Twin Towers Remembered This visual essay of photographs of the World Trade Center, starting in 1974 to the year 2000, was posible due to recent developments on the war on terror. We give heartfelt thanks to President Obama and his administration, for liberating me and many others by bringing to justice the perpetrators of these attacks. So, on the 10th anniversary we all can remember the way it was. Photographs and introduction by visual Artist F. A. Rodriguez.

By offering a new way of thinking about the role of politically engaged art, Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere, who against the dominant modes of criticality in political art, look at how cultural production can be reparative. The winner of the Art Association of Australia and New Zealand best book award in 2017, Reparative Aesthetics contributes an entirely new theory to the interdisciplinary fields of aesthetics, affect studies, feminist theory, politics and photography. Conceptually innovative and fiercely original this book will move us beyond old political and cultural stalemates and into new terrain for analysis and reflection.

Sebastiao Salgado's haunting black-and-white photographs from the GENESIS project record landscapes and people unchanged in the devastating onslaught of modern society and development. Salgado calls GENESIS "my love letter to the planet."

Still Life Notecards feature 20 beautiful, floral photographs by New York City–based florist, artist, and photographer Doan Ly and her studio, a.p. bio.

Doan Ly’s striking photography elevates floral design to an art form. Her playful and innovative floral arrangements and her use of color and lighting are visually stunning. This lovely stationery set of 20 blank notecards with accompanying envelopes comes in a keepsake box featuring a pull-out tray with a thumb-cut detail, making it perfect to use for any occasion or give as a gift. It also pairs beautifully with Still Life, Ly's hardcover coffee table photography book of the same name.

Focusing on fine art and documentary photography, this book provides a diverse and inclusive version of photography history and its contemporary manifestations. Through 40 interviews with and profiles of photographers from underrepresented communities—those of African, Asian, Latino, Native American, Pacific Islander and Aleutian heritage, and other indigenous communities—this collection turns on its head homogenous visual culture. Essential reading for photography students and practitioners, this book celebrates the diversity of the real world with fascinating accounts of artists and the broad range of their challenges and successes: aspirations, photo series and photobooks, earning a living, discrimination, photography education, photographic practice, technical conversations, and more.

Bees are a symbol of nature conservation. People all over the world are studying their fate and the threats posed to them by human activity and biodiversity loss. This is a stunning photographic record captures for the first time the unique way of life of the, forest-dwelling honey bee. A lavish, picture-led book, this is a unique collaboration between Germany's leading bee expert, Prof. Dr Jurgen Tautz, and one of the world's top nature photographers Ingo Arndt, which documents a major research project into the mysterious, hidden world of the honey bee.

This book argues that photography, with its inherent connection to the embodied material world and its ease of transmissibility, operates as an implicitly political medium. It makes the case that the right to see is fundamental to the right to be. Limning the paradoxical links between photography as a medium and the conditions of political, social, and epistemological disappearance, the book interprets works by African American, Indigenous American, Latinx, and Asian American photographers as acts of political activism in the contemporary idiom. Placing photographic praxis at the crux of 21st-century crises of political equity and sociality, the book uncovers the discursive visual movements through which photography enacts reappearances, bringing to visibility erased and elided histories in the Americas. Artists discussed in-depth include Shelley Niro, Carrie Mae Weems, Paula Luttringer, LaToya Ruby Frazier, Matika Wilbur, Martine Gutierrez, Ana Mendieta, An-My Le, and Rebecca Belmore. The book makes visible the American land as a site of contestation, an as-yet not fully recognized battlefield.