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Books > Arts & Architecture > Photography & photographs > General
Focal Digital Camera Guides: Sony A200 Just bought a Sony A200 and
looking to combine practical know-how with inspiration? This
one-stop, easy-to-read guide covers all the basic functions of the
camera, and everything beyond.For the basics, turn to the quick
start guide, which will get you up and running in five minutes.For
an understanding of your camera's many controls and features, check
out the section called "The Camera." If all you need is a quick
explanation, you'll find it. If you're looking for the whole story,
you'll find that, too. Settings that affect how your pictures look
are accompanied by full-color examples that show you exactly what
you can expect. This section also covers the camera's menus,
playback features, memory, and power sources.The section called
"Software" shows you how to get the most out of your camera's
software. It covers RAW conversion, storing your images, managing
your library, and backup strategies.Ultimately, this book's
greatest strength isn't its focus on the camera or the software;
it's the detailed, easy-to-follow instruction it offers on using
your camera to take truly superior photographs. Sections devoted to
lenses, subject matter, and light cover these variables in depth,
always presenting the most effective techniques in the context of
the Sony A200. Written by an experienced photographer, The Sony
A200 Digital Camera Guide shows you how to get the shots you can
see in your head but have never been able to capture with a camera.
The quick start guide will have you taking great photos in ten
minutes. In-depth coverage of every feature and control ensures
that you have access to the tools you need for every shot.
Full-color examples demonstrate how different settings affec
"An outstanding image consists of more than just acceptable
exposure and sharp focus - the two components that most photography
instruction emphasize. A fascinating subject doesn't necessarily
result in a good image, and likewise, it's possible to create an
impressive image from a mundane subject. How do you capture that
perfect image, and more importantly, what makes it great? That's
where this book comes in. Rather than wasting time trying one
approach after another until something seems right or memorizing a
list of rules, discover a new, more comprehensive and yet intuitive
way to think about photography and see the world around you by
using visual intensity. The quality of your imagery and the speed
of your workflow will both vastly improve once you are able to use
these techniques to articulate why you prefer one image to another.
Mother and son team Ellen and Josh Anon have spent years perfecting
their visual intensity based approach to composition, and in this
gorgeous, full color guide, they'll share their techniques with you
so that your overall photographic experience, both in terms of time
investment and quality of output, will become far more satisfying."
Wright's photography has been featured in National Geographic
Society publications, Smithsonian, Outside, Time, Islands, and The
New York Times, as well as a number of books. The recipient of the
Dorothea Lange Award in Documentary Photography for covering child
labor in Asia, and a two-time recipient of the Lowell Thomas Travel
Journalism Award, Alison travels the globe collecting raw,
thought-provoking images. This retrospective of her illustrious,
ongoing career features a portfolio of striking portraits of more
than 200 individuals. From Asia to Africa, to the Middle East and
back, she captures the tapestry of humanity in all its diversity
and splendor. Warmth, dignity, and grace emanate from the eyes of
monks and geishas, nomads and cowboys, tribal warriors and even
inspirational icons like His Holiness the Dalai Lama and Burmese
leader Aung San Suu Kyi. Together, these stunning portraits,
accompanied by written testimonials, explore the universal
interconnectedness of the human spirit.
The relationship between the practice of dance and the technologies
of representation have excited artists since the advent of film.
Dancers, choreographers, and directors are increasingly drawn to
screendance, the practice of capturing dance as a moving image
mediated by a camera. While the interest in screendance has grown
in importance and influence amongst artists, it has until now flown
under the academic radar. Emmy-nominated director and auteur
Douglas Rosenberg's groundbreaking book considers screendance as
both a visual art form as well as an extension of modern and
post-modern dance without drawing artificial boundaries between the
two. Both a history and a critical framework, Screendance:
Inscribing the Ephemeral Image is a new and important look at the
subject. As he reconstructs the history and influences of
screendance, Rosenberg presents a theoretical guide to navigating
the boundaries of an inherently collaborative art form. Drawing on
psycho-analytic, literary, materialist, queer, and feminist modes
of analysis, Rosenberg explores the relationships between camera
and subject, director and dancer, and the ephemeral nature of dance
and the fixed nature of film. This interdisciplinary approach
allows for a broader discussion of issues of hybridity and
mediatized representation as they apply to dance on film. Rosenberg
also discusses the audiences and venues of screendance and the
tensions between commercial and fine-art cultures that the form has
confronted in recent years. The surge of screendance festivals and
courses at universities around the world has exposed the friction
that exists between art, which is generally curated, and dance,
which is generally programmed. Rosenberg explores the cultural
implications of both methods of reaching audiences, and ultimately
calls for a radical new way of thinking of both dance and film that
engages with critical issues rather than simple advocacy.
Discover nature's most colourful creatures in a major new book on
colour in the animal kingdom. For many animals use of colour is
essential to surviving in the wild. Both a built-in defence
mechanism and a cunning tactic for attack, this biological
advantage helps animals hide from dangerous predators and catch
unsuspecting prey. It is used in many different ways, primarily to
mask one's identity, movement or location, and changes over time as
animals evolve and adapt to live. This stunning photographic
collection reveals 100 creatures from around the world paired with
fascinating insights from leading UK zoology author Steve Parker.
Each animal will have a profile of 300 words paired with striking
photographic examples featuring a wealth of colour and ingenious
uses of colour for display or disguise. Learn how: The octopus can
change its opacity, colour and pattern in response to threats. The
walking leaf insect has evolved a strikingly similar shape and
colour to the leaves it eats. The arctic fox changes its fur colour
to white in the winter, perfectly blending in with the snow - but
climate change is disrupting this age-old adaptation. This study of
some of the most innovative uses of colour by animals, packed with
beautiful photography and fascinating insights, will delight all
lovers of the natural world.
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Petals
(Hardcover)
Nick Karras; Foreword by Carol Pharo
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R864
R753
Discovery Miles 7 530
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"His work is insightful and provocative, linking ideas from a
number of disciplines while he asks readers to consider the moral
and ethical frameworks within which decisions are made about the
publciation of disturbing photos."--"Journal of Mass Media Ethics"
What compels us to look at shocking photographs or,
alternatively, to look away? Should the media use disturbing images
to inform, at the risk of offending? How is our sense of politics,
morality, and culture affected when we are exposed to gruesome
images of accidents and disasters, murder and execution, grief and
death?
In Body Horror, John Taylor addresses these questions by
examining how the media presents unsettling pictures, especially
those of dead and injured "foreigners." Drawing on recent
experiences in the Gulf, Bosnia and Rwanda, Taylor argues that
documentary photography, for all the horror it reproduces,
ultimately defines a democracy.
Fully aware of the voyeuristic aspects of photojournalism,
Taylor probes the difficulty of applying moral imperatives when
separating the utility of showing images of suffering and violence
from the risk of either insulting or gratifying public
sensibilities. A compelling documentary of photography's cultural
and political power, Body Horror analyzes the moral responsibility
attached to publishing and bearing witness to photographs of
violence, and the historical amnesia that arises when such imagery
remains unseen.
This unique study offers a political analysis of the relationship
between visual representations and the politics of violence both
nationally and internationally. It emphasizes the spectator and his
or her own involvement in, responsibility for, and potential
responses to the conditions depicted in given images.Through a
series of case studies which engage with visual representations of
the politics of violence, such as the aftermath of the 1994
genocide in Rwanda and the visualization of colonial memory, it
analyzes the relationship between visibility and political agency
and elaborates the extent to which people who have normally been
subjects of the image production of others can become agents of
their own image.This book's comprehensive analysis of different
genres including photography, graphic novels, comics and paintings
introduces a new research agenda for the emerging field of visual
peace.
Defining photography is impossible. Revealing it is another matter,
and that's what The Concise Focal Encyclopedia of Photography does,
with each turn of the page. History: The technical origins and
evolution of photography are half of the story. The other half
consists of the ways that cultural forces have transformed
photography into a constellation of practices more diverse than any
other mode of representation. Photographers can tell a more
in-depth story through a photo like Dorothea Lange's "Migrant
Mother than a journalist ever could with the written word alone.
Major themes and practitioners: Over 25 entries, many with
supporting illustrations, examine the figures, trends, and ideas
that have contributed most heavily to the history and current state
of photography. Contemporary issues: The issues influencing
photography today are more complex than at any other time in its
history. Questions of ethics, desire, perception, digitization, and
commercialization all vie for attention. Hear what the experts have
to say about crucial issues such as whether or not the images we
take today will last the test of time, and if so, how? When
material is covered this skillfully, "concise is no compromise. The
Concise Focal Encyclopedia of Photography is packed with useful
information, compelling ideas, and - best of all - pure pleasure.
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