"Must have for visiting Iceland!" Considered by many to be the world's top destination for amateur and professional landscape photographers, Iceland possesses unparalleled beauty, and the variety of spectacular landscapes found on this small island is astounding. Whether you're visiting Iceland as a destination in its own right or as a stopover on your way elsewhere, you're bound to have a unique and memorable experience. To help you make the most of your trip--no matter how long or short it is--Photographing Iceland provides you with five unique photography-focused tours that cover 37 must-see locations for you to photograph. Author, photographer, and Iceland expert Martin Schulz is your guide, providing you with background information on each location, detailed directions (including QR codes with Google Maps links), advice on gear and traveling, suggestions on the best time of year and day to visit each location, and the ideal angles from which to shoot. (Because who wants to end up on the wrong side of Europe's largest waterfall, Dettifoss, shooting it against harsh midday sunlight?) Each tour conveniently starts and ends in Reykjavik, allowing you to complete one or more tours on your trip or combine all the tours for one epic adventure. Tours include: Trip 1: Snaefellsnes Trip 2: The North of Iceland Trip 3: The South Coast of Iceland Trip 4: Golden Circle Plus the Secret Waterfalls Trip 5: Reykjavik _____________________________________________________________ What buyers saying about Photographing Iceland: "I can't get over the photography, and the author gives you the exact coordinates of where they got those pictures and saw those places." "Excellent Guide for a visiting Photographer."

Laboratory Imaging and Photography: Best Practices for Photomicrography and More is the definitive guide to the production of scientific images. Inside, the reader will find an overview of the theory and practice of laboratory photography, along with useful approaches to choosing equipment, handling samples, and working with microscopic subjects. Drawing from over 150 years of combined experience in the field, the authors outline methods of properly capturing, processing and archiving the images that are essential to scientific research. Also included are chapters on applied close-up photography, artificial light photography and the optics used in today's laboratory environment, with detailed entries on light, confocal and scanning electron microscopy. A lab manual for the digital era, this peerless reference book explains how to record visual data accurately in an industry where a photograph can serve to establish a scientific fact. Key features include: Over 200 full-color photographs and illustrations A condensed history of scientific photography Tips on using the Adobe Creative Suite for scientific applications A cheat sheet of best practices Methods used in computational photography

A unique pictorial history of astronomical exploration from the earliest prehistoric observatories to the latest satellite images

With 280 spectacular images and an inspiring story imparting the excitement of discovery, Sun and Moon marks the anniversary of the first moon landing by Apollo 11 in July 1969, and the 40th anniversary of NASA's geological survey of the moon, with its extraordinary cartography.

It illustrates how the development of photography and cartography - the means of documenting other worlds - is linked indelibly to the charting of the heavens, from the first image on a glass plate to the Hubble Space Telescope.

Sun and Moon is the gift of the season for anyone who has ever gazed at the stars or looked through a telescope.

Shortlisted for the Association of Dress Historians Book of the Year Award, 2021 "Beautifully written, entirely accessible, poignant and profound" - Amy de la Haye In a culture preoccupied with newness and a fashion system largely predicated upon it, what is the significance of worn clothes and why do they have the power to affect us so deeply? How are relationships to clothing produced and maintained through the embodied practices of wearing, maintenance and repair? Through a focus upon a single garment, the shoe, this book calls on readers to reconsider the value of the marks of wear at a time when fast fashion reigns supreme and interest in damaged, or worn, garments quietly increases. Bringing together anthropological and psychoanalytic theory with practices of handmaking, wearing, and photography, this book asks what is the embodied experience of wearing and the affect of the worn? Beautifully illustrated in full color throughout, Worn is the first book to focus exclusively on the significance of imperfect garments as important aspects of our material world and culture.

One of the most captivating and provocative artists of the Sensation generation, Richard Billingham (b. 1970) came to prominence in the late 1990s with his visceral photobook Ray's a Laugh, a slice of everyday life in a high-rise sink estate in the British West Midlands. This book is the first comprehensive discussion of Billingham's art practice. Articulating the socio-historical, aesthetic, geographical as well as anthropological aspects of Billingham's art, the book situates his work within the British neorealist tradition in visual art, cinema and televisual culture. Beginning with the first photographic studies of his father in the early 1990s, Cashell argues that these sympathetic, haunting images prefigure the later development of his thematic concerns. Significant consideration is also given to Billingham's cinematic oeuvre, including his recent feature-length autobiographical film, Ray & Liz, which substantially clarifies the complex continuity of his developing aesthetic vision. Illustrated throughout with colour and black and white reproductions, Photographic Realism: The Art of Richard Billingham combines investigative research with interviews and studio conversations, providing a subtle and sophisticated critical evaluation of the artist's key photographic and film-based works from the 1990s to the present.

The Polaroid Corporation's photography collection is the greatest portfolio of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes some 23,000 images by hundreds of photographers throughout the world, including pieces by the likes of David Hockney, Andy Warhol, and Jeanloup Sieff. The Polaroid Book dives into these archives, paying tribute to a medium that continues to defy the digital age. Like an oversized Polaroid film pack, this collection curates works by luminaries and unknowns alike, celebrating the boundless possibilities that develop inside the white borders of the original instant photograph. Features: more than 250 works from the Polaroid Collections an essay by Polaroid's Barbara Hitchcock on the beginnings of instant photography and the collection's history a chapter featuring the various types of Polaroid cameras About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program--now more compact, friendly in price, and still realized with the same commitment to impeccable production.

What is it to practice history in an age in which photographs exist? What is the impact of photographs on the core historiographical practices which define the discipline and shape its enquiry and methods? In Photographs and the Practice of History, Elizabeth Edwards proposes a new approach to historical thinking which explores these questions and redefines the practices at the heart of this discipline. Structured around key concepts in historical methodology which are recognisable to all undergraduates, the book shows that from the mid-19th century onward, photographs have influenced historical enquiry. Exposure to these mass-distributed cultural artefacts is enough to change our historical frameworks even when research is textually-based. Conceptualised as a series of 'sensibilities' rather than a methodology as such, it is intended as a companion to 'how to' approaches to visual research and visual sources. Photographs and the Practice of History not only builds on existing literature by leading scholars: it also offers a highly original approach to historiographical thinking that gives readers a foundation on which to build their own historical practices.

Situated on a toxic leaf composting facility and the Portland International Airport is Dignity Village, the first city-recognized shantytown and a place the dejected, jobless, and impoverished outcasts of society call home. A powerful study of homelessness and the human spirit, this photo-ethnographic account follows the villagers for six months as they fight to overcome lives beleaguered with abuse, incarceration, addiction, mental health issues, and the stigma of poverty. The result is a stunning portraiture of the people who live there, explored through high-quality reporting, remarkable photography, and an honest visual representation of the flame of dignity that burns deep inside those in exile.

This collection is the continuation of the series which began with "MYNY" in 2008. The series provides primers on life in international metropolitan centres. The volume focuses on 44 photographs taken by the Stuttgart architect and urban planner Joerg Esefeld between 1987 and 1988 and 53 photographs taken by the Moscow photographer and graphic artist, Sascho Neroslavsky, between 2003 to 2009. Joerg Esefeld captures scenes from the transitional period of Glasnost and Perestroilka. His photographs document solitary architectural structures in the urban fabric of the crumbling Soviet capital. Sascho Neroslaysky's photographs foreground the erosion of architectural scale. In his photographs, the large scale proclamations of the new consumerism have ousted the appeal of socialism. Here the traditional architecture is sometimes obscured beyond recognition. Inspired by the collection of photographs, a diverse set of authors have written personal stories from their everyday life experiences. They depict scenes which have left an impression on them and which manifest the uniqueness of life in Moscow. This title features 59 texts, sketches and drawings by different authors (artists, musicians, architects, politicians and photographers).

The automobile has long been a symbol of status, power, and autonomy, and ever since King Tut rolled through Egypt on his golden-wheeled chariot, artists and drivers have dreamed up mobile masterpieces. A striking photographic tribute and social history, "Road Show" navigates a path across high and low art, showing how people around the world are transforming their vehicles into stunning folk art, obsessive collections, social commentary, and visionary performances. In this fascinating showcase, we see how Henry Ford's motto, "Any color as long as it's black," has been hung out to dry. From the Wienermobile to a hand-carved wooden Ferrari that drives in the canals of Venice to a giant red stiletto heel, "Road SHow" brings the "museum of the streets" to life.

Eric Dregni has written thirteen books, including "Follies of Science," "Weird Minnesota," "Midwest Marvels," "The Scooter Bible," "Ads That Put America on Wheels," and "Let's Go Bowling " He lives in Minneapolis where he teaches Italian and creative writing and plays guitar in the mock-rock trio Vinnie & the Stardusters.

Ruthann Godollei is a professor of art at Macalester College in Saint Paul, Minnesota, and her artwork has been exhibited internationally. She has participated in and organized art car events for over twenty years and drives a 1985 Volvo covered with thousands of printed green gears.

Experimental Animation: From Analogue to Digital, focuses on both experimental animation's deep roots in the twentieth century, and its current position in the twenty-first century media landscape. Each chapter incorporates a variety of theoretical lenses, including historical, materialist, phenomenological and scientific perspectives. Acknowledging that process is a fundamental operation underlining experimental practice, the book includes not only chapters by international academics, but also interviews with well-known experimental animation practitioners such as William Kentridge, Jodie Mack, Larry Cuba, Martha Colburn and Max Hattler. These interviews document both their creative process and thoughts about experimental animation's ontology to give readers insight into contemporary practice. Global in its scope, the book features and discusses lesser known practitioners and unique case studies, offering both undergraduate and graduate students a collection of valuable contributions to film and animation studies.

This is the first study to explore the connections between late-19th-century university/college composite class portraits and the field of eugenics - which first took hold in the United States at Harvard University. Eugenics, "Aristogenics," Photography takes a closer look at how composite portraiture documented an idealized "reality" of the New England social-caste experience and explains how, when positioned in relation to the individual stories and portraits of members of the class, the portraits reveal points of non-conformity and rebellion with their own rhetoric.

The Photography Teacher's Handbook is an educator's resource for developing active, flipped learning environments in and out of the photo classroom, featuring ready-to-use methods to increase student engagement and motivation. Using the latest research on the cognitive science of effective learning, this book presents groundbreaking strategies to inspire students to collaborate, explore, and internalize photographic principles and concepts. The innovative practices in this book reimagine the traditional, scholarly pedagogy into a dynamic, teacher-guided, learner-centered approach. Key features include: Step-by-step instructions that explain how and why to flip a photography classroom Hands-on exercises and activities to help students take charge of their learning experience Practical advice from more than 100 respected photography educators An interactive companion website with informative videos, links, and resources for students and educators alike

Race, Representation & Photography in 19th-Century Memphis: from Slavery to Jim Crow presents a rich interpretation of African American visual culture. Using Victorian era photographs, engravings, and pictorial illustrations from local and national archives, this unique study examines intersections of race and image within the context of early African American communities. It emphasizes black agency, looking at how African Americans in Memphis manipulated the power of photography in the creation of free identities. Blacks are at the center of a study that brings to light how wide-ranging practices of photography were linked to racialized experiences in the American south following the Civil War. Jenkins' book connects the social history of photography with the fields of visual culture, art history, southern studies, gender, and critical race studies.

The Galician photographer Vari Carames (born 1953) is the winner of the seventh edition of the Pilar Citoler prize for contemporary photography. This book covers the entire career of a key figure of contemporary Spanish photography.