Runa Islam's films are replete with vivid images that enthrall the viewer with their poetry. Using and reflecting on the medium of film is a pivotal part of her work. In detailed interviews with the artist, this book sheds light on her work during the last five years.

Runa Islam was born in Bangladesh in 1970 and today lives in London. She deconstructs linear narrative patterns and time sequences, making the act of seeing--both watching and recognizing what is seen--the central focus of her films. In 2008, Islam was nominated for the Turner Prize for visual art.

A hotspot in the North Atlantic, Iceland is one of the world's most unusual countries. It is Europe's second largest island but its most sparsely populated country. Sitting astride the Mid-Atlantic Ridge, linking the North Atlantic plate with the Eurasian plate, it is closer to Greenland than Europe. It lies just south of the Arctic Circle, but, warmed by Gulf Stream waters, has a temperate climate. It has fiery volcanoes and freezing glaciers, striking black sand beaches and hot geysers - the word geyser itself comes from Icelandic. And a geologically young landmass, Iceland is still taking shape: a volcanic eruption in 1963 caused the formation of the new island of Surtsey. Iceland is a fascinating exploration of this most beautiful island. From volcanoes and lava flows to geysers and geothermal pools, from bird life to whale-watching, from national parks, verdant valleys to inland tundra, and from how waterfalls are used for hydro-electric power to Reykjavik's city life, the book is packed with 200 spectacular colour photographs. Presented in a landscape format and with captions explaining the story behind each entry, Iceland is a stunning collection of images celebrating the world's most curious island.

"Yendegaia National Park" offers a visually spectacular tour of one of Earth's most remote and scenic national parks. In Chilean Patagonia on the grand island of Tierra del Fuego, the new park -- designated in 2014 -- was prompted by a donation of private land to the Chilean park system. When combined with adjacent federal land, the new protected area covers some 372,000 acres, and forms a habitat linkage between existing national parks in Chile and Argentina. Thus the new Yendegaia National Park has helped establish one of the planet's most significant trans-boundary protected areas, or "peace parks." During expeditions to Yendegaia in various seasons, renowned nature photographer Antonio Vizcaino captured the harsh beauty of a remote land at the end of the world where glacier-carved peaks, untamed rivers, windblown steppe, and Earth's southernmost forests combine to create a unique and stunningly beautiful landscape. For both armchair adventurers who dream of Patagonia and intrepid travelers planning a trip to Chile's national parks, "Yendegaia National Park" is a must-have.

African photography has emerged as a significant focus of research and scholarship over the last twenty years, the result of a growing interest in postcolonial societies and cultures and a turn towards visual evidence across the humanities and social sciences. At the same time, many rich and fascinating photographic collections have come to light. This volume explores the complex theoretical and practical issues involved in the study of African photographic archives, based on case studies drawn from across the continent dating from the 19th century to the present day. Chapters consider what constitutes an archive, from the familiar mission and state archives to more local, vernacular and personal accumulations of photographs; the importance of a critical and reflexive engagement with photographic collections; and the question of where and what is 'Africa', as constructed in the photographic archive. Essential reading for all researchers working with photographic archives, this book consolidates current thinking on the topic and sets the agenda for future research in this field.

For four decades, world-renowned environmental photographer James Balog has travelled well over a million miles from the Arctic to the Antarctic and the Alps, Andes, and Himalayas. With his images heightening awareness of climate change and endangered species, he is one of the most relevant photographers in the world today. Balog s photography of and essays on human tectonics humanity s reshaping of the natural environment reveal the intersection of people and nature, and that when we sustain nature, we sustain ourselves. This monumental book is an unprecedented combination of art informed by scientific knowledge. Featuring Balog s 350 most iconic photographs, The Human Element offers a truly unmatched view of the world and a world we may never see again.

This beautiful book accompanies a new photographic competition celebrating some of the best bird photography of the year. The Bird Photographer of the Year competition celebrates the artistry of bird photography, and this large-format book is lavishly illustrated to reflect this. A celebration of avian beauty and diversity, it is a tribute to both the dedication and passion of the photographers as well as a reflection of the quality of today's modern digital imaging systems. The book includes the winning and short-listed images from the competition, now in its fifth year, showcasing some of the finest bird photography from around the world. A proportion of the profits from the book goes directly to the BTO to support their conservation work. The advent of digital technology has revolutionised photography in recent years, and the book brings to life some of the most stunning bird photography currently on offer. It features a vast variety of photographs by hardened pros, keen amateurs and hobbyists alike, reflecting the huge diversity of bird enthusiasts and nature lovers which is so important in ensuring their conservation and survival.

Both pragmatic and motivational, this book addresses what it means to have a successful long-term career in the arts, taking stock of the current landscape of the art world, introducing new venues in the field, reflecting on issues of social media and exhibition, and ultimately encouraging artists to take control of their professional lives. Weaving conversations from a range of internationally based artists who have negotiated alternative paths to success, lauded artist and teacher Stacy Miller provides a practical, lively reflection on what it takes to be an artist in our new global landscape. This book covers practical needs, different approaches, and philosophical ways of creating a life and career in the arts. It lays out conventional and nonconventional means to representation, describes being an entrepreneur versus funding independent creative projects, and examines social media for the potential powerhouse it is. Most importantly, it gives artists a way to think about being a professional and the different paths to a successful career in the arts. Perfect for emerging, mid-career, and experienced artists, this book encourages readers to redefine personal success and to act locally, nationally, and internationally in an expanding art world.

Crossroads of a Continent: Missouri Railroads, 1851-1921 tells the story of the state's railroads and their vital role in American history. Missouri and St. Louis, its largest city, are strategically located within the American Heartland. On July 4, 1851, when the Pacific Railroad of Missouri began construction in St. Louis, the city took its first step to becoming a major hub for railroads. By the 1920s, the state was crisscrossed with railways reaching toward all points of the compass. Authors Peter A. Hansen, Don L. Hofsommer, and Carlos Arnaldo Schwantes explore the history of Missouri railroads through personal, absorbing tales of the cutthroat competition between cities and between railroads that meant the difference between prosperity and obscurity, the ambitions and dreams of visionaries Fred Harvey and Arthur Stilwell, and the country's excitement over the St. Louis World's Fair of 1904. Beautifully illustrated with over 100 color images of historical railway ephemera, Crossroads of a Continent is an engaging history of key American railroads and of Missouri's critical contribution to the American story.

When Charlotte Horton and her family of British bohemians discovered an abandoned Tuscan castle, little did they know that they would transform it into a vibrant, modern locale. Nestled in the rugged terrain of Mount Amiata, Castello di Potentino was a dilapidated mess: roofs had collapsed and there was no plumbing or electricity. Following the arduous process of purchasing it from 22 different owners, they set to work renovating the eleventh-century structure. In this enthralling account of revamping the castello into a contemporary ode to Italian tradition, photographs by the late British fashion photographer Michael Woolley showcase the property, while Horton s text dives into the renovation and life at Potentino. From a dramatic vaulted entrance hall to a starry ceiling mural, the interiors are bound to delight. Readers also learn about technical details, such as recycling materials and painting. A chapter dedicated to the land complete with a vineyard and olive groves displays Horton s philosophy of self-sufficiency. This book is a must-have for those interested in Italian architecture and the Tuscan lifestyle, or anyone with the dream of restoring a tower in Tuscany.

'While looking through his contact sheets, Harvey Benge noticed that one of his pictures reminded him of a 'Friedlander', another someone else. All photographers do this, and if the photograph in question apes another photographer too closely, it's usually a cause for rejection. But Benge did the opposite. Picking out his 'Friedlander' and his 'Parr' and his 'Baltz' he decided to make an 'anthology' of contemporary photography featuring some of its biggest names. Yet they are all genuine, original Benges. They are also all good pictures, not mere pastiches of the 'originals' of which they gently but insistently remind one. This may be a game, but games can be very serious, and this fascinating book is both a serious and light-hearted exploration of photographic style.' - Gerry Badger.

"Light and Photomedia" proposes that, regardless of technological change, the history and future of photomedia are essentially connected to light: it is a fundamental property of photomedia, binding with space and time to form and inform new, explicitly light-based structures and experiences
Jai McKenzie identifies light-space-time structures throughout the history of photomedia, from the early image machines through analogue and digital image machines to the present day. She proposes that they will continue to develop in the future, and takes us to future image machines of the year 2039. With the use of the theories of Paul Virilio, Jean Baudrillard and Vilem Flusser, featuring artists including Henri Cartier-Bresson, Nam June Paik, Yves Klein, Eadweard Muybridge, Martha Rosler, Cindy Sherman and Michael Snow, as well as photographic images, "Light and Photomedia" places the reader in a new history and future which, although mostly overlooked by the canon of photomedia theory, is an essential line of enquiry for contemporary thinking and dialogue in photography.

Crosses disciplinary boundaries to explore German Romantic writing about visual experience and the interplay of text and image in Romantic epistemology. The work of the groundbreaking writers and artists of German Romanticism -- including the writers Tieck, Brentano, and Eichendorff and the artists Caspar David Friedrich and Philipp Otto Runge -- followed from the philosophical arguments of the German Idealists, who placed emphasis on exploring the subjective space of the imagination. The Romantic perspective was a form of engagement with Idealist discourses, especially Kant's Critique of Pure Reason and Fichte's Science of Knowledge. Through an aggressive, speculative reading of Kant, the Romantics abandoned the binary distinction between the palpable outer world and the ungraspable space of the mind's eye and were therefore compelled to develop new terms for understanding the distinction between "internal" and "external." In this light, Brad Prager urges a reassessment of some of Romanticism's major oppositional tropes, contending that binaries such as "self and other," "symbol and allegory," and "light and dark," should be understood as alternatives to Lessing's distinction between interior and exterior worlds. Prager thus crosses the boundaries between philosophy,literature, and art history to explore German Romantic writing about visual experience, examining the interplay of text and image in the formulation of Romantic epistemology. Brad Prager is Associate Professor of Germanat the University of Missouri, Columbia.

In I Love You, Mario Testino presents a celebration of weddings. A beginning in life -that is also a culmination and a public promise - captured by a unique photographic point of view which shows beauty not only in emotion and tradition, but in the complete intimacy of shared joy. Featuring essays by the illustrious fashion designer Carolina Herrera and party expert Riccardo Lanza, the book traces Testino's memories of many iconic moments and many unknown ones, captured in the privacy of close friendship and family. Unparalleled access unveils the secret, the tender, the wild and the festive of such celebrations, some of which can be considered the most talked-about unions of the past four decades. I Love You is a homage to weddings and to everything they comprise. A love declaration and a glimpse into the heart of brides getting ready, special rites among friends, the zest of extraordinary parties. Every image showing the unique fantasies of a life to start anew. "LONG LIVE LOVE!" - Mario Testino Also available in an Art Edition with the signed and numbered print Chiara Slewett, Rio de Janeiro, 2005

In over 150 striking images, Italy celebrates perhaps the most beautiful country in the world. From the natural beauty of lakes such as Como or Garda to the vineyards in Tuscany to the many beaches, from the pretty seaside towns of the Cinque Terre to the glory of Venice's canals and palaces, from the magnificence of classical antiquity in Rome to the Arab-Norman architecture of Palermo to Renaissance Florence, there is just so much to feast on in Italy. But apart from the famous highlights, the book also features lesser known sides to the country, be it pretty, unexplored corners and examples of everyday life, or the abandoned cave towns of Puglia and the 16th century star-shaped town of Palmanova. Presented in a landscape format and with captions explaining the story behind each entry, Italy is a stunning collection of images.

Brings to life the breathtaking and often heartbreaking stories of the workers who built New York City in the Twentieth Century Ordinary People, Extraordinary Lives tells the stories of the men and women who built the City-of towering structures and the beam walkers who assembled them; of immigrant youths in factories and women in sweatshops; of longshoremen and typewriter girls; of dock workers and captains of industry. It provides a glimpse of the traditions they carried with them to this country and how they helped create new ones, in the form of labor organizations that provided recent immigrants, often overwhelmed by the intensity of New York life, with a sense of solidarity and security. Astounding in their own right, the book's photographic images, most drawn from seldom-seen labor movement photographers, are complemented by poignant oral histories which tell the stories behind the images. Among the extraordinary lives chronicled are those of Philip Keating, who, seven years after a fellow worker photographed him painting the Queensboro Bridge in 1949, plunged to his death from another worksite; William Atkinson, who broke the color bar at Macy's and tells of fighting racism at home after fighting fascism abroad during World War II; and Cynthia Long, who fought gender barriers to become, in the late 1970s, an electrician with International Brotherhood of Electrical Workers Local 3. With narratives at the beginning of each section providing historical context, this book brings the past clearly, emotionally, and fascinatingly alive.

This is an updated and newly revised edition of the classic book The Art of Photography: An Approach to Personal Expression. Originally published in 1994 and first revised in 2010, The Art of Photography has sold well over 100,000 copies and has firmly established itself as the most readable, understandable, and complete textbook on photography. Featuring nearly 200 beautiful photographs in both black-and-white and color, as well as numerous charts, graphs, and tables, this book presents the world of photography to beginner, intermediate, and advanced photographers who seek to make a personal statement through the medium of photography. Without talking down to anyone or talking over anyone's head, renowned photographer, teacher, and author Bruce Barnbaum presents how-to techniques for both traditional and digital approaches. In this newest edition of the book, Barnbaum has included many new images and has completely revised the text, with particular focus on two crucial chapters covering digital photography: he revised a chapter covering the digital zone system, and includes a brand-new chapter on image adjustments using digital tools. There is also a new chapter discussing the concepts of "art versus technique" and "traditional versus digital" approaches to photography. Throughout the book, Barnbaum goes well beyond the technical, as he delves deeply into the philosophical, expressive, and creative aspects of photography so often avoided in other books. Barnbaum is recognized as one of the world's finest landscape and architectural photographers, and for decades has been considered one of the best instructors in the field of photography. This latest incarnation of his textbook--which has evolved, grown, and been refined over the past 45 years--will prove to be an ongoing, invaluable photographic reference for years to come. It is truly the resource of choice for the thinking photographer.Topics include: Elements of Composition Visualization Light and Color Filters Black-and-White The Digital Zone System The Zone System for Film Printing and Presentation Exploding Photographic Myths Artistic Integrity Realism, Abstraction, and Art Creativity and Intuition A Personal Philosophy And much, much more...

Bringing readers from aww to awful! in a matter of seconds, I Don't Really Love You seamlessly blends images of charming pets with hilarious, soul-crushing captions about the existential dread that seems to permeate daily life. Darkly humorous one-liners, from "Birthdays don't matter" to "Inadequacy haunts me endlessly," will peek out from behind the forms of calm cats and happy-go-lucky puppies, creating an unexpected contrast that takes readers on a journey from delightful to depressing (and back again!) Pet lovers and humor lovers will be captivated in equal measure, with more than 75 full-color photographs of cats and dogs in a range of breeds, alongside an off-beat, subversive voice. With the perfect attitude for our rapidly changing world, this quirky book will make readers laugh out loud (after sending them crawling under the covers to contemplate their existence).

China has been one of the first countries to develop its own aesthetic for dynamic images and to create animation films with distinctive characteristics. In recent years, however, and subject to the influence of Western and Japanese animation, the Chinese animation industry has experienced several new stages of development, prompting the question as to where animation in China is heading in the future. This book describes the history, present and future of China's animation industry. The author divides the business's 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective. In addition, the book focuses on representative works; themes; directions; artistic styles; techniques; industrial development; government support policies; business models; the nurturing of education and talent; broadcasting systems and animation. Scholars and students who are interested in the history of Chinese animation will benefit from this book and it will appeal additionally to readers interested in Chinese film studies.

The Colours of Cricket showcases the finest photos of award-winning cricket photographer Philip Brown. In a prestigious 30-year career, Brown has captured 250 Test matches, numerous World Cups and other competitions around the world. Growing up in sports-mad Australia, he fell in love with cricket and photography at a young age and has spent most of his life shooting some of the most memorable moments in the history of the game and the characters who made them. This beautiful book features eye-catching images of some of the biggest names in cricket - stars such as Shane Warne, Brian Lara, Kevin Pietersen, Steve Waugh and Sachin Tendulkar. But beyond the celebrities Philip also has an eye for the people and places he has seen along the way. The Colours of Cricket documents the changing face of the sport over five decades, taking us on a nostalgic trip through time. Featuring more than 340 of Brown's favourite images, this is a stunning pictorial celebration that every cricket fan will treasure.

While written sources on the history of Greece have been studied extensively, no systematic attempt has been made to examine photography as an important cultural and material process. This is surprising, given that Modern Greece and photography are almost peers: both are cultural products of the 1830s, and both actively converse with modernity. Camera Graeca: Photographs, Narratives, Materialities fills this lacuna. It is the first inter-disciplinary volume to examine critically and in a theorised manner the entanglement of Greece with photography. The book argues that photographs and the photographic process as a whole have been instrumental in the reproduction of national imagination, in the consolidation of the nation-building process, and in the generation and dissemination of state propaganda. At the same time, it is argued that the photographic field constitutes a site of memory and counter-memory, where various social actors intervene actively and stake their discursive, material, and practical claims. As such, the volume will be of relevance to scholars and photographers, worldwide. The book is divided into four, tightly integrated parts. The first, 'Imag(in)ing Greece', shows that the consolidation of Greek national identity constituted a material-cum-representational process, the projection of an imagery, although some photographic production sits uneasily within the national canon, and may even undermine it. The second part, 'Photographic narratives, alternative histories', demonstrates the narrative function of photographs in diary-keeping and in photobooks. It also examines the constitution of spectatorship through the combination of text and image, and the role of photography as a process of materializing counter-hegemonic discourses and practices. The third part, 'Photographic matter-realities', foregrounds the role of photography in materializing state propaganda, national memory, and war. The final part, 'Photographic ethnographiesa