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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Design styles > Modernist design & Bauhaus

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Still Modernism - Photography, Literature, Film (Hardcover) Loot Price: R2,442
Discovery Miles 24 420
Still Modernism - Photography, Literature, Film (Hardcover): Louise Hornby

Still Modernism - Photography, Literature, Film (Hardcover)

Louise Hornby

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Loot Price R2,442 Discovery Miles 24 420 | Repayment Terms: R229 pm x 12*

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Still Modernism offers a critique of the modernist imperative to embrace motion, speed, and mobility. In the context of the rise of kinetic technologies and the invention of motion pictures, it claims that stillness is nonetheless an essential tactic of modernist innovation. More specifically, the book looks at the ways in which photographic stillness emerges as a counterpoint to motion and to film, asserting its own clear visibility against the blur of kinesis. Photographic stillness becomes a means to resist the ephemerality of motion and to get at and articulate something real or essential by way of its fixed limits. Combining art history, film studies and literary studies, Louise Hornby reveals how photographers, filmmakers, and writers, even at their most kinetic, did not surrender attention to points of stillness. Rather, the still image, understood through photography, establishes itself as a mode of resistance and provides a formal response to various modernist efforts to see better, to attend more closely, and to remove the fetters of subjectivity and experience. Still Modernism brings together a series of canonical texts, films and photographs, the selection of which reinforces the central claim that stillness does not lurk at the margins of modernism, but was constitutive of its very foundations. In a series of comparisons drawing from literary and visual objects, Hornby argues that still photography allows film to access its own diffuse images of motion; photography's duplicative form provides a serial structure for modernist efforts to represent the face; its iterative structure articulates the jerky rhythms of experimental narrative as perambulation; and its processes of development allow for the world to emerge independent of the human observer. Casting new light on the relationship between photography and film, Hornby situates the struggle between the still and the kinetic at the center of modernist culture.

General

Imprint: Oxford UniversityPress
Country of origin: United States
Release date: October 2017
Authors: Louise Hornby (Associate Professor of English)
Dimensions: 240 x 164 x 21mm (L x W x T)
Format: Hardcover
Pages: 256
ISBN-13: 978-0-19-066122-9
Categories: Books > Arts & Architecture > Photography & photographs > General
Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
Books > Language & Literature > Literature: history & criticism > Literary studies > From 1900
Books > Arts & Architecture > History of art / art & design styles > From 1900 > Design styles > Modernist design & Bauhaus
LSN: 0-19-066122-4
Barcode: 9780190661229

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