This essential reference for photography students explains how to become part of the professional community. By defining professional photography today, and exploring what is expected of professional photographers, the book demystifies this often-misunderstood and misjudged career track. The easily accessible text provides readers with valuable information, inspiration, and education on topics including developing your photographic voice, finding your area of specialization, exploring the moving image, building a website, and understanding self-presentation, promotion, legal aspects, and marketing. It also features inspirational projects for students to embark on their education in photography.

This summer, Aperture presents a special issue focused on the relationship between photography, urbanism, and activist trajectories from Delhi. The issue explores multiple incarnations of the city's photographic culture, from O. P. Sharma's experimental works from the 1960s to Aditi Jain's intimate tableaux of Delhi's trans community today. Interviews with revered writer Arundhati Roy and with Bangladesh's best-known photojournalist, Shahidul Alam, illuminate sites of protest in the city and throughout South Asia. Skye Arundhati Thomas revisits Sheba Chhachhi's feminist staged portraits from the 1980s and '90s. Featuring a cross section of dynamic image-makers and thinkers, such as Jyoti Dhar, Sunil Gupta, Ishan Tankha, and Anshika Varma, and emerging voices Uzma Mohsin and Prarthna Singh, the issue is a distinctive meditation on regionalism, politics, and identity, through archival and contemporary photographic viewpoints.

Fine art photography, like science, is undergoing major transformations. Just as George Eastman's invention of roll film changed the world's artistic outlook, so too have Instagram and other communications technologies multiplied the possibilities for artistic expression. This retrospective, organized by genre rather than year, explores important categories such as cameraless photograms, self-portraiture, environmental portraiture, street photography, documentation, and abstraction. It contains examples of the groundbreaking work of photographers from Diane Arbus, Edward Weston, and Alfred Stieglitz to Andy Warhol and Robert Rauschenberg, often grouping the artists together in unexpected ways. While it provides a brief history of the different genres, this is not a history book, but rather a study of the uniqueness of particular photographic visions in their time. It will inspire fine art photographers to challenge preconceived concepts, overcome creative block, and become part of the new avant-garde.

Both pragmatic and motivational, this book addresses what it means to have a successful long-term career in the arts, taking stock of the current landscape of the art world, introducing new venues in the field, reflecting on issues of social media and exhibition, and ultimately encouraging artists to take control of their professional lives. Weaving conversations from a range of internationally based artists who have negotiated alternative paths to success, lauded artist and teacher Stacy Miller provides a practical, lively reflection on what it takes to be an artist in our new global landscape. This book covers practical needs, different approaches, and philosophical ways of creating a life and career in the arts. It lays out conventional and nonconventional means to representation, describes being an entrepreneur versus funding independent creative projects, and examines social media for the potential powerhouse it is. Most importantly, it gives artists a way to think about being a professional and the different paths to a successful career in the arts. Perfect for emerging, mid-career, and experienced artists, this book encourages readers to redefine personal success and to act locally, nationally, and internationally in an expanding art world.

The first photographic exploration of the post-war modernist architecture of Greater London, from Barking and Brent to Sutton and Waltham Forest. Simon Phipps' photographs of the modernist architecture of Greater London explores the form and beauty of these post-war buildings. Following on from his iconic first book Brutal London, this sequel expands his survey beyond London's inner zones through to the outer perimeters of London, encircled by the M25. From Croydon to Thamesmead, Wood Green to Willesden, the modernist ambition, scale and structure of these buildings are starkly rendered in his acclaimed photographs. He offers us a chance to look at these everyday buildings in residential, retail and leisure hubs again and appreciate the civic optimism and bold architecture of the 1960s and 70s. Brutal Outer London is a design-led hardback. With maps and detailed listings of all architecture photographed, it enables readers to explore Brutalism on foot, train or bus across Outer London.

On Friday 17 April 2015, photographer Quintin Lake set off from the steps of St Paul’s Cathedral on a five-year journey that would take him around the entire coastline of mainland Britain. Armed with twenty kilos of hiking and photography gear, he walked 11,000 kilometres in 454 days with one goal in mind: to produce a body of photographic work that gets under the surface of the island nation that we call home.

Carefully curated with over 1,300 photos and interspersed with stories of Quintin’s adventures, this book is an immersive visual experience that showcases Britain as you’ve never seen it before. Discover charming seaside towns such as Staithes in Yorkshire, venture to the desert landscape of Dungeness in Kent and marvel at the beautiful desolation of Scotland’s Knoydart Peninsula. Explore the contrast between industry and nature along the Welsh coast path, where plumes of steam rising from the Port Talbot steelworks are as jaw-dropping as the stunning Worm’s Head on the Gower Peninsula. And follow Quintin as he narrates the monumental challenges of wild camping – from battling with midges and stress fractures, to clambering up cliffs to escape a rising tide. Filled with striking photos that capture the glorious and often surprising world between land and sea, The Perimeter is a celebration of Britain – a small island with a vast coastline.

Aperture magazine presents "Celebrations," an issue that considers how photographs envision ceremonies, festivities' and allow us to discover euphoria in the everyday. Throughout the issue, photographers portray exuberance against a backdrop of political strife in Beirut, pursue the thrill of wanderlust, excavate family histories, and respond to the powerful, constant urge to gather. Whether in Kinshasa's vibrant nightlife of the 1950s and '60s or London's sweaty dance floors of our era, jubilation carries on, despite an ongoing, and unpredictable, pandemic. In "Celebrations," Lynne Tillman contributes a survey of landmark images of celebration through the years, by artists from Malick Sidibe and Peter Hujar to LaToya Ruby Frazier. Several profiles and essays-including Alistair O'Neill on Jamie Hawkesworth, Moeko Fuiji on Rinko Kawauchi, Tiana Reid on Shikeith, Mona El Tahawy on Miriam Boulos, and Anakwa Dwamena on Marilyn Nance's views of Lagos, Nigeria during FESTAC '77-reveal the celebratory gestures embedded in vibrant portraiture, serene slants of light, unbound queer desire, and joyous cross-cultural exchange.

Now available for the first time in paperback, Photography and social movements is the first thorough study of photography's interrelationship with social movements. Focusing on photographic production and dissemination during the student and worker uprising in Paris in May 1968, the Zapatista rebellion, and the anti-capitalist protests in Genoa in 2001, the book argues that at times of political uprisings, photographic documentations, often contradictory, strive to prevail in the public domain, extending the political or economic struggle to a representational level. Photography plays a central role in this representational conflict, by either reproducing or challenging stereotypical narratives of protest. This groundbreaking interdisciplinary analysis of a wide range of practices - amateur and professional - and of previously unpublished archival material will add considerably to students', researchers' and scholars' knowledge of both the visual imagery of political movements and the developing history of photographic representation. -- .

"He used his camera like a doctor would use a stethoscope in order to diagnose the state of the heart. His own was vulnerable.", Cartier-Bresson wrote about David Seymour, who liked to be called Chim. Chim is best known as one of the cofounders of photojournalism's famous cooperative Magnum Photos. Weaving Chim's life and work, this book discovers this empathetic photographer who has been called "The First Human Rights Photographer". In 1947, Chim was one of the four cofounders of the Magnum Photos cooperative with Robert Capa, Henri Cartier-Bresson and George Rodger. He also wrote Magnum's 1955 bylaws, which are still in effect today. But he is the only one of those famous photographers who does not have a full biography to his name. This book examines his life and work from Poland to France to the Spanish Civil War, his work for British intelligence during World War II, his reportage on Europe's children after the war, his reportages on Italian actors, illiteracy and religious festivals in Southern Italy, his coverage of Israel's beginnings before his 1956 death during the Suez war. His complex itinerary is emblematic of the displacements and passages of the XXth century.

This book examines the role of photography and visual culture in the emergence of ecological science between 1895 and 1939.

On December 7, 1941, America's hopes of remaining neutral in World War II disappeared in the oily smoke that roiled from her battleships burning at Pearl Harbor. The nation faced Herculean tasks to strike back against the Imperial Japanese military that had attacked her. Victory demanded crossing thousands of miles of ocean, creating new weapons, and arming hundreds of thousands of young men to fight their way across a series of desolate islands that a fanatical enemy had fortified to exact the highest possible price from the American troops. Historic Photos of World War II: Pearl Harbor to Japan portrays this epic story, using black-and-white photographs selected from the finest archives and private collections. From the sinking of the Arizona to the raising of the Stars and Stripes over Japan, Historic Photo of World War II: Pearl Harbor to Japan depicts in a way mere words cannot the determination, struggle, and sacrifices of America's fighting men as they rose to the challenge of liberating free peoples of the Pacific from a conquering invader.

Portraits are everywhere. One finds them not only in museums and galleries, but also in newspapers and magazines, in the homes of people and in the boardrooms of companies, on stamps and coins, on millions of cell phones and computers. Despite its huge popularity, however, portraiture hasn't received much philosophical attention. While there are countless art historical studies of portraiture, contemporary philosophy has largely remained silent on the subject. This book aims to address that lacuna. It brings together philosophers (and philosophically minded historians) with different areas of expertise to discuss this enduring and continuously fascinating genre. The chapters in this collection are ranged under five broad themes. Part I examines the general nature of portraiture and what makes it distinctive as a genre. Part II looks at some of the subgenres of portraiture, such as double portraiture, and at some special cases, such as sport card portraits and portraits of people not present. How emotions are expressed and evoked by portraits is the central focus of Part III, while Part IV explores the relation between portraiture, fiction, and depiction more generally. Finally, in Part V, some of the ethical issues surrounding portraiture are addressed. The book closes with an epilogue about portraits of philosophers. Portraits and Philosophy tangles with deep questions about the nature and effects of portraiture in ways that will substantially advance the scholarly discussion of the genre. It will be of interest to scholars and students working in philosophy of art, history of art, and the visual arts.

A lethal cocktail of memoir and criticism.

A documentary through the speaker's post-adolescent relationships.

An arrangement of time in Chemnitz, Bergen, Dublin, Paris, Gwangju, Munich and Madrid.

An intimate portrayal of unstable masculinity and sexual repression.

A study in artifice, honesty, faith and the image.

An autobiography of a compulsive liar.

Brave, wild, and genre-bending, Tunnel Vision launches one of the finest new essayists around.

An award-winning author presents a portrait of Black America in the nineteenth century Over the course of two decades, award-winning poet Patricia Smith has amassed a collection of rare nineteenth-century photographs of Black men, women, and children who, in these pages, regard us from the staggering distance of time. Unshuttered is a vessel for the voices of their incendiary and critical era. Smith’s searing stanzas and revelatory language imbue the subjects of the photos with dynamism and revived urgency while she explores how her own past of triumphs and losses is linked inextricably to their long-ago lives: We ache for fiction etched in black and white. Our eyes never touch. These tragic grays and bustles, mourners’ hats plopped high upon our tamed but tangled crowns, strain to disguise what yearning does with us. The poet’s unrivaled dexterity with dramatic monologue and poetic form reanimates these countenances, staring back from such yesterdays, and the stories they may have told. This is one of American literature’s finest wordsmiths doing what she does best—unreeling history to find its fierce and formidable lyric.

Bedevilled by the demons of self-doubt, fear of failure or lack of inspiration? Lay waste to your mind-forged monsters with the help of Creative Demons and How to Slay Them.

If you’ve ever embarked on a creative endeavour, then there’s a good chance you’ll have been bedevilled by self-doubt, fear of failure or a lack of inspiration at some point along the way. This book will help you to banish those mind-forged monsters one by one, no matter how grotesque or scary they may be.

Drawing on inspirational anecdotes from art, philosophy, neuroscience, nature, music and contemporary culture, creativity expert Richard Holman provides you with your very own mental armoury to see you through every stage of the creative process. By learning through the experiences of such creative luminaries as Leonardo da Vinci, Marina Abramovic, J.K. Rowling, Dr Seuss and Herbie Hancock, you’ll find out how best to overcome the perils of procrastination, the sting of criticism, the seductive tug of convention or the gnawing feeling that you’re not up to it.

It’s time to say farewell to your demons and make your next creative project the very best it can be.

Cats were seen as omens in ancient times but eventually became trusted animal companions to those who sailed the seas. From catching rats at docks and on ships at sea, cats often became mascots to the navies around the globe. Filled with informative text and more than eighty photos, Cats in the Navy provides a fun history of our feline friends who rode the waves with us.