Museums and Photography combines a strong theoretical approach with international case studies to investigate the display of death in various types of museums-history, anthropology, art, ethnographic, and science museums - and to understand the changing role of photography in museums. Contributors explore the politics and poetics of displaying death, and more specifically, the role of photography in representing and interpreting this difficult topic. Working with nearly 20 researchers from different cultural backgrounds and disciplines, the editors critically engage the recent debate on the changing role of museums, exhibition meaning-making, and the nature of photography. They offer new ways for understanding representational practices in relation to contemporary visual culture. This book will appeal to researchers and museum professionals, inspiring new thinking about death and the role of photography in making sense of it.

An empowering, thought-provoking feminist novel that will change the way you see the world. Perfect for fans of Elizabeth Day, Claire Fuller and Joanna Cannon. 1968. Veronica Moon, a junior photographer for a local newspaper, is frustrated by her (male) colleagues' failure to take her seriously. And then she meets Leonie on the picket line of the Ford factory at Dagenham. So begins a tumultuous, passionate and intoxicating friendship. Leonie is ahead of her time and fighting for women's equality with everything she has. She offers Veronica an exciting, free life at the dawn of a great change. Fifty years later, Leonie is gone, and Veronica leads a reclusive life. Her groundbreaking career was cut short by one of the most famous photographs of the twentieth century. Now, that controversial picture hangs as the centrepiece of a new feminist exhibition curated by Leonie's niece. Long-repressed memories of Veronica's extraordinary life begin to stir. It's time to break her silence, and step back into the light. Praise for The Woman in the Photograph: 'Imaginative and moving novel - a must-read for any feminist' Katie Fforde 'I absolutely loved The Woman in the Photograph, a compelling,original and thought-provoking look at feminism and the power of female friendships' Sarah Franklin 'What a glorious combination: Stephanie's warm intelligence brought to bear on the complexities of second-wave feminism. I ate the book up' Shelley Harris 'Refreshing and thought-provoking . . . a stirring exploration of female friendship and the fight for equality' Carys Bray 'Brilliantly researched, thought-provoking, and written straight from the heart, this is undoubtedly Butland's best book yet' Lancashire Evening Post

Through their innocent eyes, children have always found the greatest pleasure in small things. Two-year-old Yzabella Skye Younger is no exception. Prompted by nothing but curiosity and a desire to alleviate her boredom, one day the two-year-old surprised everyone around her and found a way to allow others to view her unique perspective on life. Yzabella's year-long photographic journey began in the front of church at her baptism when she unintentionally started snapping pictures of herself while examining the camera on an iPhone. She vacationed in Sayulita, Mexico, and traveled from St. Louis, Missouri, to St. Martin, West Indies, to Grenada West Indies, and finally to Ann Arbor, Michigan. Along the way, Yzabella captured significant moments through the camera lens as her outlook on her surroundings grew and changed-right along with her. A View from My Perspective presents a collection of photographs that vividly portrays our world through a toddler's eyes and reminds all of us to rediscover the simple joys in life.

Sebastiao Salgado's haunting black-and-white photographs from the GENESIS project record landscapes and people unchanged in the devastating onslaught of modern society and development. Salgado calls GENESIS "my love letter to the planet."

Still Modernism offers a critique of the modernist imperative to embrace motion, speed, and mobility. In the context of the rise of kinetic technologies and the invention of motion pictures, it claims that stillness is nonetheless an essential tactic of modernist innovation. More specifically, the book looks at the ways in which photographic stillness emerges as a counterpoint to motion and to film, asserting its own clear visibility against the blur of kinesis. Photographic stillness becomes a means to resist the ephemerality of motion and to get at and articulate something real or essential by way of its fixed limits. Combining art history, film studies and literary studies, Louise Hornby reveals how photographers, filmmakers, and writers, even at their most kinetic, did not surrender attention to points of stillness. Rather, the still image, understood through photography, establishes itself as a mode of resistance and provides a formal response to various modernist efforts to see better, to attend more closely, and to remove the fetters of subjectivity and experience. Still Modernism brings together a series of canonical texts, films and photographs, the selection of which reinforces the central claim that stillness does not lurk at the margins of modernism, but was constitutive of its very foundations. In a series of comparisons drawing from literary and visual objects, Hornby argues that still photography allows film to access its own diffuse images of motion; photography's duplicative form provides a serial structure for modernist efforts to represent the face; its iterative structure articulates the jerky rhythms of experimental narrative as perambulation; and its processes of development allow for the world to emerge independent of the human observer. Casting new light on the relationship between photography and film, Hornby situates the struggle between the still and the kinetic at the center of modernist culture.

Citizens of networked societies are almost incessantly accompanied by ecologies of images. These ecologies of still and moving images present a paradox of uncertainties emerging along with certainties. Images appear more certain as the technical capacities that render them visible increase. At the same time, images are touched by more uncertainty as their numbers, manipulabilities, and contingencies multiply. With the emergence of big data, the image is becoming a dominant vehicle for the construction and presentation of the truth of data. Images present themselves as so many promises of the certainty, predictability, and intelligibility offered by data. The focus of this book is twofold. It analyses the kinds of images appearing today, showing how they are marked by a return to modern photographic emphases on high resolution, clarity, and realistic representation. Secondly, it discusses the ways in which the uncertainty of images is increasingly underscored within such reiterated emphases on allegedly certain visual truths. This often involves renewed encounters with noise, grain, glitch, blur, vagueness, and indistinctness. This book provides the reader with an intriguing transdisciplinary investigation of the uncertainly certain relation between the cultural imagination and the techno-aesthetic regime of big data and ubiquitous computing. This book was originally published as a special issue of Digital Creativity.

Journeys Exposed: Women's Writing, Photography and Mobility examines contemporary literature written by women that are all related to Italy in different ways. It argues that photography provides women with a means to expose aspects of their nomadic self and of others' mobile lives within and beyond the writing process. By resorting to the visual, women individualistically respond to forms of hegemonic power, fragmentation, displacement, loss and marginality and make these experiences key to their creative production.

If you are a digital photographer who's new to PaintShop Photo Pro or digital imaging in general, or have recently upgraded to the all-new version X3, this is the book for you! Packed with full color images to provide inspiration and easy to follow, step-by-step projects, you'll learn the ins and outs of this fantastic program in no time so you can start correcting and editing your images to create stunning works of art. Whether you want to learn or refresh yourself on the basics, such as effective cropping or simple color correction, or move on to more sophisticated techniques like creating special effects, everything you need is right here in this Corel-recommended guide. Useful information on printing and organizing your photos and a fantastic supplemental website with tons of extras rounds out this complete PSPP learning package. The awesome companion website - http://www.gopaintshoppro.co.uk/ - is packed full of practise files, bonus tutorials and other fabulous resources.

Nude photography can be intimidating, for the artist and the subject. Technique, creativity, and psychology all need to be considered and executed seamlessly to achieve a photographer's desired artistic and professional result. Author Louis Benjamin has built a career by studying the intricacies of the perfect nude photography photo shoot and he has compiled what he has learned for you in this second edition of the best-selling book, The Naked and the Lens. This revised text updates and builds upon the key concepts presented in the first edition that guide photographers from finding models and planning a shoot, all the way through to post production. New material includes discussions of the latest equipment, software, web publishing options, as well as fresh and more diverse photographs and interviews.

Focal Digital Camera Guides: Sony A200 Just bought a Sony A200 and looking to combine practical know-how with inspiration? This one-stop, easy-to-read guide covers all the basic functions of the camera, and everything beyond.For the basics, turn to the quick start guide, which will get you up and running in five minutes.For an understanding of your camera's many controls and features, check out the section called "The Camera." If all you need is a quick explanation, you'll find it. If you're looking for the whole story, you'll find that, too. Settings that affect how your pictures look are accompanied by full-color examples that show you exactly what you can expect. This section also covers the camera's menus, playback features, memory, and power sources.The section called "Software" shows you how to get the most out of your camera's software. It covers RAW conversion, storing your images, managing your library, and backup strategies.Ultimately, this book's greatest strength isn't its focus on the camera or the software; it's the detailed, easy-to-follow instruction it offers on using your camera to take truly superior photographs. Sections devoted to lenses, subject matter, and light cover these variables in depth, always presenting the most effective techniques in the context of the Sony A200. Written by an experienced photographer, The Sony A200 Digital Camera Guide shows you how to get the shots you can see in your head but have never been able to capture with a camera. The quick start guide will have you taking great photos in ten minutes. In-depth coverage of every feature and control ensures that you have access to the tools you need for every shot. Full-color examples demonstrate how different settings affec

Get away from it all and reignite your wanderlust with this unique collection of epic landscape photography from some of the remotest and most spectacular locations around the globe. Curated by award-winning travel and lifestyle photographer Finn Beales, Let's Get Lost offers pure visual escapism with over 200 spectacular shots of remote and beautiful places which will inspire you to get back out into the world after months and years of lockdowns and travel restrictions. For the adventurous amongst us, this book dares you to get off the beaten track andgo in search of the most remarkable natural environments on the planet. Chapters capturing off-grid coastal views, rugged mountain landscapes, majestic forests and expansive wildernesses are all featured, stirring within you a sense of adventure. From the Pacific Northwest to Southeast Asia, New Zealand to Scandinavia, these are the places where amazing photos are taken, now you need to experience them. For the armchair traveller, this book represents a breathtaking visual compendium of how beautiful the world can be, with truly awe-inspiring full page reproductions of some of instagram's most talented landscape photographers. Each of the photographers profiled reveal their unique stories and the little-known locations they have discovered that allow them to capture such breathtaking images, from Chris Burkard's perilous tour of Russia's extremities, and Emilie Ristevski's wanderlust-filled journey through Namibia's wild heart, to Timothy Allen's airborne search for a long-lost Bulgarian monument. Photographers featured: Finn Beales (finn) Alex Strohl (alexstrohl) Jonathan Gregson (jonathangregsonphotography) Richard Gaston (richardgaston) Cath Simard (cathsimard) Emilie Ristevski (helloemilie) Reuben Wu (itsreuben) Laura Pritchett (bythebrush) Lucy Laucht (lucylaucht) Chris Burkard (chrisburkard) Molly Steele (moristeele) Benjamin Hardman (benjaminhardman) Greg Lecoeur (greg.lecoeur) Charly Savely (charlysavely) Timothy Allen (timothy_allen) Hannes Becker (hannes_becker) Tobias Hagg (airpixels) Callum Snape (calsnape) Nicolee Drake (cucinadigitale) Holly-Marie Cato (h_cato) Mads Peter Iversen (madspeteriversen_photography)

Focusing on fine art and documentary photography, this book provides a diverse and inclusive version of photography history and its contemporary manifestations. Through 40 interviews with and profiles of photographers from underrepresented communities—those of African, Asian, Latino, Native American, Pacific Islander and Aleutian heritage, and other indigenous communities—this collection turns on its head homogenous visual culture. Essential reading for photography students and practitioners, this book celebrates the diversity of the real world with fascinating accounts of artists and the broad range of their challenges and successes: aspirations, photo series and photobooks, earning a living, discrimination, photography education, photographic practice, technical conversations, and more.

The Basic Bookshelf for Eyecare Professionals is a series that provides fundamental and advanced material with a clinical approach to clinicians and students. A special effort was made to include information needed for the certification exams in ophthalmic and optometric assisting, low vision, surgical assisting, opticianry, and contact lens examiners. This concise, easy-to-read manual is an excellent introduction to the fundamental techniques of film based imaging of the eye. With a back-to-basics approach this text will reduce any fear or anxiety that you may have related to learning the craft of ocular photography. Clinical Ocular Photography is organized in a way that allows quick and easy understanding on a specific subject. Each chapter stands alone, allowing the reader to tackle one specific topic at a time. With clear explanations of all clinical uses of photography in ophthalmology, this book is the perfect resource for the beginning or experienced ocular photographer.

"An outstanding image consists of more than just acceptable exposure and sharp focus - the two components that most photography instruction emphasize. A fascinating subject doesn't necessarily result in a good image, and likewise, it's possible to create an impressive image from a mundane subject. How do you capture that perfect image, and more importantly, what makes it great? That's where this book comes in. Rather than wasting time trying one approach after another until something seems right or memorizing a list of rules, discover a new, more comprehensive and yet intuitive way to think about photography and see the world around you by using visual intensity. The quality of your imagery and the speed of your workflow will both vastly improve once you are able to use these techniques to articulate why you prefer one image to another. Mother and son team Ellen and Josh Anon have spent years perfecting their visual intensity based approach to composition, and in this gorgeous, full color guide, they'll share their techniques with you so that your overall photographic experience, both in terms of time investment and quality of output, will become far more satisfying."

Discover nature's most colourful creatures in a major new book on colour in the animal kingdom. For many animals use of colour is essential to surviving in the wild. Both a built-in defence mechanism and a cunning tactic for attack, this biological advantage helps animals hide from dangerous predators and catch unsuspecting prey. It is used in many different ways, primarily to mask one's identity, movement or location, and changes over time as animals evolve and adapt to live. This stunning photographic collection reveals 100 creatures from around the world paired with fascinating insights from leading UK zoology author Steve Parker. Each animal will have a profile of 300 words paired with striking photographic examples featuring a wealth of colour and ingenious uses of colour for display or disguise. Learn how: The octopus can change its opacity, colour and pattern in response to threats. The walking leaf insect has evolved a strikingly similar shape and colour to the leaves it eats. The arctic fox changes its fur colour to white in the winter, perfectly blending in with the snow - but climate change is disrupting this age-old adaptation. This study of some of the most innovative uses of colour by animals, packed with beautiful photography and fascinating insights, will delight all lovers of the natural world.

The relationship between the practice of dance and the technologies of representation have excited artists since the advent of film. Dancers, choreographers, and directors are increasingly drawn to screendance, the practice of capturing dance as a moving image mediated by a camera. While the interest in screendance has grown in importance and influence amongst artists, it has until now flown under the academic radar. Emmy-nominated director and auteur Douglas Rosenberg's groundbreaking book considers screendance as both a visual art form as well as an extension of modern and post-modern dance without drawing artificial boundaries between the two. Both a history and a critical framework, Screendance: Inscribing the Ephemeral Image is a new and important look at the subject. As he reconstructs the history and influences of screendance, Rosenberg presents a theoretical guide to navigating the boundaries of an inherently collaborative art form. Drawing on psycho-analytic, literary, materialist, queer, and feminist modes of analysis, Rosenberg explores the relationships between camera and subject, director and dancer, and the ephemeral nature of dance and the fixed nature of film. This interdisciplinary approach allows for a broader discussion of issues of hybridity and mediatized representation as they apply to dance on film. Rosenberg also discusses the audiences and venues of screendance and the tensions between commercial and fine-art cultures that the form has confronted in recent years. The surge of screendance festivals and courses at universities around the world has exposed the friction that exists between art, which is generally curated, and dance, which is generally programmed. Rosenberg explores the cultural implications of both methods of reaching audiences, and ultimately calls for a radical new way of thinking of both dance and film that engages with critical issues rather than simple advocacy.

Wright's photography has been featured in National Geographic Society publications, Smithsonian, Outside, Time, Islands, and The New York Times, as well as a number of books. The recipient of the Dorothea Lange Award in Documentary Photography for covering child labor in Asia, and a two-time recipient of the Lowell Thomas Travel Journalism Award, Alison travels the globe collecting raw, thought-provoking images. This retrospective of her illustrious, ongoing career features a portfolio of striking portraits of more than 200 individuals. From Asia to Africa, to the Middle East and back, she captures the tapestry of humanity in all its diversity and splendor. Warmth, dignity, and grace emanate from the eyes of monks and geishas, nomads and cowboys, tribal warriors and even inspirational icons like His Holiness the Dalai Lama and Burmese leader Aung San Suu Kyi. Together, these stunning portraits, accompanied by written testimonials, explore the universal interconnectedness of the human spirit.