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Roland Barthes on Photography (Hardcover)
Loot Price: R1,844
Discovery Miles 18 440
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Roland Barthes on Photography (Hardcover)
Series: Crosscurrents: Comparative Studies in European Literature & Philosophy
Expected to ship within 10 - 15 working days
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"A comprehensive study on Barthes and photography . . . the most
studious research on the topic."--Antoine Compagnon, Columbia
University and the Sorbonne "Interesting and significant. . . .
Important for scholars, students, and general readers interested in
literature, art, photography, critical theory, and media
studies."--Scott Nygren, University of Florida French theoretician
Roland Barthes enjoyed a long and shifting relationship with
photography, using it first as metaphor, moving on to explore its
use in movies, film stills, political campaigns, and popular
photographic essays, and finally confronting it anew with the death
of his mother. Although Barthes' last book, and his only
book-length study of photography, Camera Lucida, has enormously
influenced study of visual images in the arts and humanities, this
is the first examination in English of Barthes's work on the visual
arts. Nancy Shawcross brings together and analyzes for the first
time--in any language--all of Barthes's writings, both direct and
indirect, about visual media in its many forms. Shawcross reads
Camera Lucida against the whole of Barthes' work, an intertextual
approach that reanimates his earlier writings in a way that a
strictly chronological discussion would not. By focusing on the
border between literature and photography, Shawcross combines
theoretical and philosophical questions with the history and
cultural contexts of photography. This meticulously researched book
places Barthes's thought on photography in the context of his own
developing ideas about semiology, tracking origins, rejections, and
departures. It shows Barthes's affinities with and distinction from
other theorists of photography such as Baudelaire and Benjamin and,
finally, examines his thought in the context of postmodern
discussions of photography that followed it. Nancy Shawcross
teaches comparative literature at the University of Pennsylvania
and serves as curator of manuscripts in the Department of Special
Collections there. She co-organized a 1994 international conference
on Barthes at the university and has published articles and book
chapters in the field of literary criticism.
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