Guest edited by the acclaimed photographer Alec Soth, Aperture's summer issue explores the dimensions and possibilities of dreams, journeys, and chance in photography. "Sleepwalking" covers a surprising array of images and stories from the Soviet-era Czech artist Emila Medova to Sophie Calle's discovery of an abandoned Parisian hotel to Soth's own photographs from his travels in the United States. In this issue, Jesse Dorris interviews Duane Michals about luck and fate, Marina Warner explores the enduring resonance of the figure of the sleepwalker, and artists including Etienne Courtois, Maja Daniels, and Elliott Jerome Brown Jr. present surreal and imaginative new series. The Summer 2022 issue also introduces The PhotoBook Review, a new section for lively engagement with photobooks, featuring reviews of recent titles by Nona Faustine, Samuel Fosso, Oscar Monzon, and others.

To fully understand photography, it is essential to study both the theoretical and the technical.

In an accessible yet complex way, Rebekah Modrak and Bill Anthes explore photographic theory, history and technique to bring photographic education up-to-date with contemporary photographic practice. Reframing Photography is a broad and inclusive rethinking of photography that will inspire students to think about the medium across time periods, across traditional themes, and through varied materials. Intended for both beginners and advanced students, and for art and non-art majors, and practicing artists, Reframing Photography compellingly represents four concerns common to all photographic practice:

• vision
• light/shadow
• reproductive processes
• editing/ presentation/ evaluation.

Each part includes an extensive and thoughtful essay, providing a broad cultural context for each topic, alongside discussion of photographic examples. Essays introduce the work of artists who use a diverse range of subject matter and a variety of processes (straight photography, social documentary, digital, mixed media, conceptual work, etc.), examine artists' conceptual and technical choices, describe cultural implications and artistic influences, and analyze how these concerns interrelate. Following each essay, each part continues with a "how-to" section that describes a fascinating range of related photographic equipment, materials and methods through concise explanations and clear diagrams.

Key Features:

• case studies featuring profiles of contemporary and historical artists
• glossary definitions of critical and technical vocabulary to aid learning
• how to sections provide students with illustrated, step by step guides to different photographic methods, alongside related theory
• fully up-to-date, with both high and low tech suggestions for activities
• online resources at: www.routledge.com/textbooks/reframingphotography will update information on equipment and provide further activities, information and links to related sites
• lavishly illustrated, with over 750 images, including artists work and examples of photographic processes.

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Throughout Germany's tumultuous twentieth century, photography was an indispensable form of documentation. Whether acting as artists, witnesses, or reformers, both professional and amateur photographers chronicled social worlds through successive periods of radical upheaval. The Ethics of Seeing brings together an international group of scholars to explore the complex relationship between the visual and the historic in German history. Emphasizing the transformation of the visual arena and the ways in which ordinary people made sense of world events, these revealing case studies illustrate photography's multilayered role as a new form of representation, a means to subjective experience, and a fresh mode of narrating the past.

Photography became a dominant medium in cultural life starting in the late nineteenth century. As it happened, viewers increasingly used their reactions to photographs to comment on and debate public issues as vital as war, national identity, and citizenship. Cara A. Finnegan analyzes a wealth of newspaper and magazine articles, letters to the editor, trial testimony, books, and speeches produced by viewers in response to specific photos they encountered in public. From the portrait of a young Lincoln to images of child laborers and Depression-era hardship, Finnegan treats the photograph as a locus for viewer engagement and constructs a history of photography's viewers that shows how Americans used words about images to participate in the politics of their day. As she shows, encounters with photography helped viewers negotiate the emergent anxieties and crises of U.S. public life through not only persuasion but action, as well.

Soul and Glory takes you on a journey through football history, spanning four unforgettable and unique decades from 1950 to 1989. Using beautiful images, it's a celebration of the game, from the life and soul of the packed-out terraces to the glory and despair on the pitch. The book showcases the diversity and individuality of football going back to an era when things looked very different than now, for better or worse. Whether it's muddy pitches, players celebrating with fans, larger-than-life characters or stadiums packed out an hour before kick-off, Soul and Glory will take you on a nostalgia-filled trip down memory lane. Legends such as George Best, Jimmy Greaves, Bobby Charlton, Bobby Moore, Paul Gascoigne and Stanley Matthews all feature, as well as a wide selection of teams and stadia. This stunning pictorial celebration of English football is sure to leave you reminiscing about the uniqueness and flamboyance of the nation's football heritage.

With conscription introduced, Zeppelins carrying out bombing raids on key towns and cities across England, the Battle of Jutland seeing fourteen British ships sunk and the Battle of the Somme claiming 20,000 British dead on the first day alone, the resolve of the British and allied troops in 1916 was being sorely tested. The Great War Illustrated 1916 is the third picture volume in this series that deals exclusively with actions fought throughout the year on the Western Front. Split into five chapters, the authors begin with the British defeat at Kut, showing photographs from British and Turkish perspectives throughout the four-month campaign. The second chapter explores the new technological advances made by both sides throughout the year including new tanks, aircraft and guns. Photographs show the new equipment in action on the battlefield as well as being manufactured on production lines in the factories back home. We then turn to the Battle of Verdun, one of the largest battles of the First World War, before exploring the Battle of Jutland. Being the only full-scale naval clash of the entire First World War, the two-day battle saw twenty-five ships sunk and over 8,000 men killed on both sides and the authors analyse the battle in full detail, illustrating the ships that were involved and the men who sailed upon them. The concluding chapter explores the infamous Battle of the Somme, from the horrendous losses suffered on 1 July to the arduous battle of attrition that followed thereafter. Split into sub-sections, detailed analysis of the Australians, Canadians and British troops are featured along with a final section showing winter conditions in the area at the end of the year. With over 1,300 painstakingly enhanced and restored photographs and a thirty-two page full colour section, the work within these pages represents a real labour of love and offers the reader an exceptional picture library of rare and unseen pictures that is easily accessible for the general reader and military enthusiast alike.

Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer's The Concert ? And what is Susan Meiselas's take on Instagram and the future of online storytelling? Aperture Conversations presents a selection of interviews pulled from Aperture's publishing history, highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Through the history of Aperture's booklist, online platform, and Aperture magazine, Aperture Conversations celebrates the artist's voice, collaborations, and the photography community at large.

With the new edition of this proven bestseller, Photoshop users can master the power of Photoshop CS5 with internationally renowned photographer and Photoshop hall-of-famer Martin Evening by their side. In this acclaimed reference work, Martin covers everything from the core aspects of working in Photoshop to advanced techniques for professional results. Subjects covered include organizing a digital workflow, improving creativity, output, automating Photoshop, and using Camera RAW. The style of the book is extremely clear, with real examples, diagrams, illustrations, and step-by-step explanations supporting the text throughout. This is, quite simply, the essential reference for photographers of all levels using Photoshop. Downloadable resources are available online at www.focalpress.com/cw/evening-9780240522005/

This volume explores the selfie not only as a specific photographic practice that is deeply rooted in digital culture, but also how it is understood in relation to other media of self-portrayal. Unlike the public debate about the dangers of 'selfie-narcissism', this anthology discusses what the practice of taking and sharing selfies can tell us about media culture today: can the selfie be critiqued as an image or rather as a social practice? What are the technological conditions of this form of vernacular photography? By gathering articles from the fields of media studies; art history; cultural studies; visual studies; philosophy; sociology and ethnography, this book provides a media archaeological perspective that highlights the relevance of the selfie as a stereotypical as well as creative practice of dealing with ourselves in relation to technology.

David Levinthal, a central figure in the history of American postmodern photography, has staged uncanny tableaux using toys and miniature dioramas for nearly forty years. This publication for the first time assembles the artist's photography on the subject of war.

Levinthal's combat-related tableaux constitute a remarkable critique of the ways society experiences conflict through its portrayal. His groundbreaking project "Hitler Moves East" (1975-77), a series of imagined scenes from World War II's Russian front, first established his reputation, becoming a touchstone for the iconoclastic generation of American photographers that includes artists like Cindy Sherman and Richard Prince.
The book has a beautifully designed canvas hardcover with silkscreen print and a dust jacket

Move over, Man Ray, there are new collage artists in town! Match the contemporary works of 30 different artists and be inspired by the colourful and comprehensive card deck. The Collage Memory Game provides you with an insight into the broad art movement. Collage is a technique of art production, primarily used in the visual arts, where the artwork is made from an assemblage of different forms, thus creating a new whole. It allowed artists to engage with existing materials, to which they could assign new contexts in order to create a brand new artwork. Ranging from newspapers and magazines to maps, tickets, propaganda, photographs, ribbons, postage stamps, paint, text and found objects, the elements of collage participate in a handy creative process of putting artworks together and even breaking them apart, in an artistic exploration into the unknown. The origins of collage can be traced back hundreds of years, but this technique made a dramatic reappearance in the early 20th century as an art form of novelty.

Lodestars Anthology: Pathways contains 14 of the best and most carefully selected paths and trails that we have traversed. This book explores and details those pathways, the people, the landscapes and the fascinating things we discovered along the way. The journeys we take have a start and an end point, but we, in this book, want to relish the bit in between. So whether this is a mountain pass in the Italian Alps where we meet highland shepherds, or sprawling, urban grids with a bevy of restaurants and contemporary design, we want to inspire the reader to follow these paths and take precious moments to engage in everything possible through their senses. The book is a guide to these pathways, but goes beyond this to capture and document the lives of the people we meet, the challenges of the trip and the culture and landscapes we find that inspire us to keep on adventuring. 1 A collection of pathways from around the world captured through compelling narrative, high quality photography and key guide points. 2 Documenting how to travel and how to experience everything from the start the end of a journey. 3 The people we meet, the places we discover, the sights we see and the paths we took to discover them.

Photography represents a medium in which the moment of death can be captured and preserved, the image becoming a mechanism through which audiences are beguiled by the certainty of their own mortality. Examining a spectrum of post-mortem images, Photography and Death considers various ways in which the death image has been framed and what these styles communicate about changing social attitudes related to dying, mourning and the afterlife. Presenting a fresh perspective on how we might view death photography in the context of our contemporary cultural milieu, this book brings together a range of historical examples to create a richer narrative of how we see, understand and discuss death in both the private and public forum. Building upon existing publications which relate explicitly to the study of death, dying and cultures of mourning, the book discusses topics such as post-mortem portraiture, the Civil War, Spiritualism and lynching. These are positioned alongside contemporary representations of death, as seen in celebrity death images and forensic photography. Uncovering an important historical contrast, in which modern notions of death are a comment on ownership or an emotionless, clinical state, Harris highlights the various ways that the deceased body is a site of contestation and fascination. An engaging read for students and researchers with an interest in death studies, this book represents a unique account of the various ways that attitudes about death have been shaped through the photographic image.

In her beautifully illustrated study, Patrizia Di Bello recaptures the rich history of women photographers and image collectors in nineteenth-century England. Situating the practice of collecting, exchanging and displaying photographs and other images in the context of feminine sociability, Di Bello shows that albums express Victorian women's experience of modernity. While attentive to the albums of individual women, Di Bello also examines the broader feminine culture of collecting and displaying images; uncovers the cross-references and fertilizations between women's albums and illustrated periodicals; and demonstrates the way albums and photography itself were represented in women's magazines, fashion plates, and popular novels. Bringing a sophisticated eye to overlooked images such as the family photograph, Di Bello not only illustrates their significance as historical documents but elucidates the visual rhetorics at play. In doing so, she identifies the connections between Victorian album-making and the work of modern-day amateurs and artists who use digital techniques to compile and decorate albums with Victorian-style borders and patterns.At a time when photographic album-making is being re-vitalised by digital technologies, this book rewrites the history of photographic albums, placing the female collector at its centre and offering an alternative history of photography focused on its uses rather than on its aesthetic or artistic considerations. Di Bello's book is remarkable in elegantly connecting the history of photography with the fields of material culture and women's studies.