This early works on photography is a comprehensive and informative guide on the subject and its twenty five chapters and numerous diagrams make for absorbing reading throughout with much of the information still useful and practical today. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Roger Bamber, for fifty years one of Britain’s leading photojournalists, has poured his life’s work into this unique reflection of a career that encompassed not only riots and bombings and the crazy world of rock and pop in the twentieth century but recorded with a sympathetic eye the demise of traditional British industries and the old steam railways. His graphic photographs are well known for their distinctive, often wryly humorous, style and strong visual impact and have been widely published worldwide. He was British Press Photographer of the Year, twice British News Photographer of the Year and won many awards for his features on the arts. Towards the end of his career he worked mainly for the Guardian and was happiest finding creative people with a story to tell. He preferred working outdoors, ideally within sight of the sea, and showcasing ordinary people – celebrating just how extraordinary all of us can be.

A vibrant and adventurous LEGO (R) photography book that sees the world in LEGO bricks and minifigures. LEGO (R) In Focus celebrates the boundless creativity of LEGO play through stunning brick and minifigure photography. Look through the lens of 30 toy photographers as they imagine the world from a LEGO point of view. This distinctive collection from creators across the globe explores minifigure-sized perspectives on nature, urban life, travel and adventure, and much more. From diving into the ocean's depths and seeking shelter in a snowstorm, to dancing at a washing machine disco and enjoying ice cream on a summer day, each image offers surprises and hidden humor, while sharpening our focus to the magic of play. Detailed captions and behind-the-scenes progress images take us deeper into the bricks and elements that connect us. LEGO (R) In Focus is the perfect experiential, imaginative photography book for LEGO builders and dreamers alike.

This book explores how photography and documentary film have participated in the representation of the 1994 genocide in Rwanda and its aftermath. This in-depth analysis of professional and amateur photography and the work of Rwandan and international filmmakers offers an insight into not only the unique ability of images to engage with death, memory and the need for evidence, but also their helplessness and inadequacy when confronted with the enormity of the event. Focusing on a range of films and photographs, the book tests notions of truth, evidence, record and witnessing - so often associated with documentary practice - in the specific context of Rwanda and the wider representational framework of African conflict and suffering. Death, Image, Memory is an inquiry into the multiple memorial and evidentiary functions of images that transcends the usual investigations into whether photography and documentary film can reliably attest to the occurrence and truth of an event.

Liz Wells is a leading figure in the field and this collection brings together otherwise difficult to find works for the first time. There is a great depth and range of essays in this collection, both in terms of geographical coverage and artistic styles, and addressing the work of well-known and lesser-known artists. These essays draw on the key focal points of the author’s scholarly expertise. The collection opens with a conversation with Martha Langford, providing an excellent introduction to Wells’ thought and reflection and contextualization about each of the themes and the pieces and their contemporary relevance. Section introductions by Wells provide further context and tie older essays to current concerns in the field.

The lovingly restored vintage automobiles still in daily use on the streets of Havana are an iconic symbol of the charm - and the tragedy - of the vibrant Caribbean island of Cuba. When communist rebels overthrew the corrupt and brutal Batista government in 1959, the United States reacted with blockades and sanctions, choking off potential investment and stopping economic development. For six decades, Cuba remained trapped in the nineteen fifties - a living museum of mid-twentieth century life.With the lifting of economic sanctions, Cuba is poised to leap forward into the modern age. Collectors are flocking to the island to snap up the classic, still-operational American automobiles. The shelves of shops and department stores, for decades largely empty, are being stocked with consumer goods the Cubans can scarcely imagine.Now, as John Kuan approaches his sixtieth birthday as the owner of a thriving business, he is picking up where he left off decades before. As though this were still the 1960s, he mastered photography with a manual film camera.His photographic eye, combining a novices' fresh perspective with the discernment of a mature adult, captures the unique aspects of Cuba: the charm and hospitality of the people, the fine artistry of historic buildings and homes. Sixty Years On captures these poignant images, a record of a culture that will soon pass into history as Cuba makes its long-delayed entrance into the modern world.

"The girls were rebelling. The girls were acting out. The girls had run away from home, that much was clear." -Rebecca Bengal In her collection Strange Hours, the writer Rebecca Bengal considers over a century of photography that has defined our relationship to the medium. Through generous and in-depth essays, profiles, reviews, and interviews, Bengal contemplates photography's narrative power, from the radical intimacy of Nan Goldin's New York demimonde to Justine Kurland's pictures of rebel girls on the open road. Bengal brings us closer to several pioneering artists and the personal, political, and poetic stories that surround their photographs. She travels with Alec Soth in Minneapolis, searching for the houses where Prince once lived, and revisits Chauncey Hare's 1979 protest against the Museum of Modern Art. She speaks with Dawoud Bey about his evocative early portraits in Brooklyn and explores Diana Markosian's cinematic take on her family's immigration to the US. Throughout Strange Hours, Bengal's prose is attentive to the alchemy of experience, chance, and pioneering vision that has always pushed photography's potential for unforgettable storytelling.

Grounded in real-life experiences and scenarios, this practical guide offers editorial, non-profit, foundation, and corporate photographers an honest and insightful approach to running a freelance photography business. Pulling from thirty years of experience as a freelance photographer, veteran Todd Bigelow presents a timely and detailed account of the methods and tactics best used to navigate and succeed in the profession. He explores the topics that define the business of freelancing, including: analyzing photography contracts; creating and maintaining an image archive; licensing for revenue; client development; registering for copyright; combating copyright infringement; and understanding tax issues, freelance business structures, and more. Chapters feature examples of real contract clauses and emails to better prepare readers for the practical daily activities that are essential to growing a success business. Likewise, Bigelow shares conversational anecdotes throughout to provide real insight into the world of freelancing. Based on the author's sought-after Business of Photography Workshop, this book is an essential guide for emerging, mid-career, and experienced photographers interested in starting or improving their own freelance business.

Starting with an early picture of a gang of badass gold prospectors who put this beautiful Northern California city on the map, this ambitious and immersive photographic history of San Francisco takes a winding tour through the city from the mid-nineteenth century to the present day. Enjoy eye-catching views of the city's most enduring landmarks and symbols: the Golden Gate Bridge, Chinatown, the picturesque trams that wind up and down the famously steep hills, the popular waterfront, its beautiful bay, and its spectacular cityscapes and vistas. San Francisco's counterculture movements that shaped our collective consciousness are also featured prominently: the beats of North Beach, the hippies of Haight-Ashbury, the gay communities of Castro, and the Black Panthers of neighboring Oakland. Some of the city's most famous residents also make appearances: Robin Williams, The Grateful Dead, Angela Davis, Janis Joplin, Sylvester, and Allen Ginsberg, among others. This book features hundreds of newly found images from dozens of archives including museums, universities, libraries, galleries, private collections, and historical societies, from 19th-century daguerreotypes to mid-century Kodachromes to 21st-century digital pictures. Master photographers include, among others: Stephen Shore, Imogen Cunningham, Fred Lyon, Steve Schapiro, Minor White, Dorothea Lange, Albert Watson, Robert Frank, Garry Winogrand, William Claxton, Fred Herzog, Ansel Adams, Jim Marshall, and many local shooters. Also includes introductory essays and captions by Bay Area-based author Richie Unterberger and a "Best of San Francisco" books, music, and movies section and biographies of the photographers. Tony Bennett famously sang, "I left my heart in San Francisco," and this meticulously researched and conceived portrait will equally inspire and make you fall in love with the spirit of the City by the Bay.

When you think of London, what do you see? The Houses of Parliament? The bustle around Piccadilly Circus? Elegant Victorian streets and squares? The Tate Modern? Or even Camden Market? With London, there are so many different aspects to the city. In more than 200 striking images, London celebrates the British capital, from its famous landmarks to atmospheric alleyways, from the top of the Shard to London Underground's lost ghost stations, from the parks to the canals to the Thames. Exploring both the history and modernity of the city, the book reveals the city's legacy as a capital and a trading hub, but also looks at how the contemporary city lives and breathes as a multi-ethnic metropolis. Presented in a landscape format and with captions explaining the story behind each entry, London is a stunning collection of images celebrating the world's most interesting city.

Winner of the ASAA mid-career book prize in Asian Studies 2020 and joint winner of the 2020 Royal Studies Journal Book Prize Photographic subjects examines photography at royal celebrations during the reign of Queens Wilhelmina (1898-1948) and Juliana (1948-80), a period spanning the zenith and fall of Dutch rule in Indonesia. It is the first monograph in English on the Dutch monarchy and the Netherlands' modern empire in the age of mass and amateur photography. Photographs forged imperial networks, negotiated relations of recognition and subjecthood between Indonesians and Dutch authorities, and informed cultural modes of citizenship at a time of accelerated colonial expansion and major social change in the East Indies/Indonesia. This book advances methods in the uses of photographs for social and cultural history and provides a new interpretation of Queens Wilhelmina and Juliana as imperial monarchs. -- .

Addresses the relationship between law and the visual and the importance of photography in show trials. Includes case studies from Albania, East Germany, and Poland. Will appeal to legal and cultural theorists.

There have been major advances in therapeutic photography since Del's first book in 2013, and the recent lockdowns have accelerated the field further.

Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians' war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience. -- .

Andre Kertesz is one of four new titles being published in Autumn 2007 in Thames & Hudson's acclaimed 'Photofile' series. Each book brings together the best work of the world's greatest photographers in an attractive format and at an easily affordable price. Handsome and collectable, the books are printed to the highest standards. Each one contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography.

With an emphasis on photographic works that offer new perspectives on the history of American social documentary, this book considers a history of politically engaged photography that may serve as models for the representation of impending environmental injustices. Chris Balaschak examines histories of American photography, the environmental movement, as well as the industrial and postindustrial economic conditions of the United States in the 20th century. With particular attention to a material history of photography focused on the display and dissemination of documentary images through print media and exhibitions, the work considered places emphasis on the depiction of communities and places harmed by industrialized capitalism. The book will be of interest to scholars working in art history, visual studies, photography, ecocriticism, environmental humanities, media studies, culture studies, and visual rhetoric.

First published in 1992, The Creatures Time Forgot examines the representation of disabled people - in advertising, particularly that produced by disability charities, and in the work of photographers such as Diane Arbus and Gary Winogrand. He shows how such images construct disabled people as 'creatures,' the tragic-but-brave objects of photographic gaze, or as the ''appy 'andicapped' of 'positive imagery' advertising. As a disabled photographer and writer, David Hevey has been a pioneer in challenging such visual representations of disabled people. His work advocates a move away from medical, charity or impairment-fixated imagery towards a visual equivalent of 'Rights not Charity'. The book outlines David Hevey's own photographic practice and includes wide-ranging selections from his work to create a visual form which reflects the new social presence of disabled people. This book will be of interest to students of media studies, cultural studies, and disability studies.

Reimagines photography through the long history of ideas of expression The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity-industrialization, racialization, and capitalism-were quickly reshaping the world. The Unintended slows down the moment in which the technology of photography seemed to speed itself-and so the history of racial capitalism-up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership. The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of "expression" into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control's absence are central to the practice and idea of property-making. The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives.

Modernism both influenced and was fascinated by the rhetorical and aesthetic manifestations of fascism. In examining how four artists and writers represented fascist leaders, Annalisa Zox-Weaver aims to achieve a more complex understanding of the modernist political imagination. She examines how photographer Lee Miller, filmmaker Leni Riefenstahl, writer Gertrude Stein and journalist Janet Flanner interpret, dramatize and exploit Hitler, Goering and Petain. Within their own artistic medium, each of these modernists explore confrontations between private and public identity, and historical narrative and the construction of myth. This study makes use of extensive archival material, such as letters, photographs, journals, unpublished manuscripts and ephemera, and includes ten illustrations. This interdisciplinary perspective opens up wider discussions of the relationship between artists and dictators, modernism and fascism, and authority and representation.

In an age of increasingly fragmented migration, consumption, and globalisation, how do diasporic individuals navigate their ethnic identities? Diasporas, Weddings and the Trajectories of Ethnicity investigates the ways that Chinese Singaporeans shape their Chineseness through wedding rituals and artefacts. Proposing a framework of ethnic identity as a journey, this book will Interrogate the processes underlying diasporic ethnicity-making through weddings. Offer new concepts of transdiasporic space, ethnic tastes, and aesthetic dissonance. Explore the intersections between commercialism, ethnicity, and socio-economic divides. Map the micro-social ramifications of ethnic and racial policy in Singapore. As a former professional wedding photographer, Terence Heng brings a sociological lens to the scripted and spontaneous arena of social interactions that is the wedding day. By combining ethnographic observation, photography, and poetry, Heng reveals the many decisions and demands that underscore Singaporean Chinese weddings, offering novel insights into the roles of the bridal couple, their social networks, and the wedding industry.

The must-have guide for all artists who draw the human figure!In Morpho: Hands and Feet, artist and teacher Michel Lauricella presents a unique approach to learning to draw the human body. In this book, Lauricella focuses exclusively on the hands and feet--arguably the most popular and, for many, the most challenging parts of the body to draw successfully. Breaking the subject matter down into the underlying skeletal shapes, followed by the musculature, then the skin and fat, and finally, the veins, Lauricella offers multiple approaches--from simple forms to complex renderings--and a plethora of positions and gestures are included to help you improve your drawing skills.Geared toward artists of all levels, from beginners through professionals, this handy, pocket-sized book will help spark your imagination and creativity. Whether your interest is in figure drawing, fine arts, fashion design, game design, or creating comic book or manga art, you will find this helpful book filled with actionable insights.(Publisher's Note: This book features an "exposed" binding style. This is intentional as it is designed to help the book lay flat as you draw.) TABLE OF CONTENTSForewordIntroductionHandsFeetResources

Dedicated to mastering photography as a visual language, this book helps you explore what to shoot and how to understand your own work. With 21 detailed chapters on photography techniques and practices, Forbes teaches you not only to establish yourself as a photographer, but how to create a legacy

Ted Forbes produces The Art of Photography, the most popular YouTube channel on photography, providing a 360-degree look into the world of image making. Forbes’ passion is to help amateurs, artists, and professionals alike gain new skills. Forbes calls on his expertise to instruct you on how to take pictures, and carefully walks readers through composition, lighting, exposure, contrast, color, alignment, balance, repetition, cameras, lenses, and more. Rising above a simple photography skills handbook, Forbes also offers advice on commitment, integrity, what it means to be an artist, and navigating the social media landscape.

Ted Forbes’ award-winning work centers around photography education. He has worked with many of the most renowned photographers of our generation as part of his Artist Series project, including Keith Carter, Harold Feinstein, Laura Wilson, Alexey Titarenko, Graciela Iturbide, Lourdes Grobet, William Wegman, David Brookover, and Pedro Meyer. He has also collaborated with companies including Apple, Leica, Hasselblad, Sony, Nikon, Canon, and Fujifilm.