Examining imagery of urban space in Britain, France and West Germany up to the early 1960s, this book reveals how photography shaped individual architectural projects and national rebuilding efforts alike. Exploring the impact of urban photography at a pivotal moment in contemporary European architecture and culture, this book addresses case studies spanning the destruction of the war to the modernizing reconfiguration of city spaces, including ruin photobooks about bombed cities, architectural photography of housing projects and imagery of urban life from popular photomagazines, as well as internationally renowned projects like UNESCO's Paris Headquarters, Coventry Cathedral and Berlin's Gedachtniskirche. This book reveals that the ways of seeing shaped in the postwar years by urban photography were a vital aspect of not only discourses on the postwar city but also debates central to popular culture, from commemoration and modernization to democratization and Europeanization. This book will be a fascinating read for researchers in the fields of photography and visual studies, architectural and urban history, and cultural memory and contemporary European history.

African photography has emerged as a significant focus of research and scholarship over the last twenty years, the result of a growing interest in postcolonial societies and cultures and a turn towards visual evidence across the humanities and social sciences. At the same time, many rich and fascinating photographic collections have come to light. This volume explores the complex theoretical and practical issues involved in the study of African photographic archives, based on case studies drawn from across the continent dating from the 19th century to the present day. Chapters consider what constitutes an archive, from the familiar mission and state archives to more local, vernacular and personal accumulations of photographs; the importance of a critical and reflexive engagement with photographic collections; and the question of where and what is 'Africa', as constructed in the photographic archive. Essential reading for all researchers working with photographic archives, this book consolidates current thinking on the topic and sets the agenda for future research in this field.

We hear news reports of the rise of China and its sleepless economy, often with sinister undertones supposed to alarm us. The reality can look very different. German photographer Bernd Hagemann has long been fascinated by China and its people. He carries his camera at all times, because on every street corner you can find people napping in the strangest positions and situations, even snoring in deep slumber. 'When China wakes, she will shake the world', warned Napoleon. This may be true. But let's not forget that hardworking people need their sleep too.

Building on the success of "Hijacked 1. Australia and America" (2008) and "Hijacked 2. Australia and Germany" (2010), this volume is again an expansive photographic anthology. "Hijacked 3" juxtaposes the United Kingdom and Australia and showcases the diverse talents and perspectives of thirty-two contemporary British and Australian photographers.

'While looking through his contact sheets, Harvey Benge noticed that one of his pictures reminded him of a 'Friedlander', another someone else. All photographers do this, and if the photograph in question apes another photographer too closely, it's usually a cause for rejection. But Benge did the opposite. Picking out his 'Friedlander' and his 'Parr' and his 'Baltz' he decided to make an 'anthology' of contemporary photography featuring some of its biggest names. Yet they are all genuine, original Benges. They are also all good pictures, not mere pastiches of the 'originals' of which they gently but insistently remind one. This may be a game, but games can be very serious, and this fascinating book is both a serious and light-hearted exploration of photographic style.' - Gerry Badger.

"The botanical trend tends to grow" - Style-files.com Ultimate Wonder Plants bundles together the best and most beautiful plant-filled interiors from all over the world, inspiring you to create a green oasis of your own. It includes a helpful plant overview section and a number of useful tips and tricks for selecting and maintaining your personal urban jungle. This is the ultimate urban plant bible and a practical reference book, the perfect resource for bringing more green into your daily life. Praise for Wonderplants 2 9789401449274: " A luxuriously illustrated coffee-table book, Wonder Plants may have significant side effects. The overload of green interior design might have you grow green with envy and scurry off to a nearby garden centre." - ELLE

"Light and Photomedia" proposes that, regardless of technological change, the history and future of photomedia are essentially connected to light: it is a fundamental property of photomedia, binding with space and time to form and inform new, explicitly light-based structures and experiences
Jai McKenzie identifies light-space-time structures throughout the history of photomedia, from the early image machines through analogue and digital image machines to the present day. She proposes that they will continue to develop in the future, and takes us to future image machines of the year 2039. With the use of the theories of Paul Virilio, Jean Baudrillard and Vilem Flusser, featuring artists including Henri Cartier-Bresson, Nam June Paik, Yves Klein, Eadweard Muybridge, Martha Rosler, Cindy Sherman and Michael Snow, as well as photographic images, "Light and Photomedia" places the reader in a new history and future which, although mostly overlooked by the canon of photomedia theory, is an essential line of enquiry for contemporary thinking and dialogue in photography.

This book uses the contradictions, fractures and coincidences of a twentieth-century rural landscape to explore new methods of writing place beyond 'new nature writing'. In doing so it opens up new ways of reading modernist artists and writers such as Vanessa Bell, Mary Butts and Paul Nash.

The life and career of Lejaren a Hiller (1880-1969), the American illustrator and photographer who changed the face of advertisement photography. Lejaren a Hiller (1880-1969) pioneered advertising photography for an industry dominated by text and an occasional line drawing. An advertising and editorial photographer in early twentieth-century America, Hiller began his careeras an illustrator. He first recognized photography's potential as a persuasive method to sell products and services, as well as illustrating magazine stories. Best known for his large and exquisitely detailed studio sets that often depicted historical scenarios or exotic foreign lands, Hiller produced thousands of photographs for a variety of clients. The author includes examples from all aspects of Hiller's career, and he examines two of Hiller's most recognizable projects: the 87 Lands campaign for Canadian Club Whisky and Surgery Through the Ages, commissioned by Davis and Geck, a manufacturer of surgical sutures. Doug Manchee is professor of photography and program chair for the School of Photographic Arts and Sciences at Rochester Institute of Technology. He teaches classes in advertising photography and his commercial clients include Adobe Systems, Corning Inc., Xerox, Eastman Kodak, Simpson Paper, Bausch & Lomb, and many others. Manchee's work has been exhibited nationally and internationally in both solo and group exhibitions.

This book introduces a new research agenda for visual peace research, providing a political analysis of the relationship between visual representations and the politics of violence nationally and internationally. Using a range of genres, from photography to painting, it elaborates on how people can become agents of their own image.

Lodestars Anthology: Pathways contains 14 of the best and most carefully selected paths and trails that we have traversed. This book explores and details those pathways, the people, the landscapes and the fascinating things we discovered along the way. The journeys we take have a start and an end point, but we, in this book, want to relish the bit in between. So whether this is a mountain pass in the Italian Alps where we meet highland shepherds, or sprawling, urban grids with a bevy of restaurants and contemporary design, we want to inspire the reader to follow these paths and take precious moments to engage in everything possible through their senses. The book is a guide to these pathways, but goes beyond this to capture and document the lives of the people we meet, the challenges of the trip and the culture and landscapes we find that inspire us to keep on adventuring. 1 A collection of pathways from around the world captured through compelling narrative, high quality photography and key guide points. 2 Documenting how to travel and how to experience everything from the start the end of a journey. 3 The people we meet, the places we discover, the sights we see and the paths we took to discover them.

Dag Petersson offers a comprehensive critique of the philosophy that has dominated 200 years of modern thought, politics, economy, and culture. The basic question is this: why does dialectical metaphysics fail to keep what it promises? What is it about dialectics, that makes it fall into irreducibly distinct variations of itself, when all it promises is to synthesize, to reconcile and make whole what is fragmented and alien to itself? An undisciplined creativity intrinsic to completing reason comes to light through analyses of how dialectical systems begin. Every dialectical philosophy must account for its own birth, and it is at this point, when it also articulates its promise of universal synthesis, that the book discovers a desire for light-writing, or photography. Only the most immediate element light can mediate the necessary self-determination of thought at its origin. Light must begin to write. A philosophical critique of dialectics is therefore also a point of departure for a new aesthetic ontology of photography.

After the Crisis offers a platform for discussions between some of today's leading artists, writers, theorists, curators, and historians aimed at questioning the very status of photography today. Contributors come from the realms of critical theory, fiction, performance art, fashion photography, and museums, as well as film and design, and their conversations bring together history and the contemporary. Comparing the current situation of photographic images with the crisis experienced by representation at the time of the birth of photography, they set our relationship with photographic images in the digital era in perspective. Through these discussions, we come to sense the existential burden of being surrounded by images, while also beginning to grasp the historical depth of a questioning of images that started long before the current generation and engages with crucial political and cultural issues of our time.

Norway has long been an insider tip among road lovers. The Trollstigen is often mentioned in the same breath as legendary passes all over the world. It's important to know that whether you move on two wheels or four, there is so much more to discover here. Curves has set out in search of the absolute highlights and presents exactly that here: breath-taking views, endless winding roads, and gastronomic highlights - all combined to create a travel guide of a very special kind. Norway is presented here as you certainly don't know it - yet! Text in English and German. Also available: Curves: Germany's Coastline | Denmark ISBN 9783667110909

This volume contains the proceedings of the workshop "Astrophotography 87," which was held in Jena, April 21-24, 1987. The workshop was organized by the Central Institute of Astrophysics of the Academy of Sciences of the German Democratic Republic and is the latest in a series devoted to the problems of photography in astronomy. The previous workshops, which have taken place every three years, were held in Edinburgh (1984), Nice (1981) and Geneva (1978). For telescopes with large fields of view, in particular Schmidt telescopes, photographic plates are the only suitable radiation receiver. Thus the effi ciency of the photographic plate determines the quality of the observation. The treatment of the plates in the photographic laboratory is also very im portant. Additional factors affecting the scientific results are the measuring machines and the methods of interpretation. All these topics were discussed in the workshop by the 62 participants (26 from the GDR and 36 from 13 other countries. Thanks go to David Malin, the chairman of the working group "Astropho tography" of the International Astronomical Union, for writing an introduc tory article for the proceedings. I am grateful to all participants who pre sented papers during the workshop for sending in their manuscripts on time. Poster papers are arranged among the other papers according to the topics they treat. All participants also wish to express their thanks to Springer Verlag for publishing the proceedings."

The imaging aspects of radiography have undergone con many sources and was in general freely given when requested siderable change in the last few years and as a teacher of and this is gratefully acknowledged. In particular I would radiography for many years I have often noticed the lack of a like to express my sincere thanks for help and information to comprehensive reference book for students. This book is an Mr J. Day of DuPont (UK) Ltd. particularly for the infor attempt to correct that situation and I hope this text will be mation and illustrations in the chapter on automated film of value not only to student radiographers but also prac handling; Mr D. Harper and Mr R. Black of Kodak Ltd. ; tising radiographers as well. Fujimex Ltd. ; CEA of Sweden; 3M (UK) Ltd. ; Wardray Much of the information is based on personal experiment Products Ltd. ; D. A. Pitman Ltd. ; Agfa-Gevaert; PSR Ltd. and the knowledge gained of students' difficulties in studying for their help with information on silver recovery, and this subject. I have attempted to gather together in one book Radiatron Ltd. for their help with safelighting. All were most all the information required to understand the fundamentals helpful in my many requests for information. of the subject both for examination and for practice. Some To Mrs A. Dalton and Mrs P.

Your camera can help add to your written family legacy. Photographing documents in a library, reading gravestones in a cemetery, copying photographs, and many other useful techniques are fully explained by the author. This informative book was written to address the needs of the novice and the avid shutterbug alike. It offers a complete description of how to use photography in your hobby, including how to buy a camera, tripods, filters, and film types. Use your camera to add a new dimension to your family history.

This book provides a timely reappraisal of one of the most enduring subjects in the history of art - the naked body. Beginning with reflections on what denuding entails and means, the volume then shifts to a consideration of body politics in the context of Black political empowerment, disability, and queer and Indigenous politics of representation. Themes including the animal nude, the male nude, and nudity in childhood are also considered. The final section examines the nude from the perspective of the artist and the artist's model. The book will be of interest to scholars working in art history, comparative literature, cultural studies, gender studies, queer studies, screen studies, and trans studies.

This open access book discusses the functionality of the use of the language of photography in teachers' initial and ongoing training. It analyzes the nature of photography as a representation system, facilitating inquiry and reflection on its practice for teachers and evocating on theories and beliefs that may guide their work in classrooms. Photography is used to represent symbolically and affectively possible contradictions in teaching activities or the inconsistencies between planned teaching tasks and the educational purposes pursued. Resolving these conflicts is one of the ways to promote professional development. This book also describes photo-elicitation and photographic storytelling as work procedures. By analyzing the contributions of these techniques, the development of teachers is improved.

Fragmentation of the Photographic Image in the Digital Age challenges orthodoxies of photographic theory and practice. Beyond understanding the image as a static representation of reality, it shows photography as a linchpin of dynamic developments in augmented intelligence, neuroscience, critical theory, and cybernetic cultures. Through essays by leading philosophers, political theorists, software artists, media researchers, curators, and experimental programmers, photography emerges not as a mimetic or a recording device but simultaneously as a new type of critical discipline and a new art form that stands at the crossroads of visual art, contemporary philosophy, and digital technologies.