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Books > Arts & Architecture > Photography & photographs > General
By offering a new way of thinking about the role of politically engaged art, Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere, who against the dominant modes of criticality in political art, look at how cultural production can be reparative. The winner of the Art Association of Australia and New Zealand best book award in 2017, Reparative Aesthetics contributes an entirely new theory to the interdisciplinary fields of aesthetics, affect studies, feminist theory, politics and photography. Conceptually innovative and fiercely original this book will move us beyond old political and cultural stalemates and into new terrain for analysis and reflection.
An immersive look at all manner of verdant dreamscapes.’ – Vanity Fair Celebrate the beauty and creativity of the world’s greatest contemporary gardens through this stunning survey highlighting the leading designers of today The Contemporary Garden showcases 300 outstanding gardens in more than forty countries across the globe. Curated in collaboration with an international team of horticultural experts, this wide-ranging collection includes iconic public gardens such as the High Line and Changi Airport Garden, as well as private gems, such as a dreamy hillside garden in Morocco by Umberto Pasti and Anna Wintour’s elegant garden in upstate New York by Miranda Brooks. Beautifully designed and illustrated, The Contemporary Garden celebrates each garden with a gorgeous large-format image and insightful description. Readers will discover the work of renowned garden designers and landscape architects, such as Fiona Brockhoff, Dan Pearson, Sarah Price, and Bernard Trainor, alongside projects by rising stars and owner-makers. Organized alphabetically by designer or studio name, the book’s pages reveal a striking range of contemporary garden styles – naturalistic, community, wild, urban, botanical, dry, topiary, minimalist, edible, flower, and more – demonstrating how our evolving stylistic and horticultural aesthetic fosters an increasingly strong connection with the natural world. Both an inspirational resource and an authoritative reference, The Contemporary Garden will delight professional, recreational, and armchair gardeners of all ages. Garden designers featured include: Marian Boswell, Sam Cox, Erik Dhont, Isabel Duprat, Luciano Giubbilei, Olin, Piet Oudolf, Reed Hilderbrand, Amalia Robredo, and Tom Stuart-Smith Gardens featured include: African Ancestors Memorial Garden, Chihuly Garden & Glass, Gardens by the Bay, High Line, Hunting Brook Gardens, Jardins d’Étretat, The Native Plant Garden at New York Botanical Garden, The Opera Park, and numerous private gardens Advisors and contributors include: Richard Aitken, Matthew Biggs, Matt Collins, Sorrel Everton, Joanna Fortnum, Clare Foster, Noel Kingsbury, Stephanie Mahon, Tovah Martin, Michael McCoy, Colleen Morris, Paul Redman, and Tony Spencer
When the revolutionary technology of photography erupted in American culture in 1839, it swiftly became, in the day's parlance, a ""mania."" This richly illustrated book positions vernacular photography at the center of the study of nineteenth-century American religious life. As an empirical tool, photography captured many of the signal scenes of American life, from the gold rush to the bloody battlefields of the Civil War. But photographs did not simply display neutral records of people, places, and things; rather, commonplace photographs became inscribed with spiritual meaning, disclosing, not merely signifying, a power that lay beyond. Rachel McBride Lindsey demonstrates that what people beheld when they looked at a photograph had as much to do with what lay outside the frame - with theological expectations, for example - as with what the camera had recorded. Whether studio portraits tucked into Bibles, postmortem portraits with locks of hair attached, ""spirit"" photography, stereographs of the Holy Land, or magic lanterns used in biblical instruction, photographs were curated, beheld, displayed, and valued as physical artifacts that functioned both as relics and as icons of religious practice. Lindsey's interpretation of ""vernacular"" as an analytic introduces a way to consider anew the cultural, social, and material reach of religion.
"In This We Hear the Light," is a exceptional collection of Cuba theme poetry by award winning poet, John B. Lee, - without a doubt some of his most outstanding work, juxtaposed by an equally splendid assembly of Cuba theme photography by Richard M. Grove. The poems and photographs represent the inspiration from many years of travelling in Cuba. Since first traveling to Cuba, John B. Lee came to love the island and to admire her people. "In This We Hear the Light," is an ekphrastic project, its literary efforts are beautifully complemented by Grove's exquisite photographs. The poems and the photographs aspire to capture something more deeply felt than the reflections of a mere tourist. Poetry and photography both hold the deep felt mysteries that come from understanding Cuba on an intimate and cherished level.
Twin Towers Remembered This visual essay of photographs of the World Trade Center, starting in 1974 to the year 2000, was posible due to recent developments on the war on terror. We give heartfelt thanks to President Obama and his administration, for liberating me and many others by bringing to justice the perpetrators of these attacks. So, on the 10th anniversary we all can remember the way it was. Photographs and introduction by visual Artist F. A. Rodriguez.
Still Life Notecards feature 20 beautiful, floral photographs by New York City–based florist, artist, and photographer Doan Ly and her studio, a.p. bio. Doan Ly’s striking photography elevates floral design to an art form. Her playful and innovative floral arrangements and her use of color and lighting are visually stunning. This lovely stationery set of 20 blank notecards with accompanying envelopes comes in a keepsake box featuring a pull-out tray with a thumb-cut detail, making it perfect to use for any occasion or give as a gift. It also pairs beautifully with Still Life, Ly's hardcover coffee table photography book of the same name.
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