"See the Middle Kingdom in a whole new light, through the lens of Annette Morheng. Several years in the making, Morheng's reportage looks beyond the traditional tourist gaze of today's China." - Digital Camera "Looking beyond the traditional tourist gaze, this reportage explores China's rich culture and people." - Amateur Photographer "...a fascinating and beautifully produced portrait of the country that will appeal to anyone interested in Chinese culture, and in travel photography in general." - Outdoor Photography See China in a whole new light. For several years, Luxembourgish photographer and travel journalist Annette Morheng has documented everyday life in the Middle Kingdom, a country where tradition and progress constantly collide. Gathered together in this vibrant new illustrated book, her pictures document Chinese people, villages, and hutongs; temples and skyscrapers; natural wonders and mega metropolises; the most remote provinces and diverse ethnic groups. With an eye for authentic details and interactions, Morheng captures the rapid change, local customs, and internationality that make up China today. With immersive first-hand reports accompanying the images, this reportage looks beyond the traditional tourist gaze and leading media narratives to explore a China rich with nature, culture and people! Text in English and German.

A bold exploration of the role of the domestic interior in fashion photography and its importance in defining a new kind of fashion image.

For three decades, the fashion image has shifted its focus from high-end shoots to the idiosyncratic, Instagram-style practice of pictures taken at home. That home may be a house, apartment or room – often, though not always, the antithesis of glamour and gloss.

The Domestic Stage captures this fascination with the home as an 'uncurated' setting for presenting an individual’s private life and relationships, and for professional commissions with edge. Those behind the camera come from very different places, but all celebrate a sense of inventiveness and empowerment from working in the domestic space. How this space merged with the fashion image is revealed through the words and work of twenty-two such image-makers, most of whom talked personally to author Adam Murray. They include the pioneering Nigel Shafran; International Magic, who created virtual fashion shows with Martine Rose during the pandemic; and Carrie Mae Weems, whose 2024 Bottega Veneta campaign truly came 'home' – to show A$AP Rocky enjoying time with his children.

Each and every contributor’s commentary is candid and revealing, their images even more so. The result is a provocative new take on fashion photography and its transformation in recent years.

What is it to practice history in an age in which photographs exist? What is the impact of photographs on the core historiographical practices which define the discipline and shape its enquiry and methods? In Photographs and the Practice of History, Elizabeth Edwards proposes a new approach to historical thinking which explores these questions and redefines the practices at the heart of this discipline. Structured around key concepts in historical methodology which are recognisable to all undergraduates, the book shows that from the mid-19th century onward, photographs have influenced historical enquiry. Exposure to these mass-distributed cultural artefacts is enough to change our historical frameworks even when research is textually-based. Conceptualised as a series of 'sensibilities' rather than a methodology as such, it is intended as a companion to 'how to' approaches to visual research and visual sources. Photographs and the Practice of History not only builds on existing literature by leading scholars: it also offers a highly original approach to historiographical thinking that gives readers a foundation on which to build their own historical practices.