"His work is insightful and provocative, linking ideas from a
number of disciplines while he asks readers to consider the moral
and ethical frameworks within which decisions are made about the
publciation of disturbing photos."--"Journal of Mass Media Ethics"
What compels us to look at shocking photographs or,
alternatively, to look away? Should the media use disturbing images
to inform, at the risk of offending? How is our sense of politics,
morality, and culture affected when we are exposed to gruesome
images of accidents and disasters, murder and execution, grief and
death?
In Body Horror, John Taylor addresses these questions by
examining how the media presents unsettling pictures, especially
those of dead and injured "foreigners." Drawing on recent
experiences in the Gulf, Bosnia and Rwanda, Taylor argues that
documentary photography, for all the horror it reproduces,
ultimately defines a democracy.
Fully aware of the voyeuristic aspects of photojournalism,
Taylor probes the difficulty of applying moral imperatives when
separating the utility of showing images of suffering and violence
from the risk of either insulting or gratifying public
sensibilities. A compelling documentary of photography's cultural
and political power, Body Horror analyzes the moral responsibility
attached to publishing and bearing witness to photographs of
violence, and the historical amnesia that arises when such imagery
remains unseen.
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