In a brand-new approach, this book presents photography in all its principal forms of experience, to portray the unique characteristics of this accessible and universally appealing medium. Arranged chronologically, legendary photographs are discussed alongside photobooks that represent a significant contribution towards photography, as well as important exhibitions that marked a shift in outlook, values and approach. In art history, particular works are usually cited as examples of specific styles; here photographs are given as indicative of art movements, which often developed precisely because of these examples. Among the works included are many that have had a profound impact across the globe, so circumventing or at least weakening the usual European-American emphasis. This guide is an inclusive and diverse account of the contributions of photographers from around the world from the birth of photography to the present day. Featuring stunning reproductions throughout with short essays and key references on each work by the widely respected photography academic and specialist David Bate, this title is set to become one of the definitive references on the subject and will appeal not only to readers seeking an introduction, but also to those more familiar with the medium. With 110 illustrations in colour

Starting with the basics of camera control and moving on to shutter speeds, aperture, zoom and flash, Langford’s Starting Photography gives you the only introduction to digital photography you’ll ever need. Once you’ve mastered the basics, examples and projects allow you to explore the key methods for capturing a variety of subjects from portraits and pets to landscapes and sports photography, alongside straightforward advice on using editing software to get the best out of your digital shots, will have you producing unforgettable images in moments.

More inspiring than a textbook, more interesting than a reference, and more in-depth than a photography class, Langford’s Starting Photography is the only guide you need to start taking great images.

Table of Contents

Chapter 1: Picture Making; Chapter 2: Cameras, Sensors and Film; Chapter 3: Creative use of Camera Controls; Chapter 4: Tackling Different Photographic Subjects; Chapter 5: Controlling Light; Photographic Workflow; Chapter 6: Digital Processing and Printing; Chapter 7: Black and White Film Processing and Printing; Chapter 8: Experimental and constructed images; Chapter 9: Presenting and Assessing Your Work; Chapter 10: Troubleshooting; Appendices. Glossary.

Focusing on the later work of the American photographer Francesca Woodman (1958-1981), Claire Raymond takes up the question of the disintegrative condition of the art she produced in the last year of her life. Departing from the techniques of her earlier compositions, Woodman worked in the diazotype process for many of these late pieces, most importantly the monumental Blueprint for a Temple. Raymond shows that through her use of diazotype, a medium that breaks down when exposed to light, Woodman created art that is both supremely evocative aesthetically and inherently unstable physically. Woodman, Raymond contends, was imaginatively responding to the end of the durable image, a historical reality acknowledged in the way her work plays the ephemeral and evanescent against the monumental and enduring. Raymond focuses on the theoretical and the curatorial issues surrounding Woodman's diazotypes, a thematic and practical distress that haunts much of her later art, especially the artist's book and photo series Some Disordered Interior Geometries and Portrait of a Reputation. Rather than conceiving of Woodman herself as fragile, an artist chronicling and seeming to yearn for her own disappearance, Raymond juxtaposes Woodman's career-spanning documentation of her own image against other post-war witnesses of trauma - an artist standing in the museum ruins where she emerges most distinctly as a figure of postmodernity.

This book explores hybrid memoirs, combining text and images, authored by photographers. It contextualizes this sub-category of life writing from a historical perspective within the overall context of life writing, before taking a structural and cognitive approach to the text/image relationship. While autobiographers use photographs primarily for their illustrative or referential function, photographers have a much more complex interaction with pictures in their autobiographical accounts. This book explores how the visual aspect of a memoir may drastically alter the reader's response to the work, but also how, in other cases, the visual parts seem disconnected from the text or underused.

Inspiring new design ideas from multiple award-winning Danish fashion and interior designer Malene Birger. In this third volume of her successful interior design series, Birger showcases four houses and apartments she has recently furnished in England, Italy, Greece and Spain. Alluring before-and-after shots trace the path from proverbial white canvas to feel-good oasis. In addition, the versatile globetrotter shows her own artwork and a new line of jewellery that reflects her unique aesthetic visual language. The final chapter of the book is devoted to the beginnings of her latest remodeling project, a townhouse in Felanitx, a town on the Balearic Island of Majorca. Text in English, German, French and Spanish Also available by Malene Birger: Move and Work, ISBN 9783832798093, and Live and Work, ISBN 9783832794170.

"This book is as beguiling as a book can be ... From the first glimpse of its most agreeable small format - so satisfying to hold and with a cover that positively sings of the delights to be found within - you are charmed out of your wits." - Lucinda Lambton in The Oldie "This is at one level a book about a part of London and its buildings. At another, it's a book about learning to savour our lives" - Alain de Botton Take a walk around a park trodden by many but known by few. From Lancaster House, venue of famous speeches and summits, to 100 Piccadilly, the stage of an ongoing Soviet-themed reality experience, The Buildings of Green Park captures the unseen history of these well-travelled streets. Green Park boasts a plethora of London landmarks, including Bridgewater House and the Canada Gates. The Buildings of Green Park gives each of these sites the attention they deserve, while also celebrating a multitude of overlooked buildings: those that are passed every day without comment from the guides. Local history, old photographs, paintings and floorplans offer a tantalising peek into the backstory behind these backdrops. Moving through the winter and into the spring, Andrew Jones's crisp photography captures a London shaped by past, present and hopes for the future.

This volume sets out to challenge and ultimately broaden the category of the 'photobook'. It critiques the popular art-market definition of the photobook as simply a photographer's book, proposing instead to show how books and photos come together as collective cultural productions. Focusing on North American, British and French photobooks from 1920 to the present, the chapters revisit canonical works - by Claudia Andujar and George Love, Mohamed Bourouissa, Walker Evans, Susan Meiselas and Roland Penrose - while also delving into institutional, digital and unrealised projects, illegal practices, DIY communities and the poetic impulse. They throw new light on the way that gendered, racial or colonial assumptions are resisted. Taken as a whole, the volume provides a better understanding of how the meaning of a photobook is collectively produced both inside and outside the art market. -- .

Authenticity is a highly-prized concept on social media, but given the history of the term, has it been adequately scrutinised? This book provides an alternative definition of authentic social media practice and suggests that, rather than being an achievable ideal, authenticity reveals itself as an unrepeatable temporary interval. Applying a post-structural lens of performativity, Taylor analyses the resurgence of the authentic as a cultural trend and argues that the professionalisation of social media has given rise to a 'neoliberal authentic' that equates productivity with self-actualisation, questioning whether society should present this as a cultural ideal. Using a new critical framework, Taylor recontextualises authenticity in a variety of social media practices. This includes authentic self-representation, authentic influence and its effect in influencer culture, as well as meme production as an attempt to find authenticity. Part-reader, part-manifesto, the book asks readers to reappraise authenticity and provides a working definition for future practice.

Kern does not ask his subjects to pose for him, nor does he direct them. He doesn't even contact or cast them. Rather, the subjects contact him, and pose for him in any way they are comfortable. They sometimes choose to be portrayed in the nude and they have full control of the way their bodies are photographed. Therefore, the work is a collaboration between the model and the photographer, as they both construct the image. This process plays out an interesting power dynamic, as the photographer is an older man and the subject is a young woman. Yet, by being seemingly opposed, the photographs are shaped by the male gaze, but simultaneously express the subjects' agency over their sexuality and their bodies. However, how far is the performance of these young women a true expression of their new-found sexuality? Or is that performance rather shaped by the patriarchy and influenced by the endless stream of pop culture on what it is to be a woman?