Henri Cartier-Bresson (1908-2004) studied painting before taking up photography in his early twenties. One of the founders of the photography agency Magnum (together with Robert Capa and others), he is best known for the consummate skill with which he captured the most fleeting of scenes.This volume, introduced by Michael Brenson, includes selections from his photographs of France, Spain, America, India, Russia, Mexico and pre-revolutionary China.

A. Aubrey Bodine was a Baltimore Sunday Sun feature photographer for 43 years. The 154 images displayed here were shot within a four mile radius of where he lived or worked. The subject matter of these powerful images is exclusively Baltimore, and yet this is not a Baltimore picture book. The reason these photos transcend their geographical bounds is that Bodines subject matter varied wildly, demonstrating the versatility of Bodine as an artist. Bodine is called a pictorialist, but he is much more than that one defining label. He photographed people, animals, buildings, harsh weather conditions, textures, geometric patterns, and cityscapes, devoting his life to elevating photography to an art form. He was famous for his dark room magic. Changes to any photograph occurred in the darkroom and they were all done by hand. Open these pages and enter into the magic that is Bodines photography.

Take a tour of the burgeoning world of plastic cameras and low-tech photography in this fun and funky guide to creating the most artistic pictures of your life! Whether you're an experienced enthusiast or toy camera neophyte, you'll find this guide full of tantalizing tips, fun facts, and absolutely striking photographs taken with the lowest tech tools around. You'll learn how to prep your plastic camera, their advantages and quirks, and what film to feed it. You'll also explore what makes a good subject, vignetting, multiple exposures, panoramas, close-ups, night photography, color, flash, problems and solutions, and so much more. Michelle Bates also takes you from a negative to either prints or pixels so that you can show off your photos and jump on the toy-camera revolution! Contributors include: Michael Ackerman, Thomas Michael Alleman, Erin Antognoli, Jonathan Bailey , James Balog, Michelle Bates, Phil Bebbington, Gyorgy Beck, Susan Bowen, Laura Corley Burlton, David Burnett, Susan Burnstine, Nancy Burson, Perry Dilbeck, Jill Enfield, fotovitamina, Annette Elizabeth Fournet, Brigitte Grignet, Eric Havelock-Bailie, Christopher James, Michael Kenna, Wesley Kennedy, Teru Kuwayama, Louviere and Vanessa, Mary Ann Lynch, Anne Arden McDonald, Ted Orland, Sylvia Plachy, Dan Price, Becky Ramotowski, Nancy Rexroth, Francisco Mata Rosas, Richard Ross, Franco Salmoiraghi, Rosanna Salonia, Jennifer Shaw, Nancy Siesel, Mark Sink, Kurt Smith, Sandy Sorlien, Pauline St. Denis, Harvey Stein, Gordon Stettinius, Ryan Synovec, Rebecca Tolk, Marydorsey Wanless, Shannon Welles, Matthew Yates, Dan Zamudio.

If you've ever wanted to take dynamic and vibrant digital photos of your favorite band in concert, but aren't sure how to tackle such obstacles as approaching the stage, tricky lighting situations, or even what equipment to use, then look no further! Concert and Live Music Photography is a comprehensive guide to shooting live music performances, providing you with the right information on equipment, camera settings, composition, and post-processing to get the best out of each performance shot. J. Dennis Thomas, whose work has appeared in such magazines as Rolling Stone, SPIN, and Country Weekly, shares tips on lighting, common problems, etiquette, and recommended camera settings for shooting in a variety of different venues, including clubs, bars, outdoor concerts, theatres, stadiums, and arenas. He also explains how to get the right credentials to get you closer to each performance. Jam packed with over 160 photos from today's top concerts, this book will not only give you the information you need to start taking rockin' photos of your favorite musicians, but will spark your creativity when you're anticipating the next shot. For the on-the-go photographer, a cool companion website features additional tips, venue troubleshooting, and an equipment checklist when you need to think on your feet while running to another gig.

Photographer Bill Lea?known for his artistic documentation of deer and bear behavior, the various moods of the Great Smoky Mountains, and southern ecosystems?has captured in stunning photographs the essence of Great Smoky Mountains wildlife. From rare red-cheeked salamanders, ruby-throated hummingbirds, and playful otters to graceful whitetails, regal elk, and inquisitive black bears, Great Smoky Mountains Wildlife Portfolio is more than a collection of beautiful wildlife photography; it is an inspired and sensitive tribute to one of the world's most spectacular landscapes and the wide variety of unique creatures that reside there.

The fifth edition of this indispensable history of photography spans the history of the medium, from its early development to current practice, and providing a focused understanding of the cultural contexts in which photographers have lived and worked throughout, this remains an all-encompassing survey. Mary Warner Marien discusses photography from around the world and through the lenses of art, science, travel, war, fashion, the mass media and individual photographers. Professional, amateur and art photographers are all represented, with 'Portrait' boxes devoted to highlighting important individuals and 'Focus' boxes charting particular cultural debates. Mary Warner Marien is also the author of 100 Ideas that Changed Photography and Photography Visionaries. New additions to this ground-breaking global survey of photography includes 20 new images and sections on advances in technology and the influence of social media platforms. An essential text for anyone studying photography.

A bright white temple as if carved from ice. Statues in candlelit caves. Massive red monastery walls in the midst of majestic mountains. In this beautiful book of travel photography, Christoph Mohr presents the most sacred places of Buddhism. Across Myanmar, Thailand, Vietnam, China, Tibet, Ladakh, Zanskar, and other Asian regions, Mohr shows Buddhist temples, monasteries, sacred mountains, and illuminates the life of the historical Buddha. The images are accompanied by texts from Oliver Fulling, sharing the basics of Buddhism and everyday Buddhist practice and rituals.

Susan Sontag's 1997 text, On Photography, brought photographic theory into the university classroom with its staunch defence of the medium as art and inspired a new wave of Marxist Criticism in the field. Sontag explains the way in which we are addicted to images and depend on them for knowledge of our surroundings and the problems and challenges this causes. Already an established academic figure, Sontag brought Walter Benjamin's theories in into the academic mainstream. The book retains its relevance in the everyday world because of the applicability of its ideas to the world of digital photography.

While studying the theory and contemporary impact of 'embodied' viewing, this book celebrates the emergence and development of Visual Studies as a major subject of research and teaching in the field of Hispanic Studies within the UK over the last thirty years. By exploring current routes of investigation, as well as analysing future pathways for study in the field, seven highly distinguished Spanish and Latin American scholars examine their own entry into Visual Studies, and discuss the major trends and changes which occurred in the field as matters of the visual gradually became embedded in higher-education curricula and research trajectories. Each scholar also lays out a current research project, or interest, concerning Spain or Latin America within the visual field. The projects variously explore different media - including film, sculpture, photography, dance, and performance art - spread across a wide array of geographical locales, including Mexico, Cuba, mainland Spain, and the Canary Islands. Offering a map of current and future research in the field, this book provides the first history of visual studies within UK Hispanism. It will be of lasting value to a wide range of scholars and advanced students of Spanish and Latin American cultural, visual, and film studies. This book was originally published as a special issue of the Bulletin of Spanish Studies.

This book delivers an in-depth analysis of Hercule Florence, who is virtually unknown despite being among the world's photographic pioneers. Based on the texts of various manuscripts, letters, diaries, notes, and advertisements, this book answers numerous questions surrounding Florence's work, including the materials, methods, and techniques he employed and why it took more than a century for his discovery to come to light. Kossoy's groundbreaking research establishes Florence's use of "photographie" to describe the product of his experiments, half a decade before Sir John Herschel recommended "photography" to Henry Fox Talbot. This book aims to change the fact that despite its cultural and historical importance, Florence's photographic breakthrough remains largely unknown in the English-speaking world.

Taking its departure point from the 1933 surrealist photographs of 'involuntary sculptures' by Brassai and Dali, Found Sculpture and Photography from Surrealism to Contemporary Art offers fresh perspectives on the sculptural object by relating it to both surrealist concerns with chance and the crucial role of photography in framing the everyday. This collection of essays questions the nature of sculptural practice, looking to forms of production and reproduction that blur the boundaries between things that are made and things that are found. One of the book's central themes is the interplay of presence and absence in sculpture, as it is highlighted, disrupted, or multiplied through photography's indexical nature. The essays examine the surrealist three-dimensional object, its relation to and transformation through photographs, as well as the enduring legacies of such concerns for the artwork's materiality and temporality in performance and conceptual practices from the 1960s through the present. Found Sculpture and Photography sheds new light on the shifts in status of the art object, challenging the specificity of visual practices, pursuing a radical interrogation of agency in modern and contemporary practices, and exploring the boundaries between art and everyday life.

Ophthalmic Imaging serves as a reference for the practicing ophthalmic imager. Ophthalmic imaging combines photography and diagnostic imaging to provide insight into not only the health of the eye, but also the health of the human body as a whole. Ophthalmic photographers are specialists in imaging through and in the human eye, one of the only parts of the body where the circulation and nervous system is visible non-invasively. With technical perspective as context, this book will provide instructional techniques as well as the background needed for problem solving in this exciting field. The book covers all aspects of contemporary ophthalmic imaging and provides image support to ophthalmologists and sub-specialties including retinal specialists, corneal specialists, neuro-ophthalmologists, and ocular oncologists. This text serves as a reference for the practicing ophthalmic imager, or to imagers just getting started in the field.

There is renewed interest among art photographers in a number of historic printing techniques because of the remarkable effects they produce. The reader will discover how to create beautifully tinted mono- and polychromatic gum and oil images using the author's version of this 19th century technique. Step-by-step illustrated instructions with directions for further experimentation provide a perfect source for learning this new, yet old, printing technique.Gumoil printing involves contact-printing a positive transparency onto gum-coated paper. Oil paint is then applied and rubbed into nongummed areas of the print. With bleach etching, mono- and polychromatic variations are possible. A chapter on digital printing combines the new and the historic, making this technique even more accessible for the art photographer.

The first major book in two decades by the pioneering underwater photographer, beloved as the 'Audubon of the sea' The ocean covers more than seventy percent of our planet, and yet we rarely glimpse its depths - and especially its exquisite beauty as documented by legendary photographer David Doubilet. His work in and on water has set the standard for decades. In this remarkable and highly-anticipated collection by artist and diver David Doubilet, whose innovation, eye for beauty, and passion for conservation have long set the bar for underwater photography, Doubilet unites life above and below the water's surface. Spotlighting a stunning selection of images from Doubilet's 50-year career, spanning the Galapagos to the Red Sea, the icy waters of the Antarctic Ocean to the tropical Great Barrier Reef, this body of work raises important questions about conservation and global warming, topics never far from the headlines. 'I want to create a window into the sea', he says, that invites people to see how their world connects to another life-sustaining world hidden from their view. Doubilet's photographs are accompanied by an introduction by Kathy Moran and an afterword by Kathryn D. Sullivan.

Managing your digital photos can be one of the most unavoidable headaches. With so many existing workflow practices based on specific software rather than a universal view of the entire image file processing ecology, you need something that can make the process less overwhelming. Patricia Russotti and Richard Anderson provide you with the best workflow practices for planning and capturing to archiving you digital photography and everything in between. This easy-to-follow design paired with detailed charts and beautiful photos will give you the tools you need to perfect your workflow. This handbook is software version independent and focuses more on the key fundamentals that are a constant from software to software. Furthermore, stay current with the accompanying website (www.dpBestflow.org) that provides resources and links for ever changing technology and the latest advances in workflow, and interviews with professional photographers. Co-published with the American Society of Media Photographers and dpBestflow (A U.S. Library of Congress funded project) Digital Photography Best Practices and Workflow Handbook is the most trusted resource for digital photographers and digital imaging artists.

Ophthalmic Imaging serves as a reference for the practicing ophthalmic imager. Ophthalmic imaging combines photography and diagnostic imaging to provide insight into not only the health of the eye, but also the health of the human body as a whole. Ophthalmic photographers are specialists in imaging through and in the human eye, one of the only parts of the body where the circulation and nervous system is visible non-invasively. With technical perspective as context, this book will provide instructional techniques as well as the background needed for problem solving in this exciting field. The book covers all aspects of contemporary ophthalmic imaging and provides image support to ophthalmologists and sub-specialties including retinal specialists, corneal specialists, neuro-ophthalmologists, and ocular oncologists. This text serves as a reference for the practicing ophthalmic imager, or to imagers just getting started in the field.

Want to offer your clients more to chose from? Here's how: award winning photographer, Christopher Grey, has developed techniques to enhance portrait photography, using the creative applications available in Photoshop. Photoshop Effects for Portrait Photographers contains detailed explanations of how to replicate many darkroom techniques with Photoshop (Dodging, Burning, Vignettes, etc.) as well as camera and earlier technology techniques (Short Focus, High Speed Film Grain, Hand Coloring, etc.). Grey has also developed almost two dozen ways to replicate traditional painterly and illustrative techniques such as Rough Charcoal Sketch, Wet Watercolor, Silkscreen, and Oil Chalk. Images available for downloading at http://www.ChristopherGrey.com/booksamples.

Professional commercial photographer and digital imager Jeff Schewe (based in Chicago, USA) has teamed up with best-selling Photoshop author Martin Evening to create this goldmine of information for advanced Photoshop users.Building on Martin Evening's successful Adobe Photoshop for Photographers series of titles, this new guide takes the same winning approach and applies it to a professional Photoshop workflow. Highly visual, with clear, step-by-step tutorials, this advanced guide will really appeal to those who want to see how the experts approach Photoshop, producing consistent top-quality results on time and to budget.The authors describe in detail how to carry out some of their favorite Photoshop image editing and retouching techniques using examples taken from real-life professional shoots. The techniques described here don't just show you clever things you can do in Photoshop, they show how you can use Photoshop in a professional context, meeting the demands of art directors and fulfilling tricky briefs.Highly practical, unique and inspiring, this is essential reading for all professional and aspiring professional photographers, and anyone else looking for high-quality results using Photoshop.

This book explores how popular photography influenced the representation of travel in Britain in the period from the Kodak-led emergence of compact cameras in 1888, to 1939. The book examines the implications of people's increasing familiarity with the language and possibilities of photography on the representation of travel as educational concerns gave way to commercial imperatives. Sara Dominici takes as a touchstone the first fifty years of activity of the Polytechnic Touring Association (PTA), a London-based philanthropic-turned-commercial travel firm. As the book reveals, the relationship between popular photography and travel marketing was shaped by the different desires and expectations that consumers and institutions bestowed on photography: this was the struggle for the interpretation of the travel image.

New to Photoshop? Looking to unlock the impressive power of Photoshop CC? Want to master image editing techniques and achieve professional-level results? Then Photoshop CC: Essential Skills is the resource you need. This book and companion website's proven combination of real world image editing examples, step-by-step projects, and professional advice from two internationally recognized authors and Adobe Photoshop Ambassadors delivers an essential learning experience for beginner to intermediate Photoshop users. This self-study guide to Photoshop CC covers the foundational skills for photographers and image editors to get started before moving onto more advanced image editing and photomontage techniques. A complete section of step-by-step imaging projects and 10 plus hours of video tutorials on the companion website hone image editing skills to yield expert-quality results.

Light is the primary element of any photograph, but it may also be the most frustrating. Rick Sammon can help you eliminate those frustrations. With over 300 new images, Exploring Photographic Exposure takes you through the basics of exposure and how to apply them in any setting; from photographing wildlife to people, from landscapes to seascapes. Learn how to move away from the "spray and pray" approach by seeing light and applying camera settings to take fewer-and better-photos. Not just all tech talk, you'll also learn how to explore exposure modes for more creative images, and to change and rescue exposures in post-processing. Key features include: More than 300 before-and-after images on how to apply the basics of exposure concepts to a variety of genres, including wildlife photography, landscape photography, studio photography, and everything in-between; A guide on controlling light in a photograph, and how light affects an exposure; Tips on working with composition in Adobe Photoshop Lightroom as well as Adobe Photoshop; Advice on evolving as a photographer.

Photocommunication Across Media is a must-have for aspiring mass media professionals who are striving to compete in the new landscape of convergence journalism and media. You will learn principles of photography both still and video and how to incorporate them into your storytelling. That's no longer a specialty skill-in today's world of media, it's a necessity. Editors Ross Collins and Keith Greenwood collaborate with highly accomplished photographers to make the concepts and techniques of today's mass media photography accessible to all readers. Photocommunication Across Media speaks directly to journalists, advertisers and professional communicators who want to round out their toolkit without sifting through dense texts meant specifically for photographers and photojournalists. This guide, edited by experts who teach these concepts to the next generation of media professionals, is everything you need to know-and nothing you don't-to take the next step for your career in communication.