Explore the first seventy-five years of Ocean City, New Jersey's grand history through this postcard pictorial. History comes alive with over 250 beautiful black and white and hand-tinted photos of the beaches, the strand, and many places of play and worship in this much-loved city.Bounded on the east by the Atlantic Ocean and the west by the inland waters of Great Egg Harbor Bay, Ocean City's location, only sixty-five miles from Philadelphia, has made it a popular summer playground ever since its founding as a Christian seaside resort in 1879. The city has come to be a vibrant community of full-time residents as well as loyal summer vacationers. This book illustrates the city's many entertainments, including the serenity and natural beauty that first drew its founders.

"Exploring for the very first time the hidden relationship between paintings and stereoscopic cards in Victorian times." The advent of a new painting by a great artist was big news in the 1850s, but few were able to access and enjoy directly the new works of art. Stereo cards, created by enterprising photographers of the day, reconstructed the scenes and gave an opportunity for the man in the street to enjoy these scenes, in magical life-like 3D. The Poor Man's Picture Gallery contains high-definition printed reproductions of well-known Victorian paintings in the Tate Gallery, and compares them with related stereo cards - photographs of scenes featuring real actors and models, staged to tell the same story as the corresponding paintings, all of which are the subject of an exhibition in the Tate Gallery in 2014.

Along with the rapid expansion of the market economy and industrial production methods, such innovations as photography, lithography, and steam printing created a pictorial revolution in nineteenth-century society. The proliferation of visual prints, ephemera, spectacles, and technologies transformed public values and perceptions, and its legacy was as significant as the print revolution that preceded it. Consuming Identities explores the significance of the pictorial revolution in one of its vanguard cities: San Francisco, the revolving door of the gold rush. In their correspondence, diaries, portraits, and reminiscences, thousands of migrants to the city by the Bay demonstrated that visual media constituted a central means by which people navigated the bewildering host of changes taking hold around them in the second half of the nineteenth century, from the spread of capitalism and class formation to immigration and urbanization. Images themselves were inextricably associated with these world-changing forces; they were commodities, but as representations of people, they also possessed special cultural qualities that gave them new meaning and significance. Visual media transcended traditional boundaries of language and culture that divided diverse groups within the same urban space. From the 1848 conquest of California and the gold discovery to the disastrous earthquake and fire of 1906, San Francisco anticipated broader cultural transformations in the commodification, implementation, and popularity of images. For the city's inhabitants and sojourners, an array of imagery came to mediate, intersect with, and even constitute social interaction in a world where virtual reality was becoming normative.

Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century--and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the early Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain's Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds's unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds's replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.

A unique insight into the work of photo-journalist during the pandemic and Black Lives Matter movement. Written in an accessible style for students of photojournalism and media studies, as well as a general readership interested in these events and how they played out in the media. Includes interviews with award-winning photographers and journalists from the USA, Argentina and China.

Co-authored by Ron Reeder, the inventor of the QTR system for digital negatives, the book provides a comprehensive, highly illustrated and accessible guide to the creation of digital negatives using QTR; a vital skill for anyone interested in alternative process photography and printmaking. Includes quick start guides on topics such as downloading and installing QTR and Print Tool, installing a ready-made profile, making a profile from scratch, printing with the Print Tool, and using the Color Calibration tool for those who want to jump straight into practice. Features detailed individual digital workflows for palladium, gelatin silver, cyanotype, salted paper and gum printing, with accompanying downloadable printer profiles. Includes a section devoted to contemporary QTR artists and their individual methods, process and tips.

No photographer is more closely associated with a city than Brassai (1899 1984) is with Paris. From the moment he moved there in 1924, he devoted his life and art to immortalizing his adopted city capturing the street life by day, the cafes and the Seine by night. A friend of Picasso and Henry Miller, Brassai knew and photographed the leading figures of his day Giacometti, Sartre, Dali, Matisse, and Mann among them. His most famous portraits and cityscapes, collected in this volume, form a unique vision of life in pre- and post-war Europe. The Photofile series brings together the best work of the world s greatest photographers in an attractive format and at an affordable price. Handsome and collectable, the books are produced to the highest standards. Each volume contains some sixty full page reproductions, a critical introduction and a full bibliography. The series was awarded the first annual prize for distinguished photographic books by the International Center of Photography."

Travel along the California coast from San Francisco to San Diego and visit the many pleasure and fishing piers just waiting to be discovered and enjoyed. Approximately 500 color photos take you to 51 piers in the coastal areas of San Diego, Orange County, Los Angeles, Santa Barbara, San Francisco, and more. Revel in their majestic beauty as you learn history and trivia of each. Which pier is the most southernmost in California? Which pier is the longest wooden pier on the West Coast? And which pier, painted a unique green, can be seen from airplanes flying high overhead? Visit the Maritime Museum at Hyde Street Pier and the world-famous Fisherman's Wharf in San Francisco. Piers of all sizes and stature are found throughout these pages and will have you wanting to visit these incredible places yourself. This book is a must-have for beach, nature, and photography lovers.

Throughout the history of photography the genre of landscape has been dominated by male perspectives. In this work, ten women photographers interpret the notion of landscape from a variety of perspectives.

Photography - A Queer History examines how photography has been used by artists to capture, create and expand the category 'Queer'. It bookmarks different thematic concerns central to queer photography, forging unexpected connections to showcase the diverse ways the medium has been used to fashion queer identities and communities. How has photography advanced fights against LGBTQ+ discrimination? How have artists used photography to develop a queer aesthetic? How has the production and circulation of photography served to satisfy the queer desire for images, and created transnational solidarities? Photography - A Queer History includes the work of 84 artists. It spans different historical and national contexts, and through a mix of thematic essays and artist-centred texts brings young photographers into conversation with canonical images.

Throughout the history of photography the genre of landscape has been dominated by male perspectives. "Shifting Horizons" makes us rethink our perceptions of the inner and outer landscapes we experience. Ten women photographers reinterpret the notion of "landscape." Using techniques ranging from historical non-silver processes to new digital imaging technologies, they are concerned with borders: between land and sea, day and night, inside and outside, public and private, absence and presence, space and enclosure, image and words; past, present and future.

- The first book that collects an international range of accomplished practitioners and academics together to share their innovative photography practices - Written in a clear and accessible style, ideal for students and practitioners - Uses tangible examples and relatable practices that can inspire or be extrapolated into the reader's own practice - Visually rich with 150 full colour images demonstrating a diverse set of practices.

Zone Eleven is a reference to Ansel Adams' Zone System, a method to control exposure of the negative in order to obtain a full range of tonality in the photographic print from the deepest black of Zone 0 to the brightest highlight in Zone 10. Zone Eleven is a metaphor coined by artist Mike Mandel in his challenge to create a book of Adams' photographs outside of the bounds of his personal work. Many of these photographs were found in the archives of his commercial and editorial assignments, and from his experimentation with the new Polaroid material of the times. For this book, Mandel has unearthed images that are unexpected for Adams, and created a new context of facing page relationships, and sequence. Zone Eleven is the product of Mike Mandel's research of over 50,000 Adams images located within four different archives to present a body of Adams' work that was unknown until now. Mike Mandel is well known for his collaboration with Larry Sultan in the 1970s - 1990s. They published Evidence in 1977, a collection of 59 photographs chosen from more than two million images that the artists viewed at the archives of government agencies and tech-oriented corporations. Conceptually, Zone Eleven is a companion book to Evidence. As Evidence reframes the institutional documentary photograph with new context and meaning, Zone Eleven responds to the audience expectation of "the iconic Ansel Adams nature photograph." But Mandel selects images that do not fit that expectation. Zone Eleven is a book of Ansel Adams images that surprisingly speak to issues of the social relations, the built environment, and alienation.

Learn to edit, organize, and present your best work and become a better photographer in the process! Once a photographer has learned the fundamental techniques of photography the basics of exposure, composition, and focus their work often improves over the course of a few months or years. The world is full of wonders to photograph, and photographers can be pulled in many directions, excitedly chasing the light and the moment. This approach can certainly yield wonderful photographs, but over time the photographer s progress often begins to slow, and eventually, it can stop altogether. The reason for this is simple: creativity begins with image-making, but true progress comes with learning to edit and organize your work in ways that reflect your unique style and perspective, ways that offer you insight into how you can improve your work moving forward. In short, the key to becoming the best photographer you can be is to create an ongoing portfolio (or multiple portfolios) of your work. Based on an eight-week course taught by renowned photographer and author William Neill, The Photographer s Portfolio Development Workshop provides the tools and skills you need in order to create a methodology that allows you to create a tightly edited portfolio of work, no matter your end goal: a box of prints, a book, an online presentation or website, or even a gallery exhibit. A portfolio is simply a collection of photographs with a consistent theme and consistent quality. In developing such a body of work, you will learn what your specific passions are, find focus for your work, and begin the iterative process of creating better and better photographs over time. By constantly working within a feedback loop where you carefully assess and edit your images, note and learn from mistakes, then go out and create more photographs you ll develop a portfolio that is constantly gaining in strength, quality, and impact. It s no surprise that you ll also become a much better photographer.