Get away from it all and reignite your wanderlust with this unique collection of epic landscape photography from some of the remotest and most spectacular locations around the globe. Curated by award-winning travel and lifestyle photographer Finn Beales, Let's Get Lost offers pure visual escapism with over 200 spectacular shots of remote and beautiful places which will inspire you to get back out into the world after months and years of lockdowns and travel restrictions. For the adventurous amongst us, this book dares you to get off the beaten track andgo in search of the most remarkable natural environments on the planet. Chapters capturing off-grid coastal views, rugged mountain landscapes, majestic forests and expansive wildernesses are all featured, stirring within you a sense of adventure. From the Pacific Northwest to Southeast Asia, New Zealand to Scandinavia, these are the places where amazing photos are taken, now you need to experience them. For the armchair traveller, this book represents a breathtaking visual compendium of how beautiful the world can be, with truly awe-inspiring full page reproductions of some of instagram's most talented landscape photographers. Each of the photographers profiled reveal their unique stories and the little-known locations they have discovered that allow them to capture such breathtaking images, from Chris Burkard's perilous tour of Russia's extremities, and Emilie Ristevski's wanderlust-filled journey through Namibia's wild heart, to Timothy Allen's airborne search for a long-lost Bulgarian monument. Photographers featured: Finn Beales (finn) Alex Strohl (alexstrohl) Jonathan Gregson (jonathangregsonphotography) Richard Gaston (richardgaston) Cath Simard (cathsimard) Emilie Ristevski (helloemilie) Reuben Wu (itsreuben) Laura Pritchett (bythebrush) Lucy Laucht (lucylaucht) Chris Burkard (chrisburkard) Molly Steele (moristeele) Benjamin Hardman (benjaminhardman) Greg Lecoeur (greg.lecoeur) Charly Savely (charlysavely) Timothy Allen (timothy_allen) Hannes Becker (hannes_becker) Tobias Hagg (airpixels) Callum Snape (calsnape) Nicolee Drake (cucinadigitale) Holly-Marie Cato (h_cato) Mads Peter Iversen (madspeteriversen_photography)

Biking inspires millions of people around the world, with an ever-growing fan base. With some 200 colour and black-and-white photographs, Icons of Cycling captures the thrill and fascination of this sport on two wheels. Compiling the work of some of the best cycling photographers, the book breathes the spirit of cycling - as close and emotional as if the viewer were part of the race. Discover extraordinary shots of the peloton winding along alpine serpentines; exhausted athletes at the end of a stage; and unknown heroes from the team behind the team. A microcosm of ambition and passion, pain and glory, this is both a photographic artwork and a contemporary document of a thriving sport. A cherished collector's item for every cycle enthusiast.

There have been major advances in therapeutic photography since Del's first book in 2013, and the recent lockdowns have accelerated the field further.

braw, adj. fine or fine-looking, excellent. This is a celebration of all that is braw, from the warmth of a Scottish pub to the beauty of the Highland hills, from sunbathing on a dual carriageway to weathering the Beast from the East. Dive into braw Scotland.

For six years Sebastiao Salgado traveled the Brazilian Amazon and photographed the unparalleled beauty of this extraordinary region: the rainforest, the rivers, the mountains, the people who live there-this irreplaceable treasure of humanity in which the immense power of nature is felt like nowhere else on earth.

Situated at the tip of an ancient and intriguing continent, South Africa is a land of many contrasts and infinite natural beauty. This new and lavishly illustrated edition of South Africa Landscapes captures in 150 full-colour photographs the sweeping vistas, superb wildlife and breathtaking scenery that makes this country unique.

From the mountains, winelands and beaches of Cape Town in the south to the famous wildlife sanctuary of the Kruger National Park in the north; from the craggy Cederberg and the celebrated wildflower displays of Namaqualand to the mountainous desert of the Richtersveld and the aloe-studded Little Karoo; from the pristine dunes along the KwaZulu-Natal coast and the awe-inspiring Drakensberg, South Africa Landscapes vividly portrays the vibrancy and the splendour of this fascinating land.

- Takes readers from conceptualizing to executing compelling photographs for fully realized visual narratives. - Provides career advice from a seasoned professional with credits including National Geographic and The White House. - Includes a series of self-assignments to practice the topics covered.

Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.

Still Life Notecards feature 20 beautiful, floral photographs by New York City–based florist, artist, and photographer Doan Ly and her studio, a.p. bio.

Doan Ly’s striking photography elevates floral design to an art form. Her playful and innovative floral arrangements and her use of color and lighting are visually stunning. This lovely stationery set of 20 blank notecards with accompanying envelopes comes in a keepsake box featuring a pull-out tray with a thumb-cut detail, making it perfect to use for any occasion or give as a gift. It also pairs beautifully with Still Life, Ly's hardcover coffee table photography book of the same name.

1. The book is the first comprehensive review of the 95-year development of Chinese animation. 2. All students and scholars of film studies, especially Chinese animation would benefit from this volume. 3. This book would be a useful reference to learn about the developmental trajectory of Chinese animation.

In Tide Lines: A Photographic Record of Louisiana's Disappearing Coast, Ben Depp's photographs capture the beauty, complexity, and rapid destruction of south Louisiana. Once formed by sediment deposited by the Mississippi River, the Louisiana coast is now quickly eroding. Two thousand square miles of wetlands have returned to open water over the past eighty years. Depp's photographs communicate weather and seasonal changes-like the shifting high-water line, color temperature, and softness of light. A careful observer will notice coastal flora and distinguish living cypress trees from those that have been killed by saltwater intrusion, or see the patterns made by wave energy on barrier island beaches and sediment carried through freshwater diversions from the Mississippi River. With a powered paraglider, Depp flies between ten and ten thousand feet above the ground. He spends hours in the air, camera in hand, waiting for the brief moments when the first rays of sunlight mix with cool predawn light and illuminate forms in the grass, or when evening light sculpts fragments of marsh and geometric patterns of human enterprise-canals, oil platforms, pipelines, and roads. Featuring an introduction by Monique Verdin and over fifty color images, Tide Lines is an intense bird's-eye survey that depicts south Louisiana from an unfamiliar perspective, prompting the viewer to reconsider the value of this vanishing, otherworldly landscape.

Discover nature's most colourful creatures in a major new book on colour in the animal kingdom. For many animals use of colour is essential to surviving in the wild. Both a built-in defence mechanism and a cunning tactic for attack, this biological advantage helps animals hide from dangerous predators and catch unsuspecting prey. It is used in many different ways, primarily to mask one's identity, movement or location, and changes over time as animals evolve and adapt to live. This stunning photographic collection reveals 100 creatures from around the world paired with fascinating insights from leading UK zoology author Steve Parker. Each animal will have a profile of 300 words paired with striking photographic examples featuring a wealth of colour and ingenious uses of colour for display or disguise. Learn how: The octopus can change its opacity, colour and pattern in response to threats. The walking leaf insect has evolved a strikingly similar shape and colour to the leaves it eats. The arctic fox changes its fur colour to white in the winter, perfectly blending in with the snow - but climate change is disrupting this age-old adaptation. This study of some of the most innovative uses of colour by animals, packed with beautiful photography and fascinating insights, will delight all lovers of the natural world.

"The blue and white print has the night-time glow of a Joseph Cornell ice-cube box or a Stan Brakhage film, the poppy glows candescent but is gone. Anna Atkins' dirty fingernails are pressing the damp skin of the poppy into cotton wadding and blotting paper until the life has dried out of it..." Amateur botanist Anna Atkins is now widely considered to be the first woman ever to have taken a photograph. The introduction to one of her albums states that she uses the photographic medium in order to "depict with the most accuracy possible," and so assist other scientists. Yet visual artist Annabel Dover's investigations led her to believe that Atkins doctored and adulterated certain specimens, collaging different sections of different plants together. In the subversive, scrapbook narrative that follows both historic and imaginary characters' stories are woven together: Henry James 'drowns' the clothes of a friend post-suicide; Joe Orton's cleaning lady considers the collaged wall in his bedsit; and Anna Atkins makes the seaweed prints that will then appear in the first photographic book to be published. A complex mixture of scientific observation and tender, girlish enthusiasm Florilegia is above all else a profound meditation on memory, loss, and our relationship to images.

"The girls were rebelling. The girls were acting out. The girls had run away from home, that much was clear." -Rebecca Bengal In her collection Strange Hours, the writer Rebecca Bengal considers over a century of photography that has defined our relationship to the medium. Through generous and in-depth essays, profiles, reviews, and interviews, Bengal contemplates photography's narrative power, from the radical intimacy of Nan Goldin's New York demimonde to Justine Kurland's pictures of rebel girls on the open road. Bengal brings us closer to several pioneering artists and the personal, political, and poetic stories that surround their photographs. She travels with Alec Soth in Minneapolis, searching for the houses where Prince once lived, and revisits Chauncey Hare's 1979 protest against the Museum of Modern Art. She speaks with Dawoud Bey about his evocative early portraits in Brooklyn and explores Diana Markosian's cinematic take on her family's immigration to the US. Throughout Strange Hours, Bengal's prose is attentive to the alchemy of experience, chance, and pioneering vision that has always pushed photography's potential for unforgettable storytelling.

In recent years Russian cities have visibly changed. The architectural heritage of the Soviet period has not been fully acknowledged. As a result many unique modernist buildings have been destroyed or changed beyond recognition. Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take pictures in winter, during the 'blue hour', which occurs immediately after sunset or just before sunrise. At this time, the warm yellow colours inside apartment block windows contrast with the twilight gloom outside. To Kotov, this atmosphere reflects the Soviet period of his imagination. His impression of this time is unashamedly idealistic: he envisages a great civilization, built on a fair society, which hopes to explore nature and conquer space. From the Baikonur Cosmodrome in the desert steppes of Kazakhstan to the grim monolithic high-rise dormitory blocks of inner city Volgograd, Kotov captures the essence of the post-Soviet world. 'The USSR no longer exists and in these photographs we can see what remains - the most outstanding buildings and constructions, where Soviet people lived and how Soviet cities once looked: no decoration, no bright colours and no luxury, only bare concrete and powerful forms.'

Calm, cool, and collected, spirited sheep have it all. In this colorful celebration of individuality, the ruminant residents of the famed Woodstock Farm Sanctuary teach us to stand out from the flock. In our ever-changing, fast-paced world, it can be hard to keep anxieties at bay. Luckily, we can count on sheep-with their pastoral pith and peaceful presence-to help us fall asleep at night and exemplify how to be true to ourselves. This powerful guide to being our best selves features two hundred color photos of the superstar lambs, ewes, and rams of the Woodstock Farm Sanctuary. Inside you'll find heartwarming photos of the residents of this animal haven paired with profound advice from international icons. Guidance on relationships, careers, health, mindfulness, and much more provides wisdom on putting your best hoof forward. So indulge in some good old-fashioned woolgathering and spend some time with adorable adult and baby sheep, as they remind you that the world is your pasture and you're great just as you are.

Photography and History in Colonial Southern Africa is a rich and in-depth study of the relationship between photography and colonial history at the turn of the 20th century. Lorena Rizzo highlights the ways in which photographic images cut across conventional institutional boundaries and complicates rigid distinctions between the private and the public, the political and the aesthetic, the colonial and the vernacular, and the subject and the object.

Rizzo argues that rather than understanding photographs primarily as a means of preserving and recreating the past in the present, we can also value them for how they evoke at once the need for and the limits of historical reconstruction.

The work is rich in detail. Readers will encounter photographs that range from prison albums from late 19th century Cape Town; police photographs from German Southwest Africa (Namibia) in the early 20th century; studio portraits commissioned by African women and men who applied for identity documents, travel permits and passports in the 1920s and 1930s; South African dompas photographs from the 1950s and 1960s; to African women collections assembled in the locations of Windhoek and Usakos in central Namibia, and aerial photography in the Eastern Cape in the mid-20th century.

It is an important contribution to the area of photography and history. It will enhance further study into constructions of whiteness and blackness and the different modes in which the imperial project operated across borders.

Think you know photography? Quiz yourself and friends with this deck of cards packed with fascinating facts and mind-blowing trivia all about photography history, famous shooters, and technical equipment and knowledge. Each card features a variety of questions of varying difficulty and subjects. Whether played as a game with others or as a personal challenge, players will learn more than they ever thought possible about photography. The Photography Trivia Deck makes the perfect gift for any camera enthusiast.

At turns humorous and absurd, heartfelt and searching, Photo No-Nos is for photographers of all levels wishing to avoid easy metaphors and to sharpen their visual communication skills. Photographers often have unwritten lists of subjects they tell themselves not to shoot-things that are cliche, exploitative, derivative, sometimes even arbitrary. Photo No-Nos features ideas, stories, and anecdotes from many of the world's most talented photographers and photography professionals on what not to photograph, along with an encyclopedic list of taboo subjects compiled from and illustrated by contributors. Not a strict guide, but a series of meditations on "bad" pictures, Photo No-Nos covers a wide range of topics, from mannequins and TVs in motel rooms to issues of colonialism, stereotypes, and social responsibility. At a time when societies are reckoning with what and how to communicate through media and who has the right to do so, this book is a timely and thoughtful resource on what photographers consider to be off-limits and how they have contended with their own self-imposed rules without being paralyzed by them.