"The first time I saw Sharmila practicing yoga, I was amazed. Her ability to control her body with awe-inspiring precision was mysterious. Her quiet and powerful concentration makes her slowly evolving, rock solid shapes appear like sculpture. By uniting the rich heritage of dance, martial arts and yoga in an unforeseen way, Sharmila is guiding performance into new territory."--Karole Armitage.

Italy's largest and greatest trade union, the CGIL, was formed in 1906, epitomizing what the fledgling nation's culture and credos were to represent in the twentieth century. At the time, the CGIL was able to encapsulate a traditional working class, the inevitable bourgeoisie, capitalists, and, later, fervent communists. Now, almost 100 years later, Italy has changed fundamentally. The demographic differences so starkly apparent at the time of the CGIL's formation have simply faded away, like a vibrant watercolor exposed to the sun. They have been replaced by a colorless chain-store homogeneity, a vagueness of purpose, a flatulent middle class without values or value. Made in Italy CGIL 100 investigates these shifts via pictures from four young photographers, Emiliano Mancuso, Mario Spada, Massimo Berruti, and Giancarlo Ceraudo. It asks the inevitable questions: How can this have happened? Is anybody paying attention?

Elusive Birds of the Tropical Understory is an arresting visual trip to the unseen corners of the Neotropical forest understory. Edited by John P. Whitelaw, Jeffrey D. Brawn, Henry S. Pollock, and John W. Fitzpatrick, this book combines unique images of tropical birds with inspired essays by leaders in the world of modern ornithology. With one-of-a-kind photos of seldom-documented birds, the authors use photography as a conservation tool. Many of the birds are more often heard than seen-not much is known about some of them, and much of what we do know is found in historical natural history literature, not contemporary accounts. Due to dense vegetation, low light conditions, and the birds' furtive behavior and cryptic coloring, they are notoriously difficult to photograph. Yet, Elusive Birds of the Tropical Understory delves deep into the Panamanian forest understory to show why these birds should be included in discussion of the current conservation crisis. What these species lack in bright colors they make up for in distinctive behaviors, subtle plumage patterns, and ongoing mystery. Elusive Birds of the Tropical Understory invites and inspires naturalists of all ages to take a closer look at a fascinating assemblage of overlooked birds.

For mainstream economics, cultural production raises no special questions: creative expression is to be harvested for wealth creation like any other form of labour. As Karl Marx saw it, however, capital is hostile to the arts because it cannot fully control the process of creativity. But while he saw the arts as marginal to capital accumulation, that was before the birth of the mass media. Engaging with the major issues in Marxist theory around art and capitalism, From Printing to Streaming traces how the logic of cultural capitalism evolved from the print age to digital times, tracking the development of printing, photography, sound recording, newsprint, advertising, film and broadcasting, exploring the peculiarities of each as commodities, and their recent transformation by digital technology, where everything melts into computer code. Showing how these developments have had profound implications for both cultural creation and consumption, Chanan offers a radical and comprehensive analysis of the commodification of artistic creation and the struggle to realise its potential in the digital age.

In this fully revised and greatly expanded second edition of The Essence of Photography, world-renowned photographer and teacher Bruce Barnbaum draws upon 50 years of experience and observation to teach the art of photographic seeing and creativity. There is a lot more to photography than simply picking up a camera, pointing it toward something, and tripping the shutter. Achieving a great photograph requires thought and preparation, an understanding of the photographic process, and a firm grasp of how light and composition affect a photo. There must be personal involvement and personal expression. There must be experimentation, with the recognition that only a small percentage of experiments end successfully. In this revised and expanded second edition of The Essence of Photography, best-selling author and world-renowned photographer and teacher Bruce Barnbaum explores these seldom-discussed issues by drawing upon his personal experiences and observations from 50 years of photographing and teaching. In addition to photographs, Bruce also uses painting, music, and writing, as well as the sciences and even business, to provide pertinent examples of creative thinking. These examples serve as stepping stones that will lead you to your own heightened ability to see and be creative. Creativity is a topic that is almost wholly ignored in formal education because most instructors think that it cannot be taught or learned. To the contrary, Bruce has proven that photographic seeing and creativity can be taught, learned, and improved. This book expands on the ideas that are central to Bruce's method of teaching photography, which he has used in workshops for the past 50 years. Included in the book are in-depth discussions on the following topics: - Defining your own unique rhythm and approach as a photographer - How to translate the scene in front of you to the final photograph - The differences and similarities between how an amateur and a professional approach photography - The differences between realism and abstraction, and the possibilities and limitations of each - Learning to expand your own seeing and creativity through classes, workshops, and associating with other photographers - Why the rules of composition should be ignored - How to follow your passion - When to listen to the critics and when to ignore them The book is richly illustrated with well over 100 photographs taken by Bruce as well as other photographers. Seeing and creativity are difficult to teach, but not impossible. This very different, perhaps groundbreaking book is sure to inspire photographers of all skill levels--from beginners to seasoned professionals--to think deeply about the issues involved in creating successful photographs.

'captures the sensation of flight and movement within heavy, confining spaces, and the sweeping colors of the boards, the graffiti, and the riders as they fly between the gray sky and grayer pavement' -The New Yorker Skateboarding in New York City is a singular experience. It is impossible not to feel the magnitude of the landscape, and with the city in constant motion, skateboarding is both exhilarating and extremely dangerous. There is no right or wrong way to navigate this vast terrain. Only one thing is certain - the skaters and images produced in New York City are wholly unique. The shots in Full Bleed span 30 years, with contributions from over 40 photographers. This tenth anniversary edition is a comprehensive overview of one of the most diverse and rich skating locations in the world, bringing together legendary skaters and iconic photographers. Featuring the work of: Giovanni Reda, Jessica Bard, Ivory Serra, Tobin Yelland, Miki Vuckovich, Thomas Campbell, Larry Clark, Ed Templeton, Jerry Hsu, Atiba Jefferson, Bryce Knights, Angela Boatwright, Athena Currey, Kenneth Cappello, Charlie Samuels, Andy Kessler, Mike O'Meally, Sammy Glucksman, Allen Ying, and more. Edited by Ivory Serra, Alex Corporan, Andre Razo

An inspiring collection of the best images from the tastemaking Kinfolk magazine.

With over 650,000 copies of their books in print and nearly 50 issues of their magazine distributed worldwide, Kinfolk has come to define the taste of a generation: From interiors to fashion, portraiture, food and travel, the consistently boundary-pushing photography produced by the brand has coalesced into one of the most influential and immersive lifestyle aesthetics of the last decade.

The Art of Kinfolk brings more than 300 of the most iconic images from the first decade of the magazine into focus. Ranging from the deceptively simple to the surreal to the perennially stylish, this collection of originally commissioned photography captures the arc of an artistic adventure, a creative community at work, and in the process illuminates one of the most enigmatic aesthetics of the era.

No superhero is a series of work by the acclaimed Scandinavian artist, Ole Marius Jorgensen. The work features meticulously staged, cinematic photographs that depict seemingly ordinary situations which are then infused with a juxtaposed narrative. This unlocks an unexpected and unique world that feels both old and new. Full of mystique and intrigue and set in the artist's native, rural Scandinavia, this series of images follows the protagonist on a silent, solitary journey that emphasises complex emotions. From the playful, to the dark, to the eccentric, each scene is depicted through a lens that captures childhood nostalgia with the hero as an ordinary man.