This unique study offers a political analysis of the relationship
between visual representations and the politics of violence both
nationally and internationally. It emphasizes the spectator and his
or her own involvement in, responsibility for, and potential
responses to the conditions depicted in given images.Through a
series of case studies which engage with visual representations of
the politics of violence, such as the aftermath of the 1994
genocide in Rwanda and the visualization of colonial memory, it
analyzes the relationship between visibility and political agency
and elaborates the extent to which people who have normally been
subjects of the image production of others can become agents of
their own image.This book's comprehensive analysis of different
genres including photography, graphic novels, comics and paintings
introduces a new research agenda for the emerging field of visual
peace.
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