Brings to life the breathtaking and often heartbreaking stories of the workers who built New York City in the Twentieth Century Ordinary People, Extraordinary Lives tells the stories of the men and women who built the City-of towering structures and the beam walkers who assembled them; of immigrant youths in factories and women in sweatshops; of longshoremen and typewriter girls; of dock workers and captains of industry. It provides a glimpse of the traditions they carried with them to this country and how they helped create new ones, in the form of labor organizations that provided recent immigrants, often overwhelmed by the intensity of New York life, with a sense of solidarity and security. Astounding in their own right, the book's photographic images, most drawn from seldom-seen labor movement photographers, are complemented by poignant oral histories which tell the stories behind the images. Among the extraordinary lives chronicled are those of Philip Keating, who, seven years after a fellow worker photographed him painting the Queensboro Bridge in 1949, plunged to his death from another worksite; William Atkinson, who broke the color bar at Macy's and tells of fighting racism at home after fighting fascism abroad during World War II; and Cynthia Long, who fought gender barriers to become, in the late 1970s, an electrician with International Brotherhood of Electrical Workers Local 3. With narratives at the beginning of each section providing historical context, this book brings the past clearly, emotionally, and fascinatingly alive.

The history of projected images at the turn of the seventeenth century reveals a changing perception of chance and order, contingency and form. In Projecting Spirits, Pasi Väliaho maps how the leading optical media of the period—the camera obscura and the magic lantern—developed in response to, and framed, the era's key intellectual dilemma of whether the world fell under God's providential care, or was subject to chance and open to speculating. As Väliaho shows, camera obscuras and magic lanterns were variously employed to give the world an intelligible and manageable design. Jesuit scholars embraced devices of projection as part of their pursuit of divine government, whilst the Royal Society fellows enlisted them in their quest for empirical knowledge as well as colonial expansion. Projections of light and shadow grew into critical metaphors in early responses to the turbulences of finance. In such instances, Väliaho argues, "projection" became an indispensable cognitive form to both assert providence, and to make sense of an economic reality that was gradually escaping from divine guidance. Drawing on a range of materials—philosophical, scientific and religious literature, visual arts, correspondence, poems, pamphlets, and illustrations—this provocative and inventive work expands our concept of the early media of projection, revealing how they spoke to early modern thinkers, and shaped a new, speculative concept of the world.

Learn to edit, organize, and present your best work and become a better photographer in the process! Once a photographer has learned the fundamental techniques of photography the basics of exposure, composition, and focus their work often improves over the course of a few months or years. The world is full of wonders to photograph, and photographers can be pulled in many directions, excitedly chasing the light and the moment. This approach can certainly yield wonderful photographs, but over time the photographer s progress often begins to slow, and eventually, it can stop altogether. The reason for this is simple: creativity begins with image-making, but true progress comes with learning to edit and organize your work in ways that reflect your unique style and perspective, ways that offer you insight into how you can improve your work moving forward. In short, the key to becoming the best photographer you can be is to create an ongoing portfolio (or multiple portfolios) of your work. Based on an eight-week course taught by renowned photographer and author William Neill, The Photographer s Portfolio Development Workshop provides the tools and skills you need in order to create a methodology that allows you to create a tightly edited portfolio of work, no matter your end goal: a box of prints, a book, an online presentation or website, or even a gallery exhibit. A portfolio is simply a collection of photographs with a consistent theme and consistent quality. In developing such a body of work, you will learn what your specific passions are, find focus for your work, and begin the iterative process of creating better and better photographs over time. By constantly working within a feedback loop where you carefully assess and edit your images, note and learn from mistakes, then go out and create more photographs you ll develop a portfolio that is constantly gaining in strength, quality, and impact. It s no surprise that you ll also become a much better photographer.

No photographer is more closely associated with a city than Brassai (1899 1984) is with Paris. From the moment he moved there in 1924, he devoted his life and art to immortalizing his adopted city capturing the street life by day, the cafes and the Seine by night. A friend of Picasso and Henry Miller, Brassai knew and photographed the leading figures of his day Giacometti, Sartre, Dali, Matisse, and Mann among them. His most famous portraits and cityscapes, collected in this volume, form a unique vision of life in pre- and post-war Europe. The Photofile series brings together the best work of the world s greatest photographers in an attractive format and at an affordable price. Handsome and collectable, the books are produced to the highest standards. Each volume contains some sixty full page reproductions, a critical introduction and a full bibliography. The series was awarded the first annual prize for distinguished photographic books by the International Center of Photography."

"Fully illustrated, the charm of his English Roses comes across on every page, even if the reader has to imagine their scent." - The Irish Garden "Experts will appreciate the notes on each rose's breeding." - Historic Gardens Foundation Informative, accessible and stunningly illustrated, David Austin's English Roses introduces the reader to the world of rose propagation and care. The book focuses on English Roses, bred by David Austin to combine the sumptuousness of Old Roses with the strength and practical virtues of Modern Roses. It will be greatly prized by rose-growers and rose-lovers everywhere, whether professional or amateur. Also available: Climbing and Rambler Roses ISBN: 9781870673655 Modern, Shrub and Species Roses ISBN: 9781870673716 Old Roses ISBN: 9781870673693

Learn how to take professional-quality photographs using the same tricks today's top photographers use (surprisingly, it's easier than you'd think)! This is a completely, totally updated version of the #1 best-selling digital photography book of all time! It's the award winning, worldwide smash hit, written by Scott Kelby, that's been translated into dozens of different languages. Here's how Scott describes this book's brilliant premise: "If you and I were out on a shoot, and you asked me, 'Hey, how do I get this flower to be in focus, with the background out of focus?, ' I wouldn't stand there and give you a photography lecture. In real life, I'd just say, 'Put on your zoom lens, set your f-stop to f/2.8, focus on the flower, and fire away.' That's what this book is all about: you and I out shooting where I answer questions, give you advice, and share the secrets I've learned just like I would with a friend--without all the technical explanations and techie photo speak." This isn't a book of theory--full of confusing jargon and detailed concepts. This is a book on which button to push, which setting to use, and when to use it. With over 200 of the most closely guarded photographic "tricks of the trade," this book gets you shooting dramatically better-looking, sharper, more colorful, more professional-looking photos every time. Each page covers a single concept that makes your photography better. Every time you turn the page, you'll learn another pro setting, tool, or trick to transform your work from snapshots into gallery prints. If you're tired of taking shots that look "okay," and if you're tired of looking in photography magazines and thinking, "Why don't my shots look like that?" then this is the book for you. TABLE OF CONTENTS Chapter 1: Pro Tips for Getting Sharp Photos Chapter 2: The Scoop on Lenses Chapter 3: Shooting Landscapes Like a Pro Chapter 4: Shooting Travel Like a Pro Chapter 5: Making Portraits Like a Pro Chapter 6: Making Portraits with Flash Like a Pro Chapter 7: Shooting Weddings Like a Pro Chapter 8: Shooting Sports Like a Pro Chapter 9: Shooting Other Stuff Like a Pro Chapter 10: Pro Tips for Getting Better Photos Chapter 11: How to Print Like a Pro Chapter 12: Photo Recipes to Help You Get the Shot

In over 150 striking images, Italy celebrates perhaps the most beautiful country in the world. From the natural beauty of lakes such as Como or Garda to the vineyards in Tuscany to the many beaches, from the pretty seaside towns of the Cinque Terre to the glory of Venice's canals and palaces, from the magnificence of classical antiquity in Rome to the Arab-Norman architecture of Palermo to Renaissance Florence, there is just so much to feast on in Italy. But apart from the famous highlights, the book also features lesser known sides to the country, be it pretty, unexplored corners and examples of everyday life, or the abandoned cave towns of Puglia and the 16th century star-shaped town of Palmanova. Presented in a landscape format and with captions explaining the story behind each entry, Italy is a stunning collection of images.

Global travel can be a wearying business: mass tourism, overcrowded planes, chaotic airports, heightened security, cookie-cutter hotel chains, well-worn tourist trails. Finding even a sliver of adventure can sometimes feel impossible. But take heart: for all of us with an unfulfilled spirit of wanderlust, The Golden Age of Travel evokes an era when traveling the world was a thrilling new possibility for those with the resources, time, imagination, and daring. This richly illustrated volume charts the travel heyday of 1869 to 1939. Bedecked with ephemera and precious turn-of-the-century photochroms, it follows six classic tours favored by Western adventurers in the prewar era, including such famous traveler-writers as Charles Dickens, Jules Verne, F. Scott Fitzgerald, Mark Twain, and Goethe. From the Grand Tour of Europe, a traditional rite of passage for young English aristocrats, to the Far East, barely touched by Western influence, to the famous Trans-Siberian Railway, we follow each journey through its itinerant stops and various modes of transport: trains, boats, cars, planes, horses, donkeys, and camels. With pages brimming with archival travel posters, guides, tickets, leaflets, brochures, menus, and luggage stickers, the book evokes all the romance, elegance, not to mention the sheer sense of novelty, that enthralled these golden-age passengers. Through decadent new cities, or wild, rugged terrains, this is your passport to a long-lost epoch of adventure and wide-eyed wonder at the world.

Focusing on the presence of the photographer's gaze as an integral part of constructing meaningful images, Roswell Angier combines theory and practice, to provide you with the technical advice and inspiration you need to develop your skills in portrait photography.Fully updated to take into account advances in creative work and photographic technology, this second edition also includes stunning new visuals and a discussion on the role of social media in the practice of portraiture.Each chapter includes a practical assignment, designed to help you explore various kinds of portrait photography and produce a range of different styles for your creative portfolio.

Adobe Illustrator: A Complete Course and Compendium of Features is your guide to building vector graphics, whether you're creating logos, icons, drawings, typography, or other illustrations--and regardless of their destination: print, web, video, or mobile. First, with a complete Course that includes a set of projects and lessons derived from Adobe Certified Instructor Jason Hoppe, you will learn the procedures needed to use Illustrator effectively and professionally. Dozens of lessons are included that can be applied to any graphics you have in mind. Through these step-by-step lessons, you'll be exposed to all of Illustrator's features in practical contexts and its best practices for optimal workflows. To complete the Course, we'll supply lesson documents and their assets to download. These can even serve as starting points for your own projects. Then, for greater depth of knowledge and subsequent reference, you'll use the Compendium to uncover more of the "how" and "why" of Illustrator. With each topic easy to access, you can find and explore all of Illustrator's key features and concepts in depth. With cross references between the Course and Compendium, the two parts of the book complement each other perfectly. Best of all, when the lessons in the Course are done, the Compendium will continue to serve for months and years to come. Learn step by step how to: - Draw basic shapes and lines - Build graphics using Illustrator's deep and diverse toolset - Create complex icons using the Pathfinder and Shape Builder - Use color with predictable and harmonic results - Work effectively with type - And much more!

They are among the most famous and compelling photographs ever made in archaeology: Howard Carter kneeling before the burial shrines of Tutankhamun; life-size statues of the boy king on guard beside a doorway, tantalizingly sealed, in his tomb; or a solid gold coffin still draped with flowers cut more than 3,300 years ago. Yet until now, no study has explored the ways in which photography helped mythologize the tomb of Tutankhamun, nor the role photography played in shaping archaeological methods and interpretations, both in and beyond the field. This book undertakes the first critical analysis of the photographic archive formed during the ten-year clearance of the tomb, and in doing so explores the interface between photography and archaeology at a pivotal time for both. Photographing Tutankhamun foregrounds photography as a material, technical, and social process in early 20th-century archaeology, in order to question how the photograph made and remade 'ancient Egypt' in the waning age of colonial order.

As the prototypical exemplar of modern visual technology, photography was once viewed as a way to enable vision to bypass imagination, producing more reliable representations of reality. But as an achievement of technological modernity, photography can also be seen as a way to realize a creation of the imagination more vividly than can painting or drawing. Photography and Imagination investigates, from diverse points of view focusing on both theory and practice, the relation between these two terms. The book explores their effect on photography's capacity, through various forms and modalities of imaginative investments and displacements, to affect even reality itself.

A leading critic’s inside story of “the photo boom” during the crucial decades of the 1970s and 80s

When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s “boom years,” chronicling the medium’s increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography’s embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s.

Grundberg reflects on the landmark exhibitions that defined the moment and his encounters with the work of leading photographers—many of whom he knew personally—including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates crucial themes such as photography’s relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective by one of the period’s leading critics ultimately tells a larger story about the crucial decades of the 70s and 80s through the medium of photography.

Postmodernism in the visual arts is not just another 'ism.' It emerged in the 1960s as a transformation of artistic creativity inspired by Duchamp's idea that the artwork does not have to be physically made by its creator. Products of mass culture and technology can be used just as well as traditional media. This idea became influential because of a widespread naturalization of technology - where technology becomes something lived in as well as used. Postmodern art embodies this attitude. To explain why, Paul Crowther investigates topics such as eclecticism, the sublime, deconstruction in art and philosophy, and Paolozzi's Wittgenstein-inspired works.

- The first book that collects an international range of accomplished practitioners and academics together to share their innovative photography practices - Written in a clear and accessible style, ideal for students and practitioners - Uses tangible examples and relatable practices that can inspire or be extrapolated into the reader's own practice - Visually rich with 150 full colour images demonstrating a diverse set of practices.

At a critical point in the development of photography, this book offers an engaging, detailed and far-reaching examination of the key issues that are defining contemporary photographic culture. Photography Reframed addresses the impact of radical technological, social and political change across a diverse set of photographic territories: the ontology of photography; the impact of mass photographic practice; the public display of intimate life; the current state of documentary, and the political possibilities of photographic culture. These lively, accessible essays by some of the best writers in photography together go deep into the most up-to-date frameworks for analysing and understanding photographic culture and shedding light on its histories. Photography Reframed is a vital road map for anyone interested in what photography has been, what it has become, and where it is going.

David Houston Jones builds a bridge between practices conventionally understood as forensic, such as crime scene investigation, and the broader field of activity which the forensic now designates, for example in performance and installation art as well as photography. Contemporary work in these areas responds both to forensic evidence, including crime scene photography, and to some of the assumptions underpinning its consumption. It asks how we look, and in whose name, foregrounding and scrutinising the enduring presence of voyeurism in visual media and instituting new forms of ethical engagement. Such work responds to the object-oriented culture associated with the forensic and offers a reassessment of the relationship of human voice and material evidence. It displays an enduring debt to the discursive model of testimony which has so far been insufficiently recognised, and which forms the basis for a new ethical understanding of the forensic. Jones's analysis brings this methodology to bear upon a strand of contemporary visual activity that has the power to significantly redefine our understandings of the production, analysis and deployment of evidence. Artists examined include Forensic Architecture, Simon Norfolk, Melanie Pullen, Angela Strassheim, John Gerrard, Julian Charriere, Trevor Paglen, Laura Poitras and Sophie Ristelhueber. The book will be of interest to scholars working in art history, visual culture, literary studies, modern languages, photography and critical theory.

In this book, Osborne demonstrates why and how photography as photography has survived and flourished since the rise of digital processes, when many anticipated its dissolution into a generalised system of audio-visual representations or its collapse under the relentless overload of digital imagery. He examines how photography embodies, contributes to, and even in effect critiques how the contemporary social world is now imagined, how it is made present and how the concept and the experience of the Present itself is produced. Osborne bases his discussions primarily in cultural studies and visual cultural studies. Through an analysis of different kinds of photographic work in distinct contexts, he demonstrates how aspects of photography that once appeared to make it vulnerable to redundancy turn out to be the basis of its survival and have been utilised by much important photographic work of the last three decades.