In the late 1970s, the George Eastman House approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman's own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall's love of food, the cookbook grew from the idea that photographers' talent in the darkroom must also translate into special skills in the kitchen. The recipes do not disappoint, with Robert Adams's Big Sugar Cookies, Ansel Adams's Poached Eggs in Beer, Richard Avedon's Royal Pot Roast, Imogen Cunningham's Borscht, William Eggleston's Cheese Grits Casserole, Stephen Shore's Key Lime Pie Supreme, and Ed Ruscha's Cactus Omelet, to name a few. The book was never published, and the materials have remained in George Eastman House's collection ever since. Now, forty years later, this extensive and distinctive archive of untouched recipes and photographs are published in The Photographer's Cookbook for the first time. The book provides a time capsule of contemporary photographers of the 1970s-many before they made a name for themselves-as well as a fascinating look at how they depicted food, family, and home, taking readers behind the camera and into the hearts, and stomachs of some of photography's most important practitioners.

The eagerly anticipated follow-up to The Atlas of Beauty – showcases inspiring stories alongside a stunning new collection of photographs of women from around the world

‘True beauty lies in the sum of our qualities, used for positive purposes. In other words, using your power for the good’

This new book delves deeper into the stories behind the captivating images that have made Mihaela Noroc an online sensation. With 500 portraits from over 60 countries, including Japan, India, Peru, Namibia and the United States, The Power of Women is a celebration of courage, resilience and beauty in all its forms.

The lovingly restored vintage automobiles still in daily use on the streets of Havana are an iconic symbol of the charm - and the tragedy - of the vibrant Caribbean island of Cuba. When communist rebels overthrew the corrupt and brutal Batista government in 1959, the United States reacted with blockades and sanctions, choking off potential investment and stopping economic development. For six decades, Cuba remained trapped in the nineteen fifties - a living museum of mid-twentieth century life.With the lifting of economic sanctions, Cuba is poised to leap forward into the modern age. Collectors are flocking to the island to snap up the classic, still-operational American automobiles. The shelves of shops and department stores, for decades largely empty, are being stocked with consumer goods the Cubans can scarcely imagine.Now, as John Kuan approaches his sixtieth birthday as the owner of a thriving business, he is picking up where he left off decades before. As though this were still the 1960s, he mastered photography with a manual film camera.His photographic eye, combining a novices' fresh perspective with the discernment of a mature adult, captures the unique aspects of Cuba: the charm and hospitality of the people, the fine artistry of historic buildings and homes. Sixty Years On captures these poignant images, a record of a culture that will soon pass into history as Cuba makes its long-delayed entrance into the modern world.

With an emphasis on photographic works that offer new perspectives on the history of American social documentary, this book considers a history of politically engaged photography that may serve as models for the representation of impending environmental injustices. Chris Balaschak examines histories of American photography, the environmental movement, as well as the industrial and postindustrial economic conditions of the United States in the 20th century. With particular attention to a material history of photography focused on the display and dissemination of documentary images through print media and exhibitions, the work considered places emphasis on the depiction of communities and places harmed by industrialized capitalism. The book will be of interest to scholars working in art history, visual studies, photography, ecocriticism, environmental humanities, media studies, culture studies, and visual rhetoric.

Winner of the ASAA mid-career book prize in Asian Studies 2020 and joint winner of the 2020 Royal Studies Journal Book Prize Photographic subjects examines photography at royal celebrations during the reign of Queens Wilhelmina (1898-1948) and Juliana (1948-80), a period spanning the zenith and fall of Dutch rule in Indonesia. It is the first monograph in English on the Dutch monarchy and the Netherlands' modern empire in the age of mass and amateur photography. Photographs forged imperial networks, negotiated relations of recognition and subjecthood between Indonesians and Dutch authorities, and informed cultural modes of citizenship at a time of accelerated colonial expansion and major social change in the East Indies/Indonesia. This book advances methods in the uses of photographs for social and cultural history and provides a new interpretation of Queens Wilhelmina and Juliana as imperial monarchs. -- .

Between 1914 and 1918, military, press and amateur photographers produced thousands of pictures. Either classified in military archives specially created with this purpose in 1915, collected in personal albums or circulated in illustrated magazines, photographs were supposed to tell the story of the war. Picturing the Western Front argues that photographic practices also shaped combatants and civilians' war experiences. Doing photography (taking pictures, posing for them, exhibiting, cataloguing and looking at them) allowed combatants and civilians to make sense of what they were living through. Photography mattered because it enabled combatants and civilians to record events, establish or reinforce bonds with one another, represent bodies, place people and events in imaginative geographies and making things visible, while making others, such as suicide, invisible. Photographic practices became, thus, frames of experience. -- .

This includes work by leading scholars, artists, scientists and practitioners in the field of visual culture. It explores current debates surrounding post-colonial thinking, empowerment, identity, contemporary modes of self-representation, diversity in the arts, the automated creation and use of imagery in science and industry, vernacular imagery and social media platforms, visual mechanisms for control and manipulation in the age of surveillance capitalism and deep fakes, as well as the role of imagery in the times of crisis, such as pandemics, wars and climate change. Expanding on contemporary debates within the field, this is essential reading for photographers, scholars, and students alike.

A new edition of John Berger and Jean Mohr's classic investigation into the nature of photography and what makes it so different from other art forms 'One of the world's most influential art critics ... Berger sees clearly with fresh surprise yet profound understanding' Washington Times In one of the most eloquent accounts of photography ever devised, the writer John Berger and the photographer Jean Mohr set out to understand the fundamental nature of photography and how it makes its impact. Asking a range of questions - What is a photograph? What do photographs mean? How can they be used? - they give their answers in terms of a photograph as 'a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the photography are often contradictory'. From these beginnings they develop a theory of photography that has at its centre the form's essential ambiguity, arguing that photography is totally unlike a film and has nothing to do with reportage. Rather, it constitutes 'another way of telling'. The unique combination of critic and photographer results in a work that moves beyond the landmarks established by Walter Benjamin, Roland Barthes and Susan Sontag to establish a new theory of photography. This unique combination of words and pictures includes 230 photographs by Jean Mohr.

Reimagines photography through the long history of ideas of expression The end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity-industrialization, racialization, and capitalism-were quickly reshaping the world. The Unintended slows down the moment in which the technology of photography seemed to speed itself-and so the history of racial capitalism-up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership. The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of "expression" into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control's absence are central to the practice and idea of property-making. The Unintended proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives.

By analysing the philosophical lineage of notions of representation, time, being, light, exposure, image, and truth, this book argues that photography is the visual manifestation of the philosophical account of how humans encounter beings in the present. Daniel Rubinstein argues that traditional understandings of photography are determined by the notions of verisimilitude and representation, and this limits our understanding of photographic materiality. It is suggested that the photographic image must be closely read not for the objects, events and situations represented in it, but for the insights it affords into the structure of contemporary consciousness. The book will be of interest to scholars working in photography, media studies, philosophy, fine art, and art history.

Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Golden Buddha. Like in many other statues of Buddha, the spiritual leader is shown in the lotus position used in meditation. As one of the basic teachings of Buddhism, meditation is a way of gaining insight into one's mind and achieving inner calm. The practice has now spread widely, being utilised in yoga or even as a technique to reduce the effects of depression and anxiety.

Explore the art of mindful travel with Kinfolk, the pioneers in "slow living," their philosophy of simplicity, authenticity, intentionality and community. With nearly 450,000 copies in print, the Kinfolk series has applied this philosophy to entertaining (The Kinfolk Table), interior design (The Kinfolk Home), and living with nature (The Kinfolk Garden). Now they have turned their attention to "slow travel," offering readers a road map for planning trips that foster meaningful connections with local people and authentic experiences of local culture. Go museum hopping in Tasmania, or birdwatching in London. Explore the burgeoning fashion community in Dakar. Take a bicycle tour through Idaho, or a train trip from Oslo to Bergen. Drawing on the magazine's global community of writers and photographers, Kinfolk Travel takes readers to over 20 location across five continents, with travel tips from locals, stunning images, and thoughtful essays.

This is a critical cultural primer, which can be used for undergraduate level study and above to introduce and orientate students to contemporary image cultures. A knowledge and understandings of recent developments in image technologies is central to all students engaged in art, cultural and media studies, whether academically or practically. A 'standout' book defining a new approach to thinking about how images function in networked cultures. Based on work by scholars from The Centre for the Study of the Networked Image at London South Bank University, this is a coherent and consistent volume.

Joel Meyerowitz is one of the pioneers of color photography, as well as an essential reference figure for street photography, large-format photography, and portraits. The Pleasure of Seeing is his first biography, the book offers a look behind the scenes of the life and career of one of America's photographic living legends. In conversation with historian and photographer Lorenzo Braca, Meyerowitz speaks vividly about his beginnings, studying art history, meeting Robert Frank, photographing on the streets of New York City with Tony Ray-Jones and Garry Winogrand, traveling extensively across America and Europe, learning from John Szarkowski, director of photography at MoMA, working on numerous exhibitions and publications, photographing at Ground Zero in 2001 and 2002, and about the most recent still lifes and self-portraits projects. The book contains over one hundred pictures, including Joel's most iconic photographs as well as new and previously unpublished material. This comprehensive visual biography testifies to the author's continuing evolution throughout the six decades of his career and discusses his work in relation to his personal life, to the history of photography, and to the incessant transformation of the medium. Meyerowitz reveals anecdotes, personal memories, and the story behind many of his famous photographs.

If you were to stand in one spot at an iconic location for 30 hours and simply observe, never closing your eyes, you still wouldn’t be able to take in all the detail and emotion found in a Stephen Wilkes panoramic photograph. Not only does Wilkes shoot over 1,500 exposures from a fixed angle, he also distills this visual information afterward in his studio, painstakingly composing selected frames into a single image.Day to Night presents 60 epic panoramas created between 2009 and 2022, shot everywhere from Africa’s Serengeti to the Blue Lagoon in Iceland, from the Grand Canyon to Coney Island, from Trafalgar Square to Times Square. Each composition is a labor of love as well as patience. Wilkes waited more than two years to gain permission to photograph Pope Francis celebrating Easter mass in the Vatican, ultimately producing a vivid tableau in which the pontiff appears 10 times.The book also features extraordinary details—works of art in their own right that highlight the stories contained within each image. A bride makes her way through Central Park; in Tanzania, zebras gather around a near-invisible watering hole during a drought; in Rio de Janeiro, surfers come and go while a man holds a sign reading “No more than two questions per customer.” “It is exactly these small stories, these details, that draw people into the photographs,” says Wilkes. Once discovered, these mini narratives lend each composition a personal, candid feel.This collection takes us on a seamless trip from dawn to dark across the world’s most iconic locations, unveiling the unique ebb and flow of man-made and natural landmarks like never before.

Become the professional photographer you were meant to be.
Competition in the photography industry has never been fiercer. But in this empowering guide, acclaimed photographer and speaker Dane Sanders reveals that the key to success is to stop worrying about what everyone else is doing and start focusing on your most powerful resource: "you." Discover how to:
- Use your unique skills and talents to carve out a niche all your own.
- Avoid the mistakes most photographers make.
- Choose a business style that fits the way you want to spend your time--and live your life.
"Fast Track Photographer" is not just another how-to book--it's an entirely fresh way of thinking about your business, whether you're just starting out, or an industry veteran wondering why all your hard work isn't working. If you want to build a competition-proof creative business in the twenty-first century, it's time to throw out the old rulebook and get on the fast track
Includes free access to Dane's popular self-assessment test (a $20 value) to jumpstart your journey
"I can't think of a better way for anyone to start their professional photo career than to read "Fast Track Photographer.""
--Scott Bourne, publisher and host of Photofocus.com
"As much about finding out who you are as it is about how to become a truly great photographer. Highly recommended "
--Amit Gupta, founder of Photojojo.com
"This book is worth its weight in gold."
--Gary Fong, photographer, author, and creator of the Lightsphere
"The best resource for today's photographer--BAR NONE "
--Scott Sheppard, host of "Inside Digital Photography"

Explores how social media defines consumer behaviour. Discovers how social media works to keep the user always on. Reviews why social media can shape a more extreme political and cultural ideology in users. Studies how social media algorithms can shape a predictable and homogeneous culture. Develops critical and multidisciplinary thinking about the impact of social media in shaping a predictable society.

In an age of increasingly fragmented migration, consumption, and globalisation, how do diasporic individuals navigate their ethnic identities? Diasporas, Weddings and the Trajectories of Ethnicity investigates the ways that Chinese Singaporeans shape their Chineseness through wedding rituals and artefacts. Proposing a framework of ethnic identity as a journey, this book will Interrogate the processes underlying diasporic ethnicity-making through weddings. Offer new concepts of transdiasporic space, ethnic tastes, and aesthetic dissonance. Explore the intersections between commercialism, ethnicity, and socio-economic divides. Map the micro-social ramifications of ethnic and racial policy in Singapore. As a former professional wedding photographer, Terence Heng brings a sociological lens to the scripted and spontaneous arena of social interactions that is the wedding day. By combining ethnographic observation, photography, and poetry, Heng reveals the many decisions and demands that underscore Singaporean Chinese weddings, offering novel insights into the roles of the bridal couple, their social networks, and the wedding industry.

Counterfactual thinking has become an established method to evaluate decisions in a range of disciplines, including history, psychology and literature. Elke Reinhuber argues it also has valuable applications in the fine arts and popular media. A fascination with the path not taken is a logical consequence of a world saturated with choices. Art which provokes and explores these tendencies can help to recognise and contextualise the impulse to avoid or endlessly revisit individual or collective decisions. Reinhuber describes the term in broad strokes through the disciplines to show how counterfactualism finds shape in contemporary art forms, especially in photography, film, and immersive and interactive media art (such as 360 Degrees content, virtual reality and augmented reality). She analyses the different stages of counterfactuals with examples where artists experience counterfactual thoughts in the process of art production, explore these thoughts in their artwork, and where the artwork itself evokes counterfactual thoughts in the audience. A fascinating exploration for scholars and students of art, media and the humanities, and anybody else with an interest in choices, the art of decisionmaking and counterfactualism.

Includes Social Media Analytics Case Studies Reviews Social Media Analytics Applications Reviews Trends of Innovation in Social Media Analytics Describes Skills in Social Media Analytics Includes Real-world examples