The eagerly anticipated follow-up to The Atlas of Beauty – showcases inspiring stories alongside a stunning new collection of photographs of women from around the world

‘True beauty lies in the sum of our qualities, used for positive purposes. In other words, using your power for the good’

This new book delves deeper into the stories behind the captivating images that have made Mihaela Noroc an online sensation. With 500 portraits from over 60 countries, including Japan, India, Peru, Namibia and the United States, The Power of Women is a celebration of courage, resilience and beauty in all its forms.

During the post-war years the North of England saw the building of some of the most aspirational, enlightened and successful modernist architecture in the world. For the first time, a single photographic book captures those buildings, in all their power and progressive ambition. Over the last few years acclaimed photographer Simon Phipps has travelled and sought out the publicly commissioned architecture of the post-war North. From Newcastle's Byker Wall Estate, voted the best neighbourhood in the UK, to the extraordinary Park Hill Estate in Sheffield, from Preston's sweeping bus station and Liverpool's Royal Insurance Building, these structures have seen off threats to their survival and are rightly celebrated for the imprint they leave upon the skyline and the cultural life of their cities.This inspiring invitation to explore northern modernism includes maps and detailed information about all the architecture photographed.

Journey high above the world's most unforgettable waterscapes via this stunning collection of aerial photographs by David Ondaatje. Water Views is a breathtaking overview (literally) of the most striking bodies of water from around the world. Photographed with state-of-the-art drone technology by author and filmmaker David Ondaatje, these stunning aerial images range from the picturesque beaches of Carmel-by-the-Sea and Gaviota Beach to the wild coasts of Oregon, placid lakes from Tahoe to Como, the emerald waters of the Bahamas and Belize, the meandering fishing rivers of British Columbia and Montana. Ever-present in this selection, some of which debuted in his recent exhibition at the acclaimed ROSEGALLERY in Los Angeles, is Ondaatje's deep personal affection for solitude, the unspoiled beauty of the nature, coastal water patterns, and fly-fishing in isolated areas. Annotated with behind-the-scenes anecdotes, these photographs take you on a spectacular journey from above as you share Ondaatje's unique first look at some of the most beautiful places in his world, all tied to the compelling and blissful power of water.

This fall, Aperture magazine presents an issue exploring the idea of cosmologies-the origins, histories, and local universes that artists create for themselves. In an exclusive interview, Greg Tate speaks to Deana Lawson about how her monumental staged portraits trace cosmologies of the African diaspora. "What I'm doing integrates mythology, religion, empirical data, dreams," says Lawson, whose work is the subject of major solo exhibitions this year at the Solomon R. Guggenheim Museum, New York, and Institute of Contemporary Art, Boston. In an in-depth profile of Judith Joy Ross and her iconic portraiture, Rebecca Bengal shows how a constellation of strangers is brought together through Ross's precise, empathic gaze. "Ross is guided by a rapt, intense, wholehearted belief in the individual," Bengal writes. A portfolio of Michael Schmidt's acutely observed work from the 1970s and '80s reveals the realms within realms of a once divided Berlin, while Feng Li's surprising black-and-white snapshots zigzag between absurdist dramas in various Chinese cities. Ashley James distills the surreal visions of Awol Erizku's still lifes and tableaux; Casey Gerald contributes a sweeping ode to Baldwin Lee's stirring 1980s portraits of Black Southern subjects; and Pico Iyer meditates on Tom Sandberg's grayscales marked by both absence and reverence. Throughout "Cosmologies," artists cast their attention on the great mysteries of both personal and shared lineages, tracking their locations in space, time, and history, and reminding us of the elegant enigmas that can be unraveled close to home.

Photography and Korea is the first history of Korean photography for a Western readership. The book moves from the late nineteenth century, when Korean travellers brought Western photographic technology home from China, through to modern times. Jeehey Kim presents multiple visions of the country, including the divided North and South Korea as imagined through foreign eyes, Korean diasporas, important Korean artists, and local professional and vernacular photographers. Kim also addresses studio and institutional practices during the Japanese colonial period, how photography is interwoven with Korean political and cultural history, and the divergence of practices after the division of Korea. Featuring numerous striking images, this book is essential reading for all who are interested in the history of photography in Korea.

This book explores Maori indigenous and non-indigenous scholarship corresponding with the term 'animism'. In addressing visual, media and performance art, it explores the dualisms of people and things, as well as 'who' or 'what' is credited with 'animacy'. It comprises a diverse array of essays divided into four sections: Indigenous Animacies, Atmospheric Animations, Animacy Hierarchies and Sensational Animisms. Cassandra Barnett discusses artists Terri Te Tau and Bridget Reweti and how personhood and hau (life breath) traverse art-taonga. Artist Natalie Robertson addresses korero (talk) with ancestors through photography. Janine Randerson and sound artist Rachel Shearer consider the sun as animate with mauri (life force), while Anna Gibb explores life in the algorithm. Rebecca Schneider and Amelia Jones discuss animacy in queered and raced formations. Stephen Zepke explores Deleuze and Guattari's animist hylozoism and Amelia Barikin examines a mineral ontology of art. This book will appeal to readers interested in indigenous and non-indigenous entanglements and those who seek different approaches to new materialism, the post-human and the anthropocene.

Nineteenth-century Iran was an ocularcentered society predicated on visuality and what was seen and unseen, and photographs became liminal sites of desire that maneuvered "betwixt and between" various social spaces-public, private, seen, unseen, accessible, and forbidden-thus mapping, graphing, and even transgressing those spaces, especially in light of increasing modernization and global contact during the nineteenth and early twentieth centuries. Of primary interest is how photographs negotiated and coded gender, sexuality, and desire, becoming strategies of empowerment, of domination, of expression, and of being seen. Hence, the photograph became a vehicle to traverse multiple locations that various gendered physical bodies could not, and it was also the social and political relations that had preceded the photograph that determined those ideological spaces of (im)mobility. In identifying these notions in photographs, one may glean information about how modern Iran metamorphosed throughout its own long duree or resisted those societal transformations as a result of modernization.

Does a photograph freeze a moment of time? What does it mean to treat a photographic image as an artefact? In the visual culture of the 21st century, do new digital and social forms change the status of photography as archival or objective - or are they revealing something more fundamental about photography's longstanding relationships with time and knowledge?Archaeology and Photography imagines a new kind of Visual Archaeology that tackles these questions. The book reassesses the central place of Photography as an archaeological method, and re-wires our cross-disciplinary conceptions of time, objectivity and archives, from the History of Art to the History of Science.Through twelve new wide-ranging and challenging studies from an emerging generation of archaeological thinkers, Archaeology and Photography introduces new approaches to historical photographs in museums and to contemporaryphotographic practice in the field. The book re-frames the relationship between Photography and Archaeology, past and present, as more than a metaphor or an analogy - but a shared vision.Archaeology and Photography calls for a change in how we think about photography and time. It argues that new archaeological accounts of duration and presence can replace older conceptions of the photograph as a snapshot orremnant received in the present. The book challenges us to imagine Photography, like Archaeology, not as a representation of the past and the reception of traces in the present but as an ongoing transformation of objectivity and archive.Archaeology and Photography will prove indispensable to students, researchers and practitioners in History, Photography, Art, Archaeology, Anthropology, Science and Technology Studies and Museum and Heritage Studies.

Black and white photography has come a long way in the digital world. This comprehensive reference will help you maximize your workflow with coverage of all of the relevant new features of Photoshop CS4 and Lightroom 2, including every stage of the black and white process from capture to printing. Along the way, you'll find in-depth explanations of key topics such as color management, optimizing your workspace, softproofing and calibration (both onscreen and for output), evaluating histograms, non-destructive editing, and much more. New features in this edition include:In-depth coverage of workflow using the Bridge and Adobe Camera RAW components of CS4New recipes and tips for advanced black and white conversion Coverage of Lightroom and Photoshop integration featuresAn overview of scanners and scanning your black and white filmAdvice on exposure essentials and how to apply the Zone System to your digital shooting A brand new chapter on black and white and creative image editing in LightroomBreathtaking color and black and white photographs, including Leslie Alsheimer's image which won the coveted Vincent Versace award at Photoshop World in 2008, will inspire you to expand your own creativity to limitless possibilities. This is the essential resource for any photographer shooting black and white in the digital age.

Assessing the cultural history of the dandy as a figure traditionally gendered masculine, this wide-ranging study advances a critical space for the discussion of the woman dandy. Modernist Women Dandies revisits dandyism to provide an interpretative framework for re-evaluating the literary careers of women authors with atypical literary presence: Edith Sitwell, Nancy Cunard, and Mina Loy. Cutting across media boundaries, it demonstrates how their experimental poetry and portrait photographs feed into each other, fabricating dandy authorial performances that are simultaneously unapologetically feminine and queer. In showing how these authors redefined the interplay between dandyism and authorship, this book makes an important contribution to rethinking modernist literary culture.

Man Ray is one of seven new titles being published this spring in Thames & Hudson's acclaimed 'Photofile' series. Each book brings together the best work of the world's greatest photographers in an attractive format and at an easily affordable price. Handsome and collectable, the books are printed to the highest standards. Each one contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography.

In the world of grand touring cars, Aston Martin occupies a special place. The English firm has always distinguished itself by its restraint, by the elegance of its creations, by the discretion of its style, by a reserve rarely observed in a universe that willingly abandons itself to exuberance. This book is devoted to DB models. David Brown relaunched the brand with emblematic cars, including some models that later became legendary, like the famous DB5 of James Bond. The history of Aston Martin over the past 70 years is organised around eight main designs. They are all strongly typed; directly associated with their creators, and with the nature of the successive owners of the company. Serge Bellu, a specialist in the history of the automobile, has produced a superbly illustrated book on the history of this typically British brand.

The second half of the 19th century was a time of extensive political upheaval in central east Europe that saw the negotiation of conflicting territorial claims in the region by the Russian, Austrian and Prussian empires. The post-WW1 settlement gave rise to the formation of the independent nation states of Poland, Lithuania, Ukraine, Latvia and Belarus. Less well know is that this same period was also an era of keen photographic activity. During this time of empire-, state- and nation-building, cultural heritage was a potent vehicle and a provider of collective memory and identity.This innovative account analyses the relationship between politics, history, cultural heritage and photography in central east Europe between 1859 and 1945. To understand the work photographs 'do' in the construction of cultural heritage, the author analyses a wide range of little-known photographic archives created by contemporary professional and amateur photographers. Their work was extensively exploited in contemporary debates, appearing in albums, books, journals, exhibitions, museum exhibits, postcards and newspapers aimed at both scientific and popular and national and international publics. An extensive analysis of how photographic practices and outcomes were applied, borrowed, copied, appropriated and transmitted shows how photography was used to exert or subvert power, on the one hand, and as a tool in constructing and negotiating group identities on the other. By weaving photography and its patterns of making, dissemination and archival survival through major historical narratives, this volume reveals the centrality of photography and visual discourse at pivotal moments of modern history.

The Photo Student Handbook is a collection of short, easy-to-read chapters filled with expert advice on enhancing image-making skills and launching a career as a professional photographer. Designed to help students grow beyond the technical aspects of photography, this book presents a variety of methods and strategies proven to strengthen visual awareness, engage creative thinking, and deepen the conceptual aspects of image-making. Topics include how to: - improve the ability to see actively - understand light as a main character - cultivate a creative mind - make a standout portfolio - unpack critical theory - find and develop a creative voice. Packed with valuable tips, insights, and advice from over a hundred instructors, professionals, senior students, and experts, this book is engineered to help instructors guide students step-by-step through the methods and strategies needed to achieve creative success both in the classroom and the real world. This book is ideal for intermediate- and advanced-level photography students and instructors alike. Visit the accompanying website www.photostudent.net for extra chapters, exercises, quizzes, and more.

The Photo Student Handbook is a collection of short, easy-to-read chapters filled with expert advice on enhancing image-making skills and launching a career as a professional photographer. Designed to help students grow beyond the technical aspects of photography, this book presents a variety of methods and strategies proven to strengthen visual awareness, engage creative thinking, and deepen the conceptual aspects of image-making. Topics include how to: - improve the ability to see actively - understand light as a main character - cultivate a creative mind - make a standout portfolio - unpack critical theory - find and develop a creative voice. Packed with valuable tips, insights, and advice from over a hundred instructors, professionals, senior students, and experts, this book is engineered to help instructors guide students step-by-step through the methods and strategies needed to achieve creative success both in the classroom and the real world. This book is ideal for intermediate- and advanced-level photography students and instructors alike. Visit the accompanying website www.photostudent.net for extra chapters, exercises, quizzes, and more.

A Purple Heart is the token honor given to soldiers for their wounds. It makes them heroes. It is the title that Nina Berman has given to her photographs of American soldiers gravely wounded in the Iraq war, who have returned home to face life away from the waving flags and heroic send-offs. The images are accompanied by first-person interviews with the soldiers, who discuss their lives, reasons for enlisting, and experience in Iraq. They provide a glimpse into the myths of warfare as glorious spectacle through the minds of young men desperate to believe in the righteousness of their actions. One soldier explains that he always wanted to be a hero. He thought the military would be fun--he would jump out of planes. He never imagined it could be ugly until he saw Saving Private Ryan. He is now a cripple, doped up all day on pain medications, flat broke, with one kid and another on the way. Another soldier describes how he called a recruiting station after watching an MTV-style commercial for the Army on TV. An immigrant from Pakistan, he was given his citizenship following his injury. It's a fair trade in his mind: a leg for an American passport. Berman's photographs are accompanied by essays from Verlyn Klinkenborg, a New York Times editorial page writer, and Tim Origer, a Vietnam veteran and former Marine who fought in the Tet offensive and returned at age 19, an amputee.

The first major book in two decades by the pioneering underwater photographer, beloved as the 'Audubon of the sea' The ocean covers more than seventy percent of our planet, and yet we rarely glimpse its depths - and especially its exquisite beauty as documented by legendary photographer David Doubilet. His work in and on water has set the standard for decades. In this remarkable and highly-anticipated collection by artist and diver David Doubilet, whose innovation, eye for beauty, and passion for conservation have long set the bar for underwater photography, Doubilet unites life above and below the water's surface. Spotlighting a stunning selection of images from Doubilet's 50-year career, spanning the Galapagos to the Red Sea, the icy waters of the Antarctic Ocean to the tropical Great Barrier Reef, this body of work raises important questions about conservation and global warming, topics never far from the headlines. 'I want to create a window into the sea', he says, that invites people to see how their world connects to another life-sustaining world hidden from their view. Doubilet's photographs are accompanied by an introduction by Kathy Moran and an afterword by Kathryn D. Sullivan.

Whether pasted into an album, framed or shared on social media, the family photograph simultaneously offers a private and public insight into the identity and past of its subject. Long considered a model for understanding individual identity, the idea of the family has increasingly formed the basis for exploring collective pasts and cultural memory. Picturing the Family investigates how visual representations of the family reveal both personal and shared histories, evaluating the testimonial and social value of photography and film.Combining academic and creative, practice-based approaches, this collection of essays introduces a dialogue between scholars and artists working at the intersection between family, memory and visual media. Many of the authors are both researchers and practitioners, whose chapters engage with their own work and that of others, informed by critical frameworks. From the act of revisiting old, personal photographs to the sale of family albums through internet auction, the twelve chapters each present a different collection of photographs or artwork as case studies for understanding how these visual representations of the family perform memory and identity. Building on extensive research into family photographs and memory, the book considers the implications of new cultural forms for how the family is perceived and how we relate to the past. While focusing on the forms of visual representation, above all photographs, the authors also reflect on the contextualization and 'remediation' of photography in albums, films, museums and online.

This winter, Aperture magazine presents "Reference," an issue that considers the role images play in the creation of something else. Spanning fashion design, architecture, film, and print, "Reference" includes a conversation between renowned British author and curator Ekow Eshun and rising fashion designer Grace Wales Bonner; an interview with South African artist William Kentridge on the images that undergird his sprawling output; critic Mimi Zeiger on the work of Los Angeles-based architectural studio Johnston Marklee; an essay by Jesse Dorris on the potential of handmade zines; and David Campany on the function and purpose of photographs today. Further, works by James Welling, Jojo Gronostay, Deborah Turbeville, Sheida Soleimani, Katrien de Blauwer, and Stephanie Syjuco highlight each artist's unique use of source material. The Photobook Review for this issue opens with a sweeping interview with Ramon Reverte-the editor in chief and creative director at Editorial RM-and includes reviews of recent photobooks by Vince Aletti, Phyllis Christopher, Moe Suzuki, Nancy Holt, Richard Misrach, and N.V. Parekh.

This work is dedicated to CMOS based imaging with the emphasis on the noise modeling, characterization and optimization in order to contribute to the design of high performance imagers in general and range imagers in particular. CMOS is known to be superior to CCD due to its flexibility in terms of integration capabilities, but typically has to be enhanced to compete at parameters as for instance noise, dynamic range or spectral response. Temporal noise is an important topic, since it is one of the most crucial parameters that ultimately limits the performance and cannot be corrected. This work gathers the widespread theory on noise and extends the theory by a non-rigorous but potentially computing efficient algorithm to estimate noise in time sampled systems. This work contributed to two generations of LDPD based ToF range image sensors and proposed a new approach to implement the MSI PM ToF principle. This was verified to yield a significantly faster charge transfer, better linearity, dark current and matching performance. A non-linear and time-variant model is provided that takes into account undesired phenomena such as finite charge transfer speed and a parasitic sensitivity to light when the shutters should remain OFF, to allow for investigations of largesignal characteristics, sensitivity and precision. It was demonstrated that the model converges to a standard photodetector model and properly resembles the measurements. Finally the impact of these undesired phenomena on the range measurement performance is demonstrated.

In an age of increasingly fragmented migration, consumption, and globalisation, how do diasporic individuals navigate their ethnic identities? Diasporas, Weddings and the Trajectories of Ethnicity investigates the ways that Chinese Singaporeans shape their Chineseness through wedding rituals and artefacts. Proposing a framework of ethnic identity as a journey, this book will Interrogate the processes underlying diasporic ethnicity-making through weddings. Offer new concepts of transdiasporic space, ethnic tastes, and aesthetic dissonance. Explore the intersections between commercialism, ethnicity, and socio-economic divides. Map the micro-social ramifications of ethnic and racial policy in Singapore. As a former professional wedding photographer, Terence Heng brings a sociological lens to the scripted and spontaneous arena of social interactions that is the wedding day. By combining ethnographic observation, photography, and poetry, Heng reveals the many decisions and demands that underscore Singaporean Chinese weddings, offering novel insights into the roles of the bridal couple, their social networks, and the wedding industry.