Consciously claim your natural heritage which is your life through these photographs and sensitise yourself to this wonderful world and beautiful planet. This title is an award-winning finalist in the General Photography category of the National Best Books 2008 Awards, sponsored by "USA Book News".

This book is the first ever full-length study of the reception of British cinema in post-war France, challenging Francois Truffaut's infamous dismissal of British cinema as 'a contradiction in terms', a comment which has been, and still is, widely reproduced, yet has until now remained critically unexplored. A historical account, the book gathers together well-known episodes (such as Cahiers du cinema in the 1950s) and critics (Andre Bazin, Francois Truffaut, Jean-Luc Godard), along with original new material, and thus throws new light on a topic which, given the influential nature of French film criticism and cinephilia, continues to be at the core of film culture.

At the heart of Southeast Asia, the kingdom of Thailand is full of diversity, created by its long history and successive kingdoms. Renowned for food, beaches, friendly people and a relaxed lifestyle, Thailand shows just how much there is to explore. With 40,000 temples throughout the country and 97 per cent of the population being Theravada Buddhists, the religion pervades everyday life. From the sophistication of modern Bangkok to the ruins of the ancient Hindu temples at Prasat Hin Phimai and Muang Tham, from the beaches of Koh Samui and Cha-am to the mountains of Chiang Mai to verdant national parks such as Kaeng Krachan, Thailand tours the country's most interesting destinations, region by region. Each region of Thailand is very different, from the mountainous north and northeast, to the historic sites of Sukhothai and Ayutthaya in the centre, and glorious beaches in the east, west and south. Thailand is a biodiversity hotspot and the national parks are a lesser-known delight. Featuring street markets and floating markets, riding an elephant to travelling by tuk-tuk, idyllic beaches to ancient cities and historic temples, Thailand is packed with more than 200 spectacular photographs.

Lying Bodies explores how to survive with invisible, non-normative identities by focusing on literally 'invisible' differences. The first half of the book attempts a theoretical account of the self in the field of vision, drawing on psychoanalytic theories of the formation of the self. In order for the survival of the self with a visual image that both enables and threatens it, the book proposes the strategy of 'the lying body', which combines mimicry with equivocality. The second half of the book demonstrates possible forms of 'the lying body' through an analysis of specific examples of cultural practices, including works by artists Cindy Sherman and Morimura Yasumasa, as well as the claim of invisible sexual differences by feminine-looking lesbians.

This book challenges the status quo of the materiality of exhibited photographs, by considering examples from the early to mid-twentieth century, when photography's place in the museum was not only continually questioned but also continually redefined. By taking this historical approach, Laurie Taylor demonstrates the ways in which materiality (as opposed to image) was used to privilege the exhibited photograph as either an artwork or as non-art information. Consequently, the exhibited photograph is revealed, like its vernacular cousins, to be a social object whose material form, far from being supplemental, is instead integral and essential to the generation of meaning. The book will be of interest to scholars working in art history, history of photography, theory of photography, curatorial studies and museum studies.

What makes news patriotic? How is photojournalism used in wartime? In a national crisis, the press operates under various forms of censorship. Within these constraints, it continues to produce news in line with what is considered newsworthy. Everyday 'human interest' photographs and stories, which tell of bizarre, comic or tragic events, are turned to patriotic ends. The subject of death is transformed by its use in saving the nation; it is accompanied and displaced by more comforting ideas. Originally published in 1991, with the help of full-page illustrations from newspapers and journals, John Taylor looks at the special truth of war news, how it is built on established ways of storytelling, and how photography is used to make it seem real. Taking examples from the First and Second World Wars, the Falklands campaign and present-day accounts of terrorism and crime within the United Kingdom, Taylor shows that aside from legal controls, the press's own methods bring it close to the official perspective. Drawing on history, sociology and photo-history, War Photography is a well-illustrated account of the place of photojournalism in the news industry and the use of news in creating national identity.

Journeys Exposed: Women's Writing, Photography and Mobility examines contemporary literature written by women that are all related to Italy in different ways. It argues that photography provides women with a means to expose aspects of their nomadic self and of others' mobile lives within and beyond the writing process. By resorting to the visual, women individualistically respond to forms of hegemonic power, fragmentation, displacement, loss and marginality and make these experiences key to their creative production.

What do we mean when we claim affinity with an object or picture, or say affinities exist between such things? Affinities is a critical and personal study of a sensation that is not exactly taste, desire, or allyship, but has aspects of all. Approaching this subject via discrete examples, this book is first of all about images that have stayed with the author over many years, or grown in significance during months of pandemic isolation, when the visual field had shrunk. Some are historical works by artists such as Julia Margaret Cameron, Dora Maar, Claude Cahun, Samuel Beckett and Andy Warhol. Others are scientific or vernacular images: sea creatures, migraine auras, astronomical illustrations derived from dreams. Also family photographs, film stills, records of atomic ruin. And contemporary art by Rinko Kawauchi, Susan Hiller and John Stezaker. Written as a series of linked essays, interwoven with a reflection on affinity itself, Affinities is an extraordinary book about the intimate and abstract pleasures of reading and looking.

This volume gives scholars and students a working knowledge of the procedures, challenges, and benefits of using photo methods in their ethnographic work through studies by researchers who are currently using it. The studies are both examples of exemplary scholarship and serve as tutorials on the procedures and methodological considerations of using this personal, even intimate, method. These eight authors were asked to re-open their carefully packed-away studies, disassemble the methods and the findings, and reflect on the contents. Like looking through old photo albums, these reflective essays allowed us to have new conversations with different audiences. Each chapter contains sections that penetratingly explain the research problem, describe why photo methods were used for the study, elucidate and reflect on the method, summarize the findings, and then examine participant empowerment through the method. This unique structure is specifically designed to be used in masters and doctoral classrooms and with researchers looking for new methods or to strengthen their existing work. The editors and authors believe that using photo-methods can empower participants to become part of the research process. Each author uses photo with the same goal; to create rigorous science that has meaning for the participants.

True Africa showcases the best and worst of what orphans in Sub-Saharan Africa live with everyday. Is there poverty? Yes. But there is also beauty, dignity, a generosity of hospitality, and joy. Extreme poverty is an assault on human dignity, but at the end of the day it is no match for the human soul. Dignity can be obscured, beaten down, and dressed in tatters, but its essence remains. If you are perceptive, you will see it. Professional photographer David Sacks is a master at drawing out these qualities in his subjects. He shows that people-both children and adults-are not defined by the outer shell of their adversity. So put aside all your preconceived notions about the calamities Africa may or may not be facing and enjoy this photographic journey into the beautiful and joyful people who live there.

This book delivers an in-depth analysis of Hercule Florence, who is virtually unknown despite being among the world's photographic pioneers. Based on the texts of various manuscripts, letters, diaries, notes, and advertisements, this book answers numerous questions surrounding Florence's work, including the materials, methods, and techniques he employed and why it took more than a century for his discovery to come to light. Kossoy's groundbreaking research establishes Florence's use of "photographie" to describe the product of his experiments, half a decade before Sir John Herschel recommended "photography" to Henry Fox Talbot. This book aims to change the fact that despite its cultural and historical importance, Florence's photographic breakthrough remains largely unknown in the English-speaking world.

Photographers and publishers of photographs enjoy a wide range of legal rights including freedom of expression and of publication. They have a right to create and publish photographs. They may invoke their intellectual, moral and property rights to protect and enforce their rights in their created and/or published works. These rights are not absolute. This book analyses the various legal restrictions and prohibitions, which may affect these rights. Photography and the Law investigates the legal limitations faced by professional and amateur photographers and photograph publishers under Irish, UK and EU Law. Through an in-depth discussion of the personal rights of the public, including the right not to be harassed, the book gives a clear analysis of the current legal standpoint on the relationship between privacy and freedom of expression. Additionally, the book looks at the reconciliation of photographers' rights with the state's interest in public security and defence, alongside the enforcement of ethical and moral codes. Comparative legal standing in the European Union is used as a springboard to further analyse Irish and UK statutes and case law, including recent reforms and current proposals for future change. The book ends with pertinent suggestions of the necessary reforms and enactments required to rebalance the relationship between the personal rights of individuals, the state's duties and the protection of photographers' and photograph publishers' rights. By clearly explaining the theoretical and conceptual reasoning behind the current law, alongside proposed reforms, the book will be a useful tool for any student or academic interested in photography law, privacy and media law, alongside professional and amateur photographers and photograph publishers.

Though primarily known for his haunting, enigmatic novel Pedro Paramo and the unrelenting depictions of the failures of post-revolutionary Mexico in his short story collection, El Llano en llamas, Juan Rulfo also worked as scriptwriter on various collaborative film projects and his powerful interventions in the area of documentary photography ensure that he continues to inspire interest worldwide. Bringing together some of the most significant names in Rulfian scholarship, this anthology engages with the complexity and diversity of Rulfo's cultural production. The essays in the collection bring the Rulfian texts into dialogues with other cultural traditions and techniques including the Japanese Noh or "mask" plays and modernist experimentation in the Irish language. They also deploy diverse theoretical frameworks that range from Roland Barthes' work on studium and punctum in photography to Henri Lefebvre's ideas on space and spatiality and the postmodern insights of Jean Baudrillard on the nature of the simulacrum and the hyperreal. In this way, innovative approaches are brought to bear on the Rulfian texts as a way of illuminating the rich tensions and anxieties they evoke about Mexico, about history, about art and about the human condition.

A legendary figure within the Surrealist movement, Robert Desnos (1900-1945) has left a unique legacy as a poet of distinction, as a 'dormeur eveille revered by his fellow Surrealists, and as a free spirit par excellence. In celebrating Denos's unique creative voice, this book re-evaluates his prominence within and beyond the Surrealist movement, reappraises his status as a poet, and sheds new light on his contribution to the literary and cultural life of his age. The essays in the volume reflect the ongoing vitality and relevance of Desnos's poetry and the originality of his contribution to the various other forms of expression in which he excelled: Journalism, short stories, script-writing and song-writing. Desnos's extensive writings on art and artists, his active involvement in avant-garde film and his close associations with a number of renowned painters are also addressed. This fresh look at Denos's activities and contexts includes an interview with the artist Georges Malkine's daughter, Fern Malkine-Falvey, and a study of the memoirs of Desnos's wife, Youki. The volume closes with a rare collection of journalistic writings by Desnos which appeared in Le Soir in the late 1920s and have never appeared in print since their original publication.

What is a photograph? That simple question is far from settled, as this innovative book demonstrates. "Photography Theory" presents forty of the world's most active art historians and theorists-including Victor Burgin, Joel Snyder, Rosalind Krauss, Alan Trachtenberg, Geoffrey Batchen, Carol Squiers, Margaret Iversen, Abigail Solomon-Godeau-in animated debate on the nature of photography.
Photography has been around for nearly two centuries, but we are no closer to understanding what it is. For some people, a photograph is an optically accurate impression of the world. For others, it is mainly a way of remembering people and places. For still others, it is a sign of bourgeois life, a kind of addiction of the middle class. And for yet others, it is a troublesome interloper, which has confused people's ideas of reality and fine art to the point that they have difficulty even defining what a photograph is. And for some, the whole question of finding photography's nature is itself misguided fromthe beginning.
This provocative second volume in the new Routledge series "The Art Seminar" presents not one but many answers to the question what makes a photograph a photograph?

What is a photograph? That simple question is far from settled, as this innovative book demonstrates. "Photography Theory" presents forty of the world's most active art historians and theorists-including Victor Burgin, Joel Snyder, Rosalind Krauss, Alan Trachtenberg, Geoffrey Batchen, Carol Squiers, Margaret Iversen, Abigail Solomon-Godeau-in animated debate on the nature of photography.
Photography has been around for nearly two centuries, but we are no closer to understanding what it is. For some people, a photograph is an optically accurate impression of the world. For others, it is mainly a way of remembering people and places. For still others, it is a sign of bourgeois life, a kind of addiction of the middle class. And for yet others, it is a troublesome interloper, which has confused people's ideas of reality and fine art to the point that they have difficulty even defining what a photograph is. And for some, the whole question of finding photography's nature is itself misguided fromthe beginning.
This provocative second volume in the new Routledge series "The Art Seminar" presents not one but many answers to the question what makes a photograph a photograph?

Seaduction is a stunning collection of photographs that captures the abstract side of sea life, which explodes with color, texture, and visual excitement. Photographed by world-renowned underwater photographer Beverly Factor, the images are so otherworldly that they capture one's attention immediately. Nature's complexity is front and center in these incredible images of various underwater creatures that invite multiple viewings and interpretation. Called the Georgia O'Keefe of the underwater realm, Beverly's seductive images portray the ocean's magical world in intimate close-ups, featuring outrageous color combinations, mysterious patterns, textures, and sensual movements. As Jean-Michel Cousteau says of Seaduction: "Dive in and enjoy the beauty of the sea, nature's work of art."

This book provides inspiration for social workers to explore the possibilities of using Photovoice to engage with communities. Built on strong theoretical foundations and grounded in ethical principles, Jarldorn assesses Photovoice as an arts-based approach that provides a valuable mechanism for social workers to engage people in participatory action research, with the potential to influence policy and public opinion. Positioning Photovoice as a method aligned with feminist and radical social work perspectives, the author draws upon her research project which used Photovoice with former prisoners to demonstrate the transformative potential of participatory methods. Photovoice Handbook for Social Workers is intended to be a useful, hands-on resource, combining the importance of theory and the practicalities of doing action research.

Wild Light is a stunning panoramic exploration of the Scottish landscape by photographer Craig Aitchison, winner of the inaugural Scottish Landscape Photographer of the Year competition. Produced over seven years and shot entirely using a traditional Hasselblad film camera, this remarkable body of work captures the essence of the Scottish wilderness through the seasons and portrays the Highlands and Islands at their most beautiful. Featuring over eighty panoramas, this book celebrates the rich natural heritage, incredible geodiversity and varied landscape for which Scotland is internationally renowned. Among a glittering cast of many are the dramatic heights of Suilven, An Teallach and Aonach Eagach, and the otherworldly landscapes of the Lairig Ghru in the Cairngorms and Glen Etive. Craig Aitchison's Wild Light will delight anyone who treasures the Scottish mountain landscape.

An "after image" is an impression of a vivid image retained by the eye after the stimulus has ceased. For her fifth book of portraits, Amy Arbus has borrowed ideas from iconic modernist paintings by artists including Picasso, Cezanne, Munch, Schiele, and Modigliani, and transferred their visceral energy and psychological intensity to live staged scenes to be photographed. In order to replicate the powerful effects of the original paintings, she painted costumes, props, and the models themselves. What has materialized is a series of hybrid images that challenges the thin line between painting and art photography. Chiaroscuro lighting and lush colors produce dark trompe l'oeil portraits in which the live models appear to be trying to escape the confines of the two-dimensional world that holds them captive.

This book complements the more textually-based Bauhaus scholarship with a practice-oriented and creative interpretive method, which makes it possible to consider Bauhaus-related works in an unconventional light. Edit Toth argues that focusing on the functionalist approach of the Bauhaus has hindered scholars from properly understanding its design work. With a global scope and under-studied topics, the book advances current scholarly discussions concerning the relationship between image technologies and the body by calling attention to the materiality of image production and strategies of re-channeling image culture into material processes and physical body space, the space of dimensionality and everyday activity.

With passion and expertise, Nancy de Flon and Anton de Flon expose the history, infrastructure, architecture, and natural beauty of their beloved Hudson Valley. Through their photographs of an eclectic variety of buildings and stunning landscapes, this Photographic Tour puts the spotlight on the tycoons, generals, and politicians, as well as farmers, artisans, and artists, whose legacies and dreams have shaped this region's land and culture. Explore the same pastoral scenes the Hudson River School painters of the nineteenth century found so inspiring. Learn about the geological forces that shaped the valley, the Catskills, and the Adirondacks into the national landmarks they are today. Travel through time from before the American Revolution to the present. From mansions to stone Huguenot houses and Dutch farm buildings, through mountains, meadows, forests, rivers, and streams, this combination of outstanding photos, historical facts, and practical guide will serve your every traveling need.