This alternative study of archive and photography brings many types of image assemblages into view, always in relation to the regulated systems operating within the institutional milieu. The archive catalogue is presented as a critical tool for mapping image time, and the language of image description is seen as having a life, a worth and an aesthetic value of its own. Functioning at the intersection of text and image, the book combines media culture, archival techniques, and contemporary discourse on art and conceptual writing.

- Presents the first career retrospective of Peter Goin's work, with contextualized close readings of images and rare insight into the artist's intent, decisions, and evolution - Written by a renowned literary ecocritic to provide broad, interdisciplinary appeal across subjects such as photography, ecocriticism and environmental humanities - Beautifully illustrated with 200 colour and black and white photographs

Transcultural Theater outlines the idea of a transcultural theater as enabling an approximation to and an interaction with the foreign and the alien. In consideration of the allure of fundamentalist and populist movements that promote the development and practices of xenophobia worldwide, this book makes a powerful plea for the art of theater as a medium of conviviality with (the) foreign(er) that should not be underestimated. This study contributes to transcultural experience, artistic practice, and education in the medium of theater. The book’s investigation extends far into space and time and pays particular attention to the relationship between aesthetic experience, artistic practice, and academic representation. This book is for scholars and students as well as for all those working in the cultural field, especially in the field of cultural transfer.

Explore the art of mindful travel with Kinfolk, the pioneers in "slow living," their philosophy of simplicity, authenticity, intentionality and community. With nearly 450,000 copies in print, the Kinfolk series has applied this philosophy to entertaining (The Kinfolk Table), interior design (The Kinfolk Home), and living with nature (The Kinfolk Garden). Now they have turned their attention to "slow travel," offering readers a road map for planning trips that foster meaningful connections with local people and authentic experiences of local culture. Go museum hopping in Tasmania, or birdwatching in London. Explore the burgeoning fashion community in Dakar. Take a bicycle tour through Idaho, or a train trip from Oslo to Bergen. Drawing on the magazine's global community of writers and photographers, Kinfolk Travel takes readers to over 20 location across five continents, with travel tips from locals, stunning images, and thoughtful essays.

Liz Wells is a leading figure in the field and this collection brings together otherwise difficult to find works for the first time. There is a great depth and range of essays in this collection, both in terms of geographical coverage and artistic styles, and addressing the work of well-known and lesser-known artists. These essays draw on the key focal points of the author’s scholarly expertise. The collection opens with a conversation with Martha Langford, providing an excellent introduction to Wells’ thought and reflection and contextualization about each of the themes and the pieces and their contemporary relevance. Section introductions by Wells provide further context and tie older essays to current concerns in the field.

Addresses the relationship between law and the visual and the importance of photography in show trials. Includes case studies from Albania, East Germany, and Poland. Will appeal to legal and cultural theorists.

There have been major advances in therapeutic photography since Del's first book in 2013, and the recent lockdowns have accelerated the field further.

African photography has emerged as a significant focus of research and scholarship over the last twenty years, the result of a growing interest in postcolonial societies and cultures and a turn towards visual evidence across the humanities and social sciences. At the same time, many rich and fascinating photographic collections have come to light. This volume explores the complex theoretical and practical issues involved in the study of African photographic archives, based on case studies drawn from across the continent dating from the 19th century to the present day. Chapters consider what constitutes an archive, from the familiar mission and state archives to more local, vernacular and personal accumulations of photographs; the importance of a critical and reflexive engagement with photographic collections; and the question of where and what is 'Africa', as constructed in the photographic archive. Essential reading for all researchers working with photographic archives, this book consolidates current thinking on the topic and sets the agenda for future research in this field.

This book provides a critical introduction to Francois Laruelle's writings on photography, with a particular focus on his two most important books on photography: The Concept of Non-Photography and Photo-Fiction, a Non-Standard Aesthetics. By unpacking and contextualising these works, this study provides a useful starting point for students and scholars who want to better understand Laruelle's larger project, which he calls "non-philosophy", or more recently, "non-standard philosophy". With clear and concise explanations of the basics of non-philosophy, Laruelle and Non-Photography demonstrates how Laruelle's thought challenges standard, philosophical approaches to photography, and culminates in a novel theory of "non-photography."

From the secluded mountain hut to the luxury ski chalet, to the resort reaching up to the sky, this unique and aspirational travel book presents the best mountain hotels around the world. Author Martin N. Kunz, an expert in the special hotel industry, shares detailed insider information, as well as thrilling photographs of these stunning mountain locations, from Aspen to the Atlas foothills, from the Himalayas to Machu Picchu. Bonus digital access take readers directly to each featured accommodation, where more pictures, videos, and sometimes even soundtracks, await. Text in English and German.

New York City's Meatpacking District is known today for glitz and glamour, but it used to be famed for blood, muscle, and sweat. When photographer Pamela Greene first visited this area, she found a 24-hour neighborhood that changed daily, from a gritty industrial site to a sophisticated play ground, and back again, by dawn. She photographed it all, capturing the electric energy of the streets, and a nightly frenzy underground of strippers, singers, gays, straights, and on occasion, prostitutes. In 120 raw images, Greene gives us a portrait of change, an ode to urban transformation, and an elegy for workers who have disappeared into New York City history.

The ability to thoroughly and accurately photograph a crime scene is a mandate for all investigators, regardless of the time of day, weather conditions, or confines within which a piece of evidence is concealed. Evidence is commonly found in some of the most difficult to access and photograph locations. Having the knowledge, wherewithal, and skills necessary to photograph evidence in less-than-accommodating environments is vital to a photographer's effectiveness and success. Advanced Crime Scene Photography, Third Edition takes a somewhat different approach to the subject over prior editions. Rather than assuming a crime scene investigator's or photographer's comfort with the operation of their cameras-and a basic understanding of apertures, shutter speeds, ISO values, and basic exposure calculations-the author provides a thorough review of basic photographic concepts, as a refresher to readers. And, for those less familiar or otherwise new to photography, such background provided makes the foundational concepts more understandable for those readers who require such information to understand the more advanced techniques covered later in the book. In addition to this added coverage, an entirely new chapter has been added to provide essential guidance on how to prepare and testify in court. Anyone with a camera phone can take a photograph in perfect lighting, with the subject sitting out in the open, and already positioned for the best composition. This book provides crime scene photographers the skills to record those same beautiful photographs in adverse condition, surrounded by tragedy, utilizing all the tools available to the investigator. The greatest tool a photographer has available to them is their brain. From start to finish, the value of quality crime scene photographs cannot be overemphasized; photographers must take control of their photographic endeavors, identify the challenges, design a plan to capture the image correctly, and then execute that plan. As such Advanced Crime Scene Photograph, Third Edition is written to help photographers achieve the goal of capturing the best possible images, especially in those difficult-to-capture, real-world environments and conditions. All photographers need to practice their craft, whether they are actively working cases as seasoned veterans or are just beginning their careers. This book provides the knowledge and skills essential to achieve career and professional success in crime scene photography.

Throughout his life, Franz Kafka was fascinated by photography, a medium which for him came to encapsulate both the attractions and the pitfalls of modern life. Kafka's personal engagement with the medium - as a keen viewer and collector of photographs as well as an amateur photographer - is reflected in his writings, which explore photography from a variety of different perspectives By far the most frequently and extensively discussed visual medium in Kafka's texts, photography is paradigmatic of his relationship to visuality more generally. This study not only explores photography's recurrence as a theme within his texts but it is also the first to take systematic account of Kafka's use of photographs as literary source material.
Kafka and Photography presents one of the most important modern writers from an entirely new perspective; it sheds new light on familiar works and uncovers unexplored aspects of Kafka's engagement with his time and context. Providing a chronological account of key prose works, as well as the personal writings, this study is accessible to students and lay readers. It will be of interest not only to literary scholars but also to those working in photography, media, and cultural studies. Its detailed textual analyses are set against a richly documented historical context which illustrates Kafka's interest in contemporary culture through a range of visual material taken from public as well as private sources - some of which has only recently become available. As this book demonstrates, photography had a profound impact on Kafka's literary imagination and as such helps to explain the mesmerizing intensity of enigmatic visual detail which is a hallmark of hisnarratives.

This volume explores the many facets and ongoing transformations of our visual identities in the twentieth and twenty-first centuries. Its chapters engage with the constitution of personal, national and cultural identities at the intersection of the verbal and the visual across a range of media. They are attentive to how the medialities and (im)materialities of modern image culture inflect our conceptions of identity, examining the cultural and political force of literature, films, online video messages, rap songs, selfies, digital algorithms, social media, computer-generated images, photojournalism and branding, among others. They also reflect on the image theories that emerged in the same time span-from early theorists such as Charles S. Peirce to twentieth-century models like those proposed by Roland Barthes and Jacques Derrida as well as more recent theories by Jacques Ranciere, W. J. T. Mitchell and others. The contributors of Imaging Identity come from a wide range of disciplines including literary studies, media studies, art history, tourism studies and semiotics. The book will appeal to an interdisciplinary readership interested in contemporary visual culture and image theory.

Four thousand years before the birth of Christ, ancient Egypt was the cradle of modern civilization. Pharaohs built great cities on the fertile banks of the River Nile, and employed thousands of labourers to create lavish tombs and temples such as Thebes and the pyramids of the Giza plateau. Today the exceptional beauty and scale of the antiquities is legendary, drawing millions of visitors to Egypt's monuments each year. But the nation is much more than even that. From the beaches on the Red Sea to the Nile, from the markets in Cairo and Alexandria to the country's Roman, Coptic and Sassanid history, and Arab and Ottoman culture, Egypt is spectacular. Ranging from desert monasteries to the trade on the Suez Canal, from mausoleums hidden for centuries to medieval souks to urban life today, Egypt takes the reader from the mountains to the sea, from the desert to the city, from the ancient to the modern. Featuring 200 colour photographs and captions explaining the fascinating stories behind each image, Egypt is a stunning portrait of an ancient and modern land.

Since its first publication this book has been hailed as the most comprehensive history of art ever published in a single volume. Presenting art history as an essential part of the development of humankind, it offers an authoritative, balanced and enlightening account, ranging from a statuette carved in central Europe some 30,000 years ago to the digital, video and installation art of the new millennium. The volume covers painting, mosaic, drawing, printmaking, sculpture, architecture and photography. Textiles, coins, pottery, enamels, gold and silver are also included. The scope is international, encompassing the arts of Asia, Africa and Oceania as well as Europe and the Americas. This Revised Seventh Edition expands the original coverage by embracing new developments in archaeology and art historical research, and in particular contemporary art historian Michael Archer has greatly expanded the authors' discussion of the art world over the past two decades, providing a new perspective on the latest developments shaping our cultural history. The insight, elegance and fluency that the authors bring to their text are complemented by 1459 superb illustrations, many of which are now in colour.

Du Camp's traveling companion Gustave Flaubert once remarked: "I don't know why Maxime hasn't killed himself with this raging mania for photography." The Stillness of Hajj Ishmael explores this "mania" as a manifestation of the cultural hypochondria typical of Du Camp's time and social class, linking the general anxiety of the age over the apparent demise of French culture with the personal travails of Du Camp, who grew up an orphan. The book explores the role played by Nubian sailor Hajj Ishmael inDu Camp's photographs, travel writings, journals and novel as a unique marker of a malaise simultaneously subjective and historical.