds of portrait photography and produce a range of different styles for your creative portfolio.

From the INTERNATIONALLY BESTSELLING author of The Paris Seamstress comes a story of courage, family and forgiveness from New York to war-torn Europe. Perfect for fans of Kate Furnivall, Lucinda Riley, Kate Morton and Gill Paul 'Divine' GILL PAUL, bestselling author of The Secret Wife 'An emotional and sweeping tale' CHANEL CLEETON, bestselling author of Next Year in Havana 'A splendid, breathtaking novel, full of mystery and passion...a must read!' JEANNE MACKIN, author of The Last Collection ******** 1942 When Jessica May's successful modelling career is abruptly cut short, Vogue send her to war-torn Paris to cover the conflict as a correspondent. She's courageous and a fast-learner, but of course the military men make her life as difficult as possible. Three friendships change that: journalist Martha Gellhorn encourages Jess to bend the rules; paratrooper Dan Hallworth shows her how to take pictures and write stories that matter; and a little girl, Victorine, who shows Jess how to open hear heart. 2005 Australian curator D'Arcy Hallworth arrives at a beautiful French chateau to manage a famous collection of photographs. What begins as just another job becomes far more disquieting as D'Arcy uncovers the true identity of the mysterious French photographer...

David Busch's Nikon Z5 Guide to Digital Photography is your all-in-one comprehensive resource and reference for getting the most out of your Nikon Z5 mirrorless camera. Nikon s most affordable full-frame mirrorless model boasts up-scale features, including dual memory card slots, five-axis image stabilization for sharp images even when using slow shutter speeds, and an advanced hybrid autofocus system with face/eye detection and 273 AF points. The Z5 s 24MP sensor supports 4K and Full HD movie shooting, and an innovative Focus Shift mode that produces stunning deep-focus images. With this book in hand, you ll master all the camera s impressive features, and fine tune your camera skills as develop your creativity taking great photographs with your new Z5.Filled with detailed how-to steps and full-color illustrations, David Busch's Nikon Z5 Guide to Digital Photography covers all the camera's capabilities in depth, from taking your first photos through advanced details of setup, exposure, lens selection, lighting, and more, and relates each feature to specific photographic techniques and situations. Also included is the handy visual guide to the Z5, with close-up photos and descriptions of the camera's essential features and controls. Learn when to use each option and, more importantly, when not to use them, by following the author s recommended settings for every menu entry. With best-selling photographer and mentor David Busch as your guide, you'll quickly have full creative mastery of your camera s capabilities, whether you're shooting on the job, as an advanced enthusiast, or are just out for fun. Start building your knowledge and confidence, while bringing your vision to light with the Nikon Z5 today.