In What Photography Is, James Elkins examines the strange and alluring power of photography in the same provocative and evocative manner as he explored oil painting in his best-selling What Painting Is. In the course of an extended imaginary dialogue with Roland Barthes's Camera Lucida, Elkins argues that photography is also about meaninglessness--its apparently endless capacity to show us things that we do not want or need to see--and also about pain, because extremely powerful images can sear permanently into our consciousness. Extensively illustrated with a surprising range of images, the book demonstrates that what makes photography uniquely powerful is its ability to express the difficulty--physical, psychological, emotional, and aesthetic--of the act of seeing.

"Moonwatch Only is certainly one of the best books ever written about a single watch model." - William Massena - Timezone.com "It is an indescribable reference work and a true must-have for every Speedmaster collector." - Forbes "This book sets a new standard. Not only for books on the Omega Speedmaster, but for watch books in general. I've never seen anything like it, and believe me when I tell you that I could fill an impressive sized wall with books on watches. Authors of other books or publishers should take a look at Moonwatch Only as well to see how it should be done." - Robert Jan Broer - FratelloWatches "The OMEGA Speedmaster Professional - the Moonwatch - has done things that no other timepiece has done and it's been worn in places that only a few human beings have been." - Captain Eugene Cernan, 'Last man on the moon' There are very few timepieces in the world that deserve a definitive and comprehensive book such as this one. The OMEGA Speedmaster Professional Moonwatch is one of them. Initially designed for automobile racing teams and engineers, the Omega Speedmaster embarked on a very different trajectory when NASA chose it to accompany astronauts heading for the Moon in 1965. Its involvement in the space adventure has propelled the Moonwatch to the top of the list of celebrated timepieces. After years of research and observation, the authors present a complete panorama of the Moonwatch in a systematic work that is both technical and attractive, making it the inescapable reference book for this legendary watch. This third edition has been enriched with numerous new features including a 16-page gallery of astronauts and their Speedmaster, QR codes to extend your exploration and a detailed story of a vintage Speedmaster.

In today's tumultuous age photography has become a pervasive pursuit. Everywhere you look everyone seems to have a camera and everyone seems to be taking passionate photos on favourite themes, selected subjects and preferred people, who personally spark their wide-eyed interest. As with anything in life, the importance is not in the accomplishment of what photography can do (for you), but rather in the love which you bring to the art of photography. The transformative photographer must approach his subject with a comprehensive, evolutionary, detached but warm love, coupled with humour and an ability to leave things unaltered and fundamentally free.

Famed photographer Bunny Yeager presents the latest retrospective of her own work, revisiting the spirited, fun-loving women of the flower-power decade. More than 230 color-packed images present 80 beautiful women, captured in the 1960s in a multitude of exciting locations, from natural surroundings with wild animals, to professional studio shots. Here are the pin-up girls who hung in school lockers, on garage walls, and in the hearts of men around the world. Each woman exhibits her own style and intrigue, along with the aura and fashions of the '60s era.

Grounded in real-life experiences and scenarios, this practical guide offers editorial, non-profit, foundation, and corporate photographers an honest and insightful approach to running a freelance photography business. Pulling from thirty years of experience as a freelance photographer, veteran Todd Bigelow presents a timely and detailed account of the methods and tactics best used to navigate and succeed in the profession. He explores the topics that define the business of freelancing, including: analyzing photography contracts; creating and maintaining an image archive; licensing for revenue; client development; registering for copyright; combating copyright infringement; and understanding tax issues, freelance business structures, and more. Chapters feature examples of real contract clauses and emails to better prepare readers for the practical daily activities that are essential to growing a success business. Likewise, Bigelow shares conversational anecdotes throughout to provide real insight into the world of freelancing. Based on the author's sought-after Business of Photography Workshop, this book is an essential guide for emerging, mid-career, and experienced photographers interested in starting or improving their own freelance business.

Brings to life the breathtaking and often heartbreaking stories of the workers who built New York City in the Twentieth Century Ordinary People, Extraordinary Lives tells the stories of the men and women who built the City-of towering structures and the beam walkers who assembled them; of immigrant youths in factories and women in sweatshops; of longshoremen and typewriter girls; of dock workers and captains of industry. It provides a glimpse of the traditions they carried with them to this country and how they helped create new ones, in the form of labor organizations that provided recent immigrants, often overwhelmed by the intensity of New York life, with a sense of solidarity and security. Astounding in their own right, the book's photographic images, most drawn from seldom-seen labor movement photographers, are complemented by poignant oral histories which tell the stories behind the images. Among the extraordinary lives chronicled are those of Philip Keating, who, seven years after a fellow worker photographed him painting the Queensboro Bridge in 1949, plunged to his death from another worksite; William Atkinson, who broke the color bar at Macy's and tells of fighting racism at home after fighting fascism abroad during World War II; and Cynthia Long, who fought gender barriers to become, in the late 1970s, an electrician with International Brotherhood of Electrical Workers Local 3. With narratives at the beginning of each section providing historical context, this book brings the past clearly, emotionally, and fascinatingly alive.

Jermyn Street in St James's, London, has been the Mecca of fine British shirtmaking for more than a century. Patrons have included Cary Grant, Frank Sinatra, Roger Moore, the Beatles, Warren Beatty, Pierce Brosnan, the Prince of Wales, Sir Michael Caine and Ronald Reagan. Between them, these shirtmaking artisans have styled that most debonair of onscreen heroes, James Bond. Indeed, the Jermyn Street shirt is the ultimate in entry-level luxury menswear. For many years seen as a stuffy and elitist institution, the advent of Instagram has seen the doors to the world's finest shirtmakers blown open as tailoring enthusiasts come together to share their passion. The Jermyn Street Shirt includes a wealth of sartorial showbusiness anecdotes as well as style tips from some of the big screen's most dapper stars. With unique access to many of the makers, including Turnbull & Asser, Hilditch & Key and Budd, Jonathan Sothcott presents an expertly curated pictorial treasure trove of previously unseen ephemera, including celebrity shirt patterns and samples.

Emphasizing the understanding of images and their influences on how they affect our attitudes, beliefs, and actions, this fully updated sixth edition offers consequential ways of looking at images from the perspectives of photographers, critics, theoreticians, historians, curators, and editors. It invites informed conversations about meanings and implications of images, providing multiple and sometimes conflicting answers to questions such as: What are photographs? Should they be called art? Are they ethical? What are their implications for self, society, and the world? From showing how critics verbalize what they see in images and how they persuade us to see similarly, to dealing with what different photographs might mean, the book posits that some interpretations are better than others and explains how to deliberate among competing interpretations. It looks at how the worth of photographs is judged aesthetically and socially, offering samples and practical considerations for both studio critiques for artists and professional criticism for public audiences. This book is a clear and accessible guide for students of art history, photography and criticism, as well as anyone interested in carefully looking at and talking about photographs and their effects on the world in which we live.

Photography explores the photograph in the twenty-first century and its importance as a media form. Stephen Bull considers our media-saturated society and the place of photography in everyday life, introducing the theories used to analyse photographs and exploring the impact of digital technology.

The text is split into short, accessible chapters on the broad themes central to the study and analysis of photography, and key issues are explained and applied to visual examples in each chapter.

Topics covered include:

• the identity of photography
• the meanings of photographs
• photography for sale
• snapshots
• the photograph as document
• photography as art
• photographs in fashion
• photography and celebrity.

Photography is an up-to-date, clear and comprehensive introduction to debates about photography now and is particularly useful to media, photography and visual culture students.

Photography, Anthropology and History examines the complex historical relationship between photography and anthropology, and in particular the strong emergence of the contemporary relevance of historical images. Thematically organized, and focusing on the visual practices developed within anthropology as a discipline, this book brings together a range of contemporary and methodologically innovative approaches to the historical image within anthropology. Importantly, it also demonstrates the ongoing relevance of both the historical image and the notion of the archive to recent anthropological thought. As current research rethinks the relationship between photography and anthropology, this volume will serve as a stimulus to this new phase of research as an essential text and methodological reference point in any course that addresses the relationship between anthropology and visuality.

Photographs create visual narratives of experiences, places, peoples and objects that collectively and individually comprise the tourist gaze. Photography is acknowledged as having an important role in the determining of places and spaces, the construction and re-construction of identities, and the invention and re-invention of histories. So why do tourists take photos of certain things and not of others? Why do tourists take photos at all? How do photos build places, how do they change and shape lives? An interdisciplinary team of contributors from across the globe explore such questions as they examine the relationships between photography and tourism and tourists.

James William Newland’s (1810–1857) career as a showman daguerreotypist began in the United States but expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India. Newland used the latest developments in photography, theatre and spectacle to create powerful new visual experiences for audiences in each of these volatile colonial societies. This book assesses his surviving, vivid portraits against other visual ephemera and archival records of his time. Newland’s magic lantern and theatre shows are imaginatively reconstructed from textual sources and analysed, with his short, rich career casting a new light on the complex worlds of the mid-nineteenth century. It provides a revealing case study of someone brokering new experiences with optical technologies for varied audiences at the forefront of the age of modern vision. This book will be of interest to scholars in art and visual culture, photography, the history of photography and Victorian history.

Revolution Is Love: A Year of Black Trans Liberation is the powerful and celebratory visual record of a contemporary activist movement in New York City, and a moving testament to the enduring power of photography in activism, advocacy, and community. In June 2020, after a Black trans woman in Missouri and a Black trans man in Florida were killed just weeks apart, activists Qween Jean and Joela Rivera returned to the historic Stonewall Inn-site of the 1969 riots that launched the modern gay rights movement-where they initiated weekly actions known thereafter as the Stonewall Protests. Brought together by the urgent need to center Black trans and queer lives within the Black Lives Matter movement, a vibrant and radical community emerged. Over the following year, the Stonewall Protests brought together thousands of people across communities and social movements to gather in solidarity, resistance, and communion. Each Thursday was an invitation for protests, healing, and celebration-whether through marches, voguing balls, or vigil-and a living testament to love in revolution. This book gathers twenty-four photographers who participated in these actions to share images and words on the demonstrations and their community at large, preserving this legacy as it unfolded. Through photographs, interviews, and text, Revolution Is Love celebrates the power of shared joy and struggle in trans community and liberation. Featuring images and text by Ramie Ahmed, Lucy Baptiste, Budi, Brandon English, Deb Fong, Snake Garcia, Stas Ginzburg, Katie Godowski, Robert Hamada, Chae Kihn, Zak Krevitt, Erica Lansner, Daniel Lehrhaupt, Caroline Mardok, Ryan McGinley, Josh Pacheco, Jarrett Robertson, Phoenix Robles, Souls of a Movement, Madison Swart, Cindy Trinh, Sean Waltrous, Ruvan Wijesooriya, and David Zung

Co-authored by Ron Reeder, the inventor of the QTR system for digital negatives, the book provides a comprehensive, highly illustrated and accessible guide to the creation of digital negatives using QTR; a vital skill for anyone interested in alternative process photography and printmaking. Includes quick start guides on topics such as downloading and installing QTR and Print Tool, installing a ready-made profile, making a profile from scratch, printing with the Print Tool, and using the Color Calibration tool for those who want to jump straight into practice. Features detailed individual digital workflows for palladium, gelatin silver, cyanotype, salted paper and gum printing, with accompanying downloadable printer profiles. Includes a section devoted to contemporary QTR artists and their individual methods, process and tips.

From one of the most influential thinkers of our time, an enlightening, essential account of how a fear of gender is fuelling reactionary politics around the world

Judith Butler, the ground-breaking philosopher whose work has redefined how we think about gender and sexuality, confronts the attacks on gender that have become central to right-wing movements today. Global networks have formed ‘anti-gender ideology movements’ dedicated to circulating a fantasy that gender is a dangerous threat to families, local cultures, civilization – and even ‘man’ himself. Inflamed by the rhetoric of public figures, this movement has sought to abolish reproductive justice, undermine protections against violence, and strip trans and queer people of their rights.

But what, exactly, is so disturbing about gender? In this vital, courageous book, Butler carefully examines how ‘gender’ has become a phantasm for emerging authoritarian regimes, fascist formations and transexclusionary feminists, and the concrete ways in which this phantasm works. Operating in tandem with deceptive accounts of critical race theory and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality and leaves millions of people vulnerable to subjugation.

An essential intervention into one of the most fraught issues of our moment, Who's Afraid of Gender? is a galvanizing call to make a broad coalition with all those who struggle for equality and fight injustice. Imagining new possibilities for freedom and solidarity, Butler offers us an essentially hopeful work that is both timely and timeless.

Chrysotype is about photographic printing in gold on paper. This 19th century printing process, modified for contemporary use, provides artists with an affordable way to produce permanent prints in gold. By using film or digital negatives, striking hand-coated prints can be created in monochromatic hues ranging from pink, violet, magenta and purple, to green, blue, grey and black. Chrysotype offers a how-to guide for intermediate practitioners with illustrated examples and simple explanations for each stage of the chrysotype process. The book is divided into three sections: history; preparation and how-to; and the work of contemporary artists using chrysotype. This book includes: A concise account of the invention and modification of the chrysotype process, including early discoveries about gold and colour and the significance of moisture for printing in gold How to set up your workspace for printing, including useful equipment and materials Advice on safe chemical practice A step-by-step guide to creating suitable digital and film negatives Guidance on paper selection and how to successfully coat paper An overview guide to creating a chrysotype print Step-by step directions for creating the chrysotype solutions An explanation of mixing ratios and solution volumes that control contrast An illustrated explanation of the effect of humidity on colour, including split tone colours and ways to control humidity Step-by-step directions on post-exposure hydration to lengthen tonal range and lower contrast Step-by-step tray processing directions Advanced techniques such as handling translucent papers, additional chrysotype formulas and procedures, and alternative developing agents that support longer development, colour formation and remedy problems that affect image quality Troubleshooting chrysotype printing, including advice and photographic examples Illustrated profiles of contemporary artists making chrysotype prints, including their methods and tips Chrysotype serves to inform, encourage and challenge a new generation of alternate process practitioners and a growing chrysotype community, from the newly curious to the experienced professional.

Chrysotype is about photographic printing in gold on paper. This 19th century printing process, modified for contemporary use, provides artists with an affordable way to produce permanent prints in gold. By using film or digital negatives, striking hand-coated prints can be created in monochromatic hues ranging from pink, violet, magenta and purple, to green, blue, grey and black. Chrysotype offers a how-to guide for intermediate practitioners with illustrated examples and simple explanations for each stage of the chrysotype process. The book is divided into three sections: history; preparation and how-to; and the work of contemporary artists using chrysotype. This book includes: A concise account of the invention and modification of the chrysotype process, including early discoveries about gold and colour and the significance of moisture for printing in gold How to set up your workspace for printing, including useful equipment and materials Advice on safe chemical practice A step-by-step guide to creating suitable digital and film negatives Guidance on paper selection and how to successfully coat paper An overview guide to creating a chrysotype print Step-by step directions for creating the chrysotype solutions An explanation of mixing ratios and solution volumes that control contrast An illustrated explanation of the effect of humidity on colour, including split tone colours and ways to control humidity Step-by-step directions on post-exposure hydration to lengthen tonal range and lower contrast Step-by-step tray processing directions Advanced techniques such as handling translucent papers, additional chrysotype formulas and procedures, and alternative developing agents that support longer development, colour formation and remedy problems that affect image quality Troubleshooting chrysotype printing, including advice and photographic examples Illustrated profiles of contemporary artists making chrysotype prints, including their methods and tips Chrysotype serves to inform, encourage and challenge a new generation of alternate process practitioners and a growing chrysotype community, from the newly curious to the experienced professional.

This book grapples with fundamental questions about the evolving nature of pictorial representation, and the role photography has played in this ongoing process. These issues are explored through a close analysis of key themes that underpin the photography practice of Canadian artist Jeff Wall and through examining important works that have defined his oeuvre. Wall's strategic revival of 'the picture' has had a resounding influence on the development of contemporary art photography, by expanding the conceptual and technical frameworks of the medium and introducing a self-reflexive criticality. Naomi Merritt brings a new and original contribution to the scholarship on one of the most significant figures to have shaped the course of contemporary art photography since the 1970s and shines a light on the multilayered connections between photography and art. This book will be of interest to scholars in the history of photography, art and visual culture, and contemporary art history.

From 1921 through 1930, the young George E. Outland, who would go on to be a professor and United States Congressman, documented his love for baseball by arriving early at major league and Pacific Coast League ballgames armed with his camera and an album of his own photographs. He used his photographs to gain access to some of the greatest players and ballparks of his era, and his subjects included such legends as Walter Johnson, Paul Waner, Sam Crawford, Babe Ruth, and many more.

Collected here are more than 400 of Outland's photographs from the twenties, along with the stories of the ballplayers and ballparks depicted. The book also summarizes Outland's homerun log, a record of the 1,503 homers that he witnessed at 66 different ballparks from 1922 to 1974.

Documents and critically analyses the photographs that helped strengthen as well as bring down the Eugenics Movement. Using a large body of racial-type images and a variety of historical and archival sources, and concentrating mainly on developments in Britain, the USA and Nazi Germany, the author argues that photography, as the most powerful visual medium of the late nineteenth and early twentieth centuries, was vital to the Eugenics Movement's success -- not only did it allow eugenicists to identify the people with superior and inferior hereditary traits, but it helped publicise and lend scientific authority to eugenicists' racial theories. The author further argues for a strong connection between the racial-type photographs that eugenicists created and the photographic images produced by nineteenth-century anthropologists and prison authorities, and that the photographic works of contemporary liberal anthropologists played a significant role in the Eugenics Movement's downfall. Besides adding to our knowledge of photography's crucial role in helping to authorise and implement some of the most controversial social policies of modern times, this book makes a major contribution to our understanding of the history of racism. Most accounts of eugenics have been written by history of science scholars, with an emphasis on the history of science and medicine. In contrast, "Picture Imperfect" looks at eugenics from the standpoint of its most significant cultural data -- racial-type photography, investigating the techniques, media forms, and styles of photography used by eugenicists, and relating these to their racial theories and their social policies and goals. Indeed, the visual archive was crucially constitutive of eugenic racial science because it helped make many of its concepts appear both intuitive as well as scientifically legitimate. Discussion of the history of the eugenics movement encompasses a wide narrative, including Nazi history, US politics, criminology and prison studies, and propaganda.

With newly commissioned essays by some of the leading writers on photography today, this companion tackles some of the most pressing questions about photography theory's direction, relevance, and purpose. This book shows how digital technologies and global dissemination have radically advanced the pluralism of photographic meaning and fundamentally transformed photography theory. Having assimilated the histories of semiotic analysis and post-structural theory, critiques of representation continue to move away from the notion of original and copy and towards materiality, process, and the interdisciplinary. The implications of what it means to 'see' an image is now understood to encompass, not only the optical, but the conceptual, ethical, and haptic experience of encountering an image. The 'fractal' is now used to theorize the new condition of photography as an algorithmic medium and leads us to reposition our relationship to photographs and lend nuances to what essentially underlies any photography theory - that is, the relationship of the image to the real world and how we conceive what that means. Diverse in its scope and themes, The Routledge Companion to Photography Theory is an indispensable collection of essays and interviews for students, researchers, and teachers. The volume also features extensive images, including beautiful colour plates of key photographs.

This book is a theoretical examination of the relationship between the face, identity, photography, and temporality, focusing on the temporal episteme of selfie practice. Claire Raymond investigates how the selfie's involvement with time and self emerges from capitalist ideologies of identity and time. The book leverages theories from Katharina Pistor, Jacques Lacan, Roegnvaldur Ingthorsson, and Hans Belting to explore the ways in which the selfie imposes a dominant ideology on subjectivity by manipulating the affect of time. The selfie is understood in contrast to the self-portrait. Artists discussed include James Tylor, Shelley Niro, Ellen Carey, Graham MacIndoe, and LaToya Ruby Frazier. The book will be of interest to scholars working in visual culture, history of photography, and critical theory. It will also appeal to scholars of philosophy and, in particular, of the intersection of aesthetic theory and theories of ontology, epistemology, and temporality.

Mecca the Blessed, Medina the Radiant is an unprecedented photographic exploration of the holiest cities of Islam and the Hajj, or annual pilgrimage during Ramadan when more than a million faithful journey to Mecca's Great Mosque to commemorate the first revelation of the Qur'an (Koran). This book allows both Muslims and those unfamiliar with the Islamic faith complete access to the holiest sites of one of the world's major religions, practiced by a quarter of the world's population but often misunderstood in the West. Photographer Ali Kazuyoshi Namachi, a Muslim convert from Japan, garnered the full support of Saudi Arabian authorities--rarely given--to shoot in cities where photography is strictly controlled, and non-Muslims are not allowed. An expansive work of photojournalism, Mecca the Blessed, Medina the Radiant includes: 140 full-color, never-before-seen photographs Mystical places and scenes of Islam Breathtaking aerial photographs of the Arabian terrain Vistas of teeming crowds of worshippers surrounding the Kasbah, Mecca's sacred center Intense portraits of faithful Muslims in prayer Magnificent architecture reflecting the faith of the believers Archival illustrations Text by Seyyed Hossein Nasr, one of the most highly regarded scholars of Islam, enhances the stunning Islamic holy city photographs to illuminate many aspects of Islamic belief that have remained enigmatic to non-Muslims--until now.

This anthology offers a fresh approach to the philosophical aspects of photography. The essays, written by contemporary philosophers in a thorough and engaging manner, explore the far-reaching ethical dimensions of photography as it is used today.
A first-of-its-kind anthology exploring the link between the art of photography and the theoretical questions it raises
Written in a thorough and engaging manner
Essayists are all contemporary philosophers who bring with them an exceptional understanding of the broader metaphysical issues pertaining to photography
Takes a fresh look at some familiar issues - photographic truth, objectivity, and realism
Introduces newer issues such as the ethical use of photography or the effect of digital-imaging technology on how we appreciate images