This anthology offers a fresh approach to the philosophical aspects of photography. The essays, written by contemporary philosophers in a thorough and engaging manner, explore the far-reaching ethical dimensions of photography as it is used today.
A first-of-its-kind anthology exploring the link between the art of photography and the theoretical questions it raises
Written in a thorough and engaging manner
Essayists are all contemporary philosophers who bring with them an exceptional understanding of the broader metaphysical issues pertaining to photography
Takes a fresh look at some familiar issues - photographic truth, objectivity, and realism
Introduces newer issues such as the ethical use of photography or the effect of digital-imaging technology on how we appreciate images

In Make Great Photos: A Friendly Guide for Improving Your Photographs, photographer and author Alan Hess teaches you the basics of photography by breaking down the topic into easy-to-understand sections. Learn a whole range of photography basics, from photo setup to image editing. Learning the basics of photography can seem like a daunting task. At first glance, there is a whole new world of terminology to digest and tons of numbers to master. It can be confusing, frustrating, and overwhelming. It's no wonder many people set their cameras to Auto and hope for the best in whatever situation they're shooting, whether that's a child's soccer game, a birthday party, or a vacation. Unless luck strikes, the resulting images are usually not very good. But it doesn't have to be this way. Enter Make Great Photos: A Friendly Guide for Improving Your Photographs. In this book, photographer and author Alan Hess teaches you the basics of photography by breaking down the topic into its fundamental parts. In the first section of the book, Alan explains what makes a great photo in the first place, examining a selection of images and working through why each one is successful. He then dives into chapters that cover the photographic choices every photographer needs to make. These choices boil down to just three main topics: light, focus, and composition. In the second part of Make Great Photos, Alan addresses specific shooting situations--categorized into travel, sports and action, events, and people--discussing the challenges that each scenario poses and how to conquer them. Finally, you'll learn the top five basic edits you need to know to make your images pop when you share them online. At the end of chapters, there are thoughtful exercises and assignments that push you to learn and grow in your photography. These fun activities help you fully absorb the lessons throughout the book so you can head out with your camera and capture great images.

When a decades-long court battle resulted in her family's freedom in 1855, seven-year-old Mary Mildred Williams unexpectedly became the face of American slavery. Due to generations of sexual violence, Mary's skin was so light she "passed" as white-a fact abolitionist Senator Charles Sumner knew would be the key to his white audience's sympathy. Girl in Black and White restores Mary to her rightful place in history, "probing issues of colorism and racial politics" (New York Times Book Review) that still affect us profoundly today.

Christmas Day 1977, a day to be spent with family and loved ones, unless of course you'd decided to spend it with The Sex Pistols. The punk band, at the centre of a tabloid frenzy and banned from just about every venue in the country, had booked themselves into a small club in Huddersfield to perform a benefit in support of striking West Yorkshire fire fighters. That evening, the band took to the stage to perform what would become their final UK gig. There to capture the chaos was photographer Kevin Cummins. No stranger to The Sex Pistols, he'd been there at that gig at Manchester's Lesser Free Trade Hall just 18 months previously. Kevin incurred the fury of his own family to forgo Christmas in order to travel across The Pennines to document the event. Every frame Kevin shot is here, for the first time, in this book of more than 150 colour and black and white photographs, each beautifully capturing Johnny Rotten, Sid Vicious, Steve Jones, and Paul Cook as they play together for the last time in their home country. Just weeks later The Pistols would break up and a year later, Sid would be dead. "You've had the Queen's speech. Now you're going to get the Sex Pistols at Christmas. Enjoy." - Johnny Rotten

'Exuberantly entertaining' NYT Book Review 'Mark Braude's writing and subject make this book irresistible, as was Kiki herself.' Jim Jarmusch 'A delightful, marvelously readable, meticulously-researched romp of a book, Kiki Man Ray brings to life not just the kaleidoscopically talented Kiki herself, but the endlessly fascinating Montparnasse milieu over which she reigned.' Whitney Scharer, author of THE AGE OF LIGHT Though many have never heard her name, Alice Prin - Kiki de Montparnasse - was the icon of 1920s Paris. She captivated as a ground-breaking nightclub performer, wrote a bestselling memoir, sold out exhibitions of her paintings, and shared drinks and ideas with the likes of Pablo Picasso, Peggy Guggenheim, and Marcel Duchamp. She also shepherded along the career of a then-unknown American photographer: Man Ray. Following Kiki in the years between 1921 and 1929, when she lived and worked with Man Ray, Kiki Man Ray charts their complicated entanglement and reveals how Man Ray - always the unabashed careerist - went on to become one of the most famous photographers of the twentieth century, enjoying wealth and prestige, while Kiki's legacy was lost. But this isn't a story of an overbearing male genius and his defeated muse. During the 1920s it was Kiki, not Man Ray, who was the brighter of the two rising stars and a powerful figure among the close-knit community of models, painters, writers and cafe wastrels who made their homes in gritty Montparnasse. Following the couple as they created art, struggled for power and competed for fame, Kiki Man Ray illuminates for the first time Kiki's seminal influence on the culture of 1920s Paris, and challenges ideas about artists and muses, and the lines separating the two. 'Kiki de Montparnasse was more than a muse - she was a vivacious, independent woman whose talent and magnetism helped make Paris the center of the art world in the 1920s. In Mark Braude's riveting cultural history, the Queen of Montparnasse rises again. This is a lively and compassionate tribute to the chanteuse, model, and portraitist who held center stage in her life, and who inspired some of the finest Surrealist art of the twentieth century.' Heather Clark, author of Pulitzer Prize-finalist Red Comet: The Short Life and Blazing Art of Sylvia Plath

This book provides a user-friendly guide to the expanding scope of visual sociology, through a discussion of a broad range of visual material, and reflections on how such material can be studied sociologically. The chapters draw on specific case-study examples that examine the complexity of the hyper-visual social world we live in, exploring three domains of the 'relational image': the urban, social media, and the aerial. Zuev and Bratchford tackle issues such as visual politics and surveillance, practices of visual production and visibility, analysing the changing nature of the visual. They review a range of methods which can be used by researchers in the social sciences, utilising new media and their visual interfaces, while also assessing the changing nature of visuality. This concise overview will be of use to students and researchers aiming to adopt visual methods and theories in their own subject areas such as sociology, visual culture and related courses in photography, new-media and visual studies.

The world's most universally admired politician is celebrated in words and images that span the globe. Internationally renowned photographer Antoinette Haselhorst has captured Nelson Mandela on camera on numerous occasions. This unique book is a reflection on the man himself, and his significance on the global stage.
Haselhorst combines her outstanding portraiture of Mandela with a series of tributes from celebrities, as well as lesser-known persons, creating a moving and colourful record of the emotions felt around the world for this very special individual.
Produced under licence from the "Nelson Mandela Children's Fund "(who receive a royalty for every book sold), "Reflections on Nelson Mandela" is the only officially sanctioned book of its kind ever to be published.

In the early 1900s, as the Ottoman Empire collapsed, a fiercely nationalistic movement took power. As with all ideologies, their taking hold meant the termination of what didn't fit its new identity--its Christian Armenian citizens.

"Memory of Trees" follows the remains and traces of an ambiguous, dark history--the great crime recognized today as genocide by more than a dozen countries. Kathryn Cook traveled across Turkey and Armenia, to Syria, Lebanon, and Israel, sifting through the remains of this legacy and tracking down survivors. Her images emphasize the emotional tonality of the story rather than documenting specific events.

Almost all museums hold photographs in their collections, and museum professionals and their audiences engage with photographs in a myriad of ways. Yet despite some three decades of critical museology and photographic theory, and an extensive debate on the politics of representation, outside art museums, almost no critical attention has been given specifically to the roles, purposes and lives of these photographs within museums. This book brings into focus the ubiquitous yet entirely unconsidered work that photographs are put to in museums. The authors' argument is that there is an economy of photographs in museums which is integral to the processes of the museum, and integral to the understanding of museums. The international contributors, drawn from curators and academics, reflect a range of visual and museological expertise. After an introduction setting out the range of questions and problems, the first part addresses broad curatorial strategies and ways of thinking about photographs in museums. Shifting the emphasis from curatorial practices and anxieties to the space of the gallery, this is followed by a series of case studies of exhibitionary practices and the museum strategies that support them. The third section focuses on the role of photographs in the museum articulation of 'difficult histories'. A final section addresses photograph collections in a digital environment. New technologies and new media have transformed the management, address and purposing in photographs in museums, from cataloguing practices to streaming on social media. These growing practices challenge both traditional hierarchies of knowledge in museums and the location of authority about photographs. The volume emerges from PhotoCLEC, a HERA funded project on museums and the photographic legacy of the colonial past in a postcolonial and multicultural Europe.

This PHotoBolsillo volume celebrates the work of Spanish photographer Rafael Sanz Lobato (born 1932), known for his iconic black-and-white images of automobiles, still lifes and portraits. Sanz Lobato won the National Photography Prize in 2011 for his work showing the recent transformation of rural communities.

Despite the censorship of dissident material during the decade between the Manchurian Incident of 1931 and the outbreak of the Pacific War in 1941, a number of photographers across Japan produced a versatile body of Surrealist work. In a pioneering study of their practice, Jelena Stojkovic draws on primary sources and extensive archival research and maps out art historical and critical contexts relevant to the apprehension of this rich photographic output, most of which is previously unseen outside of its country of origin. The volume is an essential resource in the fields of Surrealism and Japanese history of art, for researchers and students of historical avant-gardes and photography, as well as forreaders interested in visual culture.

Global travel can be a wearying business: mass tourism, overcrowded planes, chaotic airports, heightened security, cookie-cutter hotel chains, well-worn tourist trails. Finding even a sliver of adventure can sometimes feel impossible. But take heart: for all of us with an unfulfilled spirit of wanderlust, The Golden Age of Travel evokes an era when traveling the world was a thrilling new possibility for those with the resources, time, imagination, and daring. This richly illustrated volume charts the travel heyday of 1869 to 1939. Bedecked with ephemera and precious turn-of-the-century photochroms, it follows six classic tours favored by Western adventurers in the prewar era, including such famous traveler-writers as Charles Dickens, Jules Verne, F. Scott Fitzgerald, Mark Twain, and Goethe. From the Grand Tour of Europe, a traditional rite of passage for young English aristocrats, to the Far East, barely touched by Western influence, to the famous Trans-Siberian Railway, we follow each journey through its itinerant stops and various modes of transport: trains, boats, cars, planes, horses, donkeys, and camels. With pages brimming with archival travel posters, guides, tickets, leaflets, brochures, menus, and luggage stickers, the book evokes all the romance, elegance, not to mention the sheer sense of novelty, that enthralled these golden-age passengers. Through decadent new cities, or wild, rugged terrains, this is your passport to a long-lost epoch of adventure and wide-eyed wonder at the world.

In Warring Visions, Thy Phu explores photography from dispersed communities throughout Vietnam and the Vietnamese diaspora, both during and after the Vietnam War, to complicate narratives of conflict and memory. While the visual history of the Vietnam War has been dominated by American documentaries and war photography, Phu turns to photographs circulated by the Vietnamese themselves, capturing a range of subjects, occasions, and perspectives. Phu's concept of warring visions refers to contrasts in the use of war photos in North Vietnam, which highlighted national liberation and aligned themselves with an international audience, and those in South Vietnam, which focused on family and everyday survival. Phu also uses warring visions to enlarge the category of war photography, a genre that usually consists of images illustrating the immediacy of combat and the spectacle of violence, pain, and wounded bodies. She pushes this genre beyond such definitions by analyzing pictures of family life, weddings, and other quotidian scenes of life during the war. Phu thus expands our understanding of how war is waged, experienced, and resolved.

We live in an era of abundant photography. Is it then counterintuitive to study photographs that disappear or are difficult to discern? Kate Palmer Albers argues that it is precisely this current cultural moment that allows us to recognize what has always been a basic and foundational, yet unseen, condition of photography: its ephemerality. Through a series of case studies spanning the history of photography, The Night Albums takes up the provocations of artists who collectively redefine how we experience visibility. From the protracted hesitancies of photography's origins, to conceptual and performative art that has emerged since the 1960s, to the waves of technological experimentation flourishing today, Albers foregrounds artists who offer fleeting, hidden, conditional, and future modes of visibility. By unveiling how ephemerality shapes the photographic experience, she ultimately proposes an expanded framework for the medium.

This guide for aspiring and exhibiting photographers alike combines practice and concept to provide a roadmap to navigating, and succeeding in, the fine art photography marketplace locally, domestically, and internationally. Join former New York gallery owner, international curator, and fine art photographer Thomas Werner as he shares his experiences and insights from leading curators, gallerists, collectors, auctioneers, exhibiting photographic artists, and more. Learn how to identify realistic goals, maximize results, work with galleries and museums, write grants, develop strong nuanced imagery, and build a professional practice in a continually evolving field. Featuring dozens of photographs from international practitioners, and a robust set of resources, this book will ensure you have the tools to give you the opportunity for success in any marketplace. Whether you are a student, aspiring photographic or video artist, or a photographer changing careers, The Business of Fine Art Photography is your guide to starting and growing your own practice.