Willem Pretorius is een van ons voorste skilders wat die Suid-Afrikaanse platteland vasvat met soortgelyke patos as Walter Meyer, aan wie alle skilders in hierdie genre hulde bring. Sy skilderye is amper foto-realisties maar inspireer tog ʼn sekere gevoel van nostalgie na ʼn verlore onskuld, na die sogenaamde goeie ou dae wat nie vir almal goed was nie. Daar is ook ʼn afstandelikheid, ʼn gebrek aan kommentaar: Die landskap spreek vir homself.

Die boek bevat kleurafdrukke, professioneel gefotografeer, van sy 50 jongste werke, ʼn goeie mengsel van sy gebruiklike onderwerpe: huise, treine, versaakte swembaddens, landskappe, ou karre en gekrokte bakkies, plattelandse winkels, huise en dorpstonele, ensovoorts.

Elke skildery is begelei deur ʼn skryfsel van ʼn bekende skrywer, musikant, digter of skilder. Dis nie ʼn beskrywing of tegniese ontleding van die skildery nie, eerder vry assosiasie, ʼn kort kortverhaal, ʼn herinneringskets. Elk is ongeveer 500 woorde en beslaan dus nie meer as een bladsy nie; die bladsy langs die skildery wat dit geïnspireer het.

Spirit of Africa transports you to some of the continent’s last remaining wild places. This selection of powerful landscape, wildlife and people images, underpinned by evocative, sometimes poignant, personal anecdotes and hard-hitting conservation stories, reflect Scott’s deep connection with nature. Spirit of Africa is a call to the modern world to recognise that the protection of African wilderness is now more important than ever – not only for the preservation of biodiverse landscapes and endangered species, but also to fortify the human spirit.

• The most extensive collection of fine-art imagery from Africa’s national parks and wilderness in countries including South Africa, Botswana, Namibia, Zambia, Zimbabwe, Tanzania, Kenya, Rwanda, Republic of Congo, Democratic Republic of Congo, Mozambique, São Tomé and Príncipe.
• 150 spectacular, large-scale images, both colour and black and white, of landscapes, wildlife, ocean, rivers, skies and people.
• Insightful and science-informed text that highlights many of the conservation challenges facing iconic species such as lions, elephants and pangolins.
• Explores the essential personal connection that all humans around the world have with African wilderness.
• Images of animals include the gorillas of Congo, the wildebeest migration in Serengeti and the flying lions of Busanga Plains in Zambia, but also less obvious – yet no less fascinating – subjects such as bees and geckos.

"Around South Africa in Eighteen Days" documents the author's journey to the country s most scenic and photogenic areas.

The book is divided into eighteen sections, each one representing a day in a different area. The beautiful photographs and witty captions make for pleasant reading and for contemplating your own trip to far-flung regions.

The book may also inspire readers to move away from their coffee tables and couches and make the eighteen-day trip themselves, as it gives practical advice on the route and the photographic equipment that is needed to make this journey a successful photographic expedition

Lions are the stuff of legends. Revered and feared in equal measure, both majestic and terrifying, they once reigned supreme over an extensive domain. But this once-dominant beast’s original range has contracted by some 85%, and the world population is thought to have dropped to just over 20,000 individuals. The IUCN Red Data List now classifies lions as Vulnerable, and the West African subpopulation as Critically Endangered.

Not only are lion numbers crashing, but the remaining populations cling to their existence on ever smaller, more fragmented pockets of land. Feared and despised by farmers trying to eke out a living on marginal land, lions are increasingly being exterminated or repurposed for commercial gain. Trophy hunters pay extortionate sums to bag specimens in their prime, and lion bones are being sold for the roaring Eastern trade in ‘tiger wine’.

This landmark book aims to halt the downward spiral. It takes you on a journey across the continent and into the lives of rangers, scientists and communities, and the majestic creatures they work to conserve. Along with the bad news about today’s lions, it offers a message of hope, showing how innovative conservationists are rethinking our approach to human-lion coexistence.

This book, with its searing, inspiring images and vivid accounts from the experts and foot-soldiers of conservation, brings the plight of lions to the attention of the world and is an urgent plea for the actions that need to be taken before it’s too late.

London a Pictorial Journey is a new collection of 500 stunning, full colour photographs of London by world-renowned travel photographer, Steve Vidler, previous creator of many popular titles, including Portrait of London. As you turn the pages, follow Steve Vidler on a pictorial journey from Greenwich in the East through the heart of London to Windsor in the West. This beautifully presented hardback book offers a visual journey that captures the essence of the capital city.

The relationship between the practice of dance and the technologies of representation have excited artists since the advent of film. Dancers, choreographers, and directors are increasingly drawn to screendance, the practice of capturing dance as a moving image mediated by a camera. While the interest in screendance has grown in importance and influence amongst artists, it has until now flown under the academic radar. Emmy-nominated director and auteur Douglas Rosenberg's groundbreaking book considers screendance as both a visual art form as well as an extension of modern and post-modern dance without drawing artificial boundaries between the two. Both a history and a critical framework, Screendance: Inscribing the Ephemeral Image is a new and important look at the subject. As he reconstructs the history and influences of screendance, Rosenberg presents a theoretical guide to navigating the boundaries of an inherently collaborative art form. Drawing on psycho-analytic, literary, materialist, queer, and feminist modes of analysis, Rosenberg explores the relationships between camera and subject, director and dancer, and the ephemeral nature of dance and the fixed nature of film. This interdisciplinary approach allows for a broader discussion of issues of hybridity and mediatized representation as they apply to dance on film. Rosenberg also discusses the audiences and venues of screendance and the tensions between commercial and fine-art cultures that the form has confronted in recent years. The surge of screendance festivals and courses at universities around the world has exposed the friction that exists between art, which is generally curated, and dance, which is generally programmed. Rosenberg explores the cultural implications of both methods of reaching audiences, and ultimately calls for a radical new way of thinking of both dance and film that engages with critical issues rather than simple advocacy.

This insight into Jamaican dancehall music from acclaimed DJ and producer Diplo is illuminated throughout with stunning, cutting edge photography from Shane McCauley, offering a behind the scenes glimpse of this joyful but little photographed music scene.

One of the few books about photography to come out of the continent and where the majority of contributors are African and work on the continent.

Going beyond photography as an isolated medium to engage larger questions and interlocking forms of expression and historical analysis, Ambivalent gathers a new generation of scholars based on the continent to offer an expansive frame for thinking about questions of photography and visibility in Africa. The volume presents African relationships with photography – and with visibility more generally – in ways that engage and disrupt the easy categories and genres that have characterised the field to date.

Contributors pose new questions concerning the instability of the identity photograph in South Africa; ethnographic photographs as potential history; humanitarian discourse from the perspective of photographic survivors of atrocity photojournalism; the nuanced passage from studio to screen in postcolonial digital portraiture; and the burgeoning visual activism in West Africa.

Showcasing Roger Ballen’s photographic work in colour, these stunning images remain grounded in the chaotic, absurd psychological space of the Ballenesque.

Having previously expressed no interest in colour photography, Roger Ballen was inspired to engage with the medium after receiving a Leica SL camera as a gift in 2016. Opening to the potential of colour in his work, Ballen used light in creative ways, exploring new avenues of experimentation. Spirits and Spaces eloquently captures the absurd and bizarre world of Roger Ballen, where animals and art brut–like drawings dominate, and humanity is reduced to obscure figures or fragmented body parts.

The colour images in Spirits and Spaces, created in conjunction with Ballen’s artistic director, Marguerite Rossouw, were produced in a claustrophobic space, constructed of worn, wallpapered wooden panels and with minimalistic lighting. Here, in this dense, oppressive environment, Ballen creates what might be seen by many as a world that is unexplainable in words: one in which absurdity, chaos, comedy, and tragedy apparently exist side by side.

Both a visual revelation and an artistic evolution by one of contemporary photography’s most unique voices, Spirits and Spaces will be an essential and much-anticipated photobook for all Roger Ballen fans.

This full colour book to the Historic Cotswolds takes you alphabetically through the fascinating and mostly hidden side to the Cotswolds. 100s of pen and ink line drawings by Peter Reardon matching 100s colour photos of the same thing by his son Nicholas Reardon, so one can see things such as a stone crocodile head, with a spring gushing out of its mouth at Compton Abdale, as both a line drawing and colour photograph. The book travels all over the Cotswolds from its very own Stonehenge (Rollright Stones) in the North of the Cotswolds, to a Sham Castle in the South, with lots of strange or old odd things to see on the way, with this book you will soon find the Cotswolds have something of interest for anyone.

A book of evocative and atmospheric photographs taken by Dick Hawkes to create a representative record of this precious and ecologically unique habitat - before much of it is lost to the many threats it faces. Chalk streams have been described as England's "rainforest". Around 85% of the world's chalk streams are in England. They are beautiful, biologically distinct and amazingly rich in wildlife, but are under threat from man-made issues of abstraction, pollution from chemicals and effluent, development for housing, and climate change. Included in the book are images of typical habitats and species of wildlife found in chalk streams and water meadows, highlighting those that are rare or most under threat.

Talent alone isn’t enough. Education is important' Tracey Emin

'Don’t make art for the purpose of a career or success: make art because it is an unstoppable obsession' Shirin Neshat

'You’re not meant to know what you’re doing when you’re young and making art. It’s meant to fill you with dread' Ryan Gander

Weaving artists’ reflections and anecdotes with their invaluable words of advice to aspiring creatives, this inspiring book explores the practical realities of the art world and demystifies the route to professional success.

Survival Notes is an inspiring narrative weaving artists’ reflections on success with advice to aspiring creatives. Featuring direct quotes and exclusive interviews with internationally acclaimed artists such as Anish Kapoor, Shirin Neshat, Tracey Emin, Jesse Darling and Shahzia Sikander, this book offers authoritative counsel on how to thrive in a highly competitive art world as well as thoughtful insights on what it means to be an artist in the twenty-first century.

Nine thematic chapters offer essential guidance on how to negotiate the practical realities of artmaking, with discussions relating to education, self-discipline, gallery representation, mental wellbeing, mentorship and more. In a climate where emerging creatives feel less empowered than ever, Lydia R. Figes provides a hopeful message about perseverance and perspective, while questioning whether the advice given by established practitioners can still be applied today.