Just over 140 years ago, the United States made one of the greatest land deals of all time, purchasing from Russia a massive piece of property near the Arctic Circle. Since then, the land known as Alaska has been the site of a gold rush and an oil boom, but those great events comprise only a small portion of the state’s fascinating history. Historic Photos of Alaska captures the majesty, history, and regal beauty of America’s largest and most northern state through nearly 200 archival black-and-white photographs of this awe-inspiring region. Author Dermot Cole takes the reader on a journey through Alaska’s pristine natural beauty and documents moments from the 1898 gold rush to the only World War II invasion on North American soil, to the long-awaited statehood and the incredible destruction wrought by the massive 1964 earthquake. Don’t miss this fascinating trip through Alaska’s history!

Photography, Anthropology and History examines the complex historical relationship between photography and anthropology, and in particular the strong emergence of the contemporary relevance of historical images. Thematically organized, and focusing on the visual practices developed within anthropology as a discipline, this book brings together a range of contemporary and methodologically innovative approaches to the historical image within anthropology. Importantly, it also demonstrates the ongoing relevance of both the historical image and the notion of the archive to recent anthropological thought. As current research rethinks the relationship between photography and anthropology, this volume will serve as a stimulus to this new phase of research as an essential text and methodological reference point in any course that addresses the relationship between anthropology and visuality.

On December 7, 1941, America's hopes of remaining neutral in World War II disappeared in the oily smoke that roiled from her battleships burning at Pearl Harbor. The nation faced Herculean tasks to strike back against the Imperial Japanese military that had attacked her. Victory demanded crossing thousands of miles of ocean, creating new weapons, and arming hundreds of thousands of young men to fight their way across a series of desolate islands that a fanatical enemy had fortified to exact the highest possible price from the American troops. Historic Photos of World War II: Pearl Harbor to Japan portrays this epic story, using black-and-white photographs selected from the finest archives and private collections. From the sinking of the Arizona to the raising of the Stars and Stripes over Japan, Historic Photo of World War II: Pearl Harbor to Japan depicts in a way mere words cannot the determination, struggle, and sacrifices of America's fighting men as they rose to the challenge of liberating free peoples of the Pacific from a conquering invader.

Photographic stills of women, appearing in both press coverage and relief campaigns, have long been central to the documentation of war and civil conflict. Images of non-Western women, in particular, regularly function as symbols of the misery and hopelessness of the oppressed. Featured on the front pages of newspapers and in NGO reports, they inform public understandings of war and peace, victims and perpetrators, but within a discourse that often obscures social and political subjectivities. Uniquely, this book deconstructs - in a systematic, gender-sensitive way - the repetitive circulation of certain images of war, conflict and state violence, in order to scrutinize the role of photographic tropes in the globalized visual sphere. Zarzycka builds on feminist theories of representations of war to explore how the concepts of femininity and war secure each other's intelligibility in photographic practices. This book examines the complex connections between photographic tropes and the individuals and communities they represent, in order to rethink the medium of photography as a discursive and political practice. This book interrogates both the structure and transmission of contemporary encounters with war, violence, and conflict. It will appeal to advanced students and scholars of gender studies, visual studies, media studies, photography theory, cultural anthropology, cultural studies, and trauma and memory studies.

World War II was a conflict that split a majority of the world's nations into two opposing sides, the Allies and the Axis. Spanning much of the globe, World War II resulted in the deaths of more than 60 million people, making it the deadliest conflict in history. From the rise of Hitler to the collapse of Nazi Germany, this is a story of the liberation of Western Europe. With approximately 200 photographs, many of which have never been published, Historic Photos of World War II: North Africa to Germany shows dramatic shots of these historical events in stunning black and white photography and is a must-have for any American history buff!

In a moving intervention into Romantic-era depictions of the dead and wounded, Philip Shaw's timely study directs our gaze to the neglected figure of the common soldier. How suffering and sentiment were portrayed in a variety of visual and verbal media is Shaw's particular concern, as he examines a wide range of print and visual media, from paintings to sketches to political prose and anti-war poetry, and from writings on culture and aesthetics to graphic satires and early photographs. Whilst classical portraiture and history painting certainly conspired with official ideologies to deflect attention from the true costs of war, other works of art, literary as well as visual, proffered representations that countered the view that suffering on and off the battlefield is noble or heroic. Shaw uncovers a history of changing attitudes towards suffering, from mid-eighteenth century ambivalence to late eighteenth- and early nineteenth-century concepts of moral sentiment. Thus, Shaw's story is one of how images of death and wounding facilitated and queried these shifts in the perception of war, qualifying as well as consolidating ideas of individual and national unanimity. Informed by readings of the letters and journals of serving soldiers, surgeons' notebooks and sketches, and the writings of peace and war agitators, Shaw's study shows how an attention to the depiction of suffering and the development of 'liberal' sentiment enables a reconfiguring of historical and theoretical notions of the body as a site of pain and as a locus of violent national imaginings.

Revealing that nineteenth-century photography goes beyond the functional to reflect the aesthetic, intellectual, and cultural concerns of the time, this study proposes that each photographic image of architecture be studied both as a primary visual document and an object of aesthetic inquiry. This multi-faceted approach drives Architecture in Nineteenth-Century Photographs: Essays on Reading a Collection. Despite three decades of post-colonial, post-structuralist and gender-conscious criticism, the study of architectural photography continues to privilege technical virtuosity. This volume offers a thematic exploration of the material, and a socio-historical examination that allows consideration of questions that have not been addressed comprehensively before in a single publication. Themes include exoticism and "armchair tourism"; the absence of women from architectural photography; the role of photographs as commodities; vernacular architecture and the picturesque; and historic preservation, urban renewal, and nationalism. Micheline Nilsen analyzes photographs from France and England"the two countries where photography was invented"and from around the world, representing a corpus of over 10,000 photographs from the Janos Scholz Collection of Nineteenth-Century Photographs of the Snite Museum of Art at the University of Notre Dame.

Follow the Sun will guide you through all aspects of architectural photography, from the genre's rich history to the exciting new approaches brought by the advent of the digital age. It explains how to use the powerful tools of digital photography while employing many of the skills and traditions of the established genre. Written to be accessible to professionals, amateurs, and students alike, this book will be useful for photographers exploring architecture as fine artists, on editorial assignments, or on commercial shoots. Key features include: * Example photographs and diagrams * Historical background of architectural photography * Advice on essential equipment * How to plan a shoot to your advantage * How to use tilt-shift lenses for architecture * Editing workflow and strategies * Interviews with architectural photographers Peter Aaron, Magda Biernat, Ty Cole, and Elizabeth Felicella.

In What Is Film?, Julie N. Books critically evaluates three philosophical doctrines of film realism (transparency, illusionism, and perceptual realism) and defends her view that films are creative works of art. By examining contemporary films, such as computer-animated films and films with computer-generated images, Dr. Books shows how films are creative works of art, thereby undermining the long-held view that films are slavish recordings of reality. This book is ideal for academics and courses on the philosophy of film, film theory, film history, filmmaking, metaphysics, and the philosophy of art.

Provides over 325 full-color photos illustrating real-world examples of quality scene work and optimal crime scene photographic techniques Offers step-by-step procedures for recording difficult photographic images, including painting with light, UV/IR photographs, and laser (shooting) reconstruction photographs Presents all the unique insights, techniques, and tips from a crime scene investigator with over 1,000 crimes scenes worked and nearly 20 years’ experience in a major-metropolitan city New to this edition: test questions and instructors’ material to encourage use in schools, police academies, and colleges and universities

From a city that was founded in the Land Run of 1889, to becoming the state's largest city and capitol, Historic Photos of Oklahoma City is a photographic history collected from the areas top archives. With around 200 photographs, many of which have never been published, this beautiful coffee table book shows the historical growth from the mid 1800's to the late 1900's of this scenic city in stunning black and white photography. The book follows life, government, events and people important to Oklahoma City history and the building of this unique city. Spanning over two centuries and two hundred photographs, this is a must have for any long-time resident or history lover of Oklahoma City!

This volume presents a cross-disciplinary analysis of academic poster presentations, taking into consideration the text and visuals that posters display depending on the discipline within which they are created. As the academic poster is a multimodal genre, different modal aspects have been taken into consideration when analysing it, a fact that has somehow complicated the genre analysis conducted, but has also stimulated the research work involved and, in the end, provided interesting results. The analysis carried out here has highlighted significant cross-disciplinary differences in terms of word count, portrait/landscape orientation and layout of posters, as well as discipline and subdiscipline-specific patterns for what concerns the use of textual interactive and interactional metadiscourse resources and visual interactive resources. The investigation has revealed what textual and visual metadiscourse resources are employed, where and why, and as a consequence, what textual and visual metadiscourse strategies should be adopted by poster authors depending on the practices and expectations of their academic community.

Inspired by the podcast Dear Multi-Hyphenate, this book explores how to be a multi-hypenate - an artist with multiple proficiencies - in the entertainment industry. Answers questions about individual mission-driven entrepreneurship in the Theatre industry. Each chapter features an interview with a notable theatre artist.

Inspired by the podcast Dear Multi-Hyphenate, this book explores how to be a multi-hypenate - an artist with multiple proficiencies - in the entertainment industry. Answers questions about individual mission-driven entrepreneurship in the Theatre industry. Each chapter features an interview with a notable theatre artist.

A detailed look at the dynamic spaces that have shaped conversations about photography in Africa for the last twenty-five years-the biennials, experimental art spaces, and educational workshops in which artists and audiences interact with photography. Platform: Africa presents a new generation of powerful artists, and is produced in collaboration with guest editors Bisi Silva, Founder and Artistic Director of the Centre for Contemporary Art in Lagos, Nigeria; John Fleetwood, director of the South Africa-based platform Photo and former head of the Market Photo Workshop in Johannesburg; and Aicha Diallo, Associate Editor of Contemporary And.

In the spring of 1916, an unknown photographer captured the heart of Prescott, Arizona. For decades the fruits of that labor, a collection of glass plate negatives, lay largely forgotten in the local opera house and theater. Now, an historic western town comes to life as it once was, through images of the town's business district as found on those photographic plates. Step into a soda fountain, a pool hall, a mercantile, a haberdashery, a saddlery and more, and experience life as it existed in the newly minted state of Arizona in the early twentieth century. This photographic history of Prescott, Arizona, is based upon more than 100 images from the 1916 glass-plate negatives. Complementary images of business advertisements, trade tokens, and streetscapes supplement the main photographs. Richly detailed captions highlight many aspects of the pictures, and the text further explores and describes the town's historic downtown district, much of which still exists. Maps, a bibliography and an index complete the work.

Providing a thorough and comprehensive introduction to the study of photography, this second edition of Photography: The Key Concepts has been expanded and updated to cover more fully contemporary changes to photography. Photography is a part of everyday life; from news and advertisements, to data collection and surveillance, to the shaping of personal and social identity, we are constantly surrounded by the photographic image. Outlining an overview of photographic genres, David Bate explores how these varied practices can be coded and interpreted using key theoretical models. Building upon the genres included in the first edition - documentary, portraiture, landscape, still life, art and global photography - this second edition includes two new chapters on snapshots and the act of looking. The revised and expanded chapters are supported by over three times as many photographs as in the first edition, examining contemporary practices in more detail and equipping students with the analytical skills they need, both in their academic studies and in their own practical work.An indispensable guide to the field, Photography: The Key Concepts is core reading for all courses that consider the place of photography in society, within photographic practice, visual culture, art, media and cultural studies.

First published in 1981, In A Glamourous Fashion is not only a fascinating look at film fashion portraying the glamour and glitter of Hollywood's heyday; but is also an invaluable reference source for any student of the film, of costume, or of the social history. It documents some of the best work of the designers - names like Adrian, Cecil Beaton, Edith Head - but tells the often-dramatic story of their careers and their relationships with legendary stars such as Garbo, Dietrich, Monroe and many more. Here are the stories behind the screen's most famous costumes: Walter Plunkett's 'curtain dress' for Scarlett O'Hara; the red Jezebel gown Orry-Kelly designed for Bette Davis; the slinky back satin sheath Rita Hayworth wore in Gilda; and the extravagant gown - 15, 000 worth of mink - worn by Ginger Rogers in Lady in the Dark. The photographs and original sketches are an essential and decorative complement to the text; there is an index, bibliography, and a full list of Academy Award winners for costume design.

By entering and critically re-activating the Zionist photographic archive established by the Division of Journalism and Propaganda of the Jewish National Fund, this research examines its rippling impact on civil landscapes prior to 1948 in Palestine, and its lasting impact on the region to date. This study argues that the Zionist movement makes particular use of the machinery of the photographic archive, aiming to constitute the boundaries of Palestine as a Jewish state, claiming ownership over the land and announcing internationally the success of its enterprise, thus substantiating the image it sought to embed as the "reality" of the land. This archive was not stand-alone, as it was functioning in relation to a vast, complicated network of organizational systems and technologies, in the Middle East and across the world. Crucially, this system functioned as a national archive in future tense, for a nation-state that was not yet in existence, seeking to substantiate its regional authority and shape its cultural repository, outlining parameters for inclusion and exclusion from its civic space. The book will be of interest to scholars working in art history, photography history, visual culture, Jewish studies, Israel studies, and Middle East studies.

Sebastiao Salgado traveled the Brazilian Amazon and photographed the unparalleled beauty of this extraordinary region for six years: the forest, the rivers, the mountains, the people who live there-an irreplaceable treasure of humanity. In the book's foreword Salgado writes: "For me, it is the last frontier, a mysterious universe of its own, where the immense power of nature can be felt as nowhere else on earth. Here is a forest stretching to infinity that contains one-tenth of all living plant and animal species, the world's largest single natural laboratory." Salgado visited a dozen indigenous tribes that exist in small communities scattered across the largest tropical rainforest in the world. He documented the daily life of the Yanomami, the Ashaninka, the Yawanawa, the Suruwaha, the Zo'e, the Kuikuro, the Waura, the Kamayura, the Korubo, the Marubo, the Awa, and the Macuxi-their warm family bonds, their hunting and fishing, the manner in which they prepare and share meals, their marvelous talent for painting their faces and bodies, the significance of their shamans, and their dances and rituals. Sebastiao Salgado has dedicated this book to the indigenous peoples of Brazil's Amazon region: "My wish, with all my heart, with all my energy, with all the passion I possess, is that in 50 years' time this book will not resemble a record of a lost world. Amazonia must live on." INSTITUTO TERRA Founded in 1998 at Aimores in the state of Minas Gerais, Instituto Terra is the culmination of Lelia Wanick Salgado and Sebastiao Salgado's lifelong activism and work as cultural documentarians. Through a scientific program of planting and raising saplings, the organization has performed a miraculous reforestation of the once infertile region and furthered the Salgados' mission of reversing the damage done to our planet. TASCHEN is proud to reach carbon zero status through our continued partnership. Also available in a Collector's Edition and four Art Editions, each with a signed silver gelatin print, all with a book stand designed by Renzo Piano.

This book explores how popular photography influenced the representation of travel in Britain in the period from the Kodak-led emergence of compact cameras in 1888, to 1939. The book examines the implications of people's increasing familiarity with the language and possibilities of photography on the representation of travel as educational concerns gave way to commercial imperatives. Sara Dominici takes as a touchstone the first fifty years of activity of the Polytechnic Touring Association (PTA), a London-based philanthropic-turned-commercial travel firm. As the book reveals, the relationship between popular photography and travel marketing was shaped by the different desires and expectations that consumers and institutions bestowed on photography: this was the struggle for the interpretation of the travel image.

If you want to understand the key debates in photography and learn how to apply the fascinating issues raised by critical theory to your own practical work, this is the book for you! This accessible book cuts through often difficult and intimidating academic language to deliver understandable, stimulating discussion and summaries of the original texts. Key works by great writers such as Sontag and Barthes are explored, along with those from other prominent critics. You are guided through a broad range of issues, including the differences between Eastern and Western art, post-modernism, sexism, the relationship between photography and language and many other crucial debates. The book is illustrated by many classic images by eminent international photographers. Each chapter is followed by stimulating assignments and activities to get you thinking critically and apply theoretical knowledge to your own practical work. A helpful glossary provides quick access to all key terms and a substantial index references key words within the original essays which are not normally indexed. A must-have aid to anyone studying critical theory, this book provides intelligently written, illuminating insights on the 21st century's dominant art form.

James William Newland's (1810-1857) career as a showman daguerreotypist began in the United States but expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India. Newland used the latest developments in photography, theatre and spectacle to create powerful new visual experiences for audiences in each of these volatile colonial societies. This book assesses his surviving, vivid portraits against other visual ephemera and archival records of his time. Newland's magic lantern and theatre shows are imaginatively reconstructed from textual sources and analysed, with his short, rich career casting a new light on the complex worlds of the mid-nineteenth century. It provides a revealing case study of someone brokering new experiences with optical technologies for varied audiences at the forefront of the age of modern vision. This book will be of interest to scholars in art and visual culture, photography, the history of photography and Victorian history.