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Books > Arts & Architecture > Photography & photographs > General
Just as the new technology of photography was emerging throughout the United States in the mid-nineteenth century, it quickly caught hold in the scenic Adirondack region of upstate New York. Young men and a few women began to experiment with cameras as a way to earn their livings with local portrait work. From photographing individuals, some expanded their subject matter to include families and groups, homes, streetscapes, landmarks, workplaces, and important events: from town celebrations to presidential visits, train wrecks, floods, and fires. These photographers from within and just beyond the Park borders, as well as many who immigrated from other countries, have been central in defining the Adirondacks. Adirondack Photographers, 1850–1950 is a comprehensive look at the first one hundred years of photography through the lives of those who captured this unique rural region of New York State. Svenson’s fascinating biographical dictionary of over two hundred photographers is enriched with over seventy illustrations. While the popularity of some of these photographers’ images is reflected in public collections such as the Library of Congress, the New York Public Library, and the Getty Center, little is known about the diverse backgrounds of the men and women behind their work. A compilation of captivating stories, Adirondack Photographers provides a vivid, intimate account of the evolution of photography, as well as an unusual perspective on Adirondack history.
With conscription introduced, Zeppelins carrying out bombing raids on key towns and cities across England, the Battle of Jutland seeing fourteen British ships sunk and the Battle of the Somme claiming 20,000 British dead on the first day alone, the resolve of the British and allied troops in 1916 was being sorely tested. The Great War Illustrated 1916 is the third picture volume in this series that deals exclusively with actions fought throughout the year on the Western Front. Split into five chapters, the authors begin with the British defeat at Kut, showing photographs from British and Turkish perspectives throughout the four-month campaign. The second chapter explores the new technological advances made by both sides throughout the year including new tanks, aircraft and guns. Photographs show the new equipment in action on the battlefield as well as being manufactured on production lines in the factories back home. We then turn to the Battle of Verdun, one of the largest battles of the First World War, before exploring the Battle of Jutland. Being the only full-scale naval clash of the entire First World War, the two-day battle saw twenty-five ships sunk and over 8,000 men killed on both sides and the authors analyse the battle in full detail, illustrating the ships that were involved and the men who sailed upon them. The concluding chapter explores the infamous Battle of the Somme, from the horrendous losses suffered on 1 July to the arduous battle of attrition that followed thereafter. Split into sub-sections, detailed analysis of the Australians, Canadians and British troops are featured along with a final section showing winter conditions in the area at the end of the year. With over 1,300 painstakingly enhanced and restored photographs and a thirty-two page full colour section, the work within these pages represents a real labour of love and offers the reader an exceptional picture library of rare and unseen pictures that is easily accessible for the general reader and military enthusiast alike.
This is the must-have guide for all amateur astronomers who double as makers, doers, tinkerers, problem-solvers, and inventors. In a world where an amateur astronomy habit can easily run into the many thousands of dollars, it is still possible for practitioners to get high-quality results and equipment on a budget by utilizing DIY techniques. Surprisingly, it's not that hard to modify existing equipment to get new and improved usability from older or outdated technology, creating an end result that can outshine the pricey higher-end tools. All it takes is some elbow grease, a creative and open mind and the help of Chung's hard-won knowledge on building and modifying telescopes and cameras. With this book, it is possible for readers to improve their craft, making their equipment more user friendly. The tools are at hand, and the advice on how to do it is here. Readers will discover a comprehensive presentation of astronomical projects that any amateur on any budget can replicate - projects that utilize leading edge technology and techniques sure to invigorate the experts and elevate the less experienced. As the "maker" community continues to expand, it has wonderful things to offer amateur astronomers with a willingness to get their hands dirty. Tweaking observing and imaging equipment so that it serves a custom purpose can take your observing options to the next level, while being fun to boot.
Comet presents the amazing story of the Rosetta space probe and its interstellar voyage to the comet Tchoury. Its mission - to find clues to the origins of our solar system and the emergence of life on Earth. Following a ten-year voyage and a journey spanning millions of kilometres through our Solar System, the Rosetta entered the comet's orbit. Its lander, Philae - a miniature science laboratory - landed directly on Tchoury's surface and was able to take the photographs presented here. This triumph of scientific endeavour brought back a raft of incredible new photographs, the best of which are featured here. The book is built around the various phases in Rosetta's journey: leaving Earth, breaching its atmosphere and watching the lights of home recede; skirting the Moon and coming close to Mars; plunging into the cosmos' starry void and approaching the comet; and, finally, landing on Tchoury. The photographs are accompanied by a text that reflects on the objectives of the mission and the accomplishment of such a technological feat for humanity. Detailed captions provide the reader with accessible scientific information, enabling them to get to the heart of the subject.
Seeing Science offers an insightful and reader-friendly collection of essays and pictures about photography's role in visualizing science and building human knowledge-from micro to macro levels and everything in between. Photography and science have long been intertwined, helping to shape the way we look at the world. Scientists use photography as a way to gather information, explore, and learn, but just as important, photography is also used to promote scientific advances and has long served as an interface between the sciences and the public. Our understanding of outer space depends on images sent to Earth from the Hubble Space Telescope, just as our understanding of our own bodies depends on X-rays. Images make visible what lies beyond human perception. Science is less an edifice of facts than a process of discovery and inquiry. In this way, it is not dissimilar to art; artists have engaged with some of the same scientific principles, using photography to imagine the world differently and present us with new experiences and ways of seeing. This volume presents both perspectives exploring how science is made perceptible, featuring over three hundred images and sixty short texts. Together they engage readers in a timely exploration of the extent to which our knowledge is formed and transformed through our interactions with photographic imagery.
In Extreme Scotland, award-winning adventure-sports photographer Nadir Khan takes us on a jaw-dropping tour through Scotland's epic mountain landscape. Nadir showcases his work with some of the best adventure athletes in the world - including Ines Papert and James Pearson - in a portfolio that has placed him at the forefront of adventure-sports photography in the UK. From the icy walls of Ben Nevis's frozen north face to the raging seas of the north coast, Scotland plays host to world-class adventure sports of every discipline. Ice climbing, kayaking, ski-touring, trail running, surfing, mountain biking and rock climbing are all captured beautifully in this fitting testament to Scotland's outstanding landscapes and adrenaline sports. Alongside contributions from climber and author Nick Bullock, Tom Livingstone, Elana Bader, Mike Pescod, David Canning and Stuart B. Campbell, Nadir gives us an insight into his photographic inspirations, and shares insights and approaches to composition and other elements of his photography.
This book has collaboration and translation at its heart: between people, words and images, languages, cultures. The poems came first, in Polish. Then came the photographic response to them. Then four translators, MARTA DZIUROSZ, MARIA JASTRZEBSKA, DANUSIA STOK and ELZBIETA WOJCIK-LEESE, took a set of 12 or 13 poems each and translated them into English. All people involved were women: the poet, the photographer, the four translators and the two editors. Together they arrived at 51 Polish poems, 51 English poems and 51 photographs making this collection. They raise themes such as cultural identity and migration, queerness, racism, isolation and family memories.
Around 1pm, every day of the week, nearly 600 bingo halls across the UK open their doors to thousands of loyal customers. But, although they can be found on almost every British high street, surprisingly few people ever see what goes on inside. In Bingo & Social Club, photographer Michael Hess opens up this world to a new audience. Behind the often-crumbling exteriors, he finds vibrant places full of strong characters, quirky details and more than a hint of nostalgia. In his own words: I want people to feel that they've spent a night at the bingo - to sense what it feels like to be there.A" Michael explains how the project started. I played bingo one night in 2005, just out of curiosity about what went on inside the big old converted cinema near my house. I was instantly fascinated by the characters. And so the next time I visited, I took my camera. 4 years and more than 60 bingo halls later I was ready to make Bingo & Social Club.A" Michael Hess and Maxine Gallagher spent many nights in the clubs, playing bingo, chatting with the managers and customers, and collecting stories from the people they met. They wanted to find out who these people really were. Bingo halls are not just about gambling; they're about human beings. They really do act as social hubs for many communities.A" Jack, the manager of a bingo club in Newcastle, forms the backbone of the book. He's quite a character - tough and yet extremely dignified - and I knew straight away he could add the extra dimension I was looking for. I've always been inspired by classic movies, and he suited the enigmatic lead role perfectly.A"
The Family of Man is the most widely seen exhibition in the history of photography. The book of the exhibition, still in print, is also the most commercially successful photobook ever published. First shown at the Museum of Modern Art in New York in 1955, the exhibition travelled throughout the United States and to forty-six countries, and was seen by over nine million people. Edward Steichen conceived, curated and designed the exhibition. He explained its subject as `the everydayness of life' and `the essential oneness of mankind throughout the world'. The exhibition was a statement against war and the conflicts and divisions that threatened a common future for humanity after 1945. The popular international response was overwhelmingly enthusiastic. Many critics, however, have dismissed the exhibition as a form of sentimental humanism unable to address the challenges of history, politics and cultural difference.This book revises the critical debate about The Family of Man, challenging in particular the legacy of Roland Barthes's influential account of the exhibition. The expert contributors explore new contexts for understanding Steichen's work and they undertake radically new analyses of the formal dynamics of the exhibition. Also presented are documents about the exhibition never before available in English. Commentaries by critical theorist Max Horkheimer and novelist Wolfgang Koeppen, letters from photographer August Sander, and a poetic sequence on the images by Polish poet Witold Wirpsza enable and encourage new critical reflections. A detailed survey of audience responses in Munich from 1955 allows a rare glimpse of what visitors thought about the exhibition. Today, when armed conflict, environmental catastrophe and economic inequality continue to threaten our future, it seems timely to revisit The Family of Man.
The photographs collected in this volume accompany us aboard the new Multistrada V4 produced by Ducati, to discover its spirit which coincides with the very essence of the journey: 3000 kilometres travelled along some of the most evocative itineraries in Italy, or on the coastal roads of Sardinia, on the summit craters in Sicily and on the snow-capped peaks of Abruzzo. Speed and control, power and balance of this vehicle - the result of an ambitious project that represents a turning point not only for the famous Italian motorcycle manufacturer but for the entire industry - blend with the landscapes of the surrounding nature, restoring the experience of a journey with just one ultimate goal: the road itself. Text in English and Italian.
Barthes investigation into the meaning of photographs is a seminal work of twentieth-century critical theory. This is a special Vintage Design Edition, with fold-out cover and stunning photography throughout. Examining themes of presence and absence, these reflections on photography begin as an investigation into the nature of photographs - their content, their pull on the viewer, their intimacy. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind. He was grieving for his mother at the time of writing. Strikingly personal, yet one of the most important early academic works on photography, Camera Lucida remains essential reading for anyone interested in the power of images. 'Effortlessly, as if in passing, his reflections on photography raise questions and doubts which will permanently affect the vision of the reader' Guardian
Since the early 1980s, art photographers from metropolitan France have been training their lenses on ordinary landscapes throughout the country they call home. The Topographic Imaginary is the first book to study this important and flourishing trend. It examines work by artists who meld documentary and creative modes to attune viewers to places that mainstream culture tends to tune out, but which, as Ari J. Blatt argues, are in fact more meaningful than they initially appear. From views of building sites in Paris, peri-urban edgelands, or a tangle of trees in a forest, to those that ponder the play of light and shadow on roadside fields in Normandy or the tacky colors painted on dated village shopfronts, images that signal the emergence of a "topographic turn" in contemporary French photography constitute new ways of seeing and sensing France's diverse national territory. As Blatt suggests, they also represent a visual laboratory through which to investigate how landscape "scapes" our understanding of French culture. In their efforts to reimagine a more traditional and time-worn idea of France's shared common space, topographic photographs animate conversations about capital and class; cities and their peripheries; the politics and impact of development; migration and borders; memory, history, and affect; empire and postcolonialism; national identity; and the changing environment. The Topographic Imaginary thus reveals how attending to place in pictures provides valuable insight into the disposition of a nation in flux.
Combining case studies with theoretical and philosophical insights, this book explores the role of photography in representing conflict and genocide, both during and after the break-up of Yugoslavia. Concentrating on the photographer, this book considers the practice of photojournalism rather than simply in terms of its consumption and use by the media. The experiences and working methods of photographers in the field are analysed, showing how practitioners conceptualised their work and responded to larger questions about neutrality and moral responsibility. Presenting this 'active' form of witness, author Paul Lowe investigates a crucial ethical paradox faced by photojournalists. Moving beyond the end of the Yugoslav Wars in 2001, this book also considers the therapeutic and validating potential of photography for survivors, featuring photographers whose work centres on memory and reconciliation. Based on archival research, close reading and discourse analyses of photographs, and interviews with a range of international photographers, this book explores how photography from this period has been used and remediated in editorial photojournalism, fine art documentary and advocacy photography. This book will be of interest to scholars in the history of photography, art and visual culture, and photojournalism.
Your camera can help add to your written family legacy. Photographing documents in a library, reading gravestones in a cemetery, copying photographs, and many other useful techniques are fully explained by the author. This informative book was written to address the needs of the novice and the avid shutterbug alike. It offers a complete description of how to use photography in your hobby, including how to buy a camera, tripods, filters, and film types. Use your camera to add a new dimension to your family history.
Edward Steichen (1879-1973) played a key role in the development of photography in the twentieth century. He is well known for his varied career as an artist, a celebrated photographer and a museum curator. However, Steichen is less known for his pivotal role in shaping America's first experiments in aerial photography as a tool for intelligence gathering in what may be called his 'lost years'. In Camera Aloft, Von Hardesty tells how Steichen volunteered in 1917 to serve in the American Expeditionary Forces (AEF). He rose rapidly in the ranks of the Air Service, emerging as Chief of Air Photography during the dramatic final offensives of the war. His photo sections were responsible for the rapid processing of aerial images gained through the daily and hazardous sorties over the front and in the enemy rear areas. What emerged in the eighteen months of his active service was a new template for modern aerial reconnaissance. The aerial camera, as with new weapons such as the machine gun, the tank and the airplane, profoundly transformed modern warfare.
Literature and Photography in Transition, 1850-1915 examines how British and American writers used early photography and film as illustrations and metaphors. It concentrates on five figures in particular: Henry Mayhew, Robert Louis Stevenson, Amy Levy, William Dean Howells, and Jack London.
How a generation of women artists is transforming photography with analogue techniques. Beginning in the 1990s, a series of major artists imagined the expansion of photography, intensifying its ideas and effects while abandoning many of its former medium constraints. Simultaneous with this development in contemporary art, however, photography was moving toward total digitalization. Lateness and Longing presents the first account of a generation of artists-focused on the work of Zoe Leonard, Tacita Dean, Sharon Lockhart, and Moyra Davey-who have collectively transformed the practice of photography, using analogue technologies in a dissident way and radicalizing signifiers of older models of feminist art. All these artists have resisted the transition to the digital in their work. Instead-in what amounts to a series of feminist polemics-they return to earlier, incomplete, or unrealized moments in photography's history, gravitating toward the analogue basis of photographic mediums. Their work announces that photography has become-not obsolete-but "late," opened up by the potentially critical forces of anachronism. Through a strategy of return-of refusing to let go-the work of these artists proposes an afterlife and survival of the photographic in contemporary art, a formal lateness wherein photography finds its way forward through resistance to the contemporary itself.
The Photography Teacher's Handbook is an educator's resource for developing active, flipped learning environments in and out of the photo classroom, featuring ready-to-use methods to increase student engagement and motivation. Using the latest research on the cognitive science of effective learning, this book presents groundbreaking strategies to inspire students to collaborate, explore, and internalize photographic principles and concepts. The innovative practices in this book reimagine the traditional, scholarly pedagogy into a dynamic, teacher-guided, learner-centered approach. Key features include: Step-by-step instructions that explain how and why to flip a photography classroom Hands-on exercises and activities to help students take charge of their learning experience Practical advice from more than 100 respected photography educators An interactive companion website with informative videos, links, and resources for students and educators alike
Rethinking Photography is an accessible and illuminating critical introduction to the practice and interpretation of photography today. Peter Smith and Carolyn Lefley closely link critical approaches to photographic practices and present a detailed study of differing historical and contemporary perspectives on social and artistic functions of the medium, including photography as art, documentary forms, advertising and personal narratives. Richly illustrated full colour images throughout connect key concepts to real world examples. It also includes: Accessible book chapters on key topics including early photography, photography and industrial society, the rise of photography theory, critical engagement with anti-realist trends in the theory and practice of photography, photography and language, photography education, and photography and the creative economy Specific case studies on photographic practices include snapshot and portable box cameras, digital and mobile phone cultures, and computer-generated imagery Critical summaries of current photography theoretical studies in the field, displaying how critical theory has been mapped on to working practices of photographers and students In-depth profiles of selected key photographers and theorists and studies of their professional practices Assessment of photography as a key area of contemporary aesthetic debate Focused and critical study of the world of working photographers beyond the horizons of the academy. Rethinking Photography provides readers with an engaging mix of photographic case studies and an accessible exploration of essential theory. It is the perfect guide for students of Photography, Fine Art, Art History, and Graphic Design as well as practitioners from any background wishing to understand the place of photography in global societies today.
A major reassessment of photography's pivotal role in 1960s conceptual art Why do we continue to look to photographs for evidence despite our awareness of photography's potential for duplicity? Documents of Doubt critically reassesses the truth claims surrounding photographs by looking at how conceptual artists creatively undermined them. Studying the unique relationship between photography and conceptual art practices in the United States during the social and political instability of the late 1960s, Heather Diack offers vital new perspectives on our "post-truth" world and the importance of suspending easy conclusions in contemporary art. Considering the work of four leading conceptual artists of the 1960s and '70s, Diack looks at photographs as documents of doubt, pushing the form beyond commonly assumed limits. Through in-depth and thorough reevaluations of early work by noted artists Mel Bochner, Bruce Nauman, Douglas Huebler, and John Baldessari, Diack advances the powerful thesis that photography provided a means of moving away from the object and toward performative effects, playing a crucial role in the development of conceptual art as a medium of doubt and contingency. Discussing how unexpected and contradictory meanings can exist in the guise of ordinary pictures, Documents of Doubt offers evocative and original ideas on truth's connection to photography in the United States during the late 1960s and how conceptual art from that period anticipated our current era of "alternative facts" in contemporary politics and culture.
There is no more beautiful or alluring coast in the world than the West Coast of North America: a 5,000-mile-long region that extends from the Aleutian Islands of Alaska to Canada's British Columbia, south to Washington, Oregon, and California, and then to Baja California in Mexico. No photographer until David Freese has explored the various and wondrous landscapes along the Pacific Ocean in such depth, making this the first book to look comprehensively at what makes the natural beauty of this particular coast so memorable.Behind the scenery, of course, lie the geologic forces that have created the West Coast landscapes that we now admire, explore, and praise. The engaging and informative text by renowned author Simon Winchester grounds us in understanding the deep relationship between geology and scenery. And Naomi Rosenblum, the esteemed photographic historian, writer, curator, and art critic, firmly establishes David Freese's place among the great landscape photographers of the past and present. In every photograph, his unique vision of nature and of place comes shining through."West Coast: Bering to Baja" is a major publishing enterprise that will appeal to book-lovers of photography, nature, and those who dream about visiting and touring North America's West Coast. For here we see the vital connection between art and science merge in ways previously unseen for this special region of the world.To see a beautiful video discussion between the photographer David Freese and text author Simon Winchester, and some of the magnificent photography, go to: |
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