"Shooting Back caught my attention. Way to go, Jim Hubbard." --Oprah Winfrey

"Shooting Back is wonderful and should be supported in every way possible." --Hillary Rodham Clinton

"There is the photojournalism that is objective, and then there is the photojournalism that is purposefully provocative. Jim hubbard has found time to practice both." --The Washington Post

"Jim and Shooting Back gives ... us all hope." --Maria Shriver, NBC news

"His photos are powerful. His theme is strong and honest. Jim's faith story is compelling, enabled by the grace and love of God. There is a human joy. Jim Hubbard is a very special person, and I am proud to know him. --Martin Sheen

"Jim Hubbard's photos are a worthy continuation of the tradition of American documentary photography that has tried to give voice to the voiceless. Through his sensitivity we feel that these are people and not just a problem. --Peter Howe, director of photography, LIFE magazine

"Jim Hubbard reached a position which any photographer would envy. He has embarked on a task which is difficult and rarely lucrative. Jim spends his time in our ghettos, our poverty-filled streets. He is an artist photographing the poor, impoverished to heighten the public's awareness. Jim should serve as an example to us all." --US House of Representatives Majority Whip Tony Coelho, D-CA

"I was very moved and touched by your book. God has redeemed, is redeeming, the searing pain of your loss. Your story greatly encourages me." --Rankin Wilbourne, senior pastor, Pacific Crossroads Church, Santa Monica, California

Liberia, once a beacon of hope and safe haven for oppressed people everywhere, went into flames on Christmas Eve in 1989. Instead of people escaping suppression in other countries, running and seeking a refuge to call their new home, Liberians ran from hell fire seeking refuge outside their country.

This book, When Darkness Fall, tells the sad, shameful story of an ethnic and political blood bath that this once peaceful nation brought upon itself. Written and photographically illustrated by an icon of Liberian photography, Greg Stemn, the book is an exposition by a photojournalist who not only witnessed the events of this horrific war, but felt the pains and agonies it inflicted on the Liberian people.

"Masterpiece of Photography .... A cry for reconciliation and justice and peace ... What do you see?"

Newcastle is England's most northerly city and shares a long history with Gateshead, its neighbour on the south side of the River Tyne. The two, city and town respectively, are a heady mix of the old and new; both were industrial powerhouses during the 19th Century that have successfully embraced recent change, reinventing themselves as vibrant places of entertainment and culture. With this book in hand, journey over and under the Tyne to discover treasures such as the steam turbine ship Turbinia, a sleekly streamlined example of north-eastern mechanical know-how; wander across the wide-open space of the Town Moor, where President Jimmy Carter has the right to graze cattle; take in Saltwell Towers, an eccentric castle in the leafy surroundings of Saltwell Park; then top it all off with a pint in a pub where the ghost of Charles I may well make an appearance. Written by a Geordie, this book will help you explore the quirkier side of both Newcastle and Gateshead, and discover their hidden gems.

Picturing America: Photography and the Sense of Place argues that photography is a prevalent practice of making American places. Its collected essays epitomize not only how pictures situate us in a specific place, but also how they create a sense of such mutable place-worlds. Understanding photographs as prime sites of knowledge production and advocates of socio-political transformations, a transnational set of scholars reveals how images enact both our perception and conception of American environments. They investigate the power photography yields in shaping our ideas of self, nation, and empire, of private and public space, through urban, landscape, wasteland and portrait photography. The volume radically reconfigures how pictures alter the development of American places in the past, present, and future.

When the revolutionary technology of photography erupted in American culture in 1839, it swiftly became, in the day's parlance, a ""mania."" This richly illustrated book positions vernacular photography at the center of the study of nineteenth-century American religious life. As an empirical tool, photography captured many of the signal scenes of American life, from the gold rush to the bloody battlefields of the Civil War. But photographs did not simply display neutral records of people, places, and things; rather, commonplace photographs became inscribed with spiritual meaning, disclosing, not merely signifying, a power that lay beyond. Rachel McBride Lindsey demonstrates that what people beheld when they looked at a photograph had as much to do with what lay outside the frame - with theological expectations, for example - as with what the camera had recorded. Whether studio portraits tucked into Bibles, postmortem portraits with locks of hair attached, ""spirit"" photography, stereographs of the Holy Land, or magic lanterns used in biblical instruction, photographs were curated, beheld, displayed, and valued as physical artifacts that functioned both as relics and as icons of religious practice. Lindsey's interpretation of ""vernacular"" as an analytic introduces a way to consider anew the cultural, social, and material reach of religion.

This early work by photographer James E Abbe is both expensive and hard to find in its first edition. It contains photographs and a travelogue of Abbe s journey through Russia to capture images of Stalin and Russian life. This fascinating work is highly recommended for anyone interested in the history of Russia and its politics in the early twentieth century. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

With the bridge of entry provided by Ken Pienkos and Staff from the new Oxford Library, Whisperings Along the Octoraro is a transformational journey of poetry replete with photographs through the rolling hills of Chester County from its early roots, Indian Hannah with its bucolic farms, Frozen in Time teaming with wildlife: Reinventing Wilderness, Wildlife on the Brink of Discovery; its Amish in Tradition; its celebrated artists like Andrew Wyeth "On Meeting Face to Face," and its artisans, "Marquetry" as well as the plight of the homeless man in "Who Will Take You in, Arvin?" It's a celebration of the enduring values which have been promulgated by the attributes of the thrifty Hausfrau in "Nana's Jewels" and "Kitchen Life" with a penchant for Goethe and Shiller, and the philosophical father in "The Art of Pipe Smoking." Interspersed within are Love Knots, Spun Jewels, and Natural Wonders, "The Maternal Spinster: " Is there a way, we can duplicate your fail-safe instincts, delicate sensory hairs, or the silken threads of your woven nursery, maternal spinster with your fine lines of sensibilities? Let Freedom Ring is an affirmation of the spirit of Americans, stirring the fires of a core belief--united we're free, divided we fall--duty-bound for freedom's call, while the "Peace Rose" containing the colors of many roses beckons the young to circumvent old battlelines drawn The meaning of life is confronted in When is it Time to Die first with our favorite pets, then the people we love best. Stripped bare, defenses lowered, we can absorb the beauty around like a flower past its bloom all shriveled up except for the essence reflected in the soft forgiving light of the moon.......but evenstrategy has certain bounds, deciding the perfect time to go, God alone is discriminating saving soul by soul. The photographs serve to capture the essence of the area with a special ethereal warmth and glow illuminating from the eloquence within.